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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #941D93 it is the complementary color #6BE26C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #941D93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #941D93 shade: #991D8E, #AA2FA1, #BB41B4, #CC53C7 and #DD65DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #941D93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #941D93 shade: #941D93, #830B80, #72006D, #61005A and #500047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #941D93 shade: #951D94, #951D73, #951D53, #951D33 and #951D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #941D93 shade: #951D94, #751D95, #551D95, #351D95 and #1D1D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #941D93 shade matches the following richer shades: #951D94, #A30FA2 and #B100B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #941D93 shade: #951D94, #862B85, #783A77, #694869 and #5B575B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #941D93 shade: #551D95, #751D95, #951D95, #951D75 and #951D55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #941D93 shade: #500F4F, #721671, #951D94, #B724B6 and #D52FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #941D93 shade: #941D93, #95351D and #1D9565

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #941D93 shade: #941D93, #95951D and #1D9595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #941D93 shade: #941D93, #95351D, #1D951D and #1D7D95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #941D93 shade: #941D93, #95591D, #1D951D and #1D5995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 1 / 42

HEX #941D93

RGB 148 29 147

HSL 300.5, 0.67%, 0.35%

LAB 36.52, 60.32, -37.31

 

Complementary color

CMYK 53 / 0 / 52 / 11

HEX #6BE26C

RGB 107 226 108

HSL 120.5, 0.67%, 0.65%

LAB 81.07, -56.76, 47.22

 

CMYK 0 / 81 / 7 / 40

HEX #991D8E

RGB 153 29 142

HSL 305.32, 0.68%, 0.36%

LAB 37.12, 60.58, -33.24

 

CMYK 0 / 72 / 5 / 33

HEX #AA2FA1

RGB 170 47 161

HSL 304.39, 0.57%, 0.43%

LAB 42.99, 61.87, -35.28

 

CMYK 0 / 65 / 4 / 27

HEX #BB41B4

RGB 187 65 180

HSL 303.44, 0.48%, 0.49%

LAB 49.06, 62.35, -36.78

 

CMYK 0 / 59 / 2 / 20

HEX #CC53C7

RGB 204 83 199

HSL 302.48, 0.54%, 0.56%

LAB 55.22, 62.32, -37.9

 

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

CMYK 0 / 80 / 1 / 42

HEX #941D93

RGB 148 29 147

HSL 300.5, 0.67%, 0.35%

LAB 36.52, 60.32, -37.31

 

CMYK 0 / 92 / 2 / 49

HEX #830B80

RGB 131 11 128

HSL 301.5, 0.85%, 0.28%

LAB 30.93, 57.78, -34.63

 

CMYK 0 / 100 / 4 / 55

HEX #72006D

RGB 114 0 109

HSL 302.63, 1%, 0.22%

LAB 25.81, 53.45, -30.89

 

CMYK 0 / 100 / 7 / 62

HEX #61005A

RGB 97 0 90

HSL 304.33, 1%, 0.19%

LAB 21.13, 47.27, -26.06

 

CMYK 0 / 100 / 11 / 69

HEX #500047

RGB 80 0 71

HSL 306.75, 1%, 0.16%

LAB 16.31, 40.89, -21.01

 

CMYK 0 / 81 / 1 / 42

HEX #951D94

RGB 149 29 148

HSL 300.5, 0.67%, 0.35%

LAB 36.76, 60.69, -37.54

 

CMYK 0 / 81 / 23 / 42

HEX #951D73

RGB 149 29 115

HSL 317, 0.67%, 0.35%

LAB 35.02, 55.77, -19.78

 

CMYK 0 / 81 / 44 / 42

HEX #951D53

RGB 149 29 83

HSL 333, 0.67%, 0.35%

LAB 33.76, 52.04, -1.16

 

CMYK 0 / 81 / 66 / 42

HEX #951D33

RGB 149 29 51

HSL 349, 0.67%, 0.35%

LAB 32.93, 49.51, 18.6

 

CMYK 0 / 81 / 81 / 42

HEX #951D1D

RGB 149 29 29

HSL 0, 0.67%, 0.35%

LAB 32.61, 48.47, 31.98

 

CMYK 0 / 81 / 1 / 42

HEX #951D94

RGB 149 29 148

HSL 300.5, 0.67%, 0.35%

LAB 36.76, 60.69, -37.54

 

CMYK 21 / 81 / 0 / 42

HEX #751D95

RGB 117 29 149

HSL 284, 0.67%, 0.35%

LAB 31.42, 54.54, -47.01

 

CMYK 43 / 81 / 0 / 42

HEX #551D95

RGB 85 29 149

HSL 268, 0.67%, 0.35%

LAB 26.68, 48.98, -54.93

 

CMYK 64 / 81 / 0 / 42

HEX #351D95

RGB 53 29 149

HSL 252, 0.67%, 0.35%

LAB 23.02, 44.67, -61.08

 

CMYK 81 / 81 / 0 / 42

HEX #1D1D95

RGB 29 29 149

HSL 240, 0.67%, 0.35%

LAB 21.24, 42.57, -64.07

 

CMYK 0 / 81 / 1 / 42

HEX #951D94

RGB 149 29 148

HSL 300.5, 0.67%, 0.35%

LAB 36.76, 60.69, -37.54

 

CMYK 0 / 91 / 1 / 36

HEX #A30FA2

RGB 163 15 162

HSL 300.41, 0.83%, 0.35%

LAB 39.13, 68.4, -42.08

 

CMYK 0 / 100 / 1 / 31

HEX #B100B0

RGB 177 0 176

HSL 300.34, 1%, 0.35%

LAB 41.97, 74.56, -45.77

 

