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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97A3AF it is the complementary color #685C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97A3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97A3AF shade: #9CA3AA, #ADB5BD, #BEC7D0, #CFD9E3 and #E0EBF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97A3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97A3AF shade: #97A3AF, #86919C, #757F89, #646D76 and #535B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97A3AF shade: #97A3AF, #979CAF, #9897AF, #9E97AF and #A597AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97A3AF shade: #97A3AF, #979CAF and #9797AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97A3AF shade matches the following richer shades: #97A3AF, #88A3BD, #79A3CC, #6AA3DB and #5BA3EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97A3AF shade: #97A3AF, #A6A3A0, #B4A391, #C3A382 and #D2A373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97A3AF shade: #97AFAE, #97A9AF, #97A3AF, #979CAF and #9897AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97A3AF shade: #6A7989, #7F8E9D, #97A3AF, #AEB7C1 and #C5CCD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97A3AF shade: #97A3AF, #A797AF and #ACAF97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97A3AF shade: #97A3AF, #AF97A3 and #A3AF97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97A3AF shade: #97A3AF, #A797AF, #AFA397 and #9EAF97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97A3AF shade: #97A3AF, #AF97AF, #AFA397 and #97AF97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

Complementary color

CMYK 0 / 12 / 23 / 59

HEX #685C50

RGB 104 92 80

HSL 30, 0.13%, 0.36%

LAB 39.88, 2.7, 8.68

 

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

CMYK 8 / 4 / 0 / 26

HEX #ADB5BD

RGB 173 181 189

HSL 210, 0.11%, 0.71%

LAB 73.29, -1.2, -5.03

 

CMYK 9 / 4 / 0 / 18

HEX #BEC7D0

RGB 190 199 208

HSL 210, 0.16%, 0.78%

LAB 79.81, -1.32, -5.56

 

CMYK 9 / 4 / 0 / 11

HEX #CFD9E3

RGB 207 217 227

HSL 210, 0.26%, 0.85%

LAB 86.22, -1.44, -6.07

 

CMYK 9 / 4 / 0 / 4

HEX #E0EBF6

RGB 224 235 246

HSL 210, 0.55%, 0.92%

LAB 92.54, -1.56, -6.58

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 14 / 7 / 0 / 39

HEX #86919C

RGB 134 145 156

HSL 210, 0.1%, 0.57%

LAB 59.63, -1.61, -7.16

 

CMYK 15 / 7 / 0 / 46

HEX #757F89

RGB 117 127 137

HSL 210, 0.08%, 0.5%

LAB 52.69, -1.49, -6.67

 

CMYK 15 / 8 / 0 / 54

HEX #646D76

RGB 100 109 118

HSL 210, 0.08%, 0.43%

LAB 45.57, -1.37, -6.17

 

CMYK 16 / 8 / 0 / 61

HEX #535B63

RGB 83 91 99

HSL 210, 0.09%, 0.36%

LAB 38.24, -1.25, -5.65

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 14 / 11 / 0 / 31

HEX #979CAF

RGB 151 156 175

HSL 227.5, 0.13%, 0.64%

LAB 64.52, 2.15, -10.48

 

CMYK 13 / 14 / 0 / 31

HEX #9897AF

RGB 152 151 175

HSL 242.5, 0.13%, 0.64%

LAB 63.26, 5.29, -12.36

 

CMYK 10 / 14 / 0 / 31

HEX #9E97AF

RGB 158 151 175

HSL 257.5, 0.13%, 0.64%

LAB 63.75, 7.33, -11.58

 

CMYK 6 / 14 / 0 / 31

HEX #A597AF

RGB 165 151 175

HSL 275, 0.13%, 0.64%

LAB 64.34, 9.74, -10.63

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 14 / 11 / 0 / 31

HEX #979CAF

RGB 151 156 175

HSL 227.5, 0.13%, 0.64%

LAB 64.52, 2.15, -10.48

 

CMYK 14 / 14 / 0 / 31

HEX #9797AF

RGB 151 151 175

HSL 240, 0.13%, 0.64%

LAB 63.18, 4.95, -12.49

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 28 / 14 / 0 / 26

HEX #88A3BD

RGB 136 163 189

HSL 209.43, 0.29%, 0.64%

LAB 65.83, -3.3, -16.45

 

CMYK 41 / 20 / 0 / 20

HEX #79A3CC

RGB 121 163 204

HSL 209.64, 0.45%, 0.64%

LAB 65.45, -3.68, -25.45

 

CMYK 52 / 26 / 0 / 14

HEX #6AA3DB

RGB 106 163 219

HSL 209.73, 0.61%, 0.64%

LAB 65.26, -3.04, -34.12

 

