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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #984765 it is the complementary color #67B89A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #984765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #984765 shade: #9D4760, #AE5973, #BF6B86, #D07D99 and #E18FAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #984765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #984765 shade: #984765, #873552, #76233F, #65112C and #540019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #984765 shade: #984765, #98474F and #984747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #984765 shade: #984765, #98477B, #984791, #8A4798 and #744798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #984765 shade matches the following richer shades: #984765, #AA3561, #BC235C and #CF1157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #984765 shade: #984765, #86596A, #746C6F, #627E73 and #4F9078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #984765 shade: #984791, #98477C, #984766, #984751 and #985347

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #984765 shade: #602D40, #7C3A53, #984765, #B05879 and #BE748F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #984765 shade: #984765, #988947 and #478798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #984765 shade: #984765, #669847 and #476698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #984765 shade: #984765, #988947, #479879 and #475698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #984765 shade: #984765, #8F9847, #479879 and #514798

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

Complementary color

CMYK 44 / 0 / 16 / 28

HEX #67B89A

RGB 103 184 154

HSL 157.78, 0.36%, 0.56%

LAB 69.11, -31.93, 7.57

 

CMYK 0 / 55 / 39 / 38

HEX #9D4760

RGB 157 71 96

HSL 342.56, 0.38%, 0.45%

LAB 42.03, 38.43, 2.8

 

CMYK 0 / 49 / 34 / 32

HEX #AE5973

RGB 174 89 115

HSL 341.65, 0.34%, 0.52%

LAB 48.74, 37.53, 1.24

 

CMYK 0 / 44 / 30 / 25

HEX #BF6B86

RGB 191 107 134

HSL 340.71, 0.4%, 0.58%

LAB 55.39, 36.62, -0.05

 

CMYK 0 / 40 / 26 / 18

HEX #D07D99

RGB 208 125 153

HSL 339.76, 0.47%, 0.65%

LAB 61.98, 35.74, -1.16

 

CMYK 0 / 36 / 24 / 12

HEX #E18FAC

RGB 225 143 172

HSL 338.78, 0.58%, 0.72%

LAB 68.48, 34.9, -2.14

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 61 / 39 / 47

HEX #873552

RGB 135 53 82

HSL 338.78, 0.44%, 0.37%

LAB 34.61, 38.05, 0.43

 

CMYK 0 / 70 / 47 / 54

HEX #76233F

RGB 118 35 63

HSL 339.76, 0.54%, 0.3%

LAB 27.88, 38.5, 2.75

 

CMYK 0 / 83 / 56 / 60

HEX #65112C

RGB 101 17 44

HSL 340.71, 0.71%, 0.23%

LAB 21.39, 38.15, 6.06

 

CMYK 0 / 100 / 70 / 67

HEX #540019

RGB 84 0 25

HSL 342.14, 1%, 0.16%

LAB 15.25, 36.75, 10.71

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 53 / 48 / 40

HEX #98474F

RGB 152 71 79

HSL 354.07, 0.36%, 0.44%

LAB 40.81, 34.69, 11.51

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 53 / 19 / 40

HEX #98477B

RGB 152 71 123

HSL 321.48, 0.36%, 0.44%

LAB 42.17, 40.46, -13.74

 

CMYK 0 / 53 / 5 / 40

HEX #984791

RGB 152 71 145

HSL 305.19, 0.36%, 0.44%

LAB 43.1, 44.19, -25.69

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 24 / 53 / 0 / 40

HEX #744798

RGB 116 71 152

HSL 273.33, 0.36%, 0.44%

LAB 38.7, 35.16, -37.16

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 69 / 43 / 33

HEX #AA3561

RGB 170 53 97

HSL 337.44, 0.52%, 0.44%

LAB 41.15, 51.12, 1.16

 

CMYK 0 / 81 / 51 / 26

HEX #BC235C

RGB 188 35 92

HSL 337.65, 0.69%, 0.44%

LAB 42.26, 61.7, 6.33

 

CMYK 0 / 92 / 58 / 19

HEX #CF1157

RGB 207 17 87

HSL 337.89, 0.85%, 0.44%

LAB 44.74, 69.51, 13.5

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 34 / 21 / 47

HEX #86596A

RGB 134 89 106

HSL 337.33, 0.2%, 0.44%

LAB 43.14, 21.18, -2.12

 

