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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A4798 it is the complementary color #75B867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A4798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A4798 shade: #8F4793, #A059A6, #B16BB9, #C27DCC and #D38FDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A4798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A4798 shade: #8A4798, #793585, #682372, #57115F and #46004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A4798 shade: #8A4798, #984790, #98477A, #984765 and #98474F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A4798 shade: #8A4798, #744798, #5F4798, #494798 and #474798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A4798 shade matches the following richer shades: #8A4798, #9635AA, #A223BC and #AE11CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A4798 shade: #8A4798, #7E5986, #726C74, #667E62 and #5B904F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A4798 shade: #5E4798, #744798, #894798, #984791 and #98477C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A4798 shade: #572D60, #713A7C, #8A4798, #A158B0 and #B174BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A4798 shade: #8A4798, #984947 and #479869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A4798 shade: #8A4798, #988947 and #479889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A4798 shade: #8A4798, #984947, #569847 and #479798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A4798 shade: #8A4798, #986147, #569847 and #477F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

Complementary color

CMYK 36 / 0 / 44 / 28

HEX #75B867

RGB 117 184 103

HSL 109.63, 0.36%, 0.56%

LAB 68.78, -37.06, 34.51

 

CMYK 3 / 52 / 0 / 42

HEX #8F4793

RGB 143 71 147

HSL 296.84, 0.35%, 0.43%

LAB 41.93, 41.88, -28.83

 

CMYK 4 / 46 / 0 / 35

HEX #A059A6

RGB 160 89 166

HSL 295.32, 0.3%, 0.5%

LAB 48.72, 41.17, -29.36

 

CMYK 4 / 42 / 0 / 27

HEX #B16BB9

RGB 177 107 185

HSL 293.85, 0.36%, 0.57%

LAB 55.45, 40.4, -29.78

 

CMYK 5 / 39 / 0 / 20

HEX #C27DCC

RGB 194 125 204

HSL 292.41, 0.44%, 0.65%

LAB 62.08, 39.64, -30.15

 

CMYK 5 / 36 / 0 / 13

HEX #D38FDF

RGB 211 143 223

HSL 291, 0.56%, 0.72%

LAB 68.62, 38.89, -30.47

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 9 / 60 / 0 / 48

HEX #793585

RGB 121 53 133

HSL 291, 0.43%, 0.36%

LAB 34.61, 42.03, -32

 

CMYK 9 / 69 / 0 / 55

HEX #682372

RGB 104 35 114

HSL 292.41, 0.53%, 0.29%

LAB 27.74, 42.27, -31.14

 

CMYK 8 / 82 / 0 / 63

HEX #57115F

RGB 87 17 95

HSL 293.85, 0.7%, 0.22%

LAB 21.03, 41.62, -29.66

 

CMYK 8 / 100 / 0 / 70

HEX #46004C

RGB 70 0 76

HSL 295.26, 1%, 0.15%

LAB 14.53, 39.81, -27.43

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 0 / 53 / 5 / 40

HEX #984790

RGB 152 71 144

HSL 305.93, 0.36%, 0.44%

LAB 43.06, 44.01, -25.16

 

CMYK 0 / 53 / 20 / 40

HEX #98477A

RGB 152 71 122

HSL 322.22, 0.36%, 0.44%

LAB 42.13, 40.31, -13.18

 

CMYK 0 / 53 / 34 / 40

HEX #984765

RGB 152 71 101

HSL 337.78, 0.36%, 0.44%

LAB 41.41, 37.27, -1.3

 

CMYK 0 / 53 / 48 / 40

HEX #98474F

RGB 152 71 79

HSL 354.07, 0.36%, 0.44%

LAB 40.81, 34.69, 11.51

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 24 / 53 / 0 / 40

HEX #744798

RGB 116 71 152

HSL 273.33, 0.36%, 0.44%

LAB 38.7, 35.16, -37.16

 

CMYK 38 / 53 / 0 / 40

HEX #5F4798

RGB 95 71 152

HSL 257.78, 0.36%, 0.44%

LAB 36.38, 29.45, -41

 

CMYK 52 / 53 / 0 / 40

HEX #494798

RGB 73 71 152

HSL 241.48, 0.36%, 0.44%

LAB 34.38, 24.05, -44.33

 

CMYK 53 / 53 / 0 / 40

HEX #474798

RGB 71 71 152

HSL 240, 0.36%, 0.44%

LAB 34.22, 23.61, -44.59

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 12 / 69 / 0 / 33

HEX #9635AA

RGB 150 53 170

HSL 289.74, 0.52%, 0.44%

LAB 41.11, 56.62, -43.84

 

CMYK 14 / 81 / 0 / 26

HEX #A223BC

RGB 162 35 188

HSL 289.8, 0.69%, 0.44%

LAB 42.02, 68.45, -52.91

 

