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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967B68 it is the complementary color #698497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967B68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967B68 shade: #9B7B63, #AC8D76, #BD9F89, #CEB19C and #DFC3AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967B68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967B68 shade: #967B68, #856955, #745742, #63452F and #52331C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967B68 shade: #967B68, #966F68 and #966868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967B68 shade: #967B68, #968768, #969468, #8C9668 and #7F9668

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967B68 shade matches the following richer shades: #967B68, #AB7753, #BF743F, #D4702A and #E86D16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967B68 shade: #967B68, #817F7D, #6D8291, #5886A6 and #4389BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967B68 shade: #96686E, #966E68, #967A68, #968768 and #969368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967B68 shade: #655346, #7E6757, #967B68, #A79080 and #B8A699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967B68 shade: #967B68, #7A9668 and #686896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967B68 shade: #967B68, #68967A and #7A6896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967B68 shade: #967B68, #7A9668, #688496 and #846896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967B68 shade: #967B68, #6D9668, #688496 and #916896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

Complementary color

CMYK 30 / 13 / 0 / 41

HEX #698497

RGB 105 132 151

HSL 204.78, 0.18%, 0.5%

LAB 53.75, -4.93, -13.32

 

CMYK 0 / 21 / 36 / 39

HEX #9B7B63

RGB 155 123 99

HSL 25.71, 0.22%, 0.5%

LAB 54.06, 8.91, 17.85

 

CMYK 0 / 18 / 31 / 33

HEX #AC8D76

RGB 172 141 118

HSL 25.56, 0.25%, 0.57%

LAB 60.89, 8.26, 16.67

 

CMYK 0 / 16 / 28 / 26

HEX #BD9F89

RGB 189 159 137

HSL 25.38, 0.28%, 0.64%

LAB 67.59, 7.71, 15.6

 

CMYK 0 / 14 / 24 / 19

HEX #CEB19C

RGB 206 177 156

HSL 25.2, 0.34%, 0.71%

LAB 74.17, 7.23, 14.61

 

CMYK 0 / 13 / 22 / 13

HEX #DFC3AF

RGB 223 195 175

HSL 25, 0.43%, 0.78%

LAB 80.63, 6.8, 13.69

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 0 / 21 / 36 / 48

HEX #856955

RGB 133 105 85

HSL 25, 0.22%, 0.43%

LAB 46.64, 8.16, 15.5

 

CMYK 0 / 25 / 43 / 55

HEX #745742

RGB 116 87 66

HSL 25.2, 0.27%, 0.36%

LAB 39.45, 8.96, 16.84

 

CMYK 0 / 30 / 53 / 61

HEX #63452F

RGB 99 69 47

HSL 25.38, 0.36%, 0.29%

LAB 32.07, 9.98, 18.37

 

CMYK 0 / 38 / 66 / 68

HEX #52331C

RGB 82 51 28

HSL 25.56, 0.49%, 0.22%

LAB 24.47, 11.32, 20.17

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 0 / 26 / 31 / 41

HEX #966F68

RGB 150 111 104

HSL 9.13, 0.18%, 0.5%

LAB 50.51, 14.42, 9.93

 

CMYK 0 / 31 / 31 / 41

HEX #966868

RGB 150 104 104

HSL 0, 0.18%, 0.5%

LAB 48.74, 18.47, 7.43

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 0 / 10 / 31 / 41

HEX #968768

RGB 150 135 104

HSL 40.43, 0.18%, 0.5%

LAB 56.89, 0.7, 18.76

 

CMYK 0 / 1 / 31 / 41

HEX #969468

RGB 150 148 104

HSL 57.39, 0.18%, 0.5%

LAB 60.48, -6.49, 23.59

 

CMYK 7 / 0 / 31 / 41

HEX #8C9668

RGB 140 150 104

HSL 73.04, 0.18%, 0.5%

LAB 60.24, -11.62, 23.12

 

CMYK 15 / 0 / 31 / 41

HEX #7F9668

RGB 127 150 104

HSL 90, 0.18%, 0.5%

LAB 59.27, -16.73, 21.66

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 0 / 30 / 51 / 33

HEX #AB7753

RGB 171 119 83

HSL 24.55, 0.35%, 0.5%

LAB 54.53, 16.15, 27.87

 

CMYK 0 / 39 / 67 / 25

HEX #BF743F

RGB 191 116 63

HSL 24.84, 0.5%, 0.5%

LAB 56.01, 24.76, 41.06

 

CMYK 0 / 47 / 80 / 17

HEX #D4702A

RGB 212 112 42

HSL 24.71, 0.67%, 0.5%

LAB 57.8, 34.6, 53.75

 

