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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #980EA8 it is the complementary color #67F157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #980EA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #980EA8 shade: #9D0EA3, #AE20B6, #BF32C9, #D044DC and #E156EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #980EA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #980EA8 shade: #980EA8, #870095, #760082, #65006F and #54005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #980EA8 shade: #990DA9, #A90D8F, #A90D65, #A90D3B and #A90D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #980EA8 shade: #990DA9, #6F0DA9, #450DA9, #1B0DA9 and #0D0DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #980EA8 shade matches the following richer shades: #990DA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #980EA8 shade: #990DA9, #8D1C9A, #822B8C, #763A7D and #6A496E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #980EA8 shade: #440DA9, #6E0DA9, #970DA9, #A90D92 and #A90D68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #980EA8 shade: #54075D, #770A83, #990DA9, #BC10CF and #D71DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #980EA8 shade: #980EA8, #A91A0D and #0DA959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #980EA8 shade: #980EA8, #A9970D and #0DA997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #980EA8 shade: #980EA8, #A91A0D, #1FA90D and #0D9CA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #980EA8 shade: #980EA8, #A9490D, #1FA90D and #0D6EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 92 / 0 / 34

HEX #980EA8

RGB 152 14 168

HSL 293.77, 0.85%, 0.36%

LAB 37.51, 67.6, -48.4

 

Complementary color

CMYK 57 / 0 / 64 / 5

HEX #67F157

RGB 103 241 87

HSL 113.77, 0.85%, 0.64%

LAB 85.24, -65.58, 61.23

 

CMYK 4 / 91 / 0 / 36

HEX #9D0EA3

RGB 157 14 163

HSL 297.58, 0.84%, 0.35%

LAB 38.07, 67.64, -44.45

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 5 / 75 / 0 / 21

HEX #BF32C9

RGB 191 50 201

HSL 296.03, 0.6%, 0.49%

LAB 48.98, 71.95, -49.07

 

CMYK 5 / 69 / 0 / 14

HEX #D044DC

RGB 208 68 220

HSL 295.26, 0.68%, 0.56%

LAB 54.77, 72.72, -50.54

 

CMYK 6 / 64 / 0 / 6

HEX #E156EF

RGB 225 86 239

HSL 294.51, 0.83%, 0.64%

LAB 60.69, 72.96, -51.65

 

CMYK 10 / 92 / 0 / 34

HEX #980EA8

RGB 152 14 168

HSL 293.77, 0.85%, 0.36%

LAB 37.51, 67.6, -48.4

 

CMYK 9 / 100 / 0 / 42

HEX #870095

RGB 135 0 149

HSL 294.36, 1%, 0.29%

LAB 32.53, 63.51, -45.06

 

CMYK 9 / 100 / 0 / 49

HEX #760082

RGB 118 0 130

HSL 294.46, 1%, 0.25%

LAB 28.02, 57.58, -40.7

 

CMYK 9 / 100 / 0 / 56

HEX #65006F

RGB 101 0 111

HSL 294.59, 1%, 0.22%

LAB 23.39, 51.49, -36.21

 

CMYK 9 / 100 / 0 / 64

HEX #54005C

RGB 84 0 92

HSL 294.78, 1%, 0.18%

LAB 18.62, 45.21, -31.57

 

CMYK 9 / 92 / 0 / 34

HEX #990DA9

RGB 153 13 169

HSL 293.85, 0.86%, 0.36%

LAB 37.71, 68.08, -48.67

 

CMYK 0 / 92 / 15 / 34

HEX #A90D8F

RGB 169 13 143

HSL 310, 0.86%, 0.36%

LAB 39.08, 67.06, -30.56

 

CMYK 0 / 92 / 40 / 34

HEX #A90D65

RGB 169 13 101

HSL 326.15, 0.86%, 0.36%

LAB 37.23, 62.17, -7.17

 

CMYK 0 / 92 / 65 / 34

HEX #A90D3B

RGB 169 13 59

HSL 342.31, 0.86%, 0.36%

LAB 36.06, 58.95, 18.28

 

CMYK 0 / 92 / 90 / 34

HEX #A90D11

RGB 169 13 17

HSL 358.46, 0.86%, 0.36%

LAB 35.52, 57.44, 42.59

 

CMYK 9 / 92 / 0 / 34

HEX #990DA9

RGB 153 13 169

HSL 293.85, 0.86%, 0.36%

LAB 37.71, 68.08, -48.67

 

CMYK 34 / 92 / 0 / 34

HEX #6F0DA9

RGB 111 13 169

HSL 277.69, 0.86%, 0.36%

LAB 30.72, 61.82, -60.35

 

CMYK 59 / 92 / 0 / 34

HEX #450DA9

RGB 69 13 169

HSL 261.54, 0.86%, 0.36%

LAB 25.01, 57.38, -69.95

 

CMYK 84 / 92 / 0 / 34

HEX #1B0DA9

RGB 27 13 169

HSL 245.38, 0.86%, 0.36%

LAB 21.53, 55.14, -75.84

 

CMYK 92 / 92 / 0 / 34

HEX #0D0DA9

RGB 13 13 169

HSL 240, 0.86%, 0.36%

LAB 20.97, 54.82, -76.78

 

CMYK 9 / 92 / 0 / 34

HEX #990DA9

RGB 153 13 169

HSL 293.85, 0.86%, 0.36%

LAB 37.71, 68.08, -48.67

 

CMYK 9 / 92 / 0 / 34

HEX #990DA9

RGB 153 13 169

HSL 293.85, 0.86%, 0.36%

LAB 37.71, 68.08, -48.67

 

