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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94A2CB it is the complementary color #6B5D34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94A2CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94A2CB shade: #99A2C6, #AAB4D9, #BBC6EC, #CCD8FF and #DDEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94A2CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94A2CB shade: #94A2CB, #8390B8, #727EA5, #616C92 and #505A7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94A2CB shade: #94A2CB, #9594CB, #A494CB, #B294CB and #C194CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94A2CB shade: #94A2CB and #9494CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94A2CB shade matches the following richer shades: #94A2CB, #879CD8, #7A95E5, #6D8FF1 and #6189FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94A2CB shade: #94A2CB, #A1A8BE, #ADAEB2, #BAB5A5 and #C7BB98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94A2CB shade: #94C0CB, #94B1CB, #94A3CB, #9494CB and #A394CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94A2CB shade: #5C72B0, #788ABE, #94A2CB, #B0BAD9 and #CBD2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94A2CB shade: #94A2CB, #C794CB and #B9CB94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94A2CB shade: #94A2CB, #CB94A3 and #A3CB94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94A2CB shade: #94A2CB, #C794CB, #CBBC94 and #97CB94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94A2CB shade: #94A2CB, #CB94BE, #CBBC94 and #94CBA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

Complementary color

CMYK 0 / 13 / 51 / 58

HEX #6B5D34

RGB 107 93 52

HSL 44.73, 0.35%, 0.31%

LAB 39.92, -0.38, 25.5

 

CMYK 23 / 18 / 0 / 22

HEX #99A2C6

RGB 153 162 198

HSL 228, 0.28%, 0.69%

LAB 67.04, 4.65, -19.5

 

CMYK 22 / 17 / 0 / 15

HEX #AAB4D9

RGB 170 180 217

HSL 227.23, 0.38%, 0.76%

LAB 73.67, 4.39, -19.77

 

CMYK 21 / 16 / 0 / 7

HEX #BBC6EC

RGB 187 198 236

HSL 226.53, 0.56%, 0.83%

LAB 80.18, 4.15, -20.05

 

CMYK 20 / 15 / 0 / 0

HEX #CCD8FF

RGB 204 216 255

HSL 225.88, 1%, 0.9%

LAB 86.59, 3.92, -20.34

 

CMYK 13 / 8 / 0 / 0

HEX #DDEAFF

RGB 221 234 255

HSL 217.06, 1%, 0.93%

LAB 92.33, -0.23, -11.61

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 31 / 24 / 0 / 35

HEX #727EA5

RGB 114 126 165

HSL 225.88, 0.22%, 0.55%

LAB 53.18, 4.98, -22.23

 

CMYK 34 / 26 / 0 / 43

HEX #616C92

RGB 97 108 146

HSL 226.53, 0.2%, 0.48%

LAB 46.1, 5.39, -22.11

 

CMYK 37 / 29 / 0 / 50

HEX #505A7F

RGB 80 90 127

HSL 227.23, 0.23%, 0.41%

LAB 38.81, 5.88, -22.04

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 27 / 27 / 0 / 20

HEX #9594CB

RGB 149 148 203

HSL 241.09, 0.35%, 0.69%

LAB 63.24, 12.54, -28.13

 

CMYK 19 / 27 / 0 / 20

HEX #A494CB

RGB 164 148 203

HSL 257.45, 0.35%, 0.69%

LAB 64.47, 17.17, -26.14

 

CMYK 12 / 27 / 0 / 20

HEX #B294CB

RGB 178 148 203

HSL 272.73, 0.35%, 0.69%

LAB 65.71, 21.63, -24.12

 

CMYK 5 / 27 / 0 / 20

HEX #C194CB

RGB 193 148 203

HSL 289.09, 0.35%, 0.69%

LAB 67.15, 26.51, -21.81

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 27 / 27 / 0 / 20

HEX #9494CB

RGB 148 148 203

HSL 240, 0.35%, 0.69%

LAB 63.17, 12.24, -28.26

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 38 / 28 / 0 / 15

HEX #879CD8

RGB 135 156 216

HSL 224.44, 0.51%, 0.69%

LAB 64.87, 7.3, -32.93

 

CMYK 47 / 35 / 0 / 10

HEX #7A95E5

RGB 122 149 229

HSL 224.86, 0.67%, 0.69%

LAB 62.75, 11.68, -43.51

 

CMYK 55 / 41 / 0 / 5

HEX #6D8FF1

RGB 109 143 241

HSL 224.55, 0.83%, 0.69%

LAB 61, 15.97, -52.96

 

CMYK 62 / 46 / 0 / 0

HEX #6189FE

RGB 97 137 254

HSL 224.71, 0.99%, 0.69%

LAB 59.52, 21.49, -62.52

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 15 / 12 / 0 / 25

HEX #A1A8BE

RGB 161 168 190

HSL 225.52, 0.18%, 0.69%

LAB 68.97, 2.08, -12.1

 