CMYK 0 / 53 / 91 / 9

HEX #E86D16

RGB 232 109 22

HSL 24.86, 0.83%, 0.5%

LAB 60.02, 43.51, 63.81

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 0 / 2 / 3 / 49

HEX #817F7D

RGB 129 127 125

HSL 30, 0.02%, 0.5%

LAB 53.31, 0.36, 1.34

 

CMYK 25 / 10 / 0 / 43

HEX #6D8291

RGB 109 130 145

HSL 205, 0.14%, 0.5%

LAB 53.23, -4.03, -10.58

 

CMYK 47 / 19 / 0 / 35

HEX #5886A6

RGB 88 134 166

HSL 204.62, 0.31%, 0.5%

LAB 53.9, -6.73, -21.86

 

CMYK 64 / 27 / 0 / 27

HEX #4389BB

RGB 67 137 187

HSL 205, 0.47%, 0.5%

LAB 54.73, -6.35, -32.68

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 27 / 31 / 41

HEX #966E68

RGB 150 110 104

HSL 7.83, 0.18%, 0.5%

LAB 50.26, 15, 9.57

 

CMYK 0 / 19 / 31 / 41

HEX #967A68

RGB 150 122 104

HSL 23.48, 0.18%, 0.5%

LAB 53.39, 8.08, 13.95

 

CMYK 0 / 10 / 31 / 41

HEX #968768

RGB 150 135 104

HSL 40.43, 0.18%, 0.5%

LAB 56.89, 0.7, 18.76

 

CMYK 0 / 2 / 31 / 41

HEX #969368

RGB 150 147 104

HSL 56.09, 0.18%, 0.5%

LAB 60.2, -5.94, 23.22

 

CMYK 0 / 18 / 31 / 60

HEX #655346

RGB 101 83 70

HSL 25.16, 0.18%, 0.34%

LAB 36.73, 5.27, 10.41

 

CMYK 0 / 18 / 31 / 51

HEX #7E6757

RGB 126 103 87

HSL 24.62, 0.18%, 0.42%

LAB 45.39, 6.62, 12.48

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 0 / 14 / 23 / 35

HEX #A79080

RGB 167 144 128

HSL 24.62, 0.18%, 0.58%

LAB 61.41, 6.02, 11.68

 

CMYK 0 / 10 / 17 / 28

HEX #B8A699

RGB 184 166 153

HSL 25.16, 0.18%, 0.66%

LAB 69.3, 4.36, 9.1

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 19 / 0 / 31 / 41

HEX #7A9668

RGB 122 150 104

HSL 96.52, 0.18%, 0.5%

LAB 58.93, -18.64, 21.14

 

CMYK 31 / 31 / 0 / 41

HEX #686896

RGB 104 104 150

HSL 240, 0.18%, 0.5%

LAB 45.7, 11.08, -25.07

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 31 / 0 / 19 / 41

HEX #68967A

RGB 104 150 122

HSL 143.48, 0.18%, 0.5%

LAB 58.19, -21.75, 9.84

 

CMYK 19 / 31 / 0 / 41

HEX #7A6896

RGB 122 104 150

HSL 263.48, 0.18%, 0.5%

LAB 47.29, 16.88, -22.48

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 19 / 0 / 31 / 41

HEX #7A9668

RGB 122 150 104

HSL 96.52, 0.18%, 0.5%

LAB 58.93, -18.64, 21.14

 

CMYK 31 / 12 / 0 / 41

HEX #688496

RGB 104 132 150

HSL 203.48, 0.18%, 0.5%

LAB 53.65, -5.5, -12.89

 

CMYK 12 / 31 / 0 / 41

HEX #846896

RGB 132 104 150

HSL 276.52, 0.18%, 0.5%

LAB 48.27, 20.22, -20.88

 

CMYK 0 / 18 / 31 / 41

HEX #967B68

RGB 150 123 104

HSL 24.78, 0.18%, 0.5%

LAB 53.65, 7.51, 14.32

 

CMYK 27 / 0 / 31 / 41

HEX #6D9668

RGB 109 150 104

HSL 113.48, 0.18%, 0.5%

LAB 58.1, -23.43, 19.87

 

CMYK 31 / 12 / 0 / 41

HEX #688496

RGB 104 132 150

HSL 203.48, 0.18%, 0.5%

LAB 53.65, -5.5, -12.89

 

CMYK 3 / 31 / 0 / 41

HEX #916896

RGB 145 104 150

HSL 293.48, 0.18%, 0.5%

LAB 49.64, 24.66, -18.65

 

Description

Color code: HEX #967B68 | qconv.com Color code: HEX #967B68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 123 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 123 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 31 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 31% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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