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Color name
HEX #95A3D9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95A3D9 it is the complementary color #6A5C26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95A3D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95A3D9 shade: #9AA3D4, #ABB5E7, #BCC7FA, #CDD9FF and #DEEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95A3D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95A3D9 shade: #95A3D9, #8491C6, #737FB3, #626DA0 and #515B8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95A3D9 shade: #96A3D9, #9A96D9, #AC96D9, #BE96D9 and #D096D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95A3D9 shade: #96A3D9 and #9696D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95A3D9 shade matches the following richer shades: #96A3D9, #8A9DE4, #7E96F0 and #738FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95A3D9 shade: #96A3D9, #A1AACD, #ADB1C2, #B8B8B6 and #C4BFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95A3D9 shade: #96C8D9, #96B6D9, #96A4D9, #9996D9 and #AB96D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95A3D9 shade: #596FC3, #7789CE, #96A3D9, #B4BEE4 and #D2D8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95A3D9 shade: #95A3D9, #D896D9 and #BFD996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95A3D9 shade: #95A3D9, #D996A4 and #A4D996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95A3D9 shade: #95A3D9, #D896D9, #D9CA96 and #97D996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95A3D9 shade: #95A3D9, #D996C6, #D9CA96 and #96D9A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

Complementary color

CMYK 0 / 13 / 64 / 58

HEX #6A5C26

RGB 106 92 38

HSL 47.65, 0.47%, 0.28%

LAB 39.34, -1.55, 32.46

 

CMYK 27 / 23 / 0 / 17

HEX #9AA3D4

RGB 154 163 212

HSL 230.69, 0.4%, 0.72%

LAB 67.89, 7.75, -25.96

 

CMYK 26 / 22 / 0 / 9

HEX #ABB5E7

RGB 171 181 231

HSL 230, 0.56%, 0.79%

LAB 74.49, 7.4, -26.12

 

CMYK 25 / 20 / 0 / 2

HEX #BCC7FA

RGB 188 199 250

HSL 229.35, 0.86%, 0.86%

LAB 80.98, 7.08, -26.31

 

CMYK 20 / 15 / 0 / 0

HEX #CDD9FF

RGB 205 217 255

HSL 225.6, 1%, 0.9%

LAB 86.91, 3.7, -19.85

 

CMYK 13 / 8 / 0 / 0

HEX #DEEBFF

RGB 222 235 255

HSL 216.36, 1%, 0.94%

LAB 92.65, -0.43, -11.12

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 33 / 27 / 0 / 22

HEX #8491C6

RGB 132 145 198

HSL 228.18, 0.37%, 0.65%

LAB 60.99, 7.96, -28.92

 

CMYK 36 / 29 / 0 / 30

HEX #737FB3

RGB 115 127 179

HSL 228.75, 0.3%, 0.58%

LAB 54.11, 8.46, -28.87

 

CMYK 39 / 32 / 0 / 37

HEX #626DA0

RGB 98 109 160

HSL 229.35, 0.25%, 0.51%

LAB 47.07, 9.04, -28.88

 

CMYK 43 / 35 / 0 / 45

HEX #515B8D

RGB 81 91 141

HSL 230, 0.27%, 0.44%

LAB 39.84, 9.74, -28.94

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 29 / 31 / 0 / 15

HEX #9A96D9

RGB 154 150 217

HSL 243.58, 0.47%, 0.72%

LAB 64.72, 16.36, -33.62

 

CMYK 21 / 31 / 0 / 15

HEX #AC96D9

RGB 172 150 217

HSL 259.7, 0.47%, 0.72%

LAB 66.21, 21.73, -31.19

 

CMYK 12 / 31 / 0 / 15

HEX #BE96D9

RGB 190 150 217

HSL 275.82, 0.47%, 0.72%

LAB 67.85, 27.31, -28.52

 

CMYK 4 / 31 / 0 / 15

HEX #D096D9

RGB 208 150 217

HSL 291.94, 0.47%, 0.72%

LAB 69.63, 33.01, -25.63

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 31 / 31 / 0 / 15

HEX #9696D9

RGB 150 150 217

HSL 240, 0.47%, 0.72%

LAB 64.41, 15.2, -34.12

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 39 / 31 / 0 / 11

HEX #8A9DE4

RGB 138 157 228

HSL 227.33, 0.63%, 0.72%

LAB 65.84, 10.81, -38.04

 

CMYK 48 / 38 / 0 / 6

HEX #7E96F0

RGB 126 150 240

HSL 227.37, 0.79%, 0.72%

LAB 63.79, 15.29, -47.93

 

CMYK 54 / 43 / 0 / 2

HEX #738FFB

RGB 115 143 251

HSL 227.65, 0.94%, 0.72%

LAB 61.87, 20.33, -57.05

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 21 / 17 / 0 / 20

HEX #A1AACD

RGB 161 170 205

HSL 227.73, 0.31%, 0.72%

LAB 69.99, 4.34, -18.85

 