CMYK 3 / 2 / 0 / 30

HEX #ADAEB2

RGB 173 174 178

HSL 228, 0.03%, 0.69%

LAB 71.13, 0.41, -2.18

 

CMYK 0 / 3 / 11 / 27

HEX #BAB5A5

RGB 186 181 165

HSL 45.71, 0.13%, 0.69%

LAB 73.68, -1.03, 8.77

 

CMYK 0 / 6 / 24 / 22

HEX #C7BB98

RGB 199 187 152

HSL 44.68, 0.3%, 0.69%

LAB 76.04, -1.35, 19.28

 

CMYK 27 / 5 / 0 / 20

HEX #94C0CB

RGB 148 192 203

HSL 192, 0.35%, 0.69%

LAB 75.02, -11.96, -10.27

 

CMYK 27 / 13 / 0 / 20

HEX #94B1CB

RGB 148 177 203

HSL 208.36, 0.35%, 0.69%

LAB 70.91, -3.96, -16.44

 

CMYK 27 / 20 / 0 / 20

HEX #94A3CB

RGB 148 163 203

HSL 223.64, 0.35%, 0.69%

LAB 67.13, 3.75, -22.18

 

CMYK 27 / 27 / 0 / 20

HEX #9494CB

RGB 148 148 203

HSL 240, 0.35%, 0.69%

LAB 63.17, 12.24, -28.26

 

CMYK 20 / 27 / 0 / 20

HEX #A394CB

RGB 163 148 203

HSL 256.36, 0.35%, 0.69%

LAB 64.39, 16.85, -26.28

 

CMYK 48 / 35 / 0 / 31

HEX #5C72B0

RGB 92 114 176

HSL 224.29, 0.35%, 0.53%

LAB 48.82, 9.17, -35.53

 

CMYK 37 / 27 / 0 / 25

HEX #788ABE

RGB 120 138 190

HSL 224.57, 0.35%, 0.61%

LAB 57.93, 6.44, -29.2

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 19 / 14 / 0 / 15

HEX #B0BAD9

RGB 176 186 217

HSL 225.37, 0.35%, 0.77%

LAB 75.67, 2.99, -16.7

 

CMYK 12 / 9 / 0 / 10

HEX #CBD2E6

RGB 203 210 230

HSL 224.44, 0.35%, 0.85%

LAB 84.23, 1.52, -10.66

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 2 / 27 / 0 / 20

HEX #C794CB

RGB 199 148 203

HSL 295.64, 0.35%, 0.69%

LAB 67.75, 28.48, -20.83

 

CMYK 9 / 0 / 27 / 20

HEX #B9CB94

RGB 185 203 148

HSL 79.64, 0.35%, 0.69%

LAB 79.14, -15.5, 25.47

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 0 / 27 / 20 / 20

HEX #CB94A3

RGB 203 148 163

HSL 343.64, 0.35%, 0.69%

LAB 66.92, 22.93, 0.32

 

CMYK 20 / 0 / 27 / 20

HEX #A3CB94

RGB 163 203 148

HSL 103.64, 0.35%, 0.69%

LAB 77.66, -23.46, 23.22

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 2 / 27 / 0 / 20

HEX #C794CB

RGB 199 148 203

HSL 295.64, 0.35%, 0.69%

LAB 67.75, 28.48, -20.83

 

CMYK 0 / 7 / 27 / 20

HEX #CBBC94

RGB 203 188 148

HSL 43.64, 0.35%, 0.69%

LAB 76.56, -0.9, 22.2

 

CMYK 26 / 0 / 27 / 20

HEX #97CB94

RGB 151 203 148

HSL 116.73, 0.35%, 0.69%

LAB 76.94, -27.58, 22.12

 

CMYK 27 / 20 / 0 / 20

HEX #94A2CB

RGB 148 162 203

HSL 224.73, 0.35%, 0.69%

LAB 66.86, 4.31, -22.59

 

CMYK 0 / 27 / 6 / 20

HEX #CB94BE

RGB 203 148 190

HSL 314.18, 0.35%, 0.69%

LAB 67.72, 27.42, -13.6

 

CMYK 0 / 7 / 27 / 20

HEX #CBBC94

RGB 203 188 148

HSL 43.64, 0.35%, 0.69%

LAB 76.56, -0.9, 22.2

 

CMYK 27 / 0 / 21 / 20

HEX #94CBA1

RGB 148 203 161

HSL 134.18, 0.35%, 0.69%

LAB 77.03, -26.29, 15.31

 

Description

Color code: HEX #94A2CB | qconv.com Color code: HEX #94A2CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 162 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 162 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 20 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 20% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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