CMYK 0 / 81 / 1 / 42

HEX #951D94

RGB 149 29 148

HSL 300.5, 0.67%, 0.35%

LAB 36.76, 60.69, -37.54

 

CMYK 0 / 68 / 1 / 47

HEX #862B85

RGB 134 43 133

HSL 300.66, 0.51%, 0.35%

LAB 34.98, 50.02, -31.28

 

CMYK 0 / 52 / 1 / 53

HEX #783A77

RGB 120 58 119

HSL 300.97, 0.35%, 0.35%

LAB 34.7, 36.32, -23.16

 

CMYK 0 / 31 / 0 / 59

HEX #694869

RGB 105 72 105

HSL 300, 0.19%, 0.35%

LAB 35.32, 20.18, -13.59

 

CMYK 0 / 4 / 0 / 64

HEX #5B575B

RGB 91 87 91

HSL 300, 0.02%, 0.35%

LAB 37.47, 2.45, -1.74

 

CMYK 43 / 81 / 0 / 42

HEX #551D95

RGB 85 29 149

HSL 268, 0.67%, 0.35%

LAB 26.68, 48.98, -54.93

 

CMYK 21 / 81 / 0 / 42

HEX #751D95

RGB 117 29 149

HSL 284, 0.67%, 0.35%

LAB 31.42, 54.54, -47.01

 

CMYK 0 / 81 / 0 / 42

HEX #951D95

RGB 149 29 149

HSL 300, 0.67%, 0.35%

LAB 36.81, 60.85, -38.05

 

CMYK 0 / 81 / 21 / 42

HEX #951D75

RGB 149 29 117

HSL 316, 0.67%, 0.35%

LAB 35.11, 56.04, -20.9

 

CMYK 0 / 81 / 43 / 42

HEX #951D55

RGB 149 29 85

HSL 332, 0.67%, 0.35%

LAB 33.82, 52.24, -2.37

 

CMYK 0 / 81 / 1 / 69

HEX #500F4F

RGB 80 15 79

HSL 300.92, 0.68%, 0.19%

LAB 18.42, 37.62, -23.17

 

CMYK 0 / 81 / 1 / 55

HEX #721671

RGB 114 22 113

HSL 300.65, 0.68%, 0.27%

LAB 27.69, 49.33, -30.46

 

CMYK 0 / 81 / 1 / 42

HEX #951D94

RGB 149 29 148

HSL 300.5, 0.67%, 0.35%

LAB 36.76, 60.69, -37.54

 

CMYK 0 / 80 / 1 / 28

HEX #B724B6

RGB 183 36 182

HSL 300.41, 0.67%, 0.43%

LAB 45.23, 71.14, -44.05

 

CMYK 0 / 78 / 0 / 16

HEX #D52FD4

RGB 213 47 212

HSL 300.36, 0.66%, 0.51%

LAB 52.88, 78.88, -48.96

 

CMYK 0 / 80 / 1 / 42

HEX #941D93

RGB 148 29 147

HSL 300.5, 0.67%, 0.35%

LAB 36.52, 60.32, -37.31

 

CMYK 0 / 64 / 81 / 42

HEX #95351D

RGB 149 53 29

HSL 12, 0.67%, 0.35%

LAB 36.03, 39.09, 35.47

 

CMYK 81 / 0 / 32 / 42

HEX #1D9565

RGB 29 149 101

HSL 156, 0.67%, 0.35%

LAB 54.76, -43.45, 16.51

 

CMYK 0 / 80 / 1 / 42

HEX #941D93

RGB 148 29 147

HSL 300.5, 0.67%, 0.35%

LAB 36.52, 60.32, -37.31

 

CMYK 0 / 0 / 81 / 42

HEX #95951D

RGB 149 149 29

HSL 60, 0.67%, 0.35%

LAB 59.86, -13.79, 57.64

 

CMYK 81 / 0 / 0 / 42

HEX #1D9595

RGB 29 149 149

HSL 180, 0.67%, 0.35%

LAB 56.01, -30.48, -9.05

 

CMYK 0 / 80 / 1 / 42

HEX #941D93

RGB 148 29 147

HSL 300.5, 0.67%, 0.35%

LAB 36.52, 60.32, -37.31

 

CMYK 0 / 64 / 81 / 42

HEX #95351D

RGB 149 53 29

HSL 12, 0.67%, 0.35%

LAB 36.03, 39.09, 35.47

 

CMYK 81 / 0 / 81 / 42

HEX #1D951D

RGB 29 149 29

HSL 120, 0.67%, 0.35%

LAB 53.86, -54, 49.93

 

CMYK 81 / 16 / 0 / 42

HEX #1D7D95

RGB 29 125 149

HSL 192, 0.67%, 0.35%

LAB 48.38, -18.16, -20.62

 

CMYK 0 / 80 / 1 / 42

HEX #941D93

RGB 148 29 147

HSL 300.5, 0.67%, 0.35%

LAB 36.52, 60.32, -37.31

 

CMYK 0 / 40 / 81 / 42

HEX #95591D

RGB 149 89 29

HSL 30, 0.67%, 0.35%

LAB 43.69, 19.88, 42.92

 

CMYK 81 / 0 / 81 / 42

HEX #1D951D

RGB 29 149 29

HSL 120, 0.67%, 0.35%

LAB 53.86, -54, 49.93

 

CMYK 81 / 40 / 0 / 42

HEX #1D5995

RGB 29 89 149

HSL 210, 0.67%, 0.35%

LAB 37.07, 3.32, -38.32

 

Description

Color code: HEX #941D93 | qconv.com Color code: HEX #941D93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 29 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 29 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 1 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 1% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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