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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94DC32 it is the complementary color #6B23CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94DC32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94DC32 shade: #99DC2D, #AAEE40, #BBFF53, #CCFF66 and #DDFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94DC32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94DC32 shade: #94DC32, #83CA1F, #72B80C, #61A600 and #509400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94DC32 shade: #94DC32, #C2DC32, #DCC832, #DC9A32 and #DC6C32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94DC32 shade: #94DC32, #66DC32, #38DC32, #32DC59 and #32DC87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94DC32 shade matches the following richer shades: #94DC32 and #97EF1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94DC32 shade: #94DC32, #91C845, #8EB558, #8BA26C and #888E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94DC32 shade: #DCC832, #C2DC32, #95DC32, #67DC32 and #3ADC32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94DC32 shade: #68A01B, #7EC321, #94DC32, #A6E255 and #B8E878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94DC32 shade: #94DC32, #32DC9B and #DC32D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94DC32 shade: #94DC32, #3295DC and #DC3295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94DC32 shade: #94DC32, #32DC9B, #7832DC and #DC3273

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94DC32 shade: #94DC32, #32DCCE, #7832DC and #DC3240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

Complementary color

CMYK 48 / 83 / 0 / 20

HEX #6B23CD

RGB 107 35 205

HSL 265.41, 0.71%, 0.47%

LAB 35.47, 63.59, -73.86

 

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

CMYK 29 / 0 / 73 / 7

HEX #AAEE40

RGB 170 238 64

HSL 83.45, 0.84%, 0.59%

LAB 87.03, -45.7, 72.45

 

CMYK 27 / 0 / 67 / 0

HEX #BBFF53

RGB 187 255 83

HSL 83.72, 1%, 0.66%

LAB 92.89, -45.69, 72

 

CMYK 20 / 0 / 60 / 0

HEX #CCFF66

RGB 204 255 102

HSL 80, 1%, 0.7%

LAB 94.02, -38.13, 66.06

 

CMYK 13 / 0 / 53 / 0

HEX #DDFF79

RGB 221 255 121

HSL 75.22, 1%, 0.74%

LAB 95.28, -30.2, 59.59

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 35 / 0 / 85 / 21

HEX #83CA1F

RGB 131 202 31

HSL 84.91, 0.73%, 0.46%

LAB 74.3, -46.04, 69.27

 

CMYK 38 / 0 / 93 / 28

HEX #72B80C

RGB 114 184 12

HSL 84.42, 0.88%, 0.38%

LAB 67.94, -45.12, 67

 

CMYK 42 / 0 / 100 / 35

HEX #61A600

RGB 97 166 0

HSL 84.94, 1%, 0.33%

LAB 61.49, -43.91, 63.07

 

CMYK 46 / 0 / 100 / 42

HEX #509400

RGB 80 148 0

HSL 87.57, 1%, 0.29%

LAB 54.95, -42.42, 57.64

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 12 / 0 / 77 / 14

HEX #C2DC32

RGB 194 220 50

HSL 69.18, 0.71%, 0.53%

LAB 83.38, -29.05, 73.88

 

CMYK 0 / 9 / 77 / 14

HEX #DCC832

RGB 220 200 50

HSL 52.94, 0.71%, 0.53%

LAB 80.04, -8.35, 71.61

 

CMYK 0 / 30 / 77 / 14

HEX #DC9A32

RGB 220 154 50

HSL 36.71, 0.71%, 0.53%

LAB 68.43, 15.85, 60.89

 

CMYK 0 / 51 / 77 / 14

HEX #DC6C32

RGB 220 108 50

HSL 20.47, 0.71%, 0.53%

LAB 58.2, 40.1, 50.98

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 54 / 0 / 77 / 14

HEX #66DC32

RGB 102 220 50

HSL 101.65, 0.71%, 0.53%

LAB 78.6, -61.21, 67.7

 

CMYK 75 / 0 / 77 / 14

HEX #38DC32

RGB 56 220 50

HSL 117.88, 0.71%, 0.53%

LAB 77.43, -70.84, 66.18

 

CMYK 77 / 0 / 60 / 14

HEX #32DC59

RGB 50 220 89

HSL 133.76, 0.71%, 0.53%

LAB 77.63, -68.09, 51.49

 

CMYK 77 / 0 / 39 / 14

HEX #32DC87

RGB 50 220 135

HSL 150, 0.71%, 0.53%

LAB 78.24, -60.98, 30.03

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 37 / 0 / 87 / 6

HEX #97EF1E

RGB 151 239 30

HSL 85.26, 0.87%, 0.53%

LAB 86.21, -54.17, 80.01

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 28 / 0 / 66 / 22

HEX #91C845

RGB 145 200 69

HSL 85.19, 0.54%, 0.53%

LAB 74.67, -37.97, 57.63

 

