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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #962A95 it is the complementary color #69D56A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #962A95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #962A95 shade: #9B2A90, #AC3CA3, #BD4EB6, #CE60C9 and #DF72DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #962A95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #962A95 shade: #962A95, #851882, #74066F, #63005C and #520049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #962A95 shade: #972A96, #972A78, #972A5B, #972A3E and #972A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #962A95 shade: #972A96, #7A2A97, #5D2A97, #402A97 and #2A2A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #962A95 shade matches the following richer shades: #972A96, #A61AA5 and #B60BB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #962A95 shade: #972A96, #873A86, #774977, #685967 and #586958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #962A95 shade: #5D2A97, #7A2A97, #972A97, #972A7A and #972A5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #962A95 shade: #561856, #762176, #972A96, #B733B6 and #CB48CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #962A95 shade: #962A95, #97402A and #2A976B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #962A95 shade: #962A95, #97972A and #2A9797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #962A95 shade: #962A95, #97402A, #2A972A and #2A8197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #962A95 shade: #962A95, #97602A, #2A972A and #2A6097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 1 / 41

HEX #962A95

RGB 150 42 149

HSL 300.56, 0.56%, 0.38%

LAB 38.39, 57.03, -35.53

 

Complementary color

CMYK 51 / 0 / 50 / 16

HEX #69D56A

RGB 105 213 106

HSL 120.56, 0.56%, 0.62%

LAB 77.06, -52.49, 43.26

 

CMYK 0 / 73 / 7 / 39

HEX #9B2A90

RGB 155 42 144

HSL 305.84, 0.57%, 0.39%

LAB 38.96, 57.37, -31.53

 

CMYK 0 / 65 / 5 / 33

HEX #AC3CA3

RGB 172 60 163

HSL 304.82, 0.48%, 0.45%

LAB 45.15, 57.82, -33.06

 

CMYK 0 / 59 / 4 / 26

HEX #BD4EB6

RGB 189 78 182

HSL 303.78, 0.46%, 0.52%

LAB 51.43, 57.73, -34.19

 

CMYK 0 / 53 / 2 / 19

HEX #CE60C9

RGB 206 96 201

HSL 302.73, 0.53%, 0.59%

LAB 57.76, 57.34, -35.06

 

CMYK 0 / 49 / 1 / 13

HEX #DF72DC

RGB 223 114 220

HSL 301.65, 0.63%, 0.66%

LAB 64.07, 56.78, -35.75

 

CMYK 0 / 72 / 1 / 41

HEX #962A95

RGB 150 42 149

HSL 300.56, 0.56%, 0.38%

LAB 38.39, 57.03, -35.53

 

CMYK 0 / 82 / 2 / 48

HEX #851882

RGB 133 24 130

HSL 301.65, 0.69%, 0.31%

LAB 32.37, 55.74, -33.56

 

CMYK 0 / 95 / 4 / 55

HEX #74066F

RGB 116 6 111

HSL 302.73, 0.9%, 0.24%

LAB 26.71, 53.02, -30.72

 

CMYK 0 / 100 / 7 / 61

HEX #63005C

RGB 99 0 92

HSL 304.24, 1%, 0.19%

LAB 21.67, 47.97, -26.51

 

CMYK 0 / 100 / 11 / 68

HEX #520049

RGB 82 0 73

HSL 306.59, 1%, 0.16%

LAB 16.87, 41.62, -21.48

 

CMYK 0 / 72 / 1 / 41

HEX #972A96

RGB 151 42 150

HSL 300.55, 0.56%, 0.38%

LAB 38.62, 57.43, -35.78

 

CMYK 0 / 72 / 21 / 41

HEX #972A78

RGB 151 42 120

HSL 317.06, 0.56%, 0.38%

LAB 37.1, 52.73, -19.67

 

CMYK 0 / 72 / 40 / 41

HEX #972A5B

RGB 151 42 91

HSL 333.03, 0.56%, 0.38%

LAB 35.97, 49.05, -3.03

 

CMYK 0 / 72 / 59 / 41

HEX #972A3E

RGB 151 42 62

HSL 348.99, 0.56%, 0.38%

LAB 35.17, 46.36, 14.51

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 0 / 72 / 1 / 41

HEX #972A96

RGB 151 42 150

HSL 300.55, 0.56%, 0.38%

LAB 38.62, 57.43, -35.78

 

CMYK 19 / 72 / 0 / 41

HEX #7A2A97

RGB 122 42 151

HSL 284.04, 0.56%, 0.38%

LAB 34.04, 51.1, -43.96

 

CMYK 38 / 72 / 0 / 41

HEX #5D2A97

RGB 93 42 151

HSL 268.07, 0.56%, 0.38%

LAB 29.95, 45.05, -50.77

 

CMYK 58 / 72 / 0 / 41

HEX #402A97

RGB 64 42 151

HSL 252.11, 0.56%, 0.38%

LAB 26.68, 39.88, -56.25

 

CMYK 72 / 72 / 0 / 41

HEX #2A2A97

RGB 42 42 151

HSL 240, 0.56%, 0.38%

LAB 24.9, 36.92, -59.25

 

CMYK 0 / 72 / 1 / 41

HEX #972A96

RGB 151 42 150

HSL 300.55, 0.56%, 0.38%

LAB 38.62, 57.43, -35.78

 

CMYK 0 / 84 / 1 / 35

HEX #A61AA5

RGB 166 26 165

HSL 300.43, 0.73%, 0.38%

LAB 40.51, 67.48, -41.65

 

