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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #926E57 it is the complementary color #6D91A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #926E57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #926E57 shade: #976E52, #A88065, #B99278, #CAA48B and #DBB69E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #926E57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #926E57 shade: #926E57, #815C44, #704A31, #5F381E and #4E260B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #926E57 shade: #926E57, #925F57 and #925757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #926E57 shade: #926E57, #927E57, #928E57, #869257 and #779257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #926E57 shade matches the following richer shades: #926E57, #A56A44, #B86632, #CB621F and #DE5E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #926E57 shade: #926E57, #7F736A, #6C777D, #597B90 and #467FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #926E57 shade: #925760, #925E57, #926E57, #927E57 and #928D57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #926E57 shade: #5F4739, #785B48, #926E57, #A7836C and #B69986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #926E57 shade: #926E57, #709257 and #575892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #926E57 shade: #926E57, #57926E and #6E5792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #926E57 shade: #926E57, #709257, #577C92 and #7A5792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #926E57 shade: #926E57, #5E9257, #577C92 and #8B5792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

Complementary color

CMYK 35 / 14 / 0 / 34

HEX #6D91A8

RGB 109 145 168

HSL 203.39, 0.25%, 0.54%

LAB 58.35, -6.65, -16.11

 

CMYK 0 / 27 / 46 / 41

HEX #976E52

RGB 151 110 82

HSL 24.35, 0.3%, 0.46%

LAB 49.91, 12.63, 21.99

 

CMYK 0 / 24 / 40 / 34

HEX #A88065

RGB 168 128 101

HSL 24.18, 0.28%, 0.53%

LAB 56.78, 11.75, 20.62

 

CMYK 0 / 21 / 35 / 27

HEX #B99278

RGB 185 146 120

HSL 24, 0.32%, 0.6%

LAB 63.53, 11, 19.38

 

CMYK 0 / 19 / 31 / 21

HEX #CAA48B

RGB 202 164 139

HSL 23.81, 0.37%, 0.67%

LAB 70.16, 10.36, 18.25

 

CMYK 0 / 17 / 28 / 14

HEX #DBB69E

RGB 219 182 158

HSL 23.61, 0.46%, 0.74%

LAB 76.67, 9.8, 17.2

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 29 / 47 / 49

HEX #815C44

RGB 129 92 68

HSL 23.61, 0.31%, 0.39%

LAB 42.37, 12, 19.78

 

CMYK 0 / 34 / 56 / 56

HEX #704A31

RGB 112 74 49

HSL 23.81, 0.39%, 0.32%

LAB 35.13, 13.15, 21.4

 

CMYK 0 / 41 / 68 / 63

HEX #5F381E

RGB 95 56 30

HSL 24, 0.52%, 0.25%

LAB 27.72, 14.61, 23.27

 

CMYK 0 / 51 / 86 / 69

HEX #4E260B

RGB 78 38 11

HSL 24.18, 0.75%, 0.17%

LAB 20.16, 16.51, 24.81

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 35 / 40 / 43

HEX #925F57

RGB 146 95 87

HSL 8.14, 0.25%, 0.46%

LAB 45.61, 19.78, 13.14

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 14 / 40 / 43

HEX #927E57

RGB 146 126 87

HSL 39.66, 0.25%, 0.46%

LAB 53.73, 1.88, 24.07

 

CMYK 0 / 3 / 40 / 43

HEX #928E57

RGB 146 142 87

HSL 55.93, 0.25%, 0.46%

LAB 58.17, -7.03, 29.82

 

CMYK 8 / 0 / 40 / 43

HEX #869257

RGB 134 146 87

HSL 72.2, 0.25%, 0.46%

LAB 58.33, -14.2, 29.82

 

CMYK 18 / 0 / 40 / 43

HEX #779257

RGB 119 146 87

HSL 87.46, 0.25%, 0.46%

LAB 57.24, -20.25, 28.19

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 36 / 59 / 35

HEX #A56A44

RGB 165 106 68

HSL 23.51, 0.42%, 0.46%

LAB 50.36, 19.61, 30.87

 

CMYK 0 / 45 / 73 / 28

HEX #B86632

RGB 184 102 50

HSL 23.28, 0.57%, 0.46%

LAB 51.75, 28.73, 42.7

 

CMYK 0 / 52 / 85 / 20

HEX #CB621F

RGB 203 98 31

HSL 23.37, 0.74%, 0.46%

LAB 53.53, 37.87, 53.88

 

