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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9276AC it is the complementary color #6D8953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9276AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9276AC shade: #9776A7, #A888BA, #B99ACD, #CAACE0 and #DBBEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9276AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9276AC shade: #9276AC, #816499, #705286, #5F4073 and #4E2E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9276AC shade: #9275AC, #A175AC, #AC75A9, #AC759A and #AC758C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9276AC shade: #9275AC, #8375AC and #7575AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9276AC shade matches the following richer shades: #9275AC, #9364BE, #9352D0, #9440E1 and #942EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9276AC shade: #9275AC, #91879B, #919989, #90AB77 and #8FBC65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9276AC shade: #7576AC, #8375AC, #9275AC, #A075AC and #AC75AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9276AC shade: #694E82, #7D5D9B, #9275AC, #A68FBC and #BBA9CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9276AC shade: #9276AC, #AC7585 and #75AC7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9276AC shade: #9276AC, #AC9275 and #75AC92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9276AC shade: #9276AC, #AC7585, #90AC75 and #75AC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9276AC shade: #9276AC, #AC7675, #90AC75 and #75ABAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 31 / 0 / 33

HEX #9276AC

RGB 146 118 172

HSL 271.11, 0.25%, 0.57%

LAB 54.08, 21.6, -24.68

 

Complementary color

CMYK 20 / 0 / 39 / 46

HEX #6D8953

RGB 109 137 83

HSL 91.11, 0.25%, 0.43%

LAB 53.78, -20.09, 25.77

 

CMYK 10 / 29 / 0 / 35

HEX #9776A7

RGB 151 118 167

HSL 280.41, 0.22%, 0.56%

LAB 54.37, 22.15, -21.29

 

CMYK 10 / 27 / 0 / 27

HEX #A888BA

RGB 168 136 186

HSL 278.4, 0.27%, 0.63%

LAB 61.2, 21.53, -21.57

 

CMYK 10 / 25 / 0 / 20

HEX #B99ACD

RGB 185 154 205

HSL 276.47, 0.34%, 0.7%

LAB 67.9, 20.96, -21.84

 

CMYK 10 / 23 / 0 / 12

HEX #CAACE0

RGB 202 172 224

HSL 274.62, 0.46%, 0.78%

LAB 74.47, 20.44, -22.13

 

CMYK 10 / 22 / 0 / 5

HEX #DBBEF3

RGB 219 190 243

HSL 272.83, 0.69%, 0.85%

LAB 80.94, 19.96, -22.42

 

CMYK 15 / 31 / 0 / 33

HEX #9276AC

RGB 146 118 172

HSL 271.11, 0.25%, 0.57%

LAB 54.08, 21.6, -24.68

 

CMYK 16 / 35 / 0 / 40

HEX #816499

RGB 129 100 153

HSL 272.83, 0.21%, 0.5%

LAB 47.08, 22.29, -24.52

 

CMYK 16 / 39 / 0 / 47

HEX #705286

RGB 112 82 134

HSL 274.62, 0.24%, 0.42%

LAB 39.92, 23.06, -24.37

 

CMYK 17 / 44 / 0 / 55

HEX #5F4073

RGB 95 64 115

HSL 276.47, 0.28%, 0.35%

LAB 32.56, 23.91, -24.23

 

CMYK 19 / 52 / 0 / 62

HEX #4E2E60

RGB 78 46 96

HSL 278.4, 0.35%, 0.28%

LAB 25.01, 24.84, -24.08

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 6 / 32 / 0 / 33

HEX #A175AC

RGB 161 117 172

HSL 288, 0.25%, 0.57%

LAB 55.36, 27.11, -22.58

 

CMYK 0 / 32 / 2 / 33

HEX #AC75A9

RGB 172 117 169

HSL 303.27, 0.25%, 0.57%

LAB 56.44, 30.19, -19.08

 

CMYK 0 / 32 / 10 / 33

HEX #AC759A

RGB 172 117 154

HSL 319.64, 0.25%, 0.57%

LAB 55.91, 27.44, -11.21

 

CMYK 0 / 32 / 19 / 33

HEX #AC758C

RGB 172 117 140

HSL 334.91, 0.25%, 0.57%

LAB 55.47, 25.07, -3.72

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 24 / 32 / 0 / 33

HEX #8375AC

RGB 131 117 172

HSL 255.27, 0.25%, 0.57%

LAB 52.43, 17.39, -27.34

 

CMYK 32 / 32 / 0 / 33

HEX #7575AC

RGB 117 117 172

HSL 240, 0.25%, 0.57%

LAB 51.25, 13.1, -29.27

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 23 / 47 / 0 / 25

HEX #9364BE

RGB 147 100 190

HSL 271.33, 0.41%, 0.57%

LAB 50.73, 36.47, -40.3

 

CMYK 29 / 61 / 0 / 18

HEX #9352D0

RGB 147 82 208

HSL 270.95, 0.57%, 0.57%

LAB 48, 50.53, -55

 

CMYK 34 / 72 / 0 / 12

HEX #9440E1

RGB 148 64 225

HSL 271.3, 0.73%, 0.57%

LAB 46.18, 63.25, -67.65

 

