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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99DC2D it is the complementary color #6623D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99DC2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99DC2D shade: #9EDC28, #AFEE3B, #C0FF4E, #D1FF61 and #E2FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99DC2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99DC2D shade: #99DC2D, #88CA1A, #77B807, #66A600 and #559400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99DC2D shade: #98DB2D, #C7DB2D, #DBC02D, #DB912D and #DB622D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99DC2D shade: #98DB2D, #6ADB2D, #3BDB2D, #2DDB4F and #2DDB7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99DC2D shade matches the following richer shades: #98DB2D and #9DEF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99DC2D shade: #98DB2D, #94C741, #8FB355, #8BA069 and #868C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99DC2D shade: #DBBE2D, #CADB2D, #9BDB2D, #6DDB2D and #3FDB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99DC2D shade: #6A9C1A, #82BF20, #98DB2D, #AAE150 and #BBE774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99DC2D shade: #99DC2D, #2DDB90 and #D52DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99DC2D shade: #99DC2D, #2D9BDB and #DB2D9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99DC2D shade: #99DC2D, #2DDB90, #6D2DDB and #DB2D79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99DC2D shade: #99DC2D, #2DDBC4, #6D2DDB and #DB2D44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

Complementary color

CMYK 51 / 83 / 0 / 18

HEX #6623D2

RGB 102 35 210

HSL 262.97, 0.71%, 0.48%

LAB 35.36, 64.22, -76.96

 

CMYK 28 / 0 / 82 / 14

HEX #9EDC28

RGB 158 220 40

HSL 80.67, 0.72%, 0.51%

LAB 81.08, -43.5, 73.64

 

CMYK 26 / 0 / 75 / 7

HEX #AFEE3B

RGB 175 238 59

HSL 81.12, 0.84%, 0.58%

LAB 87.28, -44.14, 74.37

 

CMYK 25 / 0 / 69 / 0

HEX #C0FF4E

RGB 192 255 78

HSL 81.36, 1%, 0.65%

LAB 93.14, -44.19, 74.14

 

CMYK 18 / 0 / 62 / 0

HEX #D1FF61

RGB 209 255 97

HSL 77.47, 1%, 0.69%

LAB 94.29, -36.64, 68.48

 

CMYK 11 / 0 / 55 / 0

HEX #E2FF74

RGB 226 255 116

HSL 72.52, 1%, 0.73%

LAB 95.56, -28.73, 62.22

 

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

CMYK 33 / 0 / 87 / 21

HEX #88CA1A

RGB 136 202 26

HSL 82.5, 0.77%, 0.45%

LAB 74.54, -44.39, 70.64

 

CMYK 35 / 0 / 96 / 28

HEX #77B807

RGB 119 184 7

HSL 82.03, 0.93%, 0.37%

LAB 68.18, -43.4, 67.9

 

CMYK 39 / 0 / 100 / 35

HEX #66A600

RGB 102 166 0

HSL 83.13, 1%, 0.33%

LAB 61.74, -42.13, 63.37

 

CMYK 43 / 0 / 100 / 42

HEX #559400

RGB 85 148 0

HSL 85.54, 1%, 0.29%

LAB 55.19, -40.68, 57.92

 

CMYK 31 / 0 / 79 / 14

HEX #98DB2D

RGB 152 219 45

HSL 83.1, 0.71%, 0.52%

LAB 80.48, -45.08, 71.68

 

CMYK 9 / 0 / 79 / 14

HEX #C7DB2D

RGB 199 219 45

HSL 66.9, 0.71%, 0.52%

LAB 83.44, -26.73, 75.45

 

CMYK 0 / 12 / 79 / 14

HEX #DBC02D

RGB 219 192 45

HSL 50.69, 0.71%, 0.52%

LAB 77.84, -4.85, 71.13

 

CMYK 0 / 34 / 79 / 14

HEX #DB912D

RGB 219 145 45

HSL 34.48, 0.71%, 0.52%

LAB 66.14, 20.07, 60.6

 

CMYK 0 / 55 / 79 / 14

HEX #DB622D

RGB 219 98 45

HSL 18.28, 0.71%, 0.52%

LAB 56.07, 44.47, 51.16

 

CMYK 31 / 0 / 79 / 14

HEX #98DB2D

RGB 152 219 45

HSL 83.1, 0.71%, 0.52%

LAB 80.48, -45.08, 71.68

 

CMYK 52 / 0 / 79 / 14

HEX #6ADB2D

RGB 106 219 45

HSL 98.97, 0.71%, 0.52%

LAB 78.41, -60.03, 69.03

 

CMYK 73 / 0 / 79 / 14

HEX #3BDB2D

RGB 59 219 45

HSL 115.17, 0.71%, 0.52%

LAB 77.15, -70.37, 67.39

 

CMYK 79 / 0 / 64 / 14

HEX #2DDB4F

RGB 45 219 79

HSL 131.72, 0.71%, 0.52%

LAB 77.15, -69.52, 55.23

 

CMYK 79 / 0 / 43 / 14

HEX #2DDB7D

RGB 45 219 125

HSL 147.59, 0.71%, 0.52%

LAB 77.7, -63, 34.39

 

