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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7E07B it is the complementary color #581F84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7E07B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7E07B shade: #ACE076, #BDF289, #CEFF9C, #DFFFAF and #F0FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7E07B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7E07B shade: #A7E07B, #96CE68, #85BC55, #74AA42 and #63982F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7E07B shade: #A6DF7A, #C2DF7A, #DDDF7A, #DFC77A and #DFAB7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7E07B shade: #A6DF7A, #8BDF7A, #7ADF85, #7ADFA0 and #7ADFBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7E07B shade matches the following richer shades: #A6DF7A, #A5ED6D and #A3FA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7E07B shade: #A6DF7A, #A8D288, #AAC595, #ABB8A2 and #ADABAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7E07B shade: #DEDF7A, #C3DF7A, #A8DF7A, #8DDF7A and #7ADF83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7E07B shade: #7AD037, #90D859, #A6DF7A, #BDE79C and #D3EFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7E07B shade: #A7E07B, #7ADFC6 and #DF7AD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7E07B shade: #A7E07B, #7AA8DF and #DF7AA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7E07B shade: #A7E07B, #7ADFC6, #B27ADF and #DF7A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7E07B shade: #A7E07B, #7ADADF, #B27ADF and #DF7F7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

Complementary color

CMYK 33 / 77 / 0 / 48

HEX #581F84

RGB 88 31 132

HSL 273.86, 0.62%, 0.32%

LAB 25.92, 44.45, -45.58

 

CMYK 23 / 0 / 47 / 12

HEX #ACE076

RGB 172 224 118

HSL 89.43, 0.63%, 0.67%

LAB 83.65, -34.3, 46.31

 

CMYK 22 / 0 / 43 / 5

HEX #BDF289

RGB 189 242 137

HSL 90.29, 0.8%, 0.74%

LAB 89.92, -34.28, 45.17

 

CMYK 19 / 0 / 39 / 0

HEX #CEFF9C

RGB 206 255 156

HSL 89.7, 1%, 0.81%

LAB 94.76, -31.93, 42.3

 

CMYK 13 / 0 / 31 / 0

HEX #DFFFAF

RGB 223 255 175

HSL 84, 1%, 0.84%

LAB 96.12, -23.46, 34.92

 

CMYK 6 / 0 / 24 / 0

HEX #F0FFC2

RGB 240 255 194

HSL 74.75, 1%, 0.88%

LAB 97.61, -14.8, 27.58

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 27 / 0 / 50 / 19

HEX #96CE68

RGB 150 206 104

HSL 92.94, 0.51%, 0.61%

LAB 77.06, -35.54, 44.7

 

CMYK 29 / 0 / 55 / 26

HEX #85BC55

RGB 133 188 85

HSL 92.04, 0.43%, 0.54%

LAB 70.6, -35.53, 45.83

 

CMYK 32 / 0 / 61 / 33

HEX #74AA42

RGB 116 170 66

HSL 91.15, 0.44%, 0.46%

LAB 64.04, -35.44, 46.86

 

CMYK 35 / 0 / 69 / 40

HEX #63982F

RGB 99 152 47

HSL 90.29, 0.53%, 0.39%

LAB 57.38, -35.21, 47.62

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7A

RGB 166 223 122

HSL 93.86, 0.61%, 0.68%

LAB 83.07, -35.51, 43.57

 

CMYK 13 / 0 / 45 / 13

HEX #C2DF7A

RGB 194 223 122

HSL 77.23, 0.61%, 0.68%

LAB 84.82, -25.23, 46.13

 

CMYK 1 / 0 / 45 / 13

HEX #DDDF7A

RGB 221 223 122

HSL 61.19, 0.61%, 0.68%

LAB 86.78, -14.76, 48.98

 

CMYK 0 / 11 / 45 / 13

HEX #DFC77A

RGB 223 199 122

HSL 45.74, 0.61%, 0.68%

LAB 80.71, -1.78, 41.5

 

CMYK 0 / 23 / 45 / 13

HEX #DFAB7A

RGB 223 171 122

HSL 29.11, 0.61%, 0.68%

LAB 73.69, 12.99, 32.53

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7A

RGB 166 223 122

HSL 93.86, 0.61%, 0.68%

LAB 83.07, -35.51, 43.57

 

CMYK 38 / 0 / 45 / 13

HEX #8BDF7A

RGB 139 223 122

HSL 109.9, 0.61%, 0.68%

LAB 81.66, -44.54, 41.51

 

CMYK 45 / 0 / 40 / 13

HEX #7ADF85

RGB 122 223 133

HSL 126.53, 0.61%, 0.68%

LAB 81.07, -48, 35.14

 

CMYK 45 / 0 / 28 / 13

HEX #7ADFA0

RGB 122 223 160

HSL 142.57, 0.61%, 0.68%

LAB 81.54, -43.38, 21.91

 

CMYK 45 / 0 / 16 / 13

HEX #7ADFBB

RGB 122 223 187

HSL 158.61, 0.61%, 0.68%

LAB 82.11, -37.91, 8.53

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7A

RGB 166 223 122

HSL 93.86, 0.61%, 0.68%

LAB 83.07, -35.51, 43.57

 

