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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94B5D9 it is the complementary color #6B4A26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94B5D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94B5D9 shade: #99B5D4, #AAC7E7, #BBD9FA, #CCEBFF and #DDFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94B5D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94B5D9 shade: #94B5D9, #83A3C6, #7291B3, #617FA0 and #506D8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94B5D9 shade: #95B6D9, #95A3D9, #9995D9, #AB95D9 and #BE95D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94B5D9 shade: #95B6D9, #95A3D9 and #9595D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94B5D9 shade matches the following richer shades: #95B6D9, #89B5E5, #7EB5F0 and #72B4FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94B5D9 shade: #95B6D9, #A0B6CE, #ACB7C2, #B7B7B7 and #C3B8AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94B5D9 shade: #95D9D8, #95C8D9, #95B6D9, #95A4D9 and #9895D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94B5D9 shade: #588BC4, #76A1CF, #95B6D9, #B3CBE4 and #D2E0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94B5D9 shade: #94B5D9, #C695D9 and #D1D995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94B5D9 shade: #94B5D9, #D995B6 and #B6D995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94B5D9 shade: #94B5D9, #C695D9, #D9B895 and #A8D995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94B5D9 shade: #94B5D9, #D995D8, #D9B895 and #95D996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 17 / 0 / 15

HEX #94B5D9

RGB 148 181 217

HSL 211.3, 0.48%, 0.72%

LAB 72.46, -2.72, -21.74

 

Complementary color

CMYK 0 / 31 / 64 / 58

HEX #6B4A26

RGB 107 74 38

HSL 31.3, 0.48%, 0.28%

LAB 34.32, 9.83, 26.74

 

CMYK 28 / 15 / 0 / 17

HEX #99B5D4

RGB 153 181 212

HSL 211.53, 0.41%, 0.72%

LAB 72.61, -2.48, -18.76

 

CMYK 26 / 14 / 0 / 9

HEX #AAC7E7

RGB 170 199 231

HSL 211.48, 0.56%, 0.79%

LAB 79.13, -2.64, -19.07

 

CMYK 25 / 13 / 0 / 2

HEX #BBD9FA

RGB 187 217 250

HSL 211.43, 0.86%, 0.86%

LAB 85.55, -2.78, -19.38

 

CMYK 20 / 8 / 0 / 0

HEX #CCEBFF

RGB 204 235 255

HSL 203.53, 1%, 0.9%

LAB 91.45, -5.96, -13.04

 

CMYK 13 / 1 / 0 / 0

HEX #DDFDFF

RGB 221 253 255

HSL 183.53, 1%, 0.93%

LAB 97.16, -9.87, -4.44

 

CMYK 32 / 17 / 0 / 15

HEX #94B5D9

RGB 148 181 217

HSL 211.3, 0.48%, 0.72%

LAB 72.46, -2.72, -21.74

 

CMYK 34 / 18 / 0 / 22

HEX #83A3C6

RGB 131 163 198

HSL 211.34, 0.37%, 0.65%

LAB 65.82, -2.51, -21.5

 

CMYK 36 / 19 / 0 / 30

HEX #7291B3

RGB 114 145 179

HSL 211.38, 0.3%, 0.57%

LAB 59.05, -2.28, -21.27

 

CMYK 39 / 21 / 0 / 37

HEX #617FA0

RGB 97 127 160

HSL 211.43, 0.25%, 0.5%

LAB 52.13, -2, -21.06

 

CMYK 43 / 23 / 0 / 45

HEX #506D8D

RGB 80 109 141

HSL 211.48, 0.28%, 0.43%

LAB 45.03, -1.66, -20.88

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 21 / 31 / 0 / 15

HEX #AB95D9

RGB 171 149 217

HSL 259.41, 0.47%, 0.72%

LAB 65.88, 21.99, -31.71

 

CMYK 12 / 31 / 0 / 15

HEX #BE95D9

RGB 190 149 217

HSL 276.18, 0.47%, 0.72%

LAB 67.61, 27.86, -28.88

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 31 / 31 / 0 / 15

HEX #9595D9

RGB 149 149 217

HSL 240, 0.47%, 0.72%

LAB 64.08, 15.49, -34.65

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 40 / 21 / 0 / 10

HEX #89B5E5

RGB 137 181 229

HSL 211.3, 0.64%, 0.72%

LAB 72.24, -2.62, -28.68

 

CMYK 48 / 25 / 0 / 6

HEX #7EB5F0

RGB 126 181 240

HSL 211.05, 0.79%, 0.72%

LAB 72.08, -2.3, -34.95

 

CMYK 55 / 29 / 0 / 1

HEX #72B4FC

RGB 114 180 252

HSL 211.3, 0.96%, 0.72%

LAB 71.72, -0.84, -42.05

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 22 / 12 / 0 / 19

HEX #A0B6CE

RGB 160 182 206

HSL 211.3, 0.32%, 0.72%

LAB 73.15, -2.31, -14.63

 