CMYK 31 / 0 / 79 / 14

HEX #98DB2D

RGB 152 219 45

HSL 83.1, 0.71%, 0.52%

LAB 80.48, -45.08, 71.68

 

CMYK 34 / 0 / 90 / 6

HEX #9DEF19

RGB 157 239 25

HSL 82.99, 0.87%, 0.52%

LAB 86.49, -52.22, 81.18

 

CMYK 31 / 0 / 79 / 14

HEX #98DB2D

RGB 152 219 45

HSL 83.1, 0.71%, 0.52%

LAB 80.48, -45.08, 71.68

 

CMYK 26 / 0 / 67 / 22

HEX #94C741

RGB 148 199 65

HSL 82.84, 0.54%, 0.52%

LAB 74.52, -36.68, 59.12

 

CMYK 20 / 0 / 53 / 30

HEX #8FB355

RGB 143 179 85

HSL 82.98, 0.38%, 0.52%

LAB 68.56, -27.53, 43.57

 

CMYK 13 / 0 / 34 / 37

HEX #8BA069

RGB 139 160 105

HSL 82.91, 0.22%, 0.52%

LAB 63.05, -17.14, 26.3

 

CMYK 4 / 0 / 11 / 45

HEX #868C7C

RGB 134 140 124

HSL 82.5, 0.07%, 0.52%

LAB 57.35, -5.26, 7.79

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 8 / 0 / 79 / 14

HEX #CADB2D

RGB 202 219 45

HSL 65.86, 0.71%, 0.52%

LAB 83.66, -25.49, 75.73

 

CMYK 29 / 0 / 79 / 14

HEX #9BDB2D

RGB 155 219 45

HSL 82.07, 0.71%, 0.52%

LAB 80.64, -43.98, 71.89

 

CMYK 50 / 0 / 79 / 14

HEX #6DDB2D

RGB 109 219 45

HSL 97.93, 0.71%, 0.52%

LAB 78.52, -59.18, 69.17

 

CMYK 71 / 0 / 79 / 14

HEX #3FDB2D

RGB 63 219 45

HSL 113.79, 0.71%, 0.52%

LAB 77.23, -69.72, 67.49

 

CMYK 32 / 0 / 83 / 39

HEX #6A9C1A

RGB 106 156 26

HSL 83.08, 0.71%, 0.36%

LAB 58.9, -35.6, 56.46

 

CMYK 32 / 0 / 83 / 25

HEX #82BF20

RGB 130 191 32

HSL 83.02, 0.71%, 0.44%

LAB 70.95, -41.7, 66.09

 

CMYK 31 / 0 / 79 / 14

HEX #98DB2D

RGB 152 219 45

HSL 83.1, 0.71%, 0.52%

LAB 80.48, -45.08, 71.68

 

CMYK 24 / 0 / 64 / 12

HEX #AAE150

RGB 170 225 80

HSL 82.76, 0.71%, 0.6%

LAB 83.43, -39.02, 62.95

 

CMYK 19 / 0 / 50 / 9

HEX #BBE774

RGB 187 231 116

HSL 82.96, 0.71%, 0.68%

LAB 86.49, -32.26, 50.93

 

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

CMYK 79 / 0 / 34 / 14

HEX #2DDB90

RGB 45 219 144

HSL 154.14, 0.71%, 0.52%

LAB 78.01, -59.41, 25.08

 

CMYK 3 / 79 / 0 / 14

HEX #D52DDB

RGB 213 45 219

HSL 297.93, 0.71%, 0.52%

LAB 53.1, 80.45, -52.59

 

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

CMYK 79 / 29 / 0 / 14

HEX #2D9BDB

RGB 45 155 219

HSL 202.07, 0.71%, 0.52%

LAB 60.88, -8.53, -41.11

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

CMYK 79 / 0 / 34 / 14

HEX #2DDB90

RGB 45 219 144

HSL 154.14, 0.71%, 0.52%

LAB 78.01, -59.41, 25.08

 

CMYK 50 / 79 / 0 / 14

HEX #6D2DDB

RGB 109 45 219

HSL 262.07, 0.71%, 0.52%

LAB 38.27, 63.61, -77.33

 

CMYK 0 / 79 / 45 / 14

HEX #DB2D79

RGB 219 45 121

HSL 333.79, 0.71%, 0.52%

LAB 49.88, 69.59, 0.17

 

CMYK 30 / 0 / 80 / 14

HEX #99DC2D

RGB 153 220 45

HSL 82.97, 0.71%, 0.52%

LAB 80.82, -45.14, 72.01

 

CMYK 79 / 0 / 11 / 14

HEX #2DDBC4

RGB 45 219 196

HSL 172.07, 0.71%, 0.52%

LAB 79.16, -47.15, -0.77

 

CMYK 50 / 79 / 0 / 14

HEX #6D2DDB

RGB 109 45 219

HSL 262.07, 0.71%, 0.52%

LAB 38.27, 63.61, -77.33

 

CMYK 0 / 79 / 69 / 14

HEX #DB2D44

RGB 219 45 68

HSL 352.07, 0.71%, 0.52%

LAB 48.7, 66, 30.78

 

Description

Color code: HEX #99DC2D | qconv.com Color code: HEX #99DC2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 220 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 220 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 80% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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