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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97D533 it is the complementary color #682ACC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97D533. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97D533 shade: #9CD52E, #ADE741, #BEF954, #CFFF67 and #E0FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97D533. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97D533 shade: #97D533, #86C320, #75B10D, #649F00 and #538D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97D533 shade: #97D533, #C3D533, #D5BC33, #D59033 and #D56433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97D533 shade: #97D533, #6BD533, #40D533, #33D552 and #33D57E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97D533 shade matches the following richer shades: #97D533, #9CE920 and #A0FC0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97D533 shade: #97D533, #92C147, #8EAD5B, #89996F and #848683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97D533 shade: #D5BA33, #C5D533, #9AD533, #6FD533 and #43D533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97D533 shade: #69971F, #81B926, #97D533, #A8DC56 and #BAE378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97D533 shade: #97D533, #33D58F and #CF33D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97D533 shade: #97D533, #339AD5 and #D5339A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97D533 shade: #97D533, #33D58F, #6F33D5 and #D53379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97D533 shade: #97D533, #33D5BF, #6F33D5 and #D53349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

Complementary color

CMYK 49 / 79 / 0 / 20

HEX #682ACC

RGB 104 42 204

HSL 262.96, 0.66%, 0.48%

LAB 35.9, 60.37, -72.58

 

CMYK 27 / 0 / 78 / 16

HEX #9CD52E

RGB 156 213 46

HSL 80.48, 0.67%, 0.51%

LAB 78.96, -40.96, 70.09

 

CMYK 25 / 0 / 72 / 9

HEX #ADE741

RGB 173 231 65

HSL 80.96, 0.78%, 0.58%

LAB 85.21, -41.52, 70.39

 

CMYK 24 / 0 / 66 / 2

HEX #BEF954

RGB 190 249 84

HSL 81.45, 0.93%, 0.65%

LAB 91.39, -41.94, 70.13

 

CMYK 19 / 0 / 60 / 0

HEX #CFFF67

RGB 207 255 103

HSL 78.95, 1%, 0.7%

LAB 94.21, -36.94, 65.91

 

CMYK 12 / 0 / 52 / 0

HEX #E0FF7A

RGB 224 255 122

HSL 73.98, 1%, 0.74%

LAB 95.49, -28.98, 59.44

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 31 / 0 / 84 / 24

HEX #86C320

RGB 134 195 32

HSL 82.45, 0.72%, 0.45%

LAB 72.36, -41.94, 67.42

 

CMYK 34 / 0 / 93 / 31

HEX #75B10D

RGB 117 177 13

HSL 81.95, 0.86%, 0.37%

LAB 65.95, -41.05, 65.32

 

CMYK 37 / 0 / 100 / 38

HEX #649F00

RGB 100 159 0

HSL 82.26, 1%, 0.31%

LAB 59.44, -39.89, 61.55

 

CMYK 41 / 0 / 100 / 45

HEX #538D00

RGB 83 141 0

HSL 84.68, 1%, 0.28%

LAB 52.83, -38.45, 56.05

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 8 / 0 / 76 / 16

HEX #C3D533

RGB 195 213 51

HSL 66.67, 0.66%, 0.52%

LAB 81.53, -25.28, 71.91

 

CMYK 0 / 12 / 76 / 16

HEX #D5BC33

RGB 213 188 51

HSL 50.74, 0.66%, 0.52%

LAB 76.28, -5.15, 67.61

 

CMYK 0 / 32 / 76 / 16

HEX #D59033

RGB 213 144 51

HSL 34.44, 0.66%, 0.52%

LAB 65.22, 18.27, 57.14

 

CMYK 0 / 53 / 76 / 16

HEX #D56433

RGB 213 100 51

HSL 18.15, 0.66%, 0.52%

LAB 55.58, 41.43, 47.52

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 50 / 0 / 76 / 16

HEX #6BD533

RGB 107 213 51

HSL 99.26, 0.66%, 0.52%

LAB 76.65, -57.21, 65.58

 

CMYK 70 / 0 / 76 / 16

HEX #40D533

RGB 64 213 51

HSL 115.19, 0.66%, 0.52%

LAB 75.4, -67.3, 63.94

 

CMYK 76 / 0 / 62 / 16

HEX #33D552

RGB 51 213 82

HSL 131.48, 0.66%, 0.52%

LAB 75.39, -66.53, 52

 

CMYK 76 / 0 / 41 / 16

HEX #33D57E

RGB 51 213 126

HSL 147.78, 0.66%, 0.52%

LAB 75.95, -60, 31.61

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 33 / 0 / 86 / 9

HEX #9CE920

RGB 156 233 32

HSL 82.99, 0.82%, 0.52%

LAB 84.72, -49.95, 78.49

 

