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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954C14 it is the complementary color #6AB3EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954C14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954C14 shade: #9A4C0F, #AB5E22, #BC7035, #CD8248 and #DE945B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954C14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954C14 shade: #954C14, #843A01, #732800, #621600 and #510400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954C14 shade: #944B14, #942914 and #941414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954C14 shade: #944B14, #946E14, #949014, #759414 and #529414

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954C14 shade matches the following richer shades: #944B14 and #A14906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954C14 shade: #944B14, #864D21, #784F2F, #6B513D and #5D524A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954C14 shade: #941420, #942914, #944B14, #946D14 and #948F14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954C14 shade: #4B260A, #6F390F, #944B14, #B85E19 and #DC701E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954C14 shade: #954C14, #439414 and #181494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954C14 shade: #954C14, #14944B and #4B1494

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954C14 shade: #954C14, #439414, #145C94 and #651494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954C14 shade: #954C14, #1C9414, #145C94 and #8B1494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 87 / 42

HEX #954C14

RGB 149 76 20

HSL 26.05, 0.76%, 0.33%

LAB 40.59, 26.92, 43.88

 

Complementary color

CMYK 55 / 24 / 0 / 8

HEX #6AB3EB

RGB 106 179 235

HSL 206.05, 0.76%, 0.67%

LAB 70.39, -7.08, -34.93

 

CMYK 0 / 51 / 90 / 40

HEX #9A4C0F

RGB 154 76 15

HSL 26.33, 0.82%, 0.33%

LAB 41.33, 28.94, 46.62

 

CMYK 0 / 45 / 80 / 33

HEX #AB5E22

RGB 171 94 34

HSL 26.28, 0.67%, 0.4%

LAB 47.98, 26.91, 45.88

 

CMYK 0 / 40 / 72 / 26

HEX #BC7035

RGB 188 112 53

HSL 26.22, 0.56%, 0.47%

LAB 54.59, 25.12, 44.41

 

CMYK 0 / 37 / 65 / 20

HEX #CD8248

RGB 205 130 72

HSL 26.17, 0.57%, 0.54%

LAB 61.14, 23.56, 42.78

 

CMYK 0 / 33 / 59 / 13

HEX #DE945B

RGB 222 148 91

HSL 26.11, 0.66%, 0.61%

LAB 67.62, 22.2, 41.15

 

CMYK 0 / 49 / 87 / 42

HEX #954C14

RGB 149 76 20

HSL 26.05, 0.76%, 0.33%

LAB 40.59, 26.92, 43.88

 

CMYK 0 / 56 / 99 / 48

HEX #843A01

RGB 132 58 1

HSL 26.11, 0.98%, 0.26%

LAB 33.84, 29.07, 44.36

 

CMYK 0 / 65 / 100 / 55

HEX #732800

RGB 115 40 0

HSL 20.87, 1%, 0.23%

LAB 27.19, 31.38, 38.53

 

CMYK 0 / 78 / 100 / 62

HEX #621600

RGB 98 22 0

HSL 13.47, 1%, 0.19%

LAB 20.71, 33.06, 30.97

 

CMYK 0 / 95 / 100 / 68

HEX #510400

RGB 81 4 0

HSL 2.96, 1%, 0.16%

LAB 14.6, 33.43, 22.7

 

CMYK 0 / 49 / 86 / 42

HEX #944B14

RGB 148 75 20

HSL 25.78, 0.76%, 0.33%

LAB 40.21, 27.04, 43.49

 

CMYK 0 / 72 / 86 / 42

HEX #942914

RGB 148 41 20

HSL 9.84, 0.76%, 0.33%

LAB 33.84, 43.65, 37.98

 

CMYK 0 / 86 / 86 / 42

HEX #941414

RGB 148 20 20

HSL 0, 0.76%, 0.33%

LAB 31.46, 50.32, 35.88

 

CMYK 0 / 49 / 86 / 42

HEX #944B14

RGB 148 75 20

HSL 25.78, 0.76%, 0.33%

LAB 40.21, 27.04, 43.49

 

CMYK 0 / 26 / 86 / 42

HEX #946E14

RGB 148 110 20

HSL 42.19, 0.76%, 0.33%

LAB 48.88, 7.02, 50.83

 

CMYK 0 / 3 / 86 / 42

HEX #949014

RGB 148 144 20

HSL 58.13, 0.76%, 0.33%

LAB 58.31, -11.88, 58.67

 

CMYK 21 / 0 / 86 / 42

HEX #759414

RGB 117 148 20

HSL 74.53, 0.76%, 0.33%

LAB 57.09, -27.62, 56.67

 

CMYK 45 / 0 / 86 / 42

HEX #529414

RGB 82 148 20

HSL 90.94, 0.76%, 0.33%

LAB 55.1, -41.17, 54.17

 

CMYK 0 / 49 / 86 / 42

HEX #944B14

RGB 148 75 20

HSL 25.78, 0.76%, 0.33%

LAB 40.21, 27.04, 43.49

 

CMYK 0 / 55 / 96 / 37

HEX #A14906

RGB 161 73 6

HSL 25.94, 0.93%, 0.33%

LAB 41.78, 33.31, 50.07

 

