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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #935E37 it is the complementary color #6CA1C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #935E37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #935E37 shade: #985E32, #A97045, #BA8258, #CB946B and #DCA67E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #935E37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #935E37 shade: #935E37, #824C24, #713A11, #602800 and #4F1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #935E37 shade: #945E37, #944537 and #943737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #935E37 shade: #945E37, #947837, #949137, #7F9437 and #659437

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #935E37 shade matches the following richer shades: #945E37, #A55C26, #B55916 and #C65705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #935E37 shade: #945E37, #846147, #736358, #636668 and #526879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #935E37 shade: #943742, #944537, #945E37, #947737 and #949037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #935E37 shade: #583820, #764B2B, #945E37, #B37242 and #C2875B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #935E37 shade: #935E37, #5B9437 and #383794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #935E37 shade: #935E37, #37945E and #5E3794

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #935E37 shade: #935E37, #5B9437, #376D94 and #703794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #935E37 shade: #935E37, #3E9437, #376D94 and #8D3794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 63 / 42

HEX #935E37

RGB 147 94 55

HSL 25.43, 0.46%, 0.4%

LAB 44.92, 17.6, 30.97

 

Complementary color

CMYK 46 / 20 / 0 / 22

HEX #6CA1C8

RGB 108 161 200

HSL 205.43, 0.46%, 0.6%

LAB 64.04, -7.02, -25.46

 

CMYK 0 / 38 / 67 / 40

HEX #985E32

RGB 152 94 50

HSL 25.88, 0.5%, 0.4%

LAB 45.51, 19.46, 34.57

 

CMYK 0 / 34 / 59 / 34

HEX #A97045

RGB 169 112 69

HSL 25.8, 0.42%, 0.47%

LAB 52.35, 18.02, 32.85

 

CMYK 0 / 30 / 53 / 27

HEX #BA8258

RGB 186 130 88

HSL 25.71, 0.42%, 0.54%

LAB 59.08, 16.81, 31.25

 

CMYK 0 / 27 / 47 / 20

HEX #CB946B

RGB 203 148 107

HSL 25.63, 0.48%, 0.61%

LAB 65.7, 15.77, 29.78

 

CMYK 0 / 25 / 43 / 14

HEX #DCA67E

RGB 220 166 126

HSL 25.53, 0.57%, 0.68%

LAB 72.22, 14.88, 28.42

 

CMYK 0 / 36 / 63 / 42

HEX #935E37

RGB 147 94 55

HSL 25.43, 0.46%, 0.4%

LAB 44.92, 17.6, 30.97

 

CMYK 0 / 42 / 72 / 49

HEX #824C24

RGB 130 76 36

HSL 25.53, 0.57%, 0.33%

LAB 37.92, 19.18, 32.76

 

CMYK 0 / 49 / 85 / 56

HEX #713A11

RGB 113 58 17

HSL 25.63, 0.74%, 0.25%

LAB 30.82, 21.1, 34.38

 

CMYK 0 / 58 / 100 / 62

HEX #602800

RGB 96 40 0

HSL 25, 1%, 0.19%

LAB 23.69, 23.3, 33.99

 

CMYK 0 / 72 / 100 / 69

HEX #4F1600

RGB 79 22 0

HSL 16.71, 1%, 0.15%

LAB 16.68, 25.66, 25.23

 

CMYK 0 / 36 / 63 / 42

HEX #945E37

RGB 148 94 55

HSL 25.16, 0.46%, 0.4%

LAB 45.05, 18.04, 31.16

 

CMYK 0 / 53 / 63 / 42

HEX #944537

RGB 148 69 55

HSL 9.03, 0.46%, 0.4%

LAB 39.29, 32.07, 24.13

 

CMYK 0 / 63 / 63 / 42

HEX #943737

RGB 148 55 55

HSL 0, 0.46%, 0.4%

LAB 36.56, 39.17, 20.68

 

CMYK 0 / 36 / 63 / 42

HEX #945E37

RGB 148 94 55

HSL 25.16, 0.46%, 0.4%

LAB 45.05, 18.04, 31.16

 

CMYK 0 / 19 / 63 / 42

HEX #947837

RGB 148 120 55

HSL 41.94, 0.46%, 0.4%

LAB 51.84, 3.07, 39.04

 

CMYK 0 / 2 / 63 / 42

HEX #949137

RGB 148 145 55

HSL 58.06, 0.46%, 0.4%

LAB 58.81, -10.75, 46.71

 

CMYK 14 / 0 / 63 / 42

HEX #7F9437

RGB 127 148 55

HSL 73.55, 0.46%, 0.4%

LAB 58.01, -21.44, 45.36

 

CMYK 32 / 0 / 63 / 42

HEX #659437

RGB 101 148 55

HSL 90.32, 0.46%, 0.4%

LAB 56.31, -31.93, 43.01

 

CMYK 0 / 36 / 63 / 42

HEX #945E37

RGB 148 94 55

HSL 25.16, 0.46%, 0.4%

LAB 45.05, 18.04, 31.16

 

CMYK 0 / 44 / 77 / 35

HEX #A55C26

RGB 165 92 38

HSL 25.51, 0.63%, 0.4%

LAB 46.7, 25.6, 42.5

 

CMYK 0 / 51 / 88 / 29

HEX #B55916

RGB 181 89 22

HSL 25.28, 0.78%, 0.4%

LAB 48.29, 33.42, 51.5

 

CMYK 0 / 56 / 97 / 22

HEX #C65705

RGB 198 87 5

HSL 25.49, 0.95%, 0.4%

LAB 50.49, 40.96, 58.8

 

