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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98FB74 it is the complementary color #67048B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98FB74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98FB74 shade: #9DFB6F, #AEFF82, #BFFF95, #D0FFA8 and #E1FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98FB74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98FB74 shade: #98FB74, #87E961, #76D74E, #65C53B and #54B328

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98FB74 shade: #98FA74, #BCFA74, #E0FA74, #FAF074 and #FACC74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98FB74 shade: #98FA74, #74FA74, #74FA99, #74FABD and #74FAE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98FB74 shade matches the following richer shades: #98FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98FB74 shade: #98FA74, #9DEF80, #A3E38B, #A8D897 and #ADCCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98FB74 shade: #DFFA74, #BCFA74, #98FA74, #74FA74 and #74FA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98FB74 shade: #5CF824, #7AF94C, #98FA74, #B5FB9C and #D3FDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98FB74 shade: #98FB74, #74FAF1 and #FA74CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98FB74 shade: #98FB74, #7498FA and #FA7498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98FB74 shade: #98FB74, #74FAF1, #D674FA and #FA747D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98FB74 shade: #98FB74, #74DBFA, #D674FA and #FA9374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

Complementary color

CMYK 26 / 97 / 0 / 45

HEX #67048B

RGB 103 4 139

HSL 284, 0.94%, 0.28%

LAB 26.26, 56.21, -49.31

 

CMYK 37 / 0 / 56 / 2

HEX #9DFB6F

RGB 157 251 111

HSL 100.29, 0.95%, 0.71%

LAB 90.46, -51.88, 57.51

 

CMYK 32 / 0 / 49 / 0

HEX #AEFF82

RGB 174 255 130

HSL 98.88, 1%, 0.75%

LAB 92.63, -45.99, 51.67

 

CMYK 25 / 0 / 42 / 0

HEX #BFFF95

RGB 191 255 149

HSL 96.23, 1%, 0.79%

LAB 93.78, -38.01, 44.28

 

CMYK 18 / 0 / 34 / 0

HEX #D0FFA8

RGB 208 255 168

HSL 92.41, 1%, 0.83%

LAB 95.06, -29.67, 36.81

 

CMYK 12 / 0 / 27 / 0

HEX #E1FFBB

RGB 225 255 187

HSL 86.47, 1%, 0.87%

LAB 96.46, -21.09, 29.37

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 42 / 0 / 58 / 9

HEX #87E961

RGB 135 233 97

HSL 103.24, 0.76%, 0.65%

LAB 84.12, -52.87, 56.08

 

CMYK 45 / 0 / 64 / 16

HEX #76D74E

RGB 118 215 78

HSL 102.48, 0.63%, 0.57%

LAB 77.88, -52.7, 57

 

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

CMYK 53 / 0 / 78 / 30

HEX #54B328

RGB 84 179 40

HSL 101.01, 0.63%, 0.43%

LAB 65.18, -51.74, 57.76

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 25 / 0 / 54 / 2

HEX #BCFA74

RGB 188 250 116

HSL 87.76, 0.93%, 0.72%

LAB 91.83, -40.5, 57.28

 

CMYK 10 / 0 / 54 / 2

HEX #E0FA74

RGB 224 250 116

HSL 71.64, 0.93%, 0.72%

LAB 94.09, -27.16, 60.49

 

CMYK 0 / 4 / 54 / 2

HEX #FAF074

RGB 250 240 116

HSL 55.52, 0.93%, 0.72%

LAB 93.41, -12.16, 60.21

 

CMYK 0 / 18 / 54 / 2

HEX #FACC74

RGB 250 204 116

HSL 39.4, 0.93%, 0.72%

LAB 84.37, 6.02, 49.53

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 54 / 0 / 54 / 2

HEX #74FA74

RGB 116 250 116

HSL 120, 0.93%, 0.72%

LAB 88.61, -62.55, 52.68

 

CMYK 54 / 0 / 39 / 2

HEX #74FA99

RGB 116 250 153

HSL 136.57, 0.93%, 0.72%

LAB 89.1, -57.26, 35.61

 