CMYK 22 / 0 / 51 / 29

HEX #8EB558

RGB 142 181 88

HSL 85.16, 0.39%, 0.53%

LAB 69.11, -28.57, 42.76

 

CMYK 14 / 0 / 33 / 36

HEX #8BA26C

RGB 139 162 108

HSL 85.56, 0.23%, 0.53%

LAB 63.68, -17.74, 25.51

 

CMYK 4 / 0 / 11 / 44

HEX #888E7F

RGB 136 142 127

HSL 84, 0.06%, 0.53%

LAB 58.14, -5.07, 7.24

 

CMYK 0 / 9 / 77 / 14

HEX #DCC832

RGB 220 200 50

HSL 52.94, 0.71%, 0.53%

LAB 80.04, -8.35, 71.61

 

CMYK 12 / 0 / 77 / 14

HEX #C2DC32

RGB 194 220 50

HSL 69.18, 0.71%, 0.53%

LAB 83.38, -29.05, 73.88

 

CMYK 32 / 0 / 77 / 14

HEX #95DC32

RGB 149 220 50

HSL 85.06, 0.71%, 0.53%

LAB 80.63, -46.36, 70.34

 

CMYK 53 / 0 / 77 / 14

HEX #67DC32

RGB 103 220 50

HSL 101.29, 0.71%, 0.53%

LAB 78.64, -60.94, 67.75

 

CMYK 74 / 0 / 77 / 14

HEX #3ADC32

RGB 58 220 50

HSL 117.18, 0.71%, 0.53%

LAB 77.47, -70.53, 66.22

 

CMYK 35 / 0 / 83 / 37

HEX #68A01B

RGB 104 160 27

HSL 85.26, 0.71%, 0.37%

LAB 60.04, -38.09, 57.17

 

CMYK 35 / 0 / 83 / 24

HEX #7EC321

RGB 126 195 33

HSL 85.56, 0.71%, 0.45%

LAB 71.94, -44.82, 66.65

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 27 / 0 / 62 / 11

HEX #A6E255

RGB 166 226 85

HSL 85.53, 0.71%, 0.61%

LAB 83.52, -40.55, 60.95

 

CMYK 21 / 0 / 48 / 9

HEX #B8E878

RGB 184 232 120

HSL 85.71, 0.71%, 0.69%

LAB 86.63, -33.41, 49.17

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 77 / 0 / 30 / 14

HEX #32DC9B

RGB 50 220 155

HSL 157.06, 0.71%, 0.53%

LAB 78.6, -56.94, 20.16

 

CMYK 0 / 77 / 1 / 14

HEX #DC32D9

RGB 220 50 217

HSL 301.06, 0.71%, 0.53%

LAB 54.56, 80.23, -49.06

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 77 / 32 / 0 / 14

HEX #3295DC

RGB 50 149 220

HSL 205.06, 0.71%, 0.53%

LAB 59.29, -4.24, -44.17

 

CMYK 0 / 77 / 32 / 14

HEX #DC3295

RGB 220 50 149

HSL 325.06, 0.71%, 0.53%

LAB 51.46, 71.26, -14.31

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 77 / 0 / 30 / 14

HEX #32DC9B

RGB 50 220 155

HSL 157.06, 0.71%, 0.53%

LAB 78.6, -56.94, 20.16

 

CMYK 45 / 77 / 0 / 14

HEX #7832DC

RGB 120 50 220

HSL 264.71, 0.71%, 0.53%

LAB 40.31, 63.35, -74.5

 

CMYK 0 / 77 / 48 / 14

HEX #DC3273

RGB 220 50 115

HSL 337.06, 0.71%, 0.53%

LAB 50.38, 67.96, 4.56

 

CMYK 33 / 0 / 77 / 14

HEX #94DC32

RGB 148 220 50

HSL 85.41, 0.71%, 0.53%

LAB 80.58, -46.72, 70.27

 

CMYK 77 / 0 / 6 / 14

HEX #32DCCE

RGB 50 220 206

HSL 175.06, 0.71%, 0.53%

LAB 79.8, -44.41, -5.16

 

CMYK 45 / 77 / 0 / 14

HEX #7832DC

RGB 120 50 220

HSL 264.71, 0.71%, 0.53%

LAB 40.31, 63.35, -74.5

 

CMYK 0 / 77 / 71 / 14

HEX #DC3240

RGB 220 50 64

HSL 355.06, 0.71%, 0.53%

LAB 49.33, 64.7, 33.94

 

Description

Color code: HEX #94DC32 | qconv.com Color code: HEX #94DC32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 220 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 220 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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