CMYK 0 / 58 / 95 / 13

HEX #DE5E0C

RGB 222 94 12

HSL 23.43, 0.9%, 0.46%

LAB 55.65, 46.79, 62.5

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 9 / 17 / 50

HEX #7F736A

RGB 127 115 106

HSL 25.71, 0.09%, 0.46%

LAB 49.27, 3.03, 6.66

 

CMYK 14 / 5 / 0 / 51

HEX #6C777D

RGB 108 119 125

HSL 201.18, 0.07%, 0.46%

LAB 49.33, -2.76, -4.69

 

CMYK 38 / 15 / 0 / 44

HEX #597B90

RGB 89 123 144

HSL 202.91, 0.24%, 0.46%

LAB 49.86, -6.46, -15.22

 

CMYK 57 / 22 / 0 / 36

HEX #467FA3

RGB 70 127 163

HSL 203.23, 0.4%, 0.46%

LAB 50.83, -7.88, -24.91

 

CMYK 0 / 40 / 34 / 43

HEX #925760

RGB 146 87 96

HSL 350.85, 0.25%, 0.46%

LAB 43.9, 25.55, 5.29

 

CMYK 0 / 36 / 40 / 43

HEX #925E57

RGB 146 94 87

HSL 7.12, 0.25%, 0.46%

LAB 45.37, 20.36, 12.8

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 14 / 40 / 43

HEX #927E57

RGB 146 126 87

HSL 39.66, 0.25%, 0.46%

LAB 53.73, 1.88, 24.07

 

CMYK 0 / 3 / 40 / 43

HEX #928D57

RGB 146 141 87

HSL 54.92, 0.25%, 0.46%

LAB 57.89, -6.48, 29.46

 

CMYK 0 / 25 / 40 / 63

HEX #5F4739

RGB 95 71 57

HSL 22.11, 0.25%, 0.3%

LAB 32.34, 8.11, 12.39

 

CMYK 0 / 24 / 40 / 53

HEX #785B48

RGB 120 91 72

HSL 23.75, 0.25%, 0.38%

LAB 41.13, 9.1, 15.54

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 0 / 22 / 35 / 35

HEX #A7836C

RGB 167 131 108

HSL 23.39, 0.25%, 0.54%

LAB 57.59, 10.51, 17.71

 

CMYK 0 / 16 / 26 / 29

HEX #B69986

RGB 182 153 134

HSL 23.75, 0.25%, 0.62%

LAB 65.32, 7.83, 14

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 23 / 0 / 40 / 43

HEX #709257

RGB 112 146 87

HSL 94.58, 0.25%, 0.46%

LAB 56.77, -22.97, 27.5

 

CMYK 40 / 40 / 0 / 43

HEX #575892

RGB 87 88 146

HSL 238.98, 0.25%, 0.46%

LAB 39.72, 14.85, -32.12

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 40 / 0 / 25 / 43

HEX #57926E

RGB 87 146 110

HSL 143.39, 0.25%, 0.46%

LAB 55.8, -27.62, 13.15

 

CMYK 25 / 40 / 0 / 43

HEX #6E5792

RGB 110 87 146

HSL 263.39, 0.25%, 0.46%

LAB 41.54, 22.33, -29.11

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 23 / 0 / 40 / 43

HEX #709257

RGB 112 146 87

HSL 94.58, 0.25%, 0.46%

LAB 56.77, -22.97, 27.5

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 16 / 40 / 0 / 43

HEX #7A5792

RGB 122 87 146

HSL 275.59, 0.25%, 0.46%

LAB 42.81, 26.13, -27.04

 

CMYK 0 / 25 / 40 / 43

HEX #926E57

RGB 146 110 87

HSL 23.39, 0.25%, 0.46%

LAB 49.44, 11.07, 18.36

 

CMYK 36 / 0 / 40 / 43

HEX #5E9257

RGB 94 146 87

HSL 112.88, 0.25%, 0.46%

LAB 55.71, -29.53, 25.92

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 5 / 40 / 0 / 43

HEX #8B5792

RGB 139 87 146

HSL 292.88, 0.25%, 0.46%

LAB 44.77, 31.64, -23.83

 

Description

Color code: HEX #926E57 | qconv.com Color code: HEX #926E57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 110 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 110 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 40 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 40% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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