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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E24D it is the complementary color #6B1DB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E24D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E24D shade: #99E248, #AAF45B, #BBFF6E, #CCFF81 and #DDFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E24D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E24D shade: #94E24D, #83D03A, #72BE27, #61AC14 and #509A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E24D shade: #92E14B, #BBE14B, #E1DF4B, #E1B64B and #E18E4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E24D shade: #92E14B, #6AE14B, #4BE154, #4BE17D and #4BE1A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E24D shade matches the following richer shades: #92E14B and #92F23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E24D shade: #92E14B, #93D05C, #94BF6D, #95AE7D and #969E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E24D shade: #E1DF4B, #BCE14B, #93E14B, #6BE14B and #4BE152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E24D shade: #69BB1E, #7DDB27, #92E14B, #A8E76E and #BDED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E24D shade: #94E24D, #4BE1B7 and #E14BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E24D shade: #94E24D, #4B93E1 and #E14B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E24D shade: #94E24D, #4BE1B7, #984BE1 and #E14B75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E24D shade: #94E24D, #4BDFE1, #984BE1 and #E14D4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 66 / 11

HEX #94E24D

RGB 148 226 77

HSL 91.41, 0.72%, 0.59%

LAB 82.5, -47.55, 62.79

 

Complementary color

CMYK 40 / 84 / 0 / 30

HEX #6B1DB2

RGB 107 29 178

HSL 271.41, 0.72%, 0.41%

LAB 32.3, 59.21, -63.17

 

CMYK 32 / 0 / 68 / 11

HEX #99E248

RGB 153 226 72

HSL 88.44, 0.73%, 0.58%

LAB 82.72, -46.18, 65.02

 

CMYK 30 / 0 / 63 / 4

HEX #AAF45B

RGB 170 244 91

HSL 89.02, 0.87%, 0.66%

LAB 88.92, -46.44, 64.43

 

CMYK 27 / 0 / 57 / 0

HEX #BBFF6E

RGB 187 255 110

HSL 88.14, 1%, 0.72%

LAB 93.11, -43.6, 61.39

 

CMYK 20 / 0 / 49 / 0

HEX #CCFF81

RGB 204 255 129

HSL 84.29, 1%, 0.75%

LAB 94.29, -35.71, 54.53

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF94

RGB 221 255 148

HSL 79.07, 1%, 0.79%

LAB 95.59, -27.49, 47.44

 

CMYK 35 / 0 / 66 / 11

HEX #94E24D

RGB 148 226 77

HSL 91.41, 0.72%, 0.59%

LAB 82.5, -47.55, 62.79

 

CMYK 37 / 0 / 72 / 18

HEX #83D03A

RGB 131 208 58

HSL 90.8, 0.61%, 0.52%

LAB 76.22, -47.21, 63.16

 

CMYK 40 / 0 / 79 / 25

HEX #72BE27

RGB 114 190 39

HSL 90.2, 0.66%, 0.45%

LAB 69.86, -46.68, 62.92

 

CMYK 44 / 0 / 88 / 33

HEX #61AC14

RGB 97 172 20

HSL 89.61, 0.79%, 0.38%

LAB 63.42, -45.9, 61.63

 

CMYK 48 / 0 / 99 / 40

HEX #509A01

RGB 80 154 1

HSL 89.02, 0.99%, 0.3%

LAB 56.9, -44.8, 59

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 17 / 0 / 67 / 12

HEX #BBE14B

RGB 187 225 75

HSL 75.2, 0.71%, 0.59%

LAB 84.44, -32.88, 66.29

 

CMYK 0 / 1 / 67 / 12

HEX #E1DF4B

RGB 225 223 75

HSL 59.2, 0.71%, 0.59%

LAB 86.65, -16.63, 69.42

 

CMYK 0 / 19 / 67 / 12

HEX #E1B64B

RGB 225 182 75

HSL 42.8, 0.71%, 0.59%

LAB 76.05, 4.28, 58.45

 

CMYK 0 / 37 / 67 / 12

HEX #E18E4B

RGB 225 142 75

HSL 26.8, 0.71%, 0.59%

LAB 66.41, 25.59, 47.93

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 53 / 0 / 67 / 12

HEX #6AE14B

RGB 106 225 75

HSL 107.6, 0.71%, 0.59%

LAB 80.42, -60.17, 60.83

 

CMYK 67 / 0 / 63 / 12

HEX #4BE154

RGB 75 225 84

HSL 123.6, 0.71%, 0.59%

LAB 79.61, -66.35, 56.02

 

CMYK 67 / 0 / 44 / 12

HEX #4BE17D

RGB 75 225 125

HSL 140, 0.71%, 0.59%

LAB 80.08, -60.86, 37.57

 

CMYK 67 / 0 / 27 / 12

HEX #4BE1A5

RGB 75 225 165

HSL 156, 0.71%, 0.59%

LAB 80.77, -53.31, 18.01

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 40 / 0 / 76 / 5

HEX #92F23A

RGB 146 242 58

HSL 91.3, 0.88%, 0.59%

LAB 86.96, -55.91, 73.85

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 29 / 0 / 56 / 18

HEX #93D05C

RGB 147 208 92

HSL 91.55, 0.55%, 0.59%

LAB 77.33, -38.8, 50.64

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 14 / 0 / 28 / 32

HEX #95AE7D

RGB 149 174 125

HSL 90.61, 0.23%, 0.59%

LAB 68.13, -17.58, 22.38

 

