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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D4DD it is the complementary color #672B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D4DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D4DD shade: #9DD4D8, #AEE6EB, #BFF8FE, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D4DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D4DD shade: #98D4DD, #87C2CA, #76B0B7, #659EA4 and #548C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D4DD shade: #97D3DC, #97C1DC, #97AEDC, #979BDC and #A697DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D4DD shade: #97D3DC, #97C1DC, #97AEDC, #979BDC and #9797DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D4DD shade matches the following richer shades: #97D3DC, #8CDBE7, #81E4F2 and #76ECFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D4DD shade: #97D3DC, #A2CBD1, #AEC3C6, #B9BABB and #C4B2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D4DD shade: #97DCBF, #97DCD2, #97D4DC, #97C2DC and #97AFDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D4DD shade: #59B9C7, #78C6D2, #97D3DC, #B6E0E6 and #D5EDF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D4DD shade: #98D4DD, #AD97DC and #DCC997

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D4DD shade: #98D4DD, #DC97D4 and #D4DC97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D4DD shade: #98D4DD, #AD97DC, #DC9F97 and #C6DC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D4DD shade: #98D4DD, #C297DC, #DC9F97 and #B2DC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 4 / 0 / 13

HEX #98D4DD

RGB 152 212 221

HSL 187.83, 0.5%, 0.73%

LAB 81.28, -16.92, -10.6

 

Complementary color

CMYK 0 / 58 / 67 / 60

HEX #672B22

RGB 103 43 34

HSL 7.83, 0.5%, 0.27%

LAB 25.94, 26.23, 18.93

 

CMYK 27 / 2 / 0 / 15

HEX #9DD4D8

RGB 157 212 216

HSL 184.07, 0.43%, 0.73%

LAB 81.41, -16.66, -7.71

 

CMYK 26 / 2 / 0 / 8

HEX #AEE6EB

RGB 174 230 235

HSL 184.92, 0.6%, 0.8%

LAB 87.77, -16.6, -8.23

 

CMYK 25 / 2 / 0 / 0

HEX #BFF8FE

RGB 191 248 254

HSL 185.71, 0.97%, 0.87%

LAB 94.04, -16.54, -8.74

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 31 / 4 / 0 / 13

HEX #98D4DD

RGB 152 212 221

HSL 187.83, 0.5%, 0.73%

LAB 81.28, -16.92, -10.6

 

CMYK 33 / 4 / 0 / 21

HEX #87C2CA

RGB 135 194 202

HSL 187.16, 0.39%, 0.66%

LAB 74.82, -16.96, -10.1

 

CMYK 36 / 4 / 0 / 28

HEX #76B0B7

RGB 118 176 183

HSL 186.46, 0.31%, 0.59%

LAB 68.26, -17, -9.58

 

CMYK 38 / 4 / 0 / 36

HEX #659EA4

RGB 101 158 164

HSL 185.71, 0.26%, 0.52%

LAB 61.57, -17.03, -9.04

 

CMYK 42 / 3 / 0 / 43

HEX #548C91

RGB 84 140 145

HSL 184.92, 0.27%, 0.45%

LAB 54.75, -17.04, -8.47

 

CMYK 31 / 4 / 0 / 14

HEX #97D3DC

RGB 151 211 220

HSL 187.83, 0.5%, 0.73%

LAB 80.92, -16.93, -10.6

 

CMYK 31 / 12 / 0 / 14

HEX #97C1DC

RGB 151 193 220

HSL 203.48, 0.5%, 0.73%

LAB 76, -7.57, -17.99

 

CMYK 31 / 21 / 0 / 14

HEX #97AEDC

RGB 151 174 220

HSL 220, 0.5%, 0.73%

LAB 70.88, 2.73, -25.78

 

CMYK 31 / 30 / 0 / 14

HEX #979BDC

RGB 151 155 220

HSL 236.52, 0.5%, 0.73%

LAB 65.9, 13.4, -33.47

 

CMYK 25 / 31 / 0 / 14

HEX #A697DC

RGB 166 151 220

HSL 253.04, 0.5%, 0.73%

LAB 66.06, 20.06, -33.12

 

CMYK 31 / 4 / 0 / 14

HEX #97D3DC

RGB 151 211 220

HSL 187.83, 0.5%, 0.73%

LAB 80.92, -16.93, -10.6

 

CMYK 31 / 12 / 0 / 14

HEX #97C1DC

RGB 151 193 220

HSL 203.48, 0.5%, 0.73%

LAB 76, -7.57, -17.99

 

CMYK 31 / 21 / 0 / 14

HEX #97AEDC

RGB 151 174 220

HSL 220, 0.5%, 0.73%

LAB 70.88, 2.73, -25.78

 

CMYK 31 / 30 / 0 / 14

HEX #979BDC

RGB 151 155 220

HSL 236.52, 0.5%, 0.73%

LAB 65.9, 13.4, -33.47

 

CMYK 31 / 31 / 0 / 14

HEX #9797DC

RGB 151 151 220

HSL 240, 0.5%, 0.73%

LAB 64.87, 15.68, -35.07

 

CMYK 31 / 4 / 0 / 14

HEX #97D3DC

RGB 151 211 220

HSL 187.83, 0.5%, 0.73%

LAB 80.92, -16.93, -10.6

 

CMYK 39 / 5 / 0 / 9

HEX #8CDBE7

RGB 140 219 231

HSL 187.91, 0.65%, 0.73%

LAB 82.92, -21.21, -13.54

 

CMYK 47 / 6 / 0 / 5

HEX #81E4F2

RGB 129 228 242

HSL 187.43, 0.81%, 0.73%

LAB 85.28, -25.48, -15.86

 

