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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972A5E it is the complementary color #68D5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972A5E shade: #9C2A59, #AD3C6C, #BE4E7F, #CF6092 and #E072A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972A5E shade: #972A5E, #86184B, #750638, #640025 and #530012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972A5E shade: #972A5E, #972A41 and #972A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972A5E shade: #972A5E, #972A7B, #952A97, #782A97 and #5A2A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972A5E shade matches the following richer shades: #972A5E, #A61A5D and #B60B5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972A5E shade: #972A5E, #873A5F, #77495F, #685960 and #586961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972A5E shade: #952A97, #972A7C, #972A5F, #972A42 and #97302A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972A5E shade: #561836, #76214A, #972A5E, #B73372 and #CB4887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972A5E shade: #972A5E, #97782A and #2A8A97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972A5E shade: #972A5E, #5F972A and #2A5F97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972A5E shade: #972A5E, #97782A, #2A9762 and #2A4997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972A5E shade: #972A5E, #95972A, #2A9762 and #2C2A97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

Complementary color

CMYK 51 / 0 / 24 / 16

HEX #68D5A1

RGB 104 213 161

HSL 151.38, 0.56%, 0.62%

LAB 77.94, -43.35, 16.29

 

CMYK 0 / 73 / 43 / 39

HEX #9C2A59

RGB 156 42 89

HSL 335.26, 0.58%, 0.39%

LAB 36.83, 50.32, -0.38

 

CMYK 0 / 65 / 38 / 32

HEX #AD3C6C

RGB 173 60 108

HSL 334.51, 0.48%, 0.46%

LAB 43.06, 50.34, -2.82

 

CMYK 0 / 59 / 33 / 25

HEX #BE4E7F

RGB 190 78 127

HSL 333.75, 0.46%, 0.53%

LAB 49.41, 49.93, -4.72

 

CMYK 0 / 54 / 29 / 19

HEX #CF6092

RGB 207 96 146

HSL 332.97, 0.54%, 0.59%

LAB 55.79, 49.28, -6.25

 

CMYK 0 / 49 / 26 / 12

HEX #E072A5

RGB 224 114 165

HSL 332.18, 0.64%, 0.66%

LAB 62.17, 48.54, -7.52

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 82 / 44 / 47

HEX #86184B

RGB 134 24 75

HSL 332.18, 0.7%, 0.31%

LAB 29.98, 48.57, -1.8

 

CMYK 0 / 95 / 52 / 54

HEX #750638

RGB 117 6 56

HSL 332.97, 0.9%, 0.24%

LAB 24.31, 46.4, 2.34

 

CMYK 0 / 100 / 63 / 61

HEX #640025

RGB 100 0 37

HSL 337.8, 1%, 0.2%

LAB 19.4, 41.84, 8.23

 

CMYK 0 / 100 / 78 / 67

HEX #530012

RGB 83 0 18

HSL 346.99, 1%, 0.16%

LAB 14.86, 36.08, 15.01

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 72 / 57 / 41

HEX #972A41

RGB 151 42 65

HSL 347.34, 0.56%, 0.38%

LAB 35.24, 46.59, 12.67

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 72 / 19 / 41

HEX #972A7B

RGB 151 42 123

HSL 315.41, 0.56%, 0.38%

LAB 37.23, 53.16, -21.33

 

CMYK 1 / 72 / 0 / 41

HEX #952A97

RGB 149 42 151

HSL 298.9, 0.56%, 0.38%

LAB 38.34, 57.14, -36.84

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 40 / 72 / 0 / 41

HEX #5A2A97

RGB 90 42 151

HSL 266.42, 0.56%, 0.38%

LAB 29.57, 44.47, -51.41

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 84 / 44 / 35

HEX #A61A5D

RGB 166 26 93

HSL 331.29, 0.73%, 0.38%

LAB 37.18, 58.28, -2.19

 

