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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91D85A it is the complementary color #6E27A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91D85A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91D85A shade: #96D855, #A7EA68, #B8FC7B, #C9FF8E and #DAFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91D85A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91D85A shade: #91D85A, #80C647, #6FB434, #5EA221 and #4D900E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91D85A shade: #90D859, #B3D859, #D5D859, #D8B959 and #D89759

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91D85A shade: #90D859, #6ED859, #59D866, #59D888 and #59D8AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91D85A shade matches the following richer shades: #90D859, #8EE849 and #8CF938

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91D85A shade: #90D859, #93C76A, #95B77A, #97A68B and #99969B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91D85A shade: #D6D859, #B4D859, #92D859, #70D859 and #59D864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91D85A shade: #66B52A, #7AD038, #90D859, #A7E07B and #BDE79C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91D85A shade: #91D85A, #59D8B8 and #D859C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91D85A shade: #91D85A, #5992D8 and #D85992

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91D85A shade: #91D85A, #59D8B8, #9F59D8 and #D85979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91D85A shade: #91D85A, #59D1D8, #9F59D8 and #D86059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 58 / 15

HEX #91D85A

RGB 145 216 90

HSL 93.81, 0.62%, 0.6%

LAB 79.54, -43.21, 54.05

 

Complementary color

CMYK 33 / 76 / 0 / 35

HEX #6E27A5

RGB 110 39 165

HSL 273.81, 0.62%, 0.4%

LAB 32.88, 53.03, -54.41

 

CMYK 31 / 0 / 61 / 15

HEX #96D855

RGB 150 216 85

HSL 90.23, 0.63%, 0.59%

LAB 79.76, -41.92, 56.55

 

CMYK 29 / 0 / 56 / 8

HEX #A7EA68

RGB 167 234 104

HSL 90.92, 0.76%, 0.66%

LAB 86.04, -42.03, 55.6

 

CMYK 27 / 0 / 51 / 1

HEX #B8FC7B

RGB 184 252 123

HSL 91.63, 0.96%, 0.74%

LAB 92.24, -42.08, 54.55

 

CMYK 21 / 0 / 44 / 0

HEX #C9FF8E

RGB 201 255 142

HSL 88.67, 1%, 0.78%

LAB 94.27, -35.38, 48.37

 

CMYK 15 / 0 / 37 / 0

HEX #DAFFA1

RGB 218 255 161

HSL 83.62, 1%, 0.82%

LAB 95.58, -27.05, 41.07

 

CMYK 33 / 0 / 58 / 15

HEX #91D85A

RGB 145 216 90

HSL 93.81, 0.62%, 0.6%

LAB 79.54, -43.21, 54.05

 

CMYK 35 / 0 / 64 / 22

HEX #80C647

RGB 128 198 71

HSL 93.07, 0.53%, 0.53%

LAB 73.18, -43.06, 54.92

 

CMYK 38 / 0 / 71 / 29

HEX #6FB434

RGB 111 180 52

HSL 92.34, 0.55%, 0.45%

LAB 66.73, -42.77, 55.47

 

CMYK 42 / 0 / 80 / 36

HEX #5EA221

RGB 94 162 33

HSL 91.63, 0.66%, 0.38%

LAB 60.19, -42.26, 55.38

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 17 / 0 / 59 / 15

HEX #B3D859

RGB 179 216 89

HSL 77.48, 0.62%, 0.6%

LAB 81.52, -30.79, 57.26

 

CMYK 1 / 0 / 59 / 15

HEX #D5D859

RGB 213 216 89

HSL 61.42, 0.62%, 0.6%

LAB 83.95, -17.24, 60.64

 

CMYK 0 / 14 / 59 / 15

HEX #D8B959

RGB 216 185 89

HSL 45.35, 0.62%, 0.6%

LAB 76.08, -0.19, 51.91

 

CMYK 0 / 30 / 59 / 15

HEX #D89759

RGB 216 151 89

HSL 29.29, 0.62%, 0.6%

LAB 67.62, 17.96, 42.01

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 49 / 0 / 59 / 15

HEX #6ED859

RGB 110 216 89

HSL 110.08, 0.62%, 0.6%

LAB 77.96, -54.34, 52.28

 

CMYK 59 / 0 / 53 / 15

HEX #59D866

RGB 89 216 102

HSL 126.14, 0.62%, 0.6%

LAB 77.4, -58.13, 45.46

 

CMYK 59 / 0 / 37 / 15

HEX #59D888

RGB 89 216 136

HSL 142.2, 0.62%, 0.6%

LAB 77.88, -52.82, 29.2

 

CMYK 59 / 0 / 21 / 15

HEX #59D8AA

RGB 89 216 170

HSL 158.27, 0.62%, 0.6%

LAB 78.54, -45.98, 12.3

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 39 / 0 / 69 / 9

HEX #8EE849

RGB 142 232 73

HSL 93.96, 0.78%, 0.6%

LAB 83.94, -52.31, 65.73

 

CMYK 44 / 0 / 78 / 2

HEX #8CF938

RGB 140 249 56

HSL 93.89, 0.94%, 0.6%

LAB 88.74, -60.6, 76.03

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 26 / 0 / 47 / 22

HEX #93C76A

RGB 147 199 106

HSL 93.55, 0.45%, 0.6%

LAB 74.88, -33.15, 41.01

 