CMYK 53 / 7 / 0 / 1

HEX #76ECFD

RGB 118 236 253

HSL 187.56, 0.97%, 0.73%

LAB 87.45, -28.77, -18.41

 

CMYK 31 / 4 / 0 / 14

HEX #97D3DC

RGB 151 211 220

HSL 187.83, 0.5%, 0.73%

LAB 80.92, -16.93, -10.6

 

CMYK 22 / 3 / 0 / 18

HEX #A2CBD1

RGB 162 203 209

HSL 187.66, 0.34%, 0.73%

LAB 79.04, -12.13, -7.44

 

CMYK 12 / 2 / 0 / 22

HEX #AEC3C6

RGB 174 195 198

HSL 187.5, 0.17%, 0.73%

LAB 77.34, -6.5, -3.93

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 0 / 9 / 10 / 23

HEX #C4B2B0

RGB 196 178 176

HSL 6, 0.14%, 0.73%

LAB 74, 6.09, 3.35

 

CMYK 31 / 0 / 13 / 14

HEX #97DCBF

RGB 151 220 191

HSL 154.78, 0.5%, 0.73%

LAB 82.66, -27.76, 7.38

 

CMYK 31 / 0 / 5 / 14

HEX #97DCD2

RGB 151 220 210

HSL 171.3, 0.5%, 0.73%

LAB 83.14, -23.71, -2.01

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 31 / 12 / 0 / 14

HEX #97C2DC

RGB 151 194 220

HSL 202.61, 0.5%, 0.73%

LAB 76.27, -8.1, -17.58

 

CMYK 31 / 20 / 0 / 14

HEX #97AFDC

RGB 151 175 220

HSL 219.13, 0.5%, 0.73%

LAB 71.15, 2.18, -25.37

 

CMYK 55 / 7 / 0 / 22

HEX #59B9C7

RGB 89 185 199

HSL 187.64, 0.5%, 0.56%

LAB 70.14, -24.25, -15.69

 

CMYK 43 / 6 / 0 / 18

HEX #78C6D2

RGB 120 198 210

HSL 188, 0.5%, 0.65%

LAB 75.47, -20.92, -13.54

 

CMYK 31 / 4 / 0 / 14

HEX #97D3DC

RGB 151 211 220

HSL 187.83, 0.5%, 0.73%

LAB 80.92, -16.93, -10.6

 

CMYK 21 / 3 / 0 / 10

HEX #B6E0E6

RGB 182 224 230

HSL 187.5, 0.49%, 0.81%

LAB 86.49, -12.3, -7.45

 

CMYK 12 / 2 / 0 / 5

HEX #D5EDF1

RGB 213 237 241

HSL 188.57, 0.5%, 0.89%

LAB 92.16, -7.06, -4.62

 

CMYK 31 / 4 / 0 / 13

HEX #98D4DD

RGB 152 212 221

HSL 187.83, 0.5%, 0.73%

LAB 81.28, -16.92, -10.6

 

CMYK 21 / 31 / 0 / 14

HEX #AD97DC

RGB 173 151 220

HSL 259.13, 0.5%, 0.73%

LAB 66.66, 22.16, -32.14

 

CMYK 0 / 9 / 31 / 14

HEX #DCC997

RGB 220 201 151

HSL 43.48, 0.5%, 0.73%

LAB 81.41, -0.75, 27.44

 

CMYK 31 / 4 / 0 / 13

HEX #98D4DD

RGB 152 212 221

HSL 187.83, 0.5%, 0.73%

LAB 81.28, -16.92, -10.6

 

CMYK 0 / 31 / 4 / 14

HEX #DC97D4

RGB 220 151 212

HSL 306.96, 0.5%, 0.73%

LAB 70.94, 35.41, -20.76

 

CMYK 4 / 0 / 31 / 14

HEX #D4DC97

RGB 212 220 151

HSL 66.96, 0.5%, 0.73%

LAB 85.71, -13.52, 33.07

 

CMYK 31 / 4 / 0 / 13

HEX #98D4DD

RGB 152 212 221

HSL 187.83, 0.5%, 0.73%

LAB 81.28, -16.92, -10.6

 

CMYK 21 / 31 / 0 / 14

HEX #AD97DC

RGB 173 151 220

HSL 259.13, 0.5%, 0.73%

LAB 66.66, 22.16, -32.14

 

CMYK 0 / 28 / 31 / 14

HEX #DC9F97

RGB 220 159 151

HSL 6.96, 0.5%, 0.73%

LAB 71.04, 21.61, 13.16

 

CMYK 10 / 0 / 31 / 14

HEX #C6DC97

RGB 198 220 151

HSL 79.13, 0.5%, 0.73%

LAB 84.7, -18.76, 31.55

 

CMYK 31 / 4 / 0 / 13

HEX #98D4DD

RGB 152 212 221

HSL 187.83, 0.5%, 0.73%

LAB 81.28, -16.92, -10.6

 

CMYK 12 / 31 / 0 / 14

HEX #C297DC

RGB 194 151 220

HSL 277.39, 0.5%, 0.73%

LAB 68.58, 28.64, -29.02

 

CMYK 0 / 28 / 31 / 14

HEX #DC9F97

RGB 220 159 151

HSL 6.96, 0.5%, 0.73%

LAB 71.04, 21.61, 13.16

 

CMYK 19 / 0 / 31 / 14

HEX #B2DC97

RGB 178 220 151

HSL 96.52, 0.5%, 0.73%

LAB 83.38, -25.99, 29.55

 

Description

Color code: HEX #98D4DD | qconv.com Color code: HEX #98D4DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 212 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 212 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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