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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97CE41 it is the complementary color #6831BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97CE41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97CE41 shade: #9CCE3C, #ADE04F, #BEF262, #CFFF75 and #E0FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97CE41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97CE41 shade: #97CE41, #86BC2E, #75AA1B, #649808 and #538600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97CE41 shade: #96CD40, #BCCD40, #CDB840, #CD9240 and #CD6C40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97CE41 shade: #96CD40, #70CD40, #4ACD40, #40CD5C and #40CD82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97CE41 shade matches the following richer shades: #96CD40, #9AE12D and #9FF419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97CE41 shade: #96CD40, #92BA53, #8EA767, #89937A and #85808E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97CE41 shade: #CDB840, #BDCD40, #97CD40, #71CD40 and #4CCD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97CE41 shade: #6A9526, #81B62E, #96CD40, #A8D661 and #BADE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97CE41 shade: #97CE41, #40CD92 and #CB40CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97CE41 shade: #97CE41, #4097CD and #CD4097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97CE41 shade: #97CE41, #40CD92, #7640CD and #CD407B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97CE41 shade: #97CE41, #40CDBD, #7640CD and #CD4050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 68 / 19

HEX #97CE41

RGB 151 206 65

HSL 83.4, 0.59%, 0.53%

LAB 76.74, -38.7, 61.47

 

Complementary color

CMYK 45 / 74 / 0 / 25

HEX #6831BE

RGB 104 49 190

HSL 263.4, 0.59%, 0.47%

LAB 35.71, 53.78, -64.71

 

CMYK 24 / 0 / 71 / 19

HEX #9CCE3C

RGB 156 206 60

HSL 80.55, 0.6%, 0.52%

LAB 77, -37.12, 63.68

 

CMYK 23 / 0 / 65 / 12

HEX #ADE04F

RGB 173 224 79

HSL 81.1, 0.7%, 0.59%

LAB 83.32, -37.52, 63.28

 

CMYK 21 / 0 / 60 / 5

HEX #BEF262

RGB 190 242 98

HSL 81.67, 0.85%, 0.67%

LAB 89.55, -37.81, 62.55

 

CMYK 19 / 0 / 54 / 0

HEX #CFFF75

RGB 207 255 117

HSL 80.87, 1%, 0.73%

LAB 94.34, -35.77, 60.06

 

CMYK 12 / 0 / 47 / 0

HEX #E0FF88

RGB 224 255 136

HSL 75.63, 1%, 0.77%

LAB 95.64, -27.66, 53.22

 

CMYK 27 / 0 / 68 / 19

HEX #97CE41

RGB 151 206 65

HSL 83.4, 0.59%, 0.53%

LAB 76.74, -38.7, 61.47

 

CMYK 29 / 0 / 76 / 26

HEX #86BC2E

RGB 134 188 46

HSL 82.82, 0.61%, 0.46%

LAB 70.34, -38.24, 61.57

 

CMYK 31 / 0 / 84 / 33

HEX #75AA1B

RGB 117 170 27

HSL 82.24, 0.73%, 0.39%

LAB 63.84, -37.59, 60.82

 

CMYK 34 / 0 / 95 / 40

HEX #649808

RGB 100 152 8

HSL 81.67, 0.9%, 0.31%

LAB 57.25, -36.67, 58.62

 

CMYK 38 / 0 / 100 / 47

HEX #538600

RGB 83 134 0

HSL 82.84, 1%, 0.26%

LAB 50.56, -35.41, 54.29

 

CMYK 27 / 0 / 69 / 20

HEX #96CD40

RGB 150 205 64

HSL 83.4, 0.59%, 0.53%

LAB 76.39, -38.69, 61.47

 

CMYK 8 / 0 / 69 / 20

HEX #BCCD40

RGB 188 205 64

HSL 67.23, 0.59%, 0.53%

LAB 78.88, -23.67, 64.8

 

