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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958AAC it is the complementary color #6A7553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958AAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958AAC shade: #9A8AA7, #AB9CBA, #BCAECD, #CDC0E0 and #DED2F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958AAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958AAC shade: #958AAC, #847899, #736686, #625473 and #514260

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958AAC shade: #958AAC, #9E8AAC, #A78AAC, #AC8AA7 and #AC8A9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958AAC shade: #958AAC, #8C8AAC and #8A8AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958AAC shade matches the following richer shades: #958AAC, #8F7ABC, #8A6ACC, #845ADC and #7E4AEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958AAC shade: #958AAC, #9B9A9C, #A0AA8C, #A6BA7C and #ACCB6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958AAC shade: #8A91AC, #8C8AAC, #958AAC, #9E8AAC and #A78AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958AAC shade: #6B5E85, #7F729B, #958AAC, #ABA2BD and #C1BACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958AAC shade: #958AAC, #AC8A9A and #8DAC8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958AAC shade: #958AAC, #AC958A and #8AAC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958AAC shade: #958AAC, #AC8A9A, #A1AC8A and #8AAC9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958AAC shade: #958AAC, #AC8A90, #A1AC8A and #8AACA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

Complementary color

CMYK 9 / 0 / 29 / 54

HEX #6A7553

RGB 106 117 83

HSL 79.41, 0.17%, 0.39%

LAB 47.51, -10.53, 17.43

 

CMYK 8 / 17 / 0 / 35

HEX #9A8AA7

RGB 154 138 167

HSL 273.1, 0.14%, 0.6%

LAB 59.74, 11.64, -13.11

 

CMYK 8 / 16 / 0 / 27

HEX #AB9CBA

RGB 171 156 186

HSL 270, 0.18%, 0.67%

LAB 66.5, 11.25, -13.5

 

CMYK 8 / 15 / 0 / 20

HEX #BCAECD

RGB 188 174 205

HSL 267.1, 0.24%, 0.74%

LAB 73.14, 10.89, -13.89

 

CMYK 8 / 14 / 0 / 12

HEX #CDC0E0

RGB 205 192 224

HSL 264.38, 0.34%, 0.82%

LAB 79.65, 10.55, -14.28

 

CMYK 9 / 14 / 0 / 5

HEX #DED2F3

RGB 222 210 243

HSL 261.82, 0.58%, 0.89%

LAB 86.05, 10.24, -14.67

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 14 / 22 / 0 / 40

HEX #847899

RGB 132 120 153

HSL 261.82, 0.14%, 0.54%

LAB 52.55, 11.43, -16.1

 

CMYK 14 / 24 / 0 / 47

HEX #736686

RGB 115 102 134

HSL 264.38, 0.14%, 0.46%

LAB 45.45, 11.9, -15.81

 

CMYK 15 / 27 / 0 / 55

HEX #625473

RGB 98 84 115

HSL 267.1, 0.16%, 0.39%

LAB 38.15, 12.44, -15.55

 

CMYK 16 / 31 / 0 / 62

HEX #514260

RGB 81 66 96

HSL 270, 0.19%, 0.32%

LAB 30.62, 13.07, -15.32

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 8 / 20 / 0 / 33

HEX #9E8AAC

RGB 158 138 172

HSL 275.29, 0.17%, 0.61%

LAB 60.27, 14.07, -15.12

 

CMYK 3 / 20 / 0 / 33

HEX #A78AAC

RGB 167 138 172

HSL 291.18, 0.17%, 0.61%

LAB 61.11, 17.17, -13.78

 

CMYK 0 / 20 / 3 / 33

HEX #AC8AA7

RGB 172 138 167

HSL 308.82, 0.17%, 0.61%

LAB 61.43, 17.96, -10.4

 

CMYK 0 / 20 / 8 / 33

HEX #AC8A9E

RGB 172 138 158

HSL 324.71, 0.17%, 0.61%

LAB 61.15, 16.29, -5.7

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 19 / 20 / 0 / 33

HEX #8C8AAC

RGB 140 138 172

HSL 243.53, 0.17%, 0.61%

LAB 58.72, 8.01, -17.61

 

CMYK 20 / 20 / 0 / 33

HEX #8A8AAC

RGB 138 138 172

HSL 240, 0.17%, 0.61%

LAB 58.56, 7.35, -17.87

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 24 / 35 / 0 / 26

HEX #8F7ABC

RGB 143 122 188

HSL 259.09, 0.33%, 0.61%

LAB 55.47, 22.09, -31.74

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 40 / 59 / 0 / 14

HEX #845ADC

RGB 132 90 220

HSL 259.38, 0.65%, 0.61%

LAB 48.74, 45.89, -60.74

 

