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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98BDD1 it is the complementary color #67422E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98BDD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98BDD1 shade: #9DBDCC, #AECFDF, #BFE1F2, #D0F3FF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98BDD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98BDD1 shade: #98BDD1, #87ABBE, #7699AB, #658798 and #547585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98BDD1 shade: #98BDD1, #98AED1, #989FD1, #A198D1 and #B198D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98BDD1 shade: #98BDD1, #98AED1, #989FD1 and #9898D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98BDD1 shade matches the following richer shades: #98BDD1, #8CC1DD, #81C4E9 and #75C8F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98BDD1 shade: #98BDD1, #A4B9C5, #B0B6B9, #BCB2AD and #C8AFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98BDD1 shade: #98D1C6, #98CCD1, #98BDD1, #98AED1 and #989FD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98BDD1 shade: #6098B7, #7CABC4, #98BDD1, #B5CFDD and #D1E2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98BDD1 shade: #98BDD1, #B798D1 and #D1CE98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98BDD1 shade: #98BDD1, #D198BD and #BDD198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98BDD1 shade: #98BDD1, #B798D1, #D1AC98 and #B2D198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98BDD1 shade: #98BDD1, #C898D1, #D1AC98 and #A1D198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

Complementary color

CMYK 0 / 36 / 55 / 60

HEX #67422E

RGB 103 66 46

HSL 21.05, 0.38%, 0.29%

LAB 31.76, 13.6, 18.7

 

CMYK 23 / 7 / 0 / 20

HEX #9DBDCC

RGB 157 189 204

HSL 199.15, 0.32%, 0.71%

LAB 74.78, -7.44, -11.12

 

CMYK 22 / 7 / 0 / 13

HEX #AECFDF

RGB 174 207 223

HSL 199.59, 0.43%, 0.78%

LAB 81.27, -7.48, -11.56

 

CMYK 21 / 7 / 0 / 5

HEX #BFE1F2

RGB 191 225 242

HSL 200, 0.66%, 0.85%

LAB 87.65, -7.52, -11.99

 

CMYK 18 / 5 / 0 / 0

HEX #D0F3FF

RGB 208 243 255

HSL 195.32, 1%, 0.91%

LAB 93.77, -8.82, -9.56

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 29 / 10 / 0 / 25

HEX #87ABBE

RGB 135 171 190

HSL 200.73, 0.3%, 0.64%

LAB 68.02, -7.73, -13.71

 

CMYK 31 / 11 / 0 / 33

HEX #7699AB

RGB 118 153 171

HSL 200.38, 0.24%, 0.57%

LAB 61.29, -7.67, -13.32

 

CMYK 34 / 11 / 0 / 40

HEX #658798

RGB 101 135 152

HSL 200, 0.2%, 0.5%

LAB 54.41, -7.59, -12.93

 

CMYK 37 / 12 / 0 / 48

HEX #547585

RGB 84 117 133

HSL 199.59, 0.23%, 0.43%

LAB 47.37, -7.5, -12.53

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 27 / 17 / 0 / 18

HEX #98AED1

RGB 152 174 209

HSL 216.84, 0.38%, 0.71%

LAB 70.56, 0.32, -20.24

 

CMYK 27 / 24 / 0 / 18

HEX #989FD1

RGB 152 159 209

HSL 232.63, 0.38%, 0.71%

LAB 66.58, 8.67, -26.32

 

CMYK 23 / 27 / 0 / 18

HEX #A198D1

RGB 161 152 209

HSL 249.47, 0.38%, 0.71%

LAB 65.47, 15.36, -27.97

 

CMYK 15 / 27 / 0 / 18

HEX #B198D1

RGB 177 152 209

HSL 266.32, 0.38%, 0.71%

LAB 66.83, 20.36, -25.76

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 27 / 17 / 0 / 18

HEX #98AED1

RGB 152 174 209

HSL 216.84, 0.38%, 0.71%

LAB 70.56, 0.32, -20.24

 

CMYK 27 / 24 / 0 / 18

HEX #989FD1

RGB 152 159 209

HSL 232.63, 0.38%, 0.71%

LAB 66.58, 8.67, -26.32

 

CMYK 27 / 27 / 0 / 18

HEX #9898D1

RGB 152 152 209

HSL 240, 0.38%, 0.71%

LAB 64.75, 12.64, -29.13

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 37 / 13 / 0 / 13

HEX #8CC1DD

RGB 140 193 221

HSL 200.74, 0.54%, 0.71%

LAB 75.41, -10.37, -19.49

 

