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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96C9CE it is the complementary color #693631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96C9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96C9CE shade: #9BC9C9, #ACDBDC, #BDEDEF, #CEFFFF and #DFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96C9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96C9CE shade: #96C9CE, #85B7BB, #74A5A8, #639395 and #528182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96C9CE shade: #96C9CE, #96BACE, #96ABCE, #969CCE and #A096CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96C9CE shade: #96C9CE, #96BACE, #96ABCE, #969CCE and #9696CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96C9CE shade matches the following richer shades: #96C9CE, #8AD3DA, #7EDDE6 and #71E7F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96C9CE shade: #96C9CE, #A3BEC1, #AFB4B5, #BCAAA8 and #C8A09C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96C9CE shade: #96CEB5, #96CEC3, #96C9CE, #96BACE and #96ACCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96C9CE shade: #5EACB3, #7ABAC0, #96C9CE, #B3D7DB and #CFE6E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96C9CE shade: #96C9CE, #A696CE and #CEBC96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96C9CE shade: #96C9CE, #CE96C9 and #C9CE96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96C9CE shade: #96C9CE, #A696CE, #CE9B96 and #BECE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96C9CE shade: #96C9CE, #B796CE, #CE9B96 and #ADCE96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

Complementary color

CMYK 0 / 49 / 53 / 59

HEX #693631

RGB 105 54 49

HSL 5.36, 0.36%, 0.3%

LAB 29.07, 22.1, 13.32

 

CMYK 23 / 0 / 0 / 21

HEX #9BC9C9

RGB 155 201 201

HSL 180, 0.3%, 0.7%

LAB 77.85, -14.98, -4.94

 

CMYK 22 / 0 / 0 / 14

HEX #ACDBDC

RGB 172 219 220

HSL 181.25, 0.41%, 0.77%

LAB 84.28, -14.91, -5.5

 

CMYK 21 / 1 / 0 / 6

HEX #BDEDEF

RGB 189 237 239

HSL 182.4, 0.61%, 0.84%

LAB 90.61, -14.85, -6.04

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 29 / 2 / 0 / 27

HEX #85B7BB

RGB 133 183 187

HSL 184.44, 0.28%, 0.63%

LAB 71.17, -15.41, -7.35

 

CMYK 31 / 2 / 0 / 34

HEX #74A5A8

RGB 116 165 168

HSL 183.46, 0.23%, 0.56%

LAB 64.52, -15.48, -6.8

 

CMYK 34 / 1 / 0 / 42

HEX #639395

RGB 99 147 149

HSL 182.4, 0.2%, 0.49%

LAB 57.74, -15.56, -6.23

 

CMYK 37 / 1 / 0 / 49

HEX #528182

RGB 82 129 130

HSL 181.25, 0.23%, 0.42%

LAB 50.81, -15.64, -5.62

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 27 / 10 / 0 / 19

HEX #96BACE

RGB 150 186 206

HSL 201.43, 0.36%, 0.7%

LAB 73.58, -7.49, -14.04

 

CMYK 27 / 17 / 0 / 19

HEX #96ABCE

RGB 150 171 206

HSL 217.5, 0.36%, 0.7%

LAB 69.52, 0.64, -20.19

 

CMYK 27 / 24 / 0 / 19

HEX #969CCE

RGB 150 156 206

HSL 233.57, 0.36%, 0.7%

LAB 65.53, 9.03, -26.28

 

CMYK 22 / 27 / 0 / 19

HEX #A096CE

RGB 160 150 206

HSL 250.71, 0.36%, 0.7%

LAB 64.76, 15.48, -27.4

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 27 / 10 / 0 / 19

HEX #96BACE

RGB 150 186 206

HSL 201.43, 0.36%, 0.7%

LAB 73.58, -7.49, -14.04

 

CMYK 27 / 17 / 0 / 19

HEX #96ABCE

RGB 150 171 206

HSL 217.5, 0.36%, 0.7%

LAB 69.52, 0.64, -20.19

 

CMYK 27 / 24 / 0 / 19

HEX #969CCE

RGB 150 156 206

HSL 233.57, 0.36%, 0.7%

LAB 65.53, 9.03, -26.28

 

CMYK 27 / 27 / 0 / 19

HEX #9696CE

RGB 150 150 206

HSL 240, 0.36%, 0.7%

LAB 63.96, 12.44, -28.7

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 37 / 3 / 0 / 15

HEX #8AD3DA

RGB 138 211 218

HSL 185.25, 0.52%, 0.7%

LAB 80.21, -20.91, -10.67

 

CMYK 45 / 4 / 0 / 10

HEX #7EDDE6

RGB 126 221 230

HSL 185.19, 0.68%, 0.7%

LAB 82.84, -25.82, -13.19

 