CMYK 47 / 69 / 0 / 7

HEX #7E4AEC

RGB 126 74 236

HSL 259.26, 0.81%, 0.61%

LAB 46.16, 57.43, -74

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 1 / 1 / 0 / 39

HEX #9B9A9C

RGB 155 154 156

HSL 270, 0.01%, 0.61%

LAB 63.74, 0.75, -0.93

 

CMYK 6 / 0 / 18 / 33

HEX #A0AA8C

RGB 160 170 140

HSL 80, 0.15%, 0.61%

LAB 68.11, -8.97, 14.3

 

CMYK 11 / 0 / 33 / 27

HEX #A6BA7C

RGB 166 186 124

HSL 79.35, 0.31%, 0.61%

LAB 72.68, -17.42, 29.22

 

CMYK 15 / 0 / 47 / 20

HEX #ACCB6C

RGB 172 203 108

HSL 79.58, 0.48%, 0.61%

LAB 77.62, -25.5, 43.75

 

CMYK 20 / 16 / 0 / 33

HEX #8A91AC

RGB 138 145 172

HSL 227.65, 0.17%, 0.61%

LAB 60.46, 3.35, -15

 

CMYK 19 / 20 / 0 / 33

HEX #8C8AAC

RGB 140 138 172

HSL 243.53, 0.17%, 0.61%

LAB 58.72, 8.01, -17.61

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 8 / 20 / 0 / 33

HEX #9E8AAC

RGB 158 138 172

HSL 275.29, 0.17%, 0.61%

LAB 60.27, 14.07, -15.12

 

CMYK 3 / 20 / 0 / 33

HEX #A78AAC

RGB 167 138 172

HSL 291.18, 0.17%, 0.61%

LAB 61.11, 17.17, -13.78

 

CMYK 20 / 29 / 0 / 48

HEX #6B5E85

RGB 107 94 133

HSL 260, 0.17%, 0.45%

LAB 42.5, 13.78, -19.81

 

CMYK 18 / 26 / 0 / 39

HEX #7F729B

RGB 127 114 155

HSL 259.02, 0.17%, 0.53%

LAB 50.59, 13.75, -20.31

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 10 / 14 / 0 / 26

HEX #ABA2BD

RGB 171 162 189

HSL 260, 0.17%, 0.69%

LAB 68.15, 8.52, -12.7

 

CMYK 6 / 10 / 0 / 19

HEX #C1BACE

RGB 193 186 206

HSL 261, 0.17%, 0.77%

LAB 76.63, 6.23, -9.17

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 0 / 20 / 10 / 33

HEX #AC8A9A

RGB 172 138 154

HSL 331.76, 0.17%, 0.61%

LAB 61.03, 15.58, -3.59

 

CMYK 18 / 0 / 20 / 33

HEX #8DAC8A

RGB 141 172 138

HSL 114.71, 0.17%, 0.61%

LAB 67.28, -17.31, 14.04

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 0 / 13 / 20 / 33

HEX #AC958A

RGB 172 149 138

HSL 19.41, 0.17%, 0.61%

LAB 63.43, 6.74, 8.95

 

CMYK 20 / 0 / 13 / 33

HEX #8AAC95

RGB 138 172 149

HSL 139.41, 0.17%, 0.61%

LAB 67.34, -16.3, 8.03

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 0 / 20 / 10 / 33

HEX #AC8A9A

RGB 172 138 154

HSL 331.76, 0.17%, 0.61%

LAB 61.03, 15.58, -3.59

 

CMYK 6 / 0 / 20 / 33

HEX #A1AC8A

RGB 161 172 138

HSL 79.41, 0.17%, 0.61%

LAB 68.69, -9.98, 16.22

 

CMYK 20 / 0 / 9 / 33

HEX #8AAC9C

RGB 138 172 156

HSL 151.76, 0.17%, 0.61%

LAB 67.51, -14.91, 4.4

 

CMYK 13 / 20 / 0 / 33

HEX #958AAC

RGB 149 138 172

HSL 259.41, 0.17%, 0.61%

LAB 59.48, 11.01, -16.4

 

CMYK 0 / 20 / 16 / 33

HEX #AC8A90

RGB 172 138 144

HSL 349.41, 0.17%, 0.61%

LAB 60.75, 13.87, 1.7

 

CMYK 6 / 0 / 20 / 33

HEX #A1AC8A

RGB 161 172 138

HSL 79.41, 0.17%, 0.61%

LAB 68.69, -9.98, 16.22

 

CMYK 20 / 0 / 3 / 33

HEX #8AACA6

RGB 138 172 166

HSL 169.41, 0.17%, 0.61%

LAB 67.77, -12.82, -0.75

 

Description

Color code: HEX #958AAC | qconv.com Color code: HEX #958AAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 138 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 138 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 20 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 20% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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