CMYK 0 / 94 / 49 / 29

HEX #B60B5C

RGB 182 11 92

HSL 331.58, 0.89%, 0.38%

LAB 39.51, 64.65, 2.23

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 57 / 30 / 47

HEX #873A5F

RGB 135 58 95

HSL 331.17, 0.4%, 0.38%

LAB 35.99, 37.23, -5.85

 

CMYK 0 / 39 / 20 / 53

HEX #77495F

RGB 119 73 95

HSL 331.3, 0.24%, 0.38%

LAB 36.95, 22.97, -4.66

 

CMYK 0 / 14 / 8 / 59

HEX #685960

RGB 104 89 96

HSL 332, 0.08%, 0.38%

LAB 39.47, 7.45, -1.77

 

CMYK 16 / 0 / 8 / 59

HEX #586961

RGB 88 105 97

HSL 151.76, 0.09%, 0.38%

LAB 42.82, -8.18, 2.35

 

CMYK 1 / 72 / 0 / 41

HEX #952A97

RGB 149 42 151

HSL 298.9, 0.56%, 0.38%

LAB 38.34, 57.14, -36.84

 

CMYK 0 / 72 / 18 / 41

HEX #972A7C

RGB 151 42 124

HSL 314.86, 0.56%, 0.38%

LAB 37.28, 53.31, -21.88

 

CMYK 0 / 72 / 37 / 41

HEX #972A5F

RGB 151 42 95

HSL 330.83, 0.56%, 0.38%

LAB 36.1, 49.51, -5.39

 

CMYK 0 / 72 / 56 / 41

HEX #972A42

RGB 151 42 66

HSL 346.79, 0.56%, 0.38%

LAB 35.26, 46.67, 12.05

 

CMYK 0 / 68 / 72 / 41

HEX #97302A

RGB 151 48 42

HSL 3.3, 0.56%, 0.38%

LAB 35.71, 42.64, 27.76

 

CMYK 0 / 72 / 37 / 66

HEX #561836

RGB 86 24 54

HSL 330.97, 0.56%, 0.22%

LAB 19.63, 31.62, -3.9

 

CMYK 0 / 72 / 37 / 54

HEX #76214A

RGB 118 33 74

HSL 331.06, 0.56%, 0.3%

LAB 27.94, 40.62, -4.52

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 72 / 38 / 28

HEX #B73372

RGB 183 51 114

HSL 331.36, 0.56%, 0.46%

LAB 43.73, 57.48, -5.35

 

CMYK 0 / 65 / 33 / 20

HEX #CB4887

RGB 203 72 135

HSL 331.15, 0.56%, 0.54%

LAB 50.78, 57.5, -7.25

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 72 / 9 / 0 / 41

HEX #2A8A97

RGB 42 138 151

HSL 187.16, 0.56%, 0.38%

LAB 52.84, -22.81, -14.95

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 72 / 37 / 0 / 41

HEX #2A5F97

RGB 42 95 151

HSL 210.83, 0.56%, 0.38%

LAB 39.43, 2, -35.75

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 72 / 0 / 35 / 41

HEX #2A9762

RGB 42 151 98

HSL 150.83, 0.56%, 0.38%

LAB 55.59, -43.11, 19.36

 

CMYK 72 / 52 / 0 / 41

HEX #2A4997

RGB 42 73 151

HSL 222.94, 0.56%, 0.38%

LAB 32.9, 16.47, -46.2

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 1 / 0 / 72 / 41

HEX #95972A

RGB 149 151 42

HSL 61.1, 0.56%, 0.38%

LAB 60.51, -14.27, 53.87

 

CMYK 72 / 0 / 35 / 41

HEX #2A9762

RGB 42 151 98

HSL 150.83, 0.56%, 0.38%

LAB 55.59, -43.11, 19.36

 

CMYK 71 / 72 / 0 / 41

HEX #2C2A97

RGB 44 42 151

HSL 241.1, 0.56%, 0.38%

LAB 25.03, 37.14, -59.02

 

Description

Color code: HEX #972A5E | qconv.com Color code: HEX #972A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 42 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 42 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 38% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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