CMYK 8 / 82 / 0 / 40

HEX #8D1C9A

RGB 141 28 154

HSL 293.81, 0.69%, 0.36%

LAB 35.65, 60.37, -43.04

 

CMYK 7 / 69 / 0 / 45

HEX #822B8C

RGB 130 43 140

HSL 293.81, 0.53%, 0.36%

LAB 34.74, 50.33, -36.04

 

CMYK 6 / 54 / 0 / 51

HEX #763A7D

RGB 118 58 125

HSL 293.73, 0.37%, 0.36%

LAB 34.72, 36.91, -26.9

 

CMYK 4 / 34 / 0 / 57

HEX #6A496E

RGB 106 73 110

HSL 293.51, 0.2%, 0.36%

LAB 35.9, 21, -15.83

 

CMYK 60 / 92 / 0 / 34

HEX #440DA9

RGB 68 13 169

HSL 261.15, 0.86%, 0.36%

LAB 24.89, 57.3, -70.14

 

CMYK 35 / 92 / 0 / 34

HEX #6E0DA9

RGB 110 13 169

HSL 277.31, 0.86%, 0.36%

LAB 30.56, 61.69, -60.61

 

CMYK 11 / 92 / 0 / 34

HEX #970DA9

RGB 151 13 169

HSL 293.08, 0.86%, 0.36%

LAB 37.36, 67.75, -49.26

 

CMYK 0 / 92 / 14 / 34

HEX #A90D92

RGB 169 13 146

HSL 308.85, 0.86%, 0.36%

LAB 39.24, 67.47, -32.15

 

CMYK 0 / 92 / 38 / 34

HEX #A90D68

RGB 169 13 104

HSL 325, 0.86%, 0.36%

LAB 37.34, 62.47, -8.91

 

CMYK 10 / 92 / 0 / 64

HEX #54075D

RGB 84 7 93

HSL 293.72, 0.86%, 0.2%

LAB 19.34, 43.48, -31.08

 

CMYK 9 / 92 / 0 / 49

HEX #770A83

RGB 119 10 131

HSL 294.05, 0.86%, 0.28%

LAB 28.84, 56.23, -39.98

 

CMYK 9 / 92 / 0 / 34

HEX #990DA9

RGB 153 13 169

HSL 293.85, 0.86%, 0.36%

LAB 37.71, 68.08, -48.67

 

CMYK 9 / 92 / 0 / 19

HEX #BC10CF

RGB 188 16 207

HSL 294.03, 0.86%, 0.44%

LAB 46.4, 79.54, -56.69

 

CMYK 9 / 88 / 0 / 7

HEX #D71DEC

RGB 215 29 236

HSL 293.91, 0.84%, 0.52%

LAB 53.36, 86.64, -61.76

 

CMYK 10 / 92 / 0 / 34

HEX #980EA8

RGB 152 14 168

HSL 293.77, 0.85%, 0.36%

LAB 37.51, 67.6, -48.4

 

CMYK 0 / 85 / 92 / 34

HEX #A91A0D

RGB 169 26 13

HSL 5, 0.86%, 0.36%

LAB 36.37, 54.89, 44.92

 

CMYK 92 / 0 / 47 / 34

HEX #0DA959

RGB 13 169 89

HSL 149.23, 0.86%, 0.36%

LAB 60.94, -54.67, 31.16

 

CMYK 10 / 92 / 0 / 34

HEX #980EA8

RGB 152 14 168

HSL 293.77, 0.85%, 0.36%

LAB 37.51, 67.6, -48.4

 

CMYK 0 / 11 / 92 / 34

HEX #A9970D

RGB 169 151 13

HSL 53.08, 0.86%, 0.36%

LAB 62.17, -6.22, 63.94

 

CMYK 92 / 0 / 11 / 34

HEX #0DA997

RGB 13 169 151

HSL 173.08, 0.86%, 0.36%

LAB 62.25, -40.19, -0.97

 

CMYK 10 / 92 / 0 / 34

HEX #980EA8

RGB 152 14 168

HSL 293.77, 0.85%, 0.36%

LAB 37.51, 67.6, -48.4

 

CMYK 0 / 85 / 92 / 34

HEX #A91A0D

RGB 169 26 13

HSL 5, 0.86%, 0.36%

LAB 36.37, 54.89, 44.92

 

CMYK 82 / 0 / 92 / 34

HEX #1FA90D

RGB 31 169 13

HSL 113.08, 0.86%, 0.36%

LAB 60.51, -60.65, 59.64

 

CMYK 92 / 8 / 0 / 34

HEX #0D9CA9

RGB 13 156 169

HSL 185, 0.86%, 0.36%

LAB 58.72, -28.62, -16.39

 

CMYK 10 / 92 / 0 / 34

HEX #980EA8

RGB 152 14 168

HSL 293.77, 0.85%, 0.36%

LAB 37.51, 67.6, -48.4

 

CMYK 0 / 57 / 92 / 34

HEX #A9490D

RGB 169 73 13

HSL 23.08, 0.86%, 0.36%

LAB 43.11, 36.64, 49.65

 

CMYK 82 / 0 / 92 / 34

HEX #1FA90D

RGB 31 169 13

HSL 113.08, 0.86%, 0.36%

LAB 60.51, -60.65, 59.64

 

CMYK 92 / 35 / 0 / 34

HEX #0D6EA9

RGB 13 110 169

HSL 202.69, 0.86%, 0.36%

LAB 44.38, -3.28, -38.63

 

Description

Color code: HEX #980EA8 | qconv.com Color code: HEX #980EA8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 14 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 14 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 92 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 92% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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