CMYK 0 / 7 / 4 / 55

HEX #746C6F

RGB 116 108 111

HSL 337.5, 0.04%, 0.44%

LAB 46.43, 3.71, -0.55

 

CMYK 22 / 0 / 9 / 51

HEX #627E73

RGB 98 126 115

HSL 156.43, 0.13%, 0.44%

LAB 50.4, -12.5, 2.69

 

CMYK 45 / 0 / 17 / 44

HEX #4F9078

RGB 79 144 120

HSL 157.85, 0.29%, 0.44%

LAB 55.04, -26.77, 6.32

 

CMYK 0 / 53 / 5 / 40

HEX #984791

RGB 152 71 145

HSL 305.19, 0.36%, 0.44%

LAB 43.1, 44.19, -25.69

 

CMYK 0 / 53 / 18 / 40

HEX #98477C

RGB 152 71 124

HSL 320.74, 0.36%, 0.44%

LAB 42.21, 40.62, -14.29

 

CMYK 0 / 53 / 33 / 40

HEX #984766

RGB 152 71 102

HSL 337.04, 0.36%, 0.44%

LAB 41.44, 37.41, -1.88

 

CMYK 0 / 53 / 47 / 40

HEX #984751

RGB 152 71 81

HSL 352.59, 0.36%, 0.44%

LAB 40.86, 34.9, 10.34

 

CMYK 0 / 45 / 53 / 40

HEX #985347

RGB 152 83 71

HSL 8.89, 0.36%, 0.44%

LAB 43.24, 27.37, 19.69

 

CMYK 0 / 53 / 33 / 62

HEX #602D40

RGB 96 45 64

HSL 337.65, 0.36%, 0.28%

LAB 25.96, 25.55, -1.19

 

CMYK 0 / 53 / 33 / 51

HEX #7C3A53

RGB 124 58 83

HSL 337.27, 0.36%, 0.36%

LAB 33.85, 31.62, -1.55

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 50 / 31 / 31

HEX #B05879

RGB 176 88 121

HSL 337.5, 0.36%, 0.52%

LAB 49, 39.55, -1.96

 

CMYK 0 / 39 / 25 / 25

HEX #BE748F

RGB 190 116 143

HSL 338.11, 0.36%, 0.6%

LAB 57.48, 32.68, -2.25

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 10 / 53 / 40

HEX #988947

RGB 152 137 71

HSL 48.89, 0.36%, 0.44%

LAB 57.1, -3.35, 37.08

 

CMYK 53 / 11 / 0 / 40

HEX #478798

RGB 71 135 152

HSL 192.59, 0.36%, 0.44%

LAB 52.88, -15.56, -15.39

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 33 / 0 / 53 / 40

HEX #669847

RGB 102 152 71

HSL 97.04, 0.36%, 0.44%

LAB 57.79, -31.74, 37.02

 

CMYK 53 / 33 / 0 / 40

HEX #476698

RGB 71 102 152

HSL 217.04, 0.36%, 0.44%

LAB 42.93, 3.73, -30.75

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 10 / 53 / 40

HEX #988947

RGB 152 137 71

HSL 48.89, 0.36%, 0.44%

LAB 57.1, -3.35, 37.08

 

CMYK 53 / 0 / 20 / 40

HEX #479879

RGB 71 152 121

HSL 157.04, 0.36%, 0.44%

LAB 57.25, -32.48, 8.86

 

CMYK 53 / 43 / 0 / 40

HEX #475698

RGB 71 86 152

HSL 228.89, 0.36%, 0.44%

LAB 38.31, 13.88, -38.04

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 6 / 0 / 53 / 40

HEX #8F9847

RGB 143 152 71

HSL 66.67, 0.36%, 0.44%

LAB 60.56, -15.33, 40.99

 

CMYK 53 / 0 / 20 / 40

HEX #479879

RGB 71 152 121

HSL 157.04, 0.36%, 0.44%

LAB 57.25, -32.48, 8.86

 

CMYK 47 / 53 / 0 / 40

HEX #514798

RGB 81 71 152

HSL 247.41, 0.36%, 0.44%

LAB 35.05, 25.92, -43.21

 

Description

Color code: HEX #984765 | qconv.com Color code: HEX #984765 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 71 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 71 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 34 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 34% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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