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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982968 it is the complementary color #67D697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982968 shade: #9D2963, #AE3B76, #BF4D89, #D05F9C and #E171AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982968 shade: #982968, #871755, #760542, #65002F and #54001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982968 shade: #992868, #99284A, #99282B and #992828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982968 shade: #992868, #992886, #8D2899, #6E2899 and #502899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982968 shade matches the following richer shades: #992868, #A8196A and #B8096C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982968 shade: #992868, #893866, #794864, #6A5762 and #5A6760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982968 shade: #8B2899, #992888, #99286A, #99284C and #99282E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982968 shade: #57173B, #782052, #992868, #B9317E and #CD4693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982968 shade: #982968, #996E28 and #289799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982968 shade: #982968, #6A9928 and #286A99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982968 shade: #982968, #996E28, #289957 and #285399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982968 shade: #982968, #998F28, #289957 and #283299

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 32 / 40

HEX #982968

RGB 152 41 104

HSL 325.95, 0.58%, 0.38%

LAB 36.48, 51.24, -10.53

 

Complementary color

CMYK 52 / 0 / 29 / 16

HEX #67D697

RGB 103 214 151

HSL 145.95, 0.58%, 0.62%

LAB 78, -46.02, 21.64

 

CMYK 0 / 74 / 37 / 38

HEX #9D2963

RGB 157 41 99

HSL 330, 0.59%, 0.39%

LAB 37.22, 52.06, -6.16

 

CMYK 0 / 66 / 32 / 32

HEX #AE3B76

RGB 174 59 118

HSL 329.22, 0.49%, 0.46%

LAB 43.41, 52.25, -8.46

 

CMYK 0 / 60 / 28 / 25

HEX #BF4D89

RGB 191 77 137

HSL 328.42, 0.47%, 0.53%

LAB 49.73, 51.97, -10.23

 

CMYK 0 / 54 / 25 / 18

HEX #D05F9C

RGB 208 95 156

HSL 327.61, 0.55%, 0.59%

LAB 56.08, 51.42, -11.65

 

CMYK 0 / 50 / 22 / 12

HEX #E171AF

RGB 225 113 175

HSL 326.79, 0.65%, 0.66%

LAB 62.43, 50.74, -12.82

 

CMYK 0 / 73 / 32 / 40

HEX #982968

RGB 152 41 104

HSL 325.95, 0.58%, 0.38%

LAB 36.48, 51.24, -10.53

 

CMYK 0 / 83 / 37 / 47

HEX #871755

RGB 135 23 85

HSL 326.79, 0.71%, 0.31%

LAB 30.45, 50.19, -7.69

 

CMYK 0 / 96 / 44 / 54

HEX #760542

RGB 118 5 66

HSL 327.61, 0.92%, 0.24%

LAB 24.81, 47.78, -3.78

 

CMYK 0 / 100 / 53 / 60

HEX #65002F

RGB 101 0 47

HSL 332.08, 1%, 0.2%

LAB 19.93, 42.87, 1.86

 

CMYK 0 / 100 / 67 / 67

HEX #54001C

RGB 84 0 28

HSL 340, 1%, 0.16%

LAB 15.32, 36.94, 8.59

 

CMYK 0 / 74 / 32 / 40

HEX #992868

RGB 153 40 104

HSL 326.02, 0.59%, 0.38%

LAB 36.54, 51.88, -10.43

 

CMYK 0 / 74 / 52 / 40

HEX #99284A

RGB 153 40 74

HSL 341.95, 0.59%, 0.38%

LAB 35.57, 48.72, 7.37

 

CMYK 0 / 74 / 72 / 40

HEX #99282B

RGB 153 40 43

HSL 358.41, 0.59%, 0.38%

LAB 34.93, 46.59, 26.33

 

CMYK 0 / 74 / 74 / 40

HEX #992828

RGB 153 40 40

HSL 0, 0.59%, 0.38%

LAB 34.89, 46.45, 28.12

 

CMYK 0 / 74 / 32 / 40

HEX #992868

RGB 153 40 104

HSL 326.02, 0.59%, 0.38%

LAB 36.54, 51.88, -10.43

 

CMYK 0 / 74 / 12 / 40

HEX #992886

RGB 153 40 134

HSL 310.09, 0.59%, 0.38%

LAB 37.86, 56.02, -27.15

 

CMYK 8 / 74 / 0 / 40

HEX #8D2899

RGB 141 40 153

HSL 293.63, 0.59%, 0.38%

LAB 36.89, 56.42, -40.44

 

CMYK 28 / 74 / 0 / 40

HEX #6E2899

RGB 110 40 153

HSL 277.17, 0.59%, 0.38%

LAB 32.11, 49.86, -48.39

 

CMYK 48 / 74 / 0 / 40

HEX #502899

RGB 80 40 153

HSL 261.24, 0.59%, 0.38%

LAB 28.18, 44.18, -54.96

 

CMYK 0 / 74 / 32 / 40

HEX #992868

RGB 153 40 104

HSL 326.02, 0.59%, 0.38%

LAB 36.54, 51.88, -10.43

 

CMYK 0 / 85 / 37 / 34

HEX #A8196A

RGB 168 25 106

HSL 326.01, 0.74%, 0.38%

LAB 37.95, 60.31, -9.28

 

CMYK 0 / 95 / 41 / 28

HEX #B8096C

RGB 184 9 108

HSL 326.06, 0.91%, 0.38%

LAB 40.36, 66.71, -6.61

 

