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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90EFA4 it is the complementary color #6F105B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90EFA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90EFA4 shade: #95EF9F, #A6FFB2, #B7FFC5, #C8FFD8 and #D9FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90EFA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90EFA4 shade: #90EFA4, #7FDD91, #6ECB7E, #5DB96B and #4CA758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90EFA4 shade: #8FEFA3, #95EF8F, #AEEF8F, #C8EF8F and #E2EF8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90EFA4 shade: #8FEFA3, #8FEFBD, #8FEFD7, #8FEDEF and #8FD3EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90EFA4 shade matches the following richer shades: #8FEFA3 and #85F99D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90EFA4 shade: #8FEFA3, #99E4A9, #A4DAAF, #AED0B5 and #B8C5BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90EFA4 shade: #AFEF8F, #95EF8F, #8FEFA2, #8FEFBC and #8FEFD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90EFA4 shade: #47E468, #6BE985, #8FEFA3, #B3F4C1 and #D7F9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90EFA4 shade: #90EFA4, #8FC8EF and #EF8FA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90EFA4 shade: #90EFA4, #A28FEF and #EFA28F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90EFA4 shade: #90EFA4, #8FC8EF, #EF8FDB and #EFB58F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90EFA4 shade: #90EFA4, #8FACEF, #EF8FDB and #EFD28F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 31 / 6

HEX #90EFA4

RGB 144 239 164

HSL 132.63, 0.75%, 0.75%

LAB 87.16, -43.57, 27.68

 

Complementary color

CMYK 0 / 86 / 18 / 56

HEX #6F105B

RGB 111 16 91

HSL 312.63, 0.75%, 0.25%

LAB 25.28, 46.81, -20

 

CMYK 38 / 0 / 33 / 6

HEX #95EF9F

RGB 149 239 159

HSL 126.67, 0.74%, 0.76%

LAB 87.3, -42.94, 30.44

 

CMYK 35 / 0 / 30 / 0

HEX #A6FFB2

RGB 166 255 178

HSL 128.09, 1%, 0.83%

LAB 92.94, -41.81, 28.58

 

CMYK 28 / 0 / 23 / 0

HEX #B7FFC5

RGB 183 255 197

HSL 131.67, 1%, 0.86%

LAB 94.15, -33.44, 20.73

 

CMYK 22 / 0 / 15 / 0

HEX #C8FFD8

RGB 200 255 216

HSL 137.45, 1%, 0.89%

LAB 95.48, -24.77, 13.02

 

CMYK 15 / 0 / 8 / 0

HEX #D9FFEB

RGB 217 255 235

HSL 148.42, 1%, 0.93%

LAB 96.93, -15.93, 5.48

 

CMYK 40 / 0 / 31 / 6

HEX #90EFA4

RGB 144 239 164

HSL 132.63, 0.75%, 0.75%

LAB 87.16, -43.57, 27.68

 

CMYK 43 / 0 / 34 / 13

HEX #7FDD91

RGB 127 221 145

HSL 131.49, 0.58%, 0.68%

LAB 80.89, -43.8, 28.83

 

CMYK 46 / 0 / 38 / 20

HEX #6ECB7E

RGB 110 203 126

HSL 130.32, 0.47%, 0.61%

LAB 74.53, -44.01, 30.05

 

CMYK 50 / 0 / 42 / 27

HEX #5DB96B

RGB 93 185 107

HSL 129.13, 0.4%, 0.55%

LAB 68.08, -44.15, 31.34

 

CMYK 54 / 0 / 47 / 35

HEX #4CA758

RGB 76 167 88

HSL 127.91, 0.37%, 0.48%

LAB 61.55, -44.18, 32.71

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 38 / 0 / 40 / 6

HEX #95EF8F

RGB 149 239 143

HSL 116.25, 0.75%, 0.75%

LAB 87.05, -45.4, 38.13

 

CMYK 27 / 0 / 40 / 6

HEX #AEEF8F

RGB 174 239 143

HSL 100.63, 0.75%, 0.75%

LAB 88.31, -37.35, 40.01

 

CMYK 16 / 0 / 40 / 6

HEX #C8EF8F

RGB 200 239 143

HSL 84.38, 0.75%, 0.75%

LAB 89.86, -28.21, 42.31

 

CMYK 5 / 0 / 40 / 6

HEX #E2EF8F

RGB 226 239 143

HSL 68.13, 0.75%, 0.75%

LAB 91.63, -18.53, 44.93

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD7

RGB 143 239 215

HSL 165, 0.75%, 0.75%

LAB 88.2, -33.84, 2.7

 

CMYK 40 / 1 / 0 / 6

HEX #8FEDEF

RGB 143 237 239

HSL 181.25, 0.75%, 0.75%

LAB 88.28, -27.35, -9.75

 

CMYK 40 / 12 / 0 / 6

HEX #8FD3EF

RGB 143 211 239

HSL 197.5, 0.75%, 0.75%

LAB 81.1, -14.38, -20.51

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 47 / 0 / 37 / 2

HEX #85F99D

RGB 133 249 157

HSL 132.41, 0.91%, 0.75%

LAB 89.47, -51.99, 34.22

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 33 / 0 / 26 / 11

HEX #99E4A9

RGB 153 228 169

HSL 132.8, 0.58%, 0.75%

LAB 84.55, -35.11, 21.59

 