CMYK 0 / 94 / 1 / 29

HEX #B60BB4

RGB 182 11 180

HSL 300.7, 0.89%, 0.38%

LAB 43.48, 74.93, -45.68

 

CMYK 0 / 72 / 1 / 41

HEX #972A96

RGB 151 42 150

HSL 300.55, 0.56%, 0.38%

LAB 38.62, 57.43, -35.78

 

CMYK 0 / 57 / 1 / 47

HEX #873A86

RGB 135 58 134

HSL 300.78, 0.4%, 0.38%

LAB 37.66, 43.68, -27.68

 

CMYK 0 / 39 / 0 / 53

HEX #774977

RGB 119 73 119

HSL 300, 0.24%, 0.38%

LAB 37.88, 27.49, -18.25

 

CMYK 0 / 14 / 1 / 59

HEX #685967

RGB 104 89 103

HSL 304, 0.08%, 0.38%

LAB 39.69, 8.88, -5.76

 

CMYK 16 / 0 / 16 / 59

HEX #586958

RGB 88 105 88

HSL 120, 0.09%, 0.38%

LAB 42.59, -10.07, 7.45

 

CMYK 38 / 72 / 0 / 41

HEX #5D2A97

RGB 93 42 151

HSL 268.07, 0.56%, 0.38%

LAB 29.95, 45.05, -50.77

 

CMYK 19 / 72 / 0 / 41

HEX #7A2A97

RGB 122 42 151

HSL 284.04, 0.56%, 0.38%

LAB 34.04, 51.1, -43.96

 

CMYK 0 / 72 / 0 / 41

HEX #972A97

RGB 151 42 151

HSL 300, 0.56%, 0.38%

LAB 38.67, 57.6, -36.29

 

CMYK 0 / 72 / 19 / 41

HEX #972A7A

RGB 151 42 122

HSL 315.96, 0.56%, 0.38%

LAB 37.19, 53.02, -20.78

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 0 / 66

HEX #561856

RGB 86 24 86

HSL 300, 0.56%, 0.22%

LAB 21.22, 36.91, -23.38

 

CMYK 0 / 72 / 0 / 54

HEX #762176

RGB 118 33 118

HSL 300, 0.56%, 0.3%

LAB 30.03, 47.35, -29.9

 

CMYK 0 / 72 / 1 / 41

HEX #972A96

RGB 151 42 150

HSL 300.55, 0.56%, 0.38%

LAB 38.62, 57.43, -35.78

 

CMYK 0 / 72 / 1 / 28

HEX #B733B6

RGB 183 51 182

HSL 300.45, 0.56%, 0.46%

LAB 46.73, 66.83, -41.67

 

CMYK 0 / 65 / 0 / 20

HEX #CB48CA

RGB 203 72 202

HSL 300.46, 0.56%, 0.54%

LAB 53.6, 67.09, -42.19

 

CMYK 0 / 72 / 1 / 41

HEX #962A95

RGB 150 42 149

HSL 300.56, 0.56%, 0.38%

LAB 38.39, 57.03, -35.53

 

CMYK 0 / 58 / 72 / 41

HEX #97402A

RGB 151 64 42

HSL 12.11, 0.56%, 0.38%

LAB 38.57, 35.05, 31.06

 

CMYK 72 / 0 / 29 / 41

HEX #2A976B

RGB 42 151 107

HSL 155.78, 0.56%, 0.38%

LAB 55.77, -41.13, 14.58

 

CMYK 0 / 72 / 1 / 41

HEX #962A95

RGB 150 42 149

HSL 300.56, 0.56%, 0.38%

LAB 38.39, 57.03, -35.53

 

CMYK 0 / 0 / 72 / 41

HEX #97972A

RGB 151 151 42

HSL 60, 0.56%, 0.38%

LAB 60.68, -13.39, 54.09

 

CMYK 72 / 0 / 0 / 41

HEX #2A9797

RGB 42 151 151

HSL 180, 0.56%, 0.38%

LAB 56.94, -29.36, -8.79

 

CMYK 0 / 72 / 1 / 41

HEX #962A95

RGB 150 42 149

HSL 300.56, 0.56%, 0.38%

LAB 38.39, 57.03, -35.53

 

CMYK 0 / 58 / 72 / 41

HEX #97402A

RGB 151 64 42

HSL 12.11, 0.56%, 0.38%

LAB 38.57, 35.05, 31.06

 

CMYK 72 / 0 / 72 / 41

HEX #2A972A

RGB 42 151 42

HSL 120, 0.56%, 0.38%

LAB 54.86, -51.57, 46.34

 

CMYK 72 / 15 / 0 / 41

HEX #2A8197

RGB 42 129 151

HSL 192.11, 0.56%, 0.38%

LAB 50.01, -18.03, -19.27

 

CMYK 0 / 72 / 1 / 41

HEX #962A95

RGB 150 42 149

HSL 300.56, 0.56%, 0.38%

LAB 38.39, 57.03, -35.53

 

CMYK 0 / 36 / 72 / 41

HEX #97602A

RGB 151 96 42

HSL 29.72, 0.56%, 0.38%

LAB 45.79, 17.38, 39

 

CMYK 72 / 0 / 72 / 41

HEX #2A972A

RGB 42 151 42

HSL 120, 0.56%, 0.38%

LAB 54.86, -51.57, 46.34

 

CMYK 72 / 36 / 0 / 41

HEX #2A6097

RGB 42 96 151

HSL 210.28, 0.56%, 0.38%

LAB 39.74, 1.36, -35.27

 

Description

Color code: HEX #962A95 | qconv.com Color code: HEX #962A95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 42 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 42 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 1 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 1% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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