CMYK 0 / 74 / 32 / 40

HEX #992868

RGB 153 40 104

HSL 326.02, 0.59%, 0.38%

LAB 36.54, 51.88, -10.43

 

CMYK 0 / 59 / 26 / 46

HEX #893866

RGB 137 56 102

HSL 325.93, 0.42%, 0.38%

LAB 36.19, 39.92, -9.96

 

CMYK 0 / 40 / 17 / 53

HEX #794864

RGB 121 72 100

HSL 325.71, 0.25%, 0.38%

LAB 37.15, 25.19, -7.48

 

CMYK 0 / 18 / 8 / 58

HEX #6A5762

RGB 106 87 98

HSL 325.26, 0.1%, 0.38%

LAB 39.18, 9.87, -3.41

 

CMYK 13 / 0 / 7 / 60

HEX #5A6760

RGB 90 103 96

HSL 147.69, 0.07%, 0.38%

LAB 42.34, -6.48, 2.27

 

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

CMYK 0 / 74 / 11 / 40

HEX #992888

RGB 153 40 136

HSL 309.03, 0.59%, 0.38%

LAB 37.96, 56.33, -28.22

 

CMYK 0 / 74 / 31 / 40

HEX #99286A

RGB 153 40 106

HSL 324.96, 0.59%, 0.38%

LAB 36.61, 52.13, -11.58

 

CMYK 0 / 74 / 50 / 40

HEX #99284C

RGB 153 40 76

HSL 340.88, 0.59%, 0.38%

LAB 35.62, 48.9, 6.16

 

CMYK 0 / 74 / 70 / 40

HEX #99282E

RGB 153 40 46

HSL 356.81, 0.59%, 0.38%

LAB 34.98, 46.75, 24.52

 

CMYK 0 / 74 / 32 / 66

HEX #57173B

RGB 87 23 59

HSL 326.25, 0.58%, 0.22%

LAB 19.86, 33.1, -7.02

 

CMYK 0 / 73 / 32 / 53

HEX #782052

RGB 120 32 82

HSL 325.91, 0.58%, 0.3%

LAB 28.47, 42.65, -8.98

 

CMYK 0 / 74 / 32 / 40

HEX #992868

RGB 153 40 104

HSL 326.02, 0.59%, 0.38%

LAB 36.54, 51.88, -10.43

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 66 / 28 / 20

HEX #CD4693

RGB 205 70 147

HSL 325.78, 0.57%, 0.54%

LAB 51.23, 60.34, -13.71

 

CMYK 0 / 73 / 32 / 40

HEX #982968

RGB 152 41 104

HSL 325.95, 0.58%, 0.38%

LAB 36.48, 51.24, -10.53

 

CMYK 0 / 28 / 74 / 40

HEX #996E28

RGB 153 110 40

HSL 37.17, 0.59%, 0.38%

LAB 49.59, 10.13, 43.99

 

CMYK 74 / 1 / 0 / 40

HEX #289799

RGB 40 151 153

HSL 181.06, 0.59%, 0.38%

LAB 56.96, -29.01, -9.9

 

CMYK 0 / 73 / 32 / 40

HEX #982968

RGB 152 41 104

HSL 325.95, 0.58%, 0.38%

LAB 36.48, 51.24, -10.53

 

CMYK 31 / 0 / 74 / 40

HEX #6A9928

RGB 106 153 40

HSL 84.96, 0.59%, 0.38%

LAB 58.04, -33.5, 51.15

 

CMYK 74 / 31 / 0 / 40

HEX #286A99

RGB 40 106 153

HSL 204.96, 0.59%, 0.38%

LAB 42.85, -4.39, -31.55

 

CMYK 0 / 73 / 32 / 40

HEX #982968

RGB 152 41 104

HSL 325.95, 0.58%, 0.38%

LAB 36.48, 51.24, -10.53

 

CMYK 0 / 28 / 74 / 40

HEX #996E28

RGB 153 110 40

HSL 37.17, 0.59%, 0.38%

LAB 49.59, 10.13, 43.99

 

CMYK 74 / 0 / 43 / 40

HEX #289957

RGB 40 153 87

HSL 144.96, 0.59%, 0.38%

LAB 56.01, -46.41, 25.93

 

CMYK 74 / 46 / 0 / 40

HEX #285399

RGB 40 83 153

HSL 217.17, 0.59%, 0.38%

LAB 35.86, 10.25, -42.65

 

CMYK 0 / 73 / 32 / 40

HEX #982968

RGB 152 41 104

HSL 325.95, 0.58%, 0.38%

LAB 36.48, 51.24, -10.53

 

CMYK 0 / 7 / 74 / 40

HEX #998F28

RGB 153 143 40

HSL 54.69, 0.59%, 0.38%

LAB 58.57, -8.33, 52.87

 

CMYK 74 / 0 / 43 / 40

HEX #289957

RGB 40 153 87

HSL 144.96, 0.59%, 0.38%

LAB 56.01, -46.41, 25.93

 

CMYK 74 / 67 / 0 / 40

HEX #283299

RGB 40 50 153

HSL 234.69, 0.59%, 0.38%

LAB 26.83, 32.36, -57.31

 

Description

Color code: HEX #982968 | qconv.com Color code: HEX #982968 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 41 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 41 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 32 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 32% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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