CMYK 11 / 6 / 0 / 24

HEX #ACB7C2

RGB 172 183 194

HSL 210, 0.15%, 0.72%

LAB 73.89, -1.59, -6.88

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 0 / 6 / 12 / 24

HEX #C3B8AB

RGB 195 184 171

HSL 32.5, 0.17%, 0.72%

LAB 75.34, 1.67, 7.99

 

CMYK 31 / 0 / 0 / 15

HEX #95D9D8

RGB 149 217 216

HSL 179.12, 0.47%, 0.72%

LAB 82.36, -21.43, -6.34

 

CMYK 31 / 8 / 0 / 15

HEX #95C8D9

RGB 149 200 217

HSL 195, 0.47%, 0.72%

LAB 77.7, -12.54, -13.82

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 31 / 24 / 0 / 15

HEX #95A4D9

RGB 149 164 217

HSL 226.76, 0.47%, 0.72%

LAB 67.98, 6.97, -28.6

 

CMYK 30 / 31 / 0 / 15

HEX #9895D9

RGB 152 149 217

HSL 242.65, 0.47%, 0.72%

LAB 64.31, 16.35, -34.27

 

CMYK 55 / 29 / 0 / 23

HEX #588BC4

RGB 88 139 196

HSL 211.67, 0.48%, 0.56%

LAB 56.61, -0.4, -34.8

 

CMYK 43 / 22 / 0 / 19

HEX #76A1CF

RGB 118 161 207

HSL 211.01, 0.48%, 0.64%

LAB 64.84, -2.51, -28.07

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 21 / 11 / 0 / 11

HEX #B3CBE4

RGB 179 203 228

HSL 210.61, 0.48%, 0.8%

LAB 80.68, -2.74, -15.07

 

CMYK 12 / 6 / 0 / 6

HEX #D2E0EF

RGB 210 224 239

HSL 211.03, 0.48%, 0.88%

LAB 88.56, -1.74, -8.91

 

CMYK 32 / 17 / 0 / 15

HEX #94B5D9

RGB 148 181 217

HSL 211.3, 0.48%, 0.72%

LAB 72.46, -2.72, -21.74

 

CMYK 9 / 31 / 0 / 15

HEX #C695D9

RGB 198 149 217

HSL 283.24, 0.47%, 0.72%

LAB 68.4, 30.38, -27.62

 

CMYK 4 / 0 / 31 / 15

HEX #D1D995

RGB 209 217 149

HSL 67.06, 0.47%, 0.72%

LAB 84.66, -13.41, 32.66

 

CMYK 32 / 17 / 0 / 15

HEX #94B5D9

RGB 148 181 217

HSL 211.3, 0.48%, 0.72%

LAB 72.46, -2.72, -21.74

 

CMYK 0 / 31 / 16 / 15

HEX #D995B6

RGB 217 149 182

HSL 330.88, 0.47%, 0.72%

LAB 69.2, 30.39, -6.77

 

CMYK 16 / 0 / 31 / 15

HEX #B6D995

RGB 182 217 149

HSL 90.88, 0.47%, 0.72%

LAB 82.78, -23.4, 29.81

 

CMYK 32 / 17 / 0 / 15

HEX #94B5D9

RGB 148 181 217

HSL 211.3, 0.48%, 0.72%

LAB 72.46, -2.72, -21.74

 

CMYK 9 / 31 / 0 / 15

HEX #C695D9

RGB 198 149 217

HSL 283.24, 0.47%, 0.72%

LAB 68.4, 30.38, -27.62

 

CMYK 0 / 15 / 31 / 15

HEX #D9B895

RGB 217 184 149

HSL 30.88, 0.47%, 0.72%

LAB 76.8, 6.77, 22.2

 

CMYK 23 / 0 / 31 / 15

HEX #A8D995

RGB 168 217 149

HSL 103.24, 0.47%, 0.72%

LAB 81.9, -28.34, 28.49

 

CMYK 32 / 17 / 0 / 15

HEX #94B5D9

RGB 148 181 217

HSL 211.3, 0.48%, 0.72%

LAB 72.46, -2.72, -21.74

 

CMYK 0 / 31 / 0 / 15

HEX #D995D8

RGB 217 149 216

HSL 300.88, 0.47%, 0.72%

LAB 70.32, 36.24, -23.95

 

CMYK 0 / 15 / 31 / 15

HEX #D9B895

RGB 217 184 149

HSL 30.88, 0.47%, 0.72%

LAB 76.8, 6.77, 22.2

 

CMYK 31 / 0 / 31 / 15

HEX #95D996

RGB 149 217 150

HSL 120.88, 0.47%, 0.72%

LAB 80.86, -34.52, 26.39

 

Description

Color code: HEX #94B5D9 | qconv.com Color code: HEX #94B5D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 181 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 181 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 17 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 17% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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