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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90A6E4 it is the complementary color #6F591B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90A6E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90A6E4 shade: #95A6DF, #A6B8F2, #B7CAFF, #C8DCFF and #D9EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90A6E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90A6E4 shade: #90A6E4, #7F94D1, #6E82BE, #5D70AB and #4C5E98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90A6E4 shade: #90A6E4, #9090E4, #A790E4, #BE90E4 and #D490E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90A6E4 shade: #90A6E4 and #9090E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90A6E4 shade matches the following richer shades: #90A6E4, #85A0EF and #799BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90A6E4 shade: #90A6E4, #9BABD9, #A6B0CD, #B1B6C2 and #BCBBB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90A6E4 shade: #90D3E4, #90BCE4, #90A6E4, #9090E4 and #A690E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90A6E4 shade: #4D70D4, #6E8BDC, #90A6E4, #B1C0EC and #D2DBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90A6E4 shade: #90A6E4, #DE90E4 and #C8E490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90A6E4 shade: #90A6E4, #E490A6 and #A6E490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90A6E4 shade: #90A6E4, #DE90E4, #E4CD90 and #95E490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90A6E4 shade: #90A6E4, #E490D0, #E4CD90 and #90E4A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

Complementary color

CMYK 0 / 20 / 76 / 56

HEX #6F591B

RGB 111 89 27

HSL 44.29, 0.61%, 0.27%

LAB 38.9, 1.92, 37.52

 

CMYK 33 / 26 / 0 / 13

HEX #95A6DF

RGB 149 166 223

HSL 226.22, 0.54%, 0.73%

LAB 68.74, 7.38, -30.73

 

CMYK 31 / 24 / 0 / 5

HEX #A6B8F2

RGB 166 184 242

HSL 225.79, 0.75%, 0.8%

LAB 75.33, 6.98, -30.83

 

CMYK 28 / 21 / 0 / 0

HEX #B7CAFF

RGB 183 202 255

HSL 224.17, 1%, 0.86%

LAB 81.58, 5.19, -28.09

 

CMYK 22 / 14 / 0 / 0

HEX #C8DCFF

RGB 200 220 255

HSL 218.18, 1%, 0.89%

LAB 87.33, 0.61, -19.24

 

CMYK 15 / 7 / 0 / 0

HEX #D9EEFF

RGB 217 238 255

HSL 206.84, 1%, 0.93%

LAB 93.07, -3.53, -10.53

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 39 / 29 / 0 / 18

HEX #7F94D1

RGB 127 148 209

HSL 224.63, 0.47%, 0.66%

LAB 61.91, 7.81, -33.68

 

CMYK 42 / 32 / 0 / 25

HEX #6E82BE

RGB 110 130 190

HSL 225, 0.38%, 0.59%

LAB 55.07, 8.4, -33.7

 

CMYK 46 / 35 / 0 / 33

HEX #5D70AB

RGB 93 112 171

HSL 225.38, 0.32%, 0.52%

LAB 48.08, 9.11, -33.77

 

CMYK 50 / 38 / 0 / 40

HEX #4C5E98

RGB 76 94 152

HSL 225.79, 0.33%, 0.45%

LAB 40.91, 9.98, -33.9

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 37 / 37 / 0 / 11

HEX #9090E4

RGB 144 144 228

HSL 240, 0.61%, 0.73%

LAB 62.91, 19.89, -42.6

 

CMYK 27 / 37 / 0 / 11

HEX #A790E4

RGB 167 144 228

HSL 256.43, 0.61%, 0.73%

LAB 64.77, 26.26, -39.54

 

CMYK 17 / 37 / 0 / 11

HEX #BE90E4

RGB 190 144 228

HSL 272.86, 0.61%, 0.73%

LAB 66.9, 33, -36.07

 

CMYK 7 / 37 / 0 / 11

HEX #D490E4

RGB 212 144 228

HSL 288.57, 0.61%, 0.73%

LAB 69.14, 39.64, -32.41

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 37 / 37 / 0 / 11

HEX #9090E4

RGB 144 144 228

HSL 240, 0.61%, 0.73%

LAB 62.91, 19.89, -42.6

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 44 / 33 / 0 / 6

HEX #85A0EF

RGB 133 160 239

HSL 224.72, 0.77%, 0.73%

LAB 66.79, 10.9, -42.62

 