CMYK 25 / 0 / 20 / 15

HEX #A4DAAF

RGB 164 218 175

HSL 132.22, 0.42%, 0.75%

LAB 82.45, -25.85, 15.62

 

CMYK 16 / 0 / 13 / 18

HEX #AED0B5

RGB 174 208 181

HSL 132.35, 0.27%, 0.75%

LAB 80.43, -16.5, 9.67

 

CMYK 7 / 0 / 5 / 23

HEX #B8C5BB

RGB 184 197 187

HSL 133.85, 0.1%, 0.75%

LAB 78.29, -6.33, 3.47

 

CMYK 27 / 0 / 40 / 6

HEX #AFEF8F

RGB 175 239 143

HSL 100, 0.75%, 0.75%

LAB 88.37, -37.01, 40.1

 

CMYK 38 / 0 / 40 / 6

HEX #95EF8F

RGB 149 239 143

HSL 116.25, 0.75%, 0.75%

LAB 87.05, -45.4, 38.13

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA2

RGB 143 239 162

HSL 131.88, 0.75%, 0.75%

LAB 87.09, -44.19, 28.58

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBC

RGB 143 239 188

HSL 148.13, 0.75%, 0.75%

LAB 87.58, -39.46, 15.89

 

CMYK 40 / 0 / 11 / 6

HEX #8FEFD5

RGB 143 239 213

HSL 163.75, 0.75%, 0.75%

LAB 88.15, -34.28, 3.68

 

CMYK 69 / 0 / 54 / 11

HEX #47E468

RGB 71 228 104

HSL 132.61, 0.74%, 0.59%

LAB 80.64, -65.7, 48.33

 

CMYK 54 / 0 / 43 / 9

HEX #6BE985

RGB 107 233 133

HSL 132.38, 0.74%, 0.67%

LAB 83.49, -55.93, 38.17

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 27 / 0 / 21 / 4

HEX #B3F4C1

RGB 179 244 193

HSL 132.92, 0.75%, 0.83%

LAB 90.84, -30.26, 18.14

 

CMYK 14 / 0 / 11 / 2

HEX #D7F9DE

RGB 215 249 222

HSL 132.35, 0.74%, 0.91%

LAB 94.94, -15.97, 9.29

 

CMYK 40 / 0 / 31 / 6

HEX #90EFA4

RGB 144 239 164

HSL 132.63, 0.75%, 0.75%

LAB 87.16, -43.57, 27.68

 

CMYK 40 / 16 / 0 / 6

HEX #8FC8EF

RGB 143 200 239

HSL 204.38, 0.75%, 0.75%

LAB 78.1, -8.64, -25.08

 

CMYK 0 / 40 / 32 / 6

HEX #EF8FA2

RGB 239 143 162

HSL 348.13, 0.75%, 0.75%

LAB 69.9, 38.53, 5.72

 

CMYK 40 / 0 / 31 / 6

HEX #90EFA4

RGB 144 239 164

HSL 132.63, 0.75%, 0.75%

LAB 87.16, -43.57, 27.68

 

CMYK 32 / 40 / 0 / 6

HEX #A28FEF

RGB 162 143 239

HSL 251.88, 0.75%, 0.75%

LAB 64.61, 28.18, -45.9

 

CMYK 0 / 32 / 40 / 6

HEX #EFA28F

RGB 239 162 143

HSL 11.88, 0.75%, 0.75%

LAB 73.66, 26.31, 21.5

 

CMYK 40 / 0 / 31 / 6

HEX #90EFA4

RGB 144 239 164

HSL 132.63, 0.75%, 0.75%

LAB 87.16, -43.57, 27.68

 

CMYK 40 / 16 / 0 / 6

HEX #8FC8EF

RGB 143 200 239

HSL 204.38, 0.75%, 0.75%

LAB 78.1, -8.64, -25.08

 

CMYK 0 / 40 / 8 / 6

HEX #EF8FDB

RGB 239 143 219

HSL 312.5, 0.75%, 0.75%

LAB 71.63, 46.88, -23.38

 

CMYK 0 / 24 / 40 / 6

HEX #EFB58F

RGB 239 181 143

HSL 23.75, 0.75%, 0.75%

LAB 78.1, 16.24, 27.52

 

CMYK 40 / 0 / 31 / 6

HEX #90EFA4

RGB 144 239 164

HSL 132.63, 0.75%, 0.75%

LAB 87.16, -43.57, 27.68

 

CMYK 40 / 28 / 0 / 6

HEX #8FACEF

RGB 143 172 239

HSL 221.88, 0.75%, 0.75%

LAB 70.58, 6.63, -36.66

 

CMYK 0 / 40 / 8 / 6

HEX #EF8FDB

RGB 239 143 219

HSL 312.5, 0.75%, 0.75%

LAB 71.63, 46.88, -23.38

 

CMYK 0 / 12 / 40 / 6

HEX #EFD28F

RGB 239 210 143

HSL 41.88, 0.75%, 0.75%

LAB 85.21, 1.07, 36.91

 

Description

Color code: HEX #90EFA4 | qconv.com Color code: HEX #90EFA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 239 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 239 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 31 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 31% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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