CMYK 11 / 9 / 0 / 24

HEX #ADB1C2

RGB 173 177 194

HSL 228.57, 0.15%, 0.72%

LAB 72.38, 1.98, -9.12

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B6

RGB 184 184 182

HSL 60, 0.01%, 0.72%

LAB 74.73, -0.37, 1

HEX #B8B8B6

CMYK 0 / 3 / 13 / 23

HEX #C4BFAA

RGB 196 191 170

HSL 48.46, 0.18%, 0.72%

LAB 77.22, -1.85, 11.22

HEX #C4BFAA

CMYK 31 / 8 / 0 / 15

HEX #96C8D9

RGB 150 200 217

HSL 195.22, 0.47%, 0.72%

LAB 77.76, -12.26, -13.73

 

CMYK 31 / 16 / 0 / 15

HEX #96B6D9

RGB 150 182 217

HSL 211.34, 0.47%, 0.72%

LAB 72.86, -2.69, -21.13

 

CMYK 31 / 24 / 0 / 15

HEX #96A4D9

RGB 150 164 217

HSL 227.46, 0.47%, 0.72%

LAB 68.05, 7.26, -28.48

 

CMYK 29 / 31 / 0 / 15

HEX #9996D9

RGB 153 150 217

HSL 242.69, 0.47%, 0.72%

LAB 64.64, 16.07, -33.75

 

CMYK 21 / 31 / 0 / 15

HEX #AB96D9

RGB 171 150 217

HSL 258.81, 0.47%, 0.72%

LAB 66.12, 21.43, -31.33

 

CMYK 54 / 43 / 0 / 24

HEX #596FC3

RGB 89 111 195

HSL 227.55, 0.47%, 0.56%

LAB 48.8, 16.36, -46.54

 

CMYK 42 / 33 / 0 / 19

HEX #7789CE

RGB 119 137 206

HSL 227.59, 0.47%, 0.64%

LAB 58.29, 11.25, -37.68

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 21 / 17 / 0 / 11

HEX #B4BEE4

RGB 180 190 228

HSL 227.5, 0.47%, 0.8%

LAB 77.36, 4.52, -20.08

 

CMYK 12 / 10 / 0 / 6

HEX #D2D8EF

RGB 210 216 239

HSL 227.59, 0.48%, 0.88%

LAB 86.53, 2.43, -11.95

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 0 / 31 / 0 / 15

HEX #D896D9

RGB 216 150 217

HSL 299.1, 0.47%, 0.72%

LAB 70.47, 35.57, -24.27

 

CMYK 12 / 0 / 31 / 15

HEX #BFD996

RGB 191 217 150

HSL 83.28, 0.47%, 0.72%

LAB 83.39, -19.99, 30.23

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 0 / 31 / 24 / 15

HEX #D996A4

RGB 217 150 164

HSL 347.46, 0.47%, 0.72%

LAB 68.93, 27.13, 2.88

 

CMYK 24 / 0 / 31 / 15

HEX #A4D996

RGB 164 217 150

HSL 107.46, 0.47%, 0.72%

LAB 81.69, -29.56, 27.64

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 0 / 31 / 0 / 15

HEX #D896D9

RGB 216 150 217

HSL 299.1, 0.47%, 0.72%

LAB 70.47, 35.57, -24.27

 

CMYK 0 / 7 / 31 / 15

HEX #D9CA96

RGB 217 202 150

HSL 46.57, 0.47%, 0.72%

LAB 81.4, -2.56, 27.9

 

CMYK 30 / 0 / 31 / 15

HEX #97D996

RGB 151 217 150

HSL 119.1, 0.47%, 0.72%

LAB 80.96, -33.87, 26.55

 

CMYK 31 / 25 / 0 / 15

HEX #95A3D9

RGB 149 163 217

HSL 227.65, 0.47%, 0.72%

LAB 67.72, 7.53, -29

 

CMYK 0 / 31 / 9 / 15

HEX #D996C6

RGB 217 150 198

HSL 317.01, 0.47%, 0.72%

LAB 69.92, 32.5, -14.58

 

CMYK 0 / 7 / 31 / 15

HEX #D9CA96

RGB 217 202 150

HSL 46.57, 0.47%, 0.72%

LAB 81.4, -2.56, 27.9

 

CMYK 31 / 0 / 22 / 15

HEX #96D9A9

RGB 150 217 169

HSL 137.01, 0.47%, 0.72%

LAB 81.28, -30.9, 17.03

 

Description

Color code: HEX #95A3D9 | qconv.com Color code: HEX #95A3D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 163 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 163 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 25 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 25% 0% 15% C M Y K

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Provide designers and agencies with accurate color values.

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