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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97C836 it is the complementary color #6837C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97C836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97C836 shade: #9CC831, #ADDA44, #BEEC57, #CFFE6A and #E0FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97C836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97C836 shade: #97C836, #86B623, #75A410, #649200 and #538000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97C836 shade: #97C836, #BEC836, #C8AA36, #C88336 and #C85C36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97C836 shade: #97C836, #70C836, #48C836, #36C84B and #36C873

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97C836 shade matches the following richer shades: #97C836, #9EDC22 and #A4F10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97C836 shade: #97C836, #90B34B, #899E60, #838A74 and #7C7589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97C836 shade: #C8AB36, #BEC836, #97C836, #70C836 and #4AC836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97C836 shade: #668725, #7EA72D, #97C836, #A8D157 and #B8D977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97C836 shade: #97C836, #36C884 and #BE36C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97C836 shade: #97C836, #3697C8 and #C83697

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97C836 shade: #97C836, #36C884, #6736C8 and #C8367A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97C836 shade: #97C836, #36C8AF, #6736C8 and #C8364F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

Complementary color

CMYK 48 / 73 / 0 / 21

HEX #6837C9

RGB 104 55 201

HSL 260.14, 0.57%, 0.5%

LAB 37.65, 53.84, -67.97

 

CMYK 22 / 0 / 76 / 22

HEX #9CC831

RGB 156 200 49

HSL 77.48, 0.61%, 0.49%

LAB 75.2, -35, 65.69

 

CMYK 21 / 0 / 69 / 15

HEX #ADDA44

RGB 173 218 68

HSL 78, 0.67%, 0.56%

LAB 81.54, -35.54, 65.66

 

CMYK 19 / 0 / 63 / 7

HEX #BEEC57

RGB 190 236 87

HSL 78.52, 0.8%, 0.63%

LAB 87.79, -35.95, 65.16

 

CMYK 19 / 0 / 58 / 0

HEX #CFFE6A

RGB 207 254 106

HSL 79.05, 0.99%, 0.71%

LAB 93.96, -36.25, 64.38

 

CMYK 12 / 0 / 51 / 0

HEX #E0FF7D

RGB 224 255 125

HSL 74.31, 1%, 0.75%

LAB 95.52, -28.71, 58.13

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 26 / 0 / 81 / 29

HEX #86B623

RGB 134 182 35

HSL 79.59, 0.68%, 0.43%

LAB 68.49, -36.07, 63.21

 

CMYK 29 / 0 / 90 / 36

HEX #75A410

RGB 117 164 16

HSL 79.05, 0.82%, 0.35%

LAB 61.97, -35.24, 61.59

 

CMYK 32 / 0 / 100 / 43

HEX #649200

RGB 100 146 0

HSL 78.9, 1%, 0.29%

LAB 55.35, -34.15, 58.39

 

CMYK 35 / 0 / 100 / 50

HEX #538000

RGB 83 128 0

HSL 81.09, 1%, 0.25%

LAB 48.61, -32.72, 52.78

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 5 / 0 / 73 / 22

HEX #BEC836

RGB 190 200 54

HSL 64.11, 0.57%, 0.5%

LAB 77.59, -20.9, 67.14

 

CMYK 0 / 15 / 73 / 22

HEX #C8AA36

RGB 200 170 54

HSL 47.67, 0.57%, 0.5%

LAB 70.38, -1.24, 60.5

 

CMYK 0 / 35 / 73 / 22

HEX #C88336

RGB 200 131 54

HSL 31.64, 0.57%, 0.5%

LAB 60.59, 19.89, 50.7

 

CMYK 0 / 54 / 73 / 22

HEX #C85C36

RGB 200 92 54

HSL 15.62, 0.57%, 0.5%

LAB 52.06, 40.55, 41.68

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 44 / 0 / 73 / 22

HEX #70C836

RGB 112 200 54

HSL 96.16, 0.57%, 0.5%

LAB 72.9, -50.51, 60.98

 

CMYK 64 / 0 / 73 / 22

HEX #48C836

RGB 72 200 54

HSL 112.6, 0.57%, 0.5%

LAB 71.52, -61.26, 59.14

 

CMYK 73 / 0 / 63 / 22

HEX #36C84B

RGB 54 200 75

HSL 128.63, 0.57%, 0.5%

LAB 71.28, -62.64, 50.41

 

CMYK 73 / 0 / 43 / 22

HEX #36C873

RGB 54 200 115

HSL 145.07, 0.57%, 0.5%

LAB 71.78, -56.85, 31.8

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 28 / 0 / 85 / 14

HEX #9EDC22

RGB 158 220 34

HSL 80, 0.73%, 0.5%

LAB 81.06, -43.7, 75.01

 