CMYK 30 / 0 / 54 / 7

HEX #A5ED6D

RGB 165 237 109

HSL 93.75, 0.78%, 0.68%

LAB 86.84, -43.54, 54.26

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7A

RGB 166 223 122

HSL 93.86, 0.61%, 0.68%

LAB 83.07, -35.51, 43.57

 

CMYK 20 / 0 / 35 / 18

HEX #A8D288

RGB 168 210 136

HSL 94.05, 0.45%, 0.68%

LAB 79.73, -26.88, 32.29

 

CMYK 14 / 0 / 24 / 23

HEX #AAC595

RGB 170 197 149

HSL 93.75, 0.29%, 0.68%

LAB 76.47, -17.82, 21.13

 

CMYK 7 / 0 / 12 / 28

HEX #ABB8A2

RGB 171 184 162

HSL 95.45, 0.13%, 0.68%

LAB 73.25, -8.59, 9.64

 

CMYK 1 / 2 / 0 / 31

HEX #ADABAF

RGB 173 171 175

HSL 270, 0.02%, 0.68%

LAB 70.25, 1.47, -1.81

 

CMYK 0 / 0 / 45 / 13

HEX #DEDF7A

RGB 222 223 122

HSL 60.59, 0.61%, 0.68%

LAB 86.85, -14.36, 49.09

 

CMYK 13 / 0 / 45 / 13

HEX #C3DF7A

RGB 195 223 122

HSL 76.63, 0.61%, 0.68%

LAB 84.89, -24.85, 46.23

 

CMYK 25 / 0 / 45 / 13

HEX #A8DF7A

RGB 168 223 122

HSL 92.67, 0.61%, 0.68%

LAB 83.18, -34.8, 43.74

 

CMYK 37 / 0 / 45 / 13

HEX #8DDF7A

RGB 141 223 122

HSL 108.71, 0.61%, 0.68%

LAB 81.75, -43.91, 41.65

 

CMYK 45 / 0 / 41 / 13

HEX #7ADF83

RGB 122 223 131

HSL 125.35, 0.61%, 0.68%

LAB 81.04, -48.31, 36.11

 

CMYK 41 / 0 / 74 / 18

HEX #7AD037

RGB 122 208 55

HSL 93.73, 0.62%, 0.52%

LAB 75.78, -50.41, 63.63

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7A

RGB 166 223 122

HSL 93.86, 0.61%, 0.68%

LAB 83.07, -35.51, 43.57

 

CMYK 18 / 0 / 32 / 9

HEX #BDE79C

RGB 189 231 156

HSL 93.6, 0.61%, 0.76%

LAB 87.18, -26.66, 32.18

 

CMYK 12 / 0 / 21 / 6

HEX #D3EFBD

RGB 211 239 189

HSL 93.6, 0.61%, 0.84%

LAB 91.35, -17.91, 21.19

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 45 / 0 / 11 / 13

HEX #7ADFC6

RGB 122 223 198

HSL 165.15, 0.61%, 0.68%

LAB 82.37, -35.46, 3.09

 

CMYK 0 / 45 / 7 / 13

HEX #DF7AD0

RGB 223 122 208

HSL 308.91, 0.61%, 0.68%

LAB 65.09, 50.78, -27.46

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 45 / 25 / 0 / 13

HEX #7AA8DF

RGB 122 168 223

HSL 212.67, 0.61%, 0.68%

LAB 67.63, -0.9, -32.58

 

CMYK 0 / 45 / 25 / 13

HEX #DF7AA8

RGB 223 122 168

HSL 332.67, 0.61%, 0.68%

LAB 63.7, 44.59, -6.97

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 45 / 0 / 11 / 13

HEX #7ADFC6

RGB 122 223 198

HSL 165.15, 0.61%, 0.68%

LAB 82.37, -35.46, 3.09

 

CMYK 20 / 45 / 0 / 13

HEX #B27ADF

RGB 178 122 223

HSL 273.27, 0.61%, 0.68%

LAB 60.53, 40.54, -43.36

 

CMYK 0 / 45 / 34 / 13

HEX #DF7A94

RGB 223 122 148

HSL 344.55, 0.61%, 0.68%

LAB 63.13, 41.97, 3.61

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 45 / 2 / 0 / 13

HEX #7ADADF

RGB 122 218 223

HSL 182.97, 0.61%, 0.68%

LAB 81.62, -27.05, -11.3

 

CMYK 20 / 45 / 0 / 13

HEX #B27ADF

RGB 178 122 223

HSL 273.27, 0.61%, 0.68%

LAB 60.53, 40.54, -43.36

 

CMYK 0 / 43 / 45 / 13

HEX #DF7F7A

RGB 223 127 122

HSL 2.97, 0.61%, 0.68%

LAB 63.57, 36.46, 19.03

 

Description

Color code: HEX #A7E07B | qconv.com Color code: HEX #A7E07B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 224 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 224 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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