CMYK 39 / 81 / 0 / 5

HEX #942EF3

RGB 148 46 243

HSL 271.07, 0.89%, 0.57%

LAB 45.25, 74.02, -79.33

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 6 / 13 / 0 / 39

HEX #91879B

RGB 145 135 155

HSL 270, 0.09%, 0.57%

LAB 57.76, 7.69, -9.29

 

CMYK 5 / 0 / 10 / 40

HEX #919989

RGB 145 153 137

HSL 90, 0.07%, 0.57%

LAB 62.18, -5.93, 7.42

 

CMYK 16 / 0 / 30 / 33

HEX #90AB77

RGB 144 171 119

HSL 91.15, 0.24%, 0.57%

LAB 66.81, -18.83, 23.8

 

CMYK 24 / 0 / 46 / 26

HEX #8FBC65

RGB 143 188 101

HSL 91.03, 0.39%, 0.57%

LAB 71.38, -30.05, 39.1

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 24 / 32 / 0 / 33

HEX #8375AC

RGB 131 117 172

HSL 255.27, 0.25%, 0.57%

LAB 52.43, 17.39, -27.34

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 7 / 32 / 0 / 33

HEX #A075AC

RGB 160 117 172

HSL 286.91, 0.25%, 0.57%

LAB 55.25, 26.78, -22.75

 

CMYK 0 / 32 / 1 / 33

HEX #AC75AA

RGB 172 117 170

HSL 302.18, 0.25%, 0.57%

LAB 56.48, 30.38, -19.6

 

CMYK 19 / 40 / 0 / 49

HEX #694E82

RGB 105 78 130

HSL 271.15, 0.25%, 0.41%

LAB 37.96, 22.23, -25.04

 

CMYK 19 / 40 / 0 / 39

HEX #7D5D9B

RGB 125 93 155

HSL 270.97, 0.25%, 0.49%

LAB 45.02, 25.64, -28.94

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 12 / 24 / 0 / 26

HEX #A68FBC

RGB 166 143 188

HSL 270.67, 0.25%, 0.65%

LAB 62.83, 17.32, -20.23

 

CMYK 8 / 17 / 0 / 20

HEX #BBA9CB

RGB 187 169 203

HSL 271.76, 0.25%, 0.73%

LAB 71.73, 12.89, -14.92

 

CMYK 15 / 31 / 0 / 33

HEX #9276AC

RGB 146 118 172

HSL 271.11, 0.25%, 0.57%

LAB 54.08, 21.6, -24.68

 

CMYK 0 / 32 / 23 / 33

HEX #AC7585

RGB 172 117 133

HSL 342.55, 0.25%, 0.57%

LAB 55.26, 23.96, 0.06

 

CMYK 32 / 0 / 28 / 33

HEX #75AC7C

RGB 117 172 124

HSL 127.64, 0.25%, 0.57%

LAB 65.55, -28.06, 19.09

 

CMYK 15 / 31 / 0 / 33

HEX #9276AC

RGB 146 118 172

HSL 271.11, 0.25%, 0.57%

LAB 54.08, 21.6, -24.68

 

CMYK 0 / 15 / 32 / 33

HEX #AC9275

RGB 172 146 117

HSL 31.64, 0.25%, 0.57%

LAB 62.18, 5.34, 19

 

CMYK 32 / 0 / 15 / 33

HEX #75AC92

RGB 117 172 146

HSL 151.64, 0.25%, 0.57%

LAB 66.03, -23.77, 7.66

 

CMYK 15 / 31 / 0 / 33

HEX #9276AC

RGB 146 118 172

HSL 271.11, 0.25%, 0.57%

LAB 54.08, 21.6, -24.68

 

CMYK 0 / 32 / 23 / 33

HEX #AC7585

RGB 172 117 133

HSL 342.55, 0.25%, 0.57%

LAB 55.26, 23.96, 0.06

 

CMYK 16 / 0 / 32 / 33

HEX #90AC75

RGB 144 172 117

HSL 90.55, 0.25%, 0.57%

LAB 67.07, -19.64, 25.21

 

CMYK 32 / 0 / 9 / 33

HEX #75AC9D

RGB 117 172 157

HSL 163.64, 0.25%, 0.57%

LAB 66.31, -21.39, 1.96

 

CMYK 15 / 31 / 0 / 33

HEX #9276AC

RGB 146 118 172

HSL 271.11, 0.25%, 0.57%

LAB 54.08, 21.6, -24.68

 

CMYK 0 / 31 / 32 / 33

HEX #AC7675

RGB 172 118 117

HSL 1.09, 0.25%, 0.57%

LAB 55.08, 21.07, 9.13

 

CMYK 16 / 0 / 32 / 33

HEX #90AC75

RGB 144 172 117

HSL 90.55, 0.25%, 0.57%

LAB 67.07, -19.64, 25.21

 

CMYK 32 / 1 / 0 / 33

HEX #75ABAC

RGB 117 171 172

HSL 181.09, 0.25%, 0.57%

LAB 66.43, -17.38, -6.2

 

Description

Color code: HEX #9276AC | qconv.com Color code: HEX #9276AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 118 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 118 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 31 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 31% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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