CMYK 32 / 0 / 95 / 5

HEX #A4F10D

RGB 164 241 13

HSL 80.26, 0.9%, 0.5%

LAB 87.4, -50.77, 83.51

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 20 / 0 / 58 / 30

HEX #90B34B

RGB 144 179 75

HSL 80.19, 0.41%, 0.5%

LAB 68.52, -28.11, 48.26

 

CMYK 13 / 0 / 39 / 38

HEX #899E60

RGB 137 158 96

HSL 80.32, 0.24%, 0.5%

LAB 62.18, -18.12, 29.97

 

CMYK 5 / 0 / 16 / 46

HEX #838A74

RGB 131 138 116

HSL 79.09, 0.09%, 0.5%

LAB 56.35, -6.73, 10.92

 

CMYK 9 / 15 / 0 / 46

HEX #7C7589

RGB 124 117 137

HSL 261, 0.08%, 0.5%

LAB 50.47, 6.82, -9.93

 

CMYK 0 / 15 / 73 / 22

HEX #C8AB36

RGB 200 171 54

HSL 48.08, 0.57%, 0.5%

LAB 70.64, -1.77, 60.76

 

CMYK 5 / 0 / 73 / 22

HEX #BEC836

RGB 190 200 54

HSL 64.11, 0.57%, 0.5%

LAB 77.59, -20.9, 67.14

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 44 / 0 / 73 / 22

HEX #70C836

RGB 112 200 54

HSL 96.16, 0.57%, 0.5%

LAB 72.9, -50.51, 60.98

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 24 / 0 / 73 / 47

HEX #668725

RGB 102 135 37

HSL 80.2, 0.57%, 0.34%

LAB 52.16, -26.76, 46.36

 

CMYK 25 / 0 / 73 / 35

HEX #7EA72D

RGB 126 167 45

HSL 80.16, 0.58%, 0.42%

LAB 63.56, -31.82, 55.18

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 20 / 0 / 58 / 18

HEX #A8D157

RGB 168 209 87

HSL 80.16, 0.57%, 0.58%

LAB 78.82, -31.93, 54.92

 

CMYK 15 / 0 / 45 / 15

HEX #B8D977

RGB 184 217 119

HSL 80.2, 0.56%, 0.66%

LAB 82.46, -26.47, 44.52

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 73 / 0 / 34 / 22

HEX #36C884

RGB 54 200 132

HSL 152.05, 0.57%, 0.5%

LAB 72.07, -53.61, 23.33

 

CMYK 5 / 73 / 0 / 22

HEX #BE36C8

RGB 190 54 200

HSL 295.89, 0.57%, 0.5%

LAB 49.2, 70.32, -48.15

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 73 / 25 / 0 / 22

HEX #3697C8

RGB 54 151 200

HSL 200.14, 0.57%, 0.5%

LAB 59.06, -11.88, -33.33

 

CMYK 0 / 73 / 25 / 22

HEX #C83697

RGB 200 54 151

HSL 320.14, 0.57%, 0.5%

LAB 48.45, 65.34, -20.41

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 73 / 0 / 34 / 22

HEX #36C884

RGB 54 200 132

HSL 152.05, 0.57%, 0.5%

LAB 72.07, -53.61, 23.33

 

CMYK 49 / 73 / 0 / 22

HEX #6736C8

RGB 103 54 200

HSL 260.14, 0.57%, 0.5%

LAB 37.28, 53.9, -67.99

 

CMYK 0 / 73 / 39 / 22

HEX #C8367A

RGB 200 54 122

HSL 332.05, 0.57%, 0.5%

LAB 47.4, 62, -4.49

 

CMYK 25 / 0 / 73 / 22

HEX #97C836

RGB 151 200 54

HSL 80.14, 0.57%, 0.5%

LAB 74.92, -36.68, 63.65

 

CMYK 73 / 0 / 13 / 22

HEX #36C8AF

RGB 54 200 175

HSL 169.73, 0.57%, 0.5%

LAB 73.02, -43.58, 1.57

 

CMYK 49 / 73 / 0 / 22

HEX #6736C8

RGB 103 54 200

HSL 260.14, 0.57%, 0.5%

LAB 37.28, 53.9, -67.99

 

CMYK 0 / 73 / 61 / 22

HEX #C8364F

RGB 200 54 79

HSL 349.73, 0.57%, 0.5%

LAB 46.29, 58.37, 20.32

 

Description

Color code: HEX #97C836 | qconv.com Color code: HEX #97C836 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 200 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 200 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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