CMYK 61 / 30 / 0 / 8

HEX #5BA3EA

RGB 91 163 234

HSL 209.79, 0.77%, 0.64%

LAB 65.25, -1.42, -42.45

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 0 / 2 / 4 / 35

HEX #A6A3A0

RGB 166 163 160

HSL 30, 0.03%, 0.64%

LAB 67.16, 0.52, 1.93

 

CMYK 0 / 9 / 19 / 29

HEX #B4A391

RGB 180 163 145

HSL 30.86, 0.19%, 0.64%

LAB 67.98, 3.21, 11.6

 

CMYK 0 / 16 / 33 / 24

HEX #C3A382

RGB 195 163 130

HSL 30.46, 0.35%, 0.64%

LAB 69.05, 6.96, 21.55

 

CMYK 0 / 22 / 45 / 18

HEX #D2A373

RGB 210 163 115

HSL 30.32, 0.51%, 0.64%

LAB 70.27, 11.3, 31.55

 

CMYK 14 / 0 / 1 / 31

HEX #97AFAE

RGB 151 175 174

HSL 177.5, 0.13%, 0.64%

LAB 69.68, -8.44, -2.28

 

CMYK 14 / 3 / 0 / 31

HEX #97A9AF

RGB 151 169 175

HSL 195, 0.13%, 0.64%

LAB 68.06, -5, -5.22

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 14 / 11 / 0 / 31

HEX #979CAF

RGB 151 156 175

HSL 227.5, 0.13%, 0.64%

LAB 64.52, 2.15, -10.48

 

CMYK 13 / 14 / 0 / 31

HEX #9897AF

RGB 152 151 175

HSL 242.5, 0.13%, 0.64%

LAB 63.26, 5.29, -12.36

 

CMYK 23 / 12 / 0 / 46

HEX #6A7989

RGB 106 121 137

HSL 210.97, 0.13%, 0.48%

LAB 50.15, -1.79, -10.56

 

CMYK 19 / 10 / 0 / 38

HEX #7F8E9D

RGB 127 142 157

HSL 210, 0.13%, 0.56%

LAB 58.31, -2.06, -9.76

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 10 / 5 / 0 / 24

HEX #AEB7C1

RGB 174 183 193

HSL 211.58, 0.13%, 0.72%

LAB 74.01, -1.13, -6.14

 

CMYK 7 / 3 / 0 / 17

HEX #C5CCD3

RGB 197 204 211

HSL 210, 0.14%, 0.8%

LAB 81.71, -1.05, -4.31

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 5 / 14 / 0 / 31

HEX #A797AF

RGB 167 151 175

HSL 280, 0.13%, 0.64%

LAB 64.52, 10.43, -10.35

 

CMYK 2 / 0 / 14 / 31

HEX #ACAF97

RGB 172 175 151

HSL 67.5, 0.13%, 0.64%

LAB 70.64, -5.33, 11.96

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 0 / 14 / 7 / 31

HEX #AF97A3

RGB 175 151 163

HSL 330, 0.13%, 0.64%

LAB 64.88, 10.99, -2.99

 

CMYK 7 / 0 / 14 / 31

HEX #A3AF97

RGB 163 175 151

HSL 90, 0.13%, 0.64%

LAB 69.95, -8.65, 10.89

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 5 / 14 / 0 / 31

HEX #A797AF

RGB 167 151 175

HSL 280, 0.13%, 0.64%

LAB 64.52, 10.43, -10.35

 

CMYK 0 / 7 / 14 / 31

HEX #AFA397

RGB 175 163 151

HSL 30, 0.13%, 0.64%

LAB 67.68, 2.27, 7.79

 

CMYK 10 / 0 / 14 / 31

HEX #9EAF97

RGB 158 175 151

HSL 102.5, 0.13%, 0.64%

LAB 69.59, -10.47, 10.32

 

CMYK 14 / 7 / 0 / 31

HEX #97A3AF

RGB 151 163 175

HSL 210, 0.13%, 0.64%

LAB 66.42, -1.73, -7.65

 

CMYK 0 / 14 / 0 / 31

HEX #AF97AF

RGB 175 151 175

HSL 300, 0.13%, 0.64%

LAB 65.23, 13.23, -9.21

 

CMYK 0 / 7 / 14 / 31

HEX #AFA397

RGB 175 163 151

HSL 30, 0.13%, 0.64%

LAB 67.68, 2.27, 7.79

 

CMYK 14 / 0 / 14 / 31

HEX #97AF97

RGB 151 175 151

HSL 120, 0.13%, 0.64%

LAB 69.09, -12.97, 9.55

 

Description

Color code: HEX #97A3AF | qconv.com Color code: HEX #97A3AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 163 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 163 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 7 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 7% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - EP Vantage - Login
Link: https://www.epvantage.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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