CMYK 5 / 0 / 10 / 38

HEX #969E8E

RGB 150 158 142

HSL 90, 0.08%, 0.59%

LAB 64.07, -5.89, 7.37

 

CMYK 0 / 1 / 67 / 12

HEX #E1DF4B

RGB 225 223 75

HSL 59.2, 0.71%, 0.59%

LAB 86.65, -16.63, 69.42

 

CMYK 16 / 0 / 67 / 12

HEX #BCE14B

RGB 188 225 75

HSL 74.8, 0.71%, 0.59%

LAB 84.51, -32.49, 66.38

 

CMYK 35 / 0 / 67 / 12

HEX #93E14B

RGB 147 225 75

HSL 91.2, 0.71%, 0.59%

LAB 82.14, -47.62, 63.18

 

CMYK 52 / 0 / 67 / 12

HEX #6BE14B

RGB 107 225 75

HSL 107.2, 0.71%, 0.59%

LAB 80.45, -59.9, 60.87

 

CMYK 67 / 0 / 64 / 12

HEX #4BE152

RGB 75 225 82

HSL 122.8, 0.71%, 0.59%

LAB 79.59, -66.56, 56.84

 

CMYK 44 / 0 / 84 / 27

HEX #69BB1E

RGB 105 187 30

HSL 91.34, 0.72%, 0.43%

LAB 68.49, -48.89, 63.94

 

CMYK 43 / 0 / 82 / 14

HEX #7DDB27

RGB 125 219 39

HSL 91.33, 0.71%, 0.51%

LAB 79.14, -54.61, 71.54

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 27 / 0 / 52 / 9

HEX #A8E76E

RGB 168 231 110

HSL 91.24, 0.72%, 0.67%

LAB 85.3, -39.76, 52.03

 

CMYK 20 / 0 / 38 / 7

HEX #BDED92

RGB 189 237 146

HSL 91.65, 0.72%, 0.75%

LAB 88.67, -30.85, 39.16

 

CMYK 35 / 0 / 66 / 11

HEX #94E24D

RGB 148 226 77

HSL 91.41, 0.72%, 0.59%

LAB 82.5, -47.55, 62.79

 

CMYK 67 / 0 / 19 / 12

HEX #4BE1B7

RGB 75 225 183

HSL 163.2, 0.71%, 0.59%

LAB 81.16, -49.26, 9.09

 

CMYK 0 / 67 / 8 / 12

HEX #E14BD0

RGB 225 75 208

HSL 306.8, 0.71%, 0.59%

LAB 57.65, 72.11, -39.01

 

CMYK 35 / 0 / 66 / 11

HEX #94E24D

RGB 148 226 77

HSL 91.41, 0.72%, 0.59%

LAB 82.5, -47.55, 62.79

 

CMYK 67 / 35 / 0 / 12

HEX #4B93E1

RGB 75 147 225

HSL 211.2, 0.71%, 0.59%

LAB 59.71, 2.06, -46.24

 

CMYK 0 / 67 / 35 / 12

HEX #E14B93

RGB 225 75 147

HSL 331.2, 0.71%, 0.59%

LAB 55.22, 64.02, -7.38

 

CMYK 35 / 0 / 66 / 11

HEX #94E24D

RGB 148 226 77

HSL 91.41, 0.72%, 0.59%

LAB 82.5, -47.55, 62.79

 

CMYK 67 / 0 / 19 / 12

HEX #4BE1B7

RGB 75 225 183

HSL 163.2, 0.71%, 0.59%

LAB 81.16, -49.26, 9.09

 

CMYK 32 / 67 / 0 / 12

HEX #984BE1

RGB 152 75 225

HSL 270.8, 0.71%, 0.59%

LAB 48.44, 59.06, -63.95

 

CMYK 0 / 67 / 48 / 12

HEX #E14B75

RGB 225 75 117

HSL 343.2, 0.71%, 0.59%

LAB 54.37, 61.04, 9.17

 

CMYK 35 / 0 / 66 / 11

HEX #94E24D

RGB 148 226 77

HSL 91.41, 0.72%, 0.59%

LAB 82.5, -47.55, 62.79

 

CMYK 67 / 1 / 0 / 12

HEX #4BDFE1

RGB 75 223 225

HSL 180.8, 0.71%, 0.59%

LAB 81.68, -37.55, -12.43

 

CMYK 32 / 67 / 0 / 12

HEX #984BE1

RGB 152 75 225

HSL 270.8, 0.71%, 0.59%

LAB 48.44, 59.06, -63.95

 

CMYK 0 / 66 / 67 / 12

HEX #E14D4B

RGB 225 77 75

HSL 0.8, 0.71%, 0.59%

LAB 53.84, 57.27, 33.21

 

Description

Color code: HEX #94E24D | qconv.com Color code: HEX #94E24D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 226 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 226 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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