CMYK 0 / 49 / 86 / 42

HEX #944B14

RGB 148 75 20

HSL 25.78, 0.76%, 0.33%

LAB 40.21, 27.04, 43.49

 

CMYK 0 / 43 / 75 / 47

HEX #864D21

RGB 134 77 33

HSL 26.14, 0.6%, 0.33%

LAB 38.7, 20.24, 35.35

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 24 / 43 / 58

HEX #6B513D

RGB 107 81 61

HSL 26.09, 0.27%, 0.33%

LAB 36.65, 7.92, 15.95

 

CMYK 0 / 12 / 20 / 64

HEX #5D524A

RGB 93 82 74

HSL 25.26, 0.11%, 0.33%

LAB 35.71, 3.05, 6.35

 

CMYK 0 / 86 / 78 / 42

HEX #941420

RGB 148 20 32

HSL 354.38, 0.76%, 0.33%

LAB 31.58, 50.69, 29.02

 

CMYK 0 / 72 / 86 / 42

HEX #942914

RGB 148 41 20

HSL 9.84, 0.76%, 0.33%

LAB 33.84, 43.65, 37.98

 

CMYK 0 / 49 / 86 / 42

HEX #944B14

RGB 148 75 20

HSL 25.78, 0.76%, 0.33%

LAB 40.21, 27.04, 43.49

 

CMYK 0 / 26 / 86 / 42

HEX #946D14

RGB 148 109 20

HSL 41.72, 0.76%, 0.33%

LAB 48.62, 7.59, 50.6

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 0 / 49 / 87 / 71

HEX #4B260A

RGB 75 38 10

HSL 25.85, 0.76%, 0.17%

LAB 19.66, 15, 24.51

 

CMYK 0 / 49 / 86 / 56

HEX #6F390F

RGB 111 57 15

HSL 26.25, 0.76%, 0.25%

LAB 30.26, 20.7, 34.65

 

CMYK 0 / 49 / 86 / 42

HEX #944B14

RGB 148 75 20

HSL 25.78, 0.76%, 0.33%

LAB 40.21, 27.04, 43.49

 

CMYK 0 / 49 / 86 / 28

HEX #B85E19

RGB 184 94 25

HSL 26.04, 0.76%, 0.41%

LAB 49.82, 32.1, 51.87

 

CMYK 0 / 49 / 86 / 14

HEX #DC701E

RGB 220 112 30

HSL 25.89, 0.76%, 0.49%

LAB 58.88, 37.47, 59.72

 

CMYK 0 / 49 / 87 / 42

HEX #954C14

RGB 149 76 20

HSL 26.05, 0.76%, 0.33%

LAB 40.59, 26.92, 43.88

 

CMYK 55 / 0 / 86 / 42

HEX #439414

RGB 67 148 20

HSL 97.97, 0.76%, 0.33%

LAB 54.47, -45.95, 53.38

 

CMYK 84 / 86 / 0 / 42

HEX #181494

RGB 24 20 148

HSL 241.88, 0.76%, 0.33%

LAB 19.36, 46.36, -66.59

 

CMYK 0 / 49 / 87 / 42

HEX #954C14

RGB 149 76 20

HSL 26.05, 0.76%, 0.33%

LAB 40.59, 26.92, 43.88

 

CMYK 86 / 0 / 49 / 42

HEX #14944B

RGB 20 148 75

HSL 145.78, 0.76%, 0.33%

LAB 53.85, -49.23, 29.51

 

CMYK 49 / 86 / 0 / 42

HEX #4B1494

RGB 75 20 148

HSL 265.78, 0.76%, 0.33%

LAB 24.11, 50.68, -58.58

 

CMYK 0 / 49 / 87 / 42

HEX #954C14

RGB 149 76 20

HSL 26.05, 0.76%, 0.33%

LAB 40.59, 26.92, 43.88

 

CMYK 55 / 0 / 86 / 42

HEX #439414

RGB 67 148 20

HSL 97.97, 0.76%, 0.33%

LAB 54.47, -45.95, 53.38

 

CMYK 86 / 38 / 0 / 42

HEX #145C94

RGB 20 92 148

HSL 206.25, 0.76%, 0.33%

LAB 37.74, 0.1, -36.67

 

CMYK 32 / 86 / 0 / 42

HEX #651494

RGB 101 20 148

HSL 277.97, 0.76%, 0.33%

LAB 27.86, 54.34, -52.29

 

CMYK 0 / 49 / 87 / 42

HEX #954C14

RGB 149 76 20

HSL 26.05, 0.76%, 0.33%

LAB 40.59, 26.92, 43.88

 

CMYK 81 / 0 / 86 / 42

HEX #1C9414

RGB 28 148 20

HSL 116.25, 0.76%, 0.33%

LAB 53.47, -54.34, 52.1

 

CMYK 86 / 38 / 0 / 42

HEX #145C94

RGB 20 92 148

HSL 206.25, 0.76%, 0.33%

LAB 37.74, 0.1, -36.67

 

CMYK 6 / 86 / 0 / 42

HEX #8B1494

RGB 139 20 148

HSL 295.78, 0.76%, 0.33%

LAB 34.25, 60.89, -41.65

 

Description

Color code: HEX #954C14 | qconv.com Color code: HEX #954C14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 76 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 76 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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