CMYK 0 / 10 / 69 / 20

HEX #CDB840

RGB 205 184 64

HSL 51.06, 0.59%, 0.53%

LAB 74.59, -5.92, 60.93

 

CMYK 0 / 29 / 69 / 20

HEX #CD9240

RGB 205 146 64

HSL 34.89, 0.59%, 0.53%

LAB 64.89, 14.38, 50.83

 

CMYK 0 / 47 / 69 / 20

HEX #CD6C40

RGB 205 108 64

HSL 18.72, 0.59%, 0.53%

LAB 56.16, 34.84, 41.22

 

CMYK 27 / 0 / 69 / 20

HEX #96CD40

RGB 150 205 64

HSL 83.4, 0.59%, 0.53%

LAB 76.39, -38.69, 61.47

 

CMYK 45 / 0 / 69 / 20

HEX #70CD40

RGB 112 205 64

HSL 99.57, 0.59%, 0.53%

LAB 74.49, -51.76, 58.92

 

CMYK 64 / 0 / 69 / 20

HEX #4ACD40

RGB 74 205 64

HSL 115.74, 0.59%, 0.53%

LAB 73.21, -61.72, 57.18

 

CMYK 69 / 0 / 55 / 20

HEX #40CD5C

RGB 64 205 92

HSL 131.91, 0.59%, 0.53%

LAB 73.24, -60.58, 45.02

 

CMYK 69 / 0 / 37 / 20

HEX #40CD82

RGB 64 205 130

HSL 148.09, 0.59%, 0.53%

LAB 73.78, -54.4, 26.72

 

CMYK 27 / 0 / 69 / 20

HEX #96CD40

RGB 150 205 64

HSL 83.4, 0.59%, 0.53%

LAB 76.39, -38.69, 61.47

 

CMYK 32 / 0 / 80 / 12

HEX #9AE12D

RGB 154 225 45

HSL 83.67, 0.75%, 0.53%

LAB 82.33, -46.89, 73.4

 

CMYK 35 / 0 / 90 / 4

HEX #9FF419

RGB 159 244 25

HSL 83.29, 0.91%, 0.53%

LAB 88.04, -53.54, 82.49

 

CMYK 27 / 0 / 69 / 20

HEX #96CD40

RGB 150 205 64

HSL 83.4, 0.59%, 0.53%

LAB 76.39, -38.69, 61.47

 

CMYK 22 / 0 / 55 / 27

HEX #92BA53

RGB 146 186 83

HSL 83.3, 0.43%, 0.53%

LAB 70.77, -29.93, 47.17

 

CMYK 15 / 0 / 38 / 35

HEX #8EA767

RGB 142 167 103

HSL 83.44, 0.27%, 0.53%

LAB 65.25, -19.84, 30.28

 

CMYK 7 / 0 / 17 / 42

HEX #89937A

RGB 137 147 122

HSL 84, 0.1%, 0.53%

LAB 59.52, -8.33, 12.03

 

CMYK 6 / 10 / 0 / 44

HEX #85808E

RGB 133 128 142

HSL 261.43, 0.06%, 0.53%

LAB 54.43, 4.71, -6.87

 

CMYK 0 / 10 / 69 / 20

HEX #CDB840

RGB 205 184 64

HSL 51.06, 0.59%, 0.53%

LAB 74.59, -5.92, 60.93

 

CMYK 8 / 0 / 69 / 20

HEX #BDCD40

RGB 189 205 64

HSL 66.81, 0.59%, 0.53%

LAB 78.96, -23.26, 64.9

 

CMYK 26 / 0 / 69 / 20

HEX #97CD40

RGB 151 205 64

HSL 82.98, 0.59%, 0.53%

LAB 76.44, -38.32, 61.54

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 63 / 0 / 69 / 20

HEX #4CCD40

RGB 76 205 64

HSL 114.89, 0.59%, 0.53%

LAB 73.27, -61.29, 57.25

 