CMYK 52 / 38 / 0 / 2

HEX #799BFA

RGB 121 155 250

HSL 224.19, 0.93%, 0.73%

LAB 65.29, 14.25, -51.06

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 19 / 14 / 0 / 20

HEX #A6B0CD

RGB 166 176 205

HSL 224.62, 0.28%, 0.73%

LAB 71.94, 2.62, -15.86

 

CMYK 9 / 6 / 0 / 24

HEX #B1B6C2

RGB 177 182 194

HSL 222.35, 0.12%, 0.73%

LAB 74, 0.62, -6.68

 

CMYK 0 / 1 / 3 / 26

HEX #BCBBB7

RGB 188 187 183

HSL 48, 0.04%, 0.73%

LAB 75.85, -0.38, 2.14

 

CMYK 37 / 7 / 0 / 11

HEX #90D3E4

RGB 144 211 228

HSL 192.14, 0.61%, 0.73%

LAB 80.81, -16.89, -15.09

 

CMYK 37 / 18 / 0 / 11

HEX #90BCE4

RGB 144 188 228

HSL 208.57, 0.61%, 0.73%

LAB 74.51, -4.83, -24.63

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 37 / 37 / 0 / 11

HEX #9090E4

RGB 144 144 228

HSL 240, 0.61%, 0.73%

LAB 62.91, 19.89, -42.6

 

CMYK 27 / 37 / 0 / 11

HEX #A690E4

RGB 166 144 228

HSL 255.71, 0.61%, 0.73%

LAB 64.69, 25.97, -39.69

 

CMYK 64 / 47 / 0 / 17

HEX #4D70D4

RGB 77 112 212

HSL 224.44, 0.61%, 0.57%

LAB 49.4, 19.12, -55.35

 

CMYK 50 / 37 / 0 / 14

HEX #6E8BDC

RGB 110 139 220

HSL 224.18, 0.61%, 0.65%

LAB 58.93, 12.02, -44.58

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 25 / 19 / 0 / 7

HEX #B1C0EC

RGB 177 192 236

HSL 224.75, 0.61%, 0.81%

LAB 77.94, 4.36, -23.53

 

CMYK 14 / 10 / 0 / 4

HEX #D2DBF4

RGB 210 219 244

HSL 224.12, 0.61%, 0.89%

LAB 87.43, 1.88, -13.23

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 3 / 37 / 0 / 11

HEX #DE90E4

RGB 222 144 228

HSL 295.71, 0.61%, 0.73%

LAB 70.23, 42.69, -30.64

 

CMYK 12 / 0 / 37 / 11

HEX #C8E490

RGB 200 228 144

HSL 80, 0.61%, 0.73%

LAB 86.89, -22.84, 37.99

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 0 / 37 / 27 / 11

HEX #E490A6

RGB 228 144 166

HSL 344.29, 0.61%, 0.73%

LAB 68.89, 34.6, 1.86

 

CMYK 27 / 0 / 37 / 11

HEX #A6E490

RGB 166 228 144

HSL 104.29, 0.61%, 0.73%

LAB 84.8, -34.91, 34.86

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 3 / 37 / 0 / 11

HEX #DE90E4

RGB 222 144 228

HSL 295.71, 0.61%, 0.73%

LAB 70.23, 42.69, -30.64

 

CMYK 0 / 10 / 37 / 11

HEX #E4CD90

RGB 228 205 144

HSL 43.57, 0.61%, 0.73%

LAB 83, -0.56, 33.32

 

CMYK 35 / 0 / 37 / 11

HEX #95E490

RGB 149 228 144

HSL 116.43, 0.61%, 0.73%

LAB 83.91, -40.45, 33.53

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 0 / 37 / 9 / 11

HEX #E490D0

RGB 228 144 208

HSL 314.29, 0.61%, 0.73%

LAB 70.17, 41.02, -19.64

 

CMYK 0 / 10 / 37 / 11

HEX #E4CD90

RGB 228 205 144

HSL 43.57, 0.61%, 0.73%

LAB 83, -0.56, 33.32

 

CMYK 37 / 0 / 29 / 11

HEX #90E4A3

RGB 144 228 163

HSL 133.57, 0.61%, 0.73%

LAB 84, -38.87, 23.88

 

Description

Color code: HEX #90A6E4 | qconv.com Color code: HEX #90A6E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 166 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 166 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 27 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 27% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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