CMYK 16 / 92 / 0 / 19

HEX #AE11CF

RGB 174 17 207

HSL 289.58, 0.85%, 0.44%

LAB 44.1, 77.26, -60.53

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 6 / 34 / 0 / 47

HEX #7E5986

RGB 126 89 134

HSL 289.33, 0.2%, 0.44%

LAB 43.21, 23.58, -19.14

 

CMYK 2 / 7 / 0 / 55

HEX #726C74

RGB 114 108 116

HSL 285, 0.04%, 0.44%

LAB 46.4, 3.95, -3.62

 

CMYK 19 / 0 / 22 / 51

HEX #667E62

RGB 102 126 98

HSL 111.43, 0.13%, 0.44%

LAB 50.25, -14.49, 12.44

 

CMYK 37 / 0 / 45 / 44

HEX #5B904F

RGB 91 144 79

HSL 108.92, 0.29%, 0.44%

LAB 54.8, -30.83, 29.04

 

CMYK 38 / 53 / 0 / 40

HEX #5E4798

RGB 94 71 152

HSL 257.04, 0.36%, 0.44%

LAB 36.28, 29.18, -41.17

 

CMYK 24 / 53 / 0 / 40

HEX #744798

RGB 116 71 152

HSL 273.33, 0.36%, 0.44%

LAB 38.7, 35.16, -37.16

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 0 / 53 / 5 / 40

HEX #984791

RGB 152 71 145

HSL 305.19, 0.36%, 0.44%

LAB 43.1, 44.19, -25.69

 

CMYK 0 / 53 / 18 / 40

HEX #98477C

RGB 152 71 124

HSL 320.74, 0.36%, 0.44%

LAB 42.21, 40.62, -14.29

 

CMYK 9 / 53 / 0 / 62

HEX #572D60

RGB 87 45 96

HSL 289.41, 0.36%, 0.28%

LAB 26, 28.34, -22.43

 

CMYK 9 / 53 / 0 / 51

HEX #713A7C

RGB 113 58 124

HSL 290, 0.36%, 0.36%

LAB 33.97, 35.19, -27.5

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 9 / 50 / 0 / 31

HEX #A158B0

RGB 161 88 176

HSL 289.77, 0.36%, 0.52%

LAB 49.12, 43.99, -34.59

 

CMYK 7 / 39 / 0 / 25

HEX #B174BE

RGB 177 116 190

HSL 289.46, 0.36%, 0.6%

LAB 57.61, 36.49, -29.29

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 0 / 52 / 53 / 40

HEX #984947

RGB 152 73 71

HSL 1.48, 0.36%, 0.44%

LAB 41.05, 32.84, 16.78

 

CMYK 53 / 0 / 31 / 40

HEX #479869

RGB 71 152 105

HSL 145.19, 0.36%, 0.44%

LAB 56.9, -35.98, 17.38

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 0 / 10 / 53 / 40

HEX #988947

RGB 152 137 71

HSL 48.89, 0.36%, 0.44%

LAB 57.1, -3.35, 37.08

 

CMYK 53 / 0 / 10 / 40

HEX #479889

RGB 71 152 137

HSL 168.89, 0.36%, 0.44%

LAB 57.66, -28.55, 0.36

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 0 / 52 / 53 / 40

HEX #984947

RGB 152 73 71

HSL 1.48, 0.36%, 0.44%

LAB 41.05, 32.84, 16.78

 

CMYK 43 / 0 / 53 / 40

HEX #569847

RGB 86 152 71

HSL 108.89, 0.36%, 0.44%

LAB 56.97, -37.28, 35.84

 

CMYK 53 / 1 / 0 / 40

HEX #479798

RGB 71 151 152

HSL 180.74, 0.36%, 0.44%

LAB 57.79, -24.01, -8

 

CMYK 9 / 53 / 0 / 40

HEX #8A4798

RGB 138 71 152

HSL 289.63, 0.36%, 0.44%

LAB 41.5, 41.43, -32.56

 

CMYK 0 / 36 / 53 / 40

HEX #986147

RGB 152 97 71

HSL 19.26, 0.36%, 0.44%

LAB 46.55, 19.42, 24.01

 

CMYK 43 / 0 / 53 / 40

HEX #569847

RGB 86 152 71

HSL 108.89, 0.36%, 0.44%

LAB 56.97, -37.28, 35.84

 

CMYK 53 / 16 / 0 / 40

HEX #477F98

RGB 71 127 152

HSL 198.52, 0.36%, 0.44%

LAB 50.44, -11.12, -19.11

 

Description

Color code: HEX #8A4798 | qconv.com Color code: HEX #8A4798 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 71 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 71 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 53 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 53% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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