CMYK 29 / 0 / 74 / 42

HEX #6A9526

RGB 106 149 38

HSL 83.24, 0.59%, 0.37%

LAB 56.78, -31.77, 50.65

 

CMYK 29 / 0 / 75 / 29

HEX #81B62E

RGB 129 182 46

HSL 83.38, 0.6%, 0.45%

LAB 68.26, -37.46, 59.47

 

CMYK 27 / 0 / 69 / 20

HEX #96CD40

RGB 150 205 64

HSL 83.4, 0.59%, 0.53%

LAB 76.39, -38.69, 61.47

 

CMYK 21 / 0 / 55 / 16

HEX #A8D661

RGB 168 214 97

HSL 83.59, 0.59%, 0.61%

LAB 80.34, -33.35, 52.16

 

CMYK 16 / 0 / 41 / 13

HEX #BADE82

RGB 186 222 130

HSL 83.48, 0.58%, 0.69%

LAB 84.12, -26.84, 41.23

 

CMYK 27 / 0 / 68 / 19

HEX #97CE41

RGB 151 206 65

HSL 83.4, 0.59%, 0.53%

LAB 76.74, -38.7, 61.47

 

CMYK 69 / 0 / 29 / 20

HEX #40CD92

RGB 64 205 146

HSL 154.89, 0.59%, 0.53%

LAB 74.08, -51.15, 18.7

 

CMYK 1 / 69 / 0 / 20

HEX #CB40CD

RGB 203 64 205

HSL 299.15, 0.59%, 0.53%

LAB 52.7, 70.55, -45.33

 

CMYK 27 / 0 / 68 / 19

HEX #97CE41

RGB 151 206 65

HSL 83.4, 0.59%, 0.53%

LAB 76.74, -38.7, 61.47

 

CMYK 69 / 26 / 0 / 20

HEX #4097CD

RGB 64 151 205

HSL 202.98, 0.59%, 0.53%

LAB 59.55, -8.76, -35.34

 

CMYK 0 / 69 / 26 / 20

HEX #CD4097

RGB 205 64 151

HSL 322.98, 0.59%, 0.53%

LAB 50.55, 63.14, -17.12

 

CMYK 27 / 0 / 68 / 19

HEX #97CE41

RGB 151 206 65

HSL 83.4, 0.59%, 0.53%

LAB 76.74, -38.7, 61.47

 

CMYK 69 / 0 / 29 / 20

HEX #40CD92

RGB 64 205 146

HSL 154.89, 0.59%, 0.53%

LAB 74.08, -51.15, 18.7

 

CMYK 42 / 69 / 0 / 20

HEX #7640CD

RGB 118 64 205

HSL 262.98, 0.59%, 0.53%

LAB 41.1, 52.88, -64.6

 

CMYK 0 / 69 / 40 / 20

HEX #CD407B

RGB 205 64 123

HSL 334.89, 0.59%, 0.53%

LAB 49.59, 59.92, -1.76

 

CMYK 27 / 0 / 68 / 19

HEX #97CE41

RGB 151 206 65

HSL 83.4, 0.59%, 0.53%

LAB 76.74, -38.7, 61.47

 

CMYK 69 / 0 / 8 / 20

HEX #40CDBD

RGB 64 205 189

HSL 173.19, 0.59%, 0.53%

LAB 75.09, -40.76, -2.94

 

CMYK 42 / 69 / 0 / 20

HEX #7640CD

RGB 118 64 205

HSL 262.98, 0.59%, 0.53%

LAB 41.1, 52.88, -64.6

 

CMYK 0 / 69 / 61 / 20

HEX #CD4050

RGB 205 64 80

HSL 353.19, 0.59%, 0.53%

LAB 48.54, 56.3, 22.84

 

Description

Color code: HEX #97CE41 | qconv.com Color code: HEX #97CE41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 206 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 206 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 68 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 68% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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