CMYK 45 / 16 / 0 / 9

HEX #81C4E9

RGB 129 196 233

HSL 201.35, 0.7%, 0.71%

LAB 76.09, -11.61, -24.99

 

CMYK 52 / 18 / 0 / 4

HEX #75C8F5

RGB 117 200 245

HSL 201.09, 0.86%, 0.71%

LAB 77.09, -13.09, -29.95

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 17 / 6 / 0 / 23

HEX #A4B9C5

RGB 164 185 197

HSL 201.82, 0.22%, 0.71%

LAB 73.95, -4.65, -8.49

 

CMYK 5 / 2 / 0 / 27

HEX #B0B6B9

RGB 176 182 185

HSL 200, 0.06%, 0.71%

LAB 73.67, -1.51, -2.26

 

CMYK 0 / 5 / 8 / 26

HEX #BCB2AD

RGB 188 178 173

HSL 20, 0.1%, 0.71%

LAB 73.25, 2.67, 3.82

 

CMYK 0 / 13 / 20 / 22

HEX #C8AFA1

RGB 200 175 161

HSL 21.54, 0.26%, 0.71%

LAB 73.23, 6.77, 10.48

 

CMYK 27 / 0 / 5 / 18

HEX #98D1C6

RGB 152 209 198

HSL 168.42, 0.38%, 0.71%

LAB 79.81, -20.59, -0.47

 

CMYK 27 / 2 / 0 / 18

HEX #98CCD1

RGB 152 204 209

HSL 185.26, 0.38%, 0.71%

LAB 78.73, -15.62, -7.96

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 27 / 17 / 0 / 18

HEX #98AED1

RGB 152 174 209

HSL 216.84, 0.38%, 0.71%

LAB 70.56, 0.32, -20.24

 

CMYK 27 / 24 / 0 / 18

HEX #989FD1

RGB 152 159 209

HSL 232.63, 0.38%, 0.71%

LAB 66.58, 8.67, -26.32

 

CMYK 48 / 17 / 0 / 28

HEX #6098B7

RGB 96 152 183

HSL 201.38, 0.38%, 0.55%

LAB 60.21, -9.87, -21.84

 

CMYK 37 / 13 / 0 / 23

HEX #7CABC4

RGB 124 171 196

HSL 200.83, 0.38%, 0.63%

LAB 67.57, -9.38, -17.77

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 18 / 6 / 0 / 13

HEX #B5CFDD

RGB 181 207 221

HSL 201, 0.37%, 0.79%

LAB 81.66, -5.75, -9.85

 

CMYK 11 / 3 / 0 / 8

HEX #D1E2EA

RGB 209 226 234

HSL 199.2, 0.37%, 0.87%

LAB 88.87, -4.08, -5.84

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 12 / 27 / 0 / 18

HEX #B798D1

RGB 183 152 209

HSL 272.63, 0.38%, 0.71%

LAB 67.37, 22.27, -24.88

 

CMYK 0 / 1 / 27 / 18

HEX #D1CE98

RGB 209 206 152

HSL 56.84, 0.38%, 0.71%

LAB 81.82, -7.43, 27.31

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 0 / 27 / 10 / 18

HEX #D198BD

RGB 209 152 189

HSL 321.05, 0.38%, 0.71%

LAB 69.25, 27.13, -10.69

 

CMYK 10 / 0 / 27 / 18

HEX #BDD198

RGB 189 209 152

HSL 81.05, 0.38%, 0.71%

LAB 81.12, -16.46, 26.11

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 12 / 27 / 0 / 18

HEX #B798D1

RGB 183 152 209

HSL 272.63, 0.38%, 0.71%

LAB 67.37, 22.27, -24.88

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 15 / 0 / 27 / 18

HEX #B2D198

RGB 178 209 152

HSL 92.63, 0.38%, 0.71%

LAB 80.37, -20.47, 24.96

 

CMYK 27 / 10 / 0 / 18

HEX #98BDD1

RGB 152 189 209

HSL 201.05, 0.38%, 0.71%

LAB 74.62, -7.79, -14.11

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 23 / 0 / 27 / 18

HEX #A1D198

RGB 161 209 152

HSL 110.53, 0.38%, 0.71%

LAB 79.3, -26.43, 23.33

 

Description

Color code: HEX #98BDD1 | qconv.com Color code: HEX #98BDD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 189 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 189 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 10 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 10% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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