CMYK 19 / 0 / 33 / 28

HEX #95B77A

RGB 149 183 122

HSL 93.44, 0.3%, 0.6%

LAB 70.64, -22.58, 27.36

 

CMYK 9 / 0 / 16 / 35

HEX #97A68B

RGB 151 166 139

HSL 93.33, 0.13%, 0.6%

LAB 66.3, -10.36, 12.22

 

CMYK 1 / 3 / 0 / 39

HEX #99969B

RGB 153 150 155

HSL 276, 0.02%, 0.6%

LAB 62.47, 2.06, -2.24

 

CMYK 1 / 0 / 59 / 15

HEX #D6D859

RGB 214 216 89

HSL 60.94, 0.62%, 0.6%

LAB 84.03, -16.83, 60.75

 

CMYK 17 / 0 / 59 / 15

HEX #B4D859

RGB 180 216 89

HSL 77.01, 0.62%, 0.6%

LAB 81.59, -30.41, 57.36

 

CMYK 32 / 0 / 59 / 15

HEX #92D859

RGB 146 216 89

HSL 93.07, 0.62%, 0.6%

LAB 79.58, -42.96, 54.55

 

CMYK 48 / 0 / 59 / 15

HEX #70D859

RGB 112 216 89

HSL 109.13, 0.62%, 0.6%

LAB 78.04, -53.77, 52.38

 

CMYK 59 / 0 / 54 / 15

HEX #59D864

RGB 89 216 100

HSL 125.2, 0.62%, 0.6%

LAB 77.37, -58.39, 46.38

 

CMYK 44 / 0 / 77 / 29

HEX #66B52A

RGB 102 181 42

HSL 94.1, 0.62%, 0.44%

LAB 66.55, -46.88, 58.68

 

CMYK 41 / 0 / 73 / 18

HEX #7AD038

RGB 122 208 56

HSL 93.95, 0.62%, 0.52%

LAB 75.78, -50.35, 63.29

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 18 / 0 / 32 / 9

HEX #BDE79C

RGB 189 231 156

HSL 93.6, 0.61%, 0.76%

LAB 87.18, -26.66, 32.18

 

CMYK 33 / 0 / 58 / 15

HEX #91D85A

RGB 145 216 90

HSL 93.81, 0.62%, 0.6%

LAB 79.54, -43.21, 54.05

 

CMYK 59 / 0 / 15 / 15

HEX #59D8B8

RGB 89 216 184

HSL 164.88, 0.62%, 0.6%

LAB 78.87, -42.75, 5.31

 

CMYK 0 / 59 / 9 / 15

HEX #D859C5

RGB 216 89 197

HSL 308.98, 0.62%, 0.6%

LAB 57.82, 62.54, -32.56

 

CMYK 33 / 0 / 58 / 15

HEX #91D85A

RGB 145 216 90

HSL 93.81, 0.62%, 0.6%

LAB 79.54, -43.21, 54.05

 

CMYK 59 / 32 / 0 / 15

HEX #5992D8

RGB 89 146 216

HSL 213.07, 0.62%, 0.6%

LAB 59.56, 2.15, -41.42

 

CMYK 0 / 59 / 32 / 15

HEX #D85992

RGB 216 89 146

HSL 333.07, 0.62%, 0.6%

LAB 55.91, 55.4, -5.93

 

CMYK 33 / 0 / 58 / 15

HEX #91D85A

RGB 145 216 90

HSL 93.81, 0.62%, 0.6%

LAB 79.54, -43.21, 54.05

 

CMYK 59 / 0 / 15 / 15

HEX #59D8B8

RGB 89 216 184

HSL 164.88, 0.62%, 0.6%

LAB 78.87, -42.75, 5.31

 

CMYK 26 / 59 / 0 / 15

HEX #9F59D8

RGB 159 89 216

HSL 273.07, 0.62%, 0.6%

LAB 51.24, 51.62, -54.3

 

CMYK 0 / 59 / 44 / 15

HEX #D85979

RGB 216 89 121

HSL 344.88, 0.62%, 0.6%

LAB 55.2, 52.65, 7.78

 

CMYK 33 / 0 / 58 / 15

HEX #91D85A

RGB 145 216 90

HSL 93.81, 0.62%, 0.6%

LAB 79.54, -43.21, 54.05

 

CMYK 59 / 3 / 0 / 15

HEX #59D1D8

RGB 89 209 216

HSL 183.31, 0.62%, 0.6%

LAB 77.69, -31.28, -13.57

 

CMYK 26 / 59 / 0 / 15

HEX #9F59D8

RGB 159 89 216

HSL 273.07, 0.62%, 0.6%

LAB 51.24, 51.62, -54.3

 

CMYK 0 / 56 / 59 / 15

HEX #D86059

RGB 216 96 89

HSL 3.31, 0.62%, 0.6%

LAB 55.77, 46.63, 27.29

 

Description

Color code: HEX #91D85A | qconv.com Color code: HEX #91D85A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 216 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 216 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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