CMYK 0 / 36 / 63 / 42

HEX #945E37

RGB 148 94 55

HSL 25.16, 0.46%, 0.4%

LAB 45.05, 18.04, 31.16

 

CMYK 0 / 27 / 46 / 48

HEX #846147

RGB 132 97 71

HSL 25.57, 0.3%, 0.4%

LAB 44.1, 10.7, 20.35

 

CMYK 0 / 14 / 23 / 55

HEX #736358

RGB 115 99 88

HSL 24.44, 0.13%, 0.4%

LAB 43.17, 4.49, 8.61

 

CMYK 5 / 2 / 0 / 59

HEX #636668

RGB 99 102 104

HSL 204, 0.02%, 0.4%

LAB 43, -0.73, -1.54

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 0 / 63 / 55 / 42

HEX #943742

RGB 148 55 66

HSL 352.9, 0.46%, 0.4%

LAB 36.78, 40.03, 14.04

 

CMYK 0 / 53 / 63 / 42

HEX #944537

RGB 148 69 55

HSL 9.03, 0.46%, 0.4%

LAB 39.29, 32.07, 24.13

 

CMYK 0 / 36 / 63 / 42

HEX #945E37

RGB 148 94 55

HSL 25.16, 0.46%, 0.4%

LAB 45.05, 18.04, 31.16

 

CMYK 0 / 20 / 63 / 42

HEX #947737

RGB 148 119 55

HSL 41.29, 0.46%, 0.4%

LAB 51.57, 3.64, 38.73

 

CMYK 0 / 3 / 63 / 42

HEX #949037

RGB 148 144 55

HSL 57.42, 0.46%, 0.4%

LAB 58.53, -10.22, 46.41

 

CMYK 0 / 36 / 64 / 65

HEX #583820

RGB 88 56 32

HSL 25.71, 0.47%, 0.24%

LAB 26.76, 11.41, 20.66

 

CMYK 0 / 36 / 64 / 54

HEX #764B2B

RGB 118 75 43

HSL 25.6, 0.47%, 0.32%

LAB 36.1, 14.78, 26.32

 

CMYK 0 / 36 / 63 / 42

HEX #945E37

RGB 148 94 55

HSL 25.16, 0.46%, 0.4%

LAB 45.05, 18.04, 31.16

 

CMYK 0 / 36 / 63 / 30

HEX #B37242

RGB 179 114 66

HSL 25.49, 0.46%, 0.48%

LAB 54.04, 20.97, 36.8

 

CMYK 0 / 30 / 53 / 24

HEX #C2875B

RGB 194 135 91

HSL 25.63, 0.46%, 0.56%

LAB 61.27, 17.67, 32.58

 

CMYK 0 / 36 / 63 / 42

HEX #935E37

RGB 147 94 55

HSL 25.43, 0.46%, 0.4%

LAB 44.92, 17.6, 30.97

 

CMYK 39 / 0 / 63 / 42

HEX #5B9437

RGB 91 148 55

HSL 96.77, 0.46%, 0.4%

LAB 55.77, -35.61, 42.25

 

CMYK 62 / 63 / 0 / 42

HEX #383794

RGB 56 55 148

HSL 240.65, 0.46%, 0.4%

LAB 28.67, 29.65, -51.18

 

CMYK 0 / 36 / 63 / 42

HEX #935E37

RGB 147 94 55

HSL 25.43, 0.46%, 0.4%

LAB 44.92, 17.6, 30.97

 

CMYK 63 / 0 / 36 / 42

HEX #37945E

RGB 55 148 94

HSL 145.16, 0.46%, 0.4%

LAB 54.87, -40.24, 20.66

 

CMYK 36 / 63 / 0 / 42

HEX #5E3794

RGB 94 55 148

HSL 265.16, 0.46%, 0.4%

LAB 32.37, 37.57, -45.02

 

CMYK 0 / 36 / 63 / 42

HEX #935E37

RGB 147 94 55

HSL 25.43, 0.46%, 0.4%

LAB 44.92, 17.6, 30.97

 

CMYK 39 / 0 / 63 / 42

HEX #5B9437

RGB 91 148 55

HSL 96.77, 0.46%, 0.4%

LAB 55.77, -35.61, 42.25

 

CMYK 63 / 26 / 0 / 42

HEX #376D94

RGB 55 109 148

HSL 205.16, 0.46%, 0.4%

LAB 44.07, -5.41, -26.64

 

CMYK 24 / 63 / 0 / 42

HEX #703794

RGB 112 55 148

HSL 276.77, 0.46%, 0.4%

LAB 34.63, 41.95, -41.26

 

CMYK 0 / 36 / 63 / 42

HEX #935E37

RGB 147 94 55

HSL 25.43, 0.46%, 0.4%

LAB 44.92, 17.6, 30.97

 

CMYK 58 / 0 / 63 / 42

HEX #3E9437

RGB 62 148 55

HSL 115.48, 0.46%, 0.4%

LAB 54.53, -44.66, 40.53

 

CMYK 63 / 26 / 0 / 42

HEX #376D94

RGB 55 109 148

HSL 205.16, 0.46%, 0.4%

LAB 44.07, -5.41, -26.64

 

CMYK 5 / 63 / 0 / 42

HEX #8D3794

RGB 141 55 148

HSL 295.48, 0.46%, 0.4%

LAB 38.78, 49.37, -34.4

 

Description

Color code: HEX #935E37 | qconv.com Color code: HEX #935E37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 94 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 94 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 63 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 63% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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