CMYK 53 / 5 / 0 / 5

HEX #71E7F3

RGB 113 231 243

HSL 185.54, 0.84%, 0.7%

LAB 85.57, -30.02, -16.01

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 16 / 2 / 0 / 24

HEX #A3BEC1

RGB 163 190 193

HSL 186, 0.19%, 0.7%

LAB 75.12, -8.48, -4.59

 

CMYK 3 / 1 / 0 / 29

HEX #AFB4B5

RGB 175 180 181

HSL 190, 0.04%, 0.7%

LAB 72.95, -1.55, -1.13

 

CMYK 0 / 10 / 11 / 26

HEX #BCAAA8

RGB 188 170 168

HSL 6, 0.13%, 0.7%

LAB 71.06, 6.15, 3.38

 

CMYK 0 / 20 / 22 / 22

HEX #C8A09C

RGB 200 160 156

HSL 5.45, 0.29%, 0.7%

LAB 69.34, 14.16, 7.7

 

CMYK 27 / 0 / 12 / 19

HEX #96CEB5

RGB 150 206 181

HSL 153.21, 0.36%, 0.7%

LAB 78.44, -23.26, 6.63

 

CMYK 27 / 0 / 5 / 19

HEX #96CEC3

RGB 150 206 195

HSL 168.21, 0.36%, 0.7%

LAB 78.79, -20.34, -0.37

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 27 / 10 / 0 / 19

HEX #96BACE

RGB 150 186 206

HSL 201.43, 0.36%, 0.7%

LAB 73.58, -7.49, -14.04

 

CMYK 27 / 17 / 0 / 19

HEX #96ACCE

RGB 150 172 206

HSL 216.43, 0.36%, 0.7%

LAB 69.79, 0.09, -19.78

 

CMYK 47 / 4 / 0 / 30

HEX #5EACB3

RGB 94 172 179

HSL 184.94, 0.36%, 0.54%

LAB 65.86, -22.11, -11.06

 

CMYK 36 / 3 / 0 / 25

HEX #7ABAC0

RGB 122 186 192

HSL 185.14, 0.36%, 0.62%

LAB 71.6, -18.85, -9.53

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 18 / 2 / 0 / 14

HEX #B3D7DB

RGB 179 215 219

HSL 186, 0.36%, 0.78%

LAB 83.6, -10.95, -5.92

 

CMYK 11 / 1 / 0 / 9

HEX #CFE6E8

RGB 207 230 232

HSL 184.8, 0.35%, 0.86%

LAB 89.71, -7.17, -3.56

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 19 / 27 / 0 / 19

HEX #A696CE

RGB 166 150 206

HSL 257.14, 0.36%, 0.7%

LAB 65.26, 17.35, -26.59

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 0 / 27 / 2 / 19

HEX #CE96C9

RGB 206 150 201

HSL 305.36, 0.36%, 0.7%

LAB 68.86, 29.33, -17.97

 

CMYK 2 / 0 / 27 / 19

HEX #C9CE96

RGB 201 206 150

HSL 65.36, 0.36%, 0.7%

LAB 81.16, -10.74, 27.36

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 19 / 27 / 0 / 19

HEX #A696CE

RGB 166 150 206

HSL 257.14, 0.36%, 0.7%

LAB 65.26, 17.35, -26.59

 

CMYK 0 / 25 / 27 / 19

HEX #CE9B96

RGB 206 155 150

HSL 5.36, 0.36%, 0.7%

LAB 68.58, 18.31, 10.03

 

CMYK 8 / 0 / 27 / 19

HEX #BECE96

RGB 190 206 150

HSL 77.14, 0.36%, 0.7%

LAB 80.34, -14.87, 26.12

 

CMYK 27 / 2 / 0 / 19

HEX #96C9CE

RGB 150 201 206

HSL 185.36, 0.36%, 0.7%

LAB 77.71, -15.35, -7.88

 

CMYK 11 / 27 / 0 / 19

HEX #B796CE

RGB 183 150 206

HSL 275.36, 0.36%, 0.7%

LAB 66.78, 22.76, -24.13

 

CMYK 0 / 25 / 27 / 19

HEX #CE9B96

RGB 206 155 150

HSL 5.36, 0.36%, 0.7%

LAB 68.58, 18.31, 10.03

 

CMYK 16 / 0 / 27 / 19

HEX #ADCE96

RGB 173 206 150

HSL 95.36, 0.36%, 0.7%

LAB 79.17, -21.08, 24.33

 

Description

Color code: HEX #96C9CE | qconv.com Color code: HEX #96C9CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 201 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 201 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 2 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 2% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - 書林書店 - 中英文文學、語言、人文專業...
Link: http://www.bookman.com.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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