CMYK 37 / 0 / 95 / 1

HEX #A0FC0C

RGB 160 252 12

HSL 83, 0.98%, 0.52%

LAB 90.38, -56.59, 85.87

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 24 / 0 / 63 / 24

HEX #92C147

RGB 146 193 71

HSL 83.11, 0.5%, 0.52%

LAB 72.7, -34.26, 54.7

 

CMYK 18 / 0 / 47 / 32

HEX #8EAD5B

RGB 142 173 91

HSL 82.68, 0.33%, 0.52%

LAB 66.82, -24.34, 38.48

 

CMYK 10 / 0 / 27 / 40

HEX #89996F

RGB 137 153 111

HSL 82.86, 0.17%, 0.52%

LAB 61, -13.36, 20.24

 

CMYK 1 / 0 / 2 / 47

HEX #848683

RGB 132 134 131

HSL 100, 0.01%, 0.52%

LAB 55.68, -1.33, 1.35

 

CMYK 0 / 13 / 76 / 16

HEX #D5BA33

RGB 213 186 51

HSL 50, 0.66%, 0.52%

LAB 75.76, -4.12, 67.13

 

CMYK 8 / 0 / 76 / 16

HEX #C5D533

RGB 197 213 51

HSL 65.93, 0.66%, 0.52%

LAB 81.67, -24.45, 72.1

 

CMYK 28 / 0 / 76 / 16

HEX #9AD533

RGB 154 213 51

HSL 81.85, 0.66%, 0.52%

LAB 78.87, -41.48, 68.48

 

CMYK 48 / 0 / 76 / 16

HEX #6FD533

RGB 111 213 51

HSL 97.78, 0.66%, 0.52%

LAB 76.8, -56.04, 65.79

 

CMYK 69 / 0 / 76 / 16

HEX #43D533

RGB 67 213 51

HSL 114.07, 0.66%, 0.52%

LAB 75.46, -66.75, 64.03

 

CMYK 30 / 0 / 79 / 41

HEX #69971F

RGB 105 151 31

HSL 83, 0.66%, 0.36%

LAB 57.3, -33.48, 53.53

 

CMYK 30 / 0 / 79 / 27

HEX #81B926

RGB 129 185 38

HSL 82.86, 0.66%, 0.44%

LAB 69.12, -39.2, 62.81

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 24 / 0 / 61 / 14

HEX #A8DC56

RGB 168 220 86

HSL 83.28, 0.66%, 0.6%

LAB 81.94, -37.06, 58.82

 

CMYK 18 / 0 / 47 / 11

HEX #BAE378

RGB 186 227 120

HSL 82.99, 0.66%, 0.68%

LAB 85.37, -30.35, 47.66

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 76 / 0 / 33 / 16

HEX #33D58F

RGB 51 213 143

HSL 154.07, 0.66%, 0.52%

LAB 76.24, -56.7, 23.21

 

CMYK 3 / 76 / 0 / 16

HEX #CF33D5

RGB 207 51 213

HSL 297.78, 0.66%, 0.52%

LAB 52.33, 76.79, -50.46

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 76 / 28 / 0 / 16

HEX #339AD5

RGB 51 154 213

HSL 201.85, 0.66%, 0.52%

LAB 60.44, -9.44, -38.45

 

CMYK 0 / 76 / 28 / 16

HEX #D5339A

RGB 213 51 154

HSL 321.85, 0.66%, 0.52%

LAB 50.51, 69.85, -18.85

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 76 / 0 / 33 / 16

HEX #33D58F

RGB 51 213 143

HSL 154.07, 0.66%, 0.52%

LAB 76.24, -56.7, 23.21

 

CMYK 48 / 76 / 0 / 16

HEX #6F33D5

RGB 111 51 213

HSL 262.22, 0.66%, 0.52%

LAB 38.81, 59.88, -72.98

 

CMYK 0 / 76 / 43 / 16

HEX #D53379

RGB 213 51 121

HSL 334.07, 0.66%, 0.52%

LAB 49.37, 66.35, -0.71

 

CMYK 29 / 0 / 76 / 16

HEX #97D533

RGB 151 213 51

HSL 82.96, 0.66%, 0.52%

LAB 78.7, -42.59, 68.26

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 48 / 76 / 0 / 16

HEX #6F33D5

RGB 111 51 213

HSL 262.22, 0.66%, 0.52%

LAB 38.81, 59.88, -72.98

 

CMYK 0 / 76 / 66 / 16

HEX #D53349

RGB 213 51 73

HSL 351.85, 0.66%, 0.52%

LAB 48.25, 62.82, 26.97

 

Description

Color code: HEX #97D533 | qconv.com Color code: HEX #97D533 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 213 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 213 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 76 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 76% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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