CMYK 54 / 0 / 24 / 2

HEX #74FABD

RGB 116 250 189

HSL 152.69, 0.93%, 0.72%

LAB 89.75, -50.64, 18.26

 

CMYK 54 / 0 / 10 / 2

HEX #74FAE1

RGB 116 250 225

HSL 168.81, 0.93%, 0.72%

LAB 90.56, -42.71, 0.81

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 34 / 0 / 46 / 6

HEX #9DEF80

RGB 157 239 128

HSL 104.32, 0.78%, 0.72%

LAB 87.22, -44.91, 45.75

 

CMYK 28 / 0 / 39 / 11

HEX #A3E38B

RGB 163 227 139

HSL 103.64, 0.61%, 0.72%

LAB 84.27, -36.16, 36.66

 

CMYK 22 / 0 / 30 / 15

HEX #A8D897

RGB 168 216 151

HSL 104.31, 0.45%, 0.72%

LAB 81.66, -27.56, 27.13

 

CMYK 15 / 0 / 21 / 20

HEX #ADCCA2

RGB 173 204 162

HSL 104.29, 0.29%, 0.72%

LAB 78.86, -18.16, 17.56

 

CMYK 11 / 0 / 54 / 2

HEX #DFFA74

RGB 223 250 116

HSL 72.09, 0.93%, 0.72%

LAB 94.02, -27.54, 60.39

 

CMYK 25 / 0 / 54 / 2

HEX #BCFA74

RGB 188 250 116

HSL 87.76, 0.93%, 0.72%

LAB 91.83, -40.5, 57.28

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 54 / 0 / 54 / 2

HEX #74FA74

RGB 116 250 116

HSL 120, 0.93%, 0.72%

LAB 88.61, -62.55, 52.68

 

CMYK 54 / 0 / 39 / 2

HEX #74FA98

RGB 116 250 152

HSL 136.12, 0.93%, 0.72%

LAB 89.09, -57.42, 36.09

 

CMYK 63 / 0 / 85 / 3

HEX #5CF824

RGB 92 248 36

HSL 104.15, 0.94%, 0.56%

LAB 86.77, -73.66, 78.52

 

CMYK 51 / 0 / 69 / 2

HEX #7AF94C

RGB 122 249 76

HSL 104.05, 0.94%, 0.64%

LAB 88.17, -64.54, 68.75

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 28 / 0 / 38 / 2

HEX #B5FB9C

RGB 181 251 156

HSL 104.21, 0.92%, 0.8%

LAB 92.23, -38.65, 38.75

 

CMYK 17 / 0 / 23 / 1

HEX #D3FDC4

RGB 211 253 196

HSL 104.21, 0.93%, 0.88%

LAB 95.2, -23.6, 22.94

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 54 / 0 / 4 / 2

HEX #74FAF1

RGB 116 250 241

HSL 175.97, 0.93%, 0.72%

LAB 90.98, -38.81, -6.89

 

CMYK 0 / 54 / 18 / 2

HEX #FA74CD

RGB 250 116 205

HSL 320.15, 0.93%, 0.72%

LAB 67.44, 61.21, -21.86

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 54 / 39 / 0 / 2

HEX #7498FA

RGB 116 152 250

HSL 223.88, 0.93%, 0.72%

LAB 64.22, 14.94, -52.77

 

CMYK 0 / 54 / 39 / 2

HEX #FA7498

RGB 250 116 152

HSL 343.88, 0.93%, 0.72%

LAB 65.81, 54.55, 5.67

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 54 / 0 / 4 / 2

HEX #74FAF1

RGB 116 250 241

HSL 175.97, 0.93%, 0.72%

LAB 90.98, -38.81, -6.89

 

CMYK 14 / 54 / 0 / 2

HEX #D674FA

RGB 214 116 250

HSL 283.88, 0.93%, 0.72%

LAB 64.71, 59.01, -51.44

 

CMYK 0 / 54 / 50 / 2

HEX #FA747D

RGB 250 116 125

HSL 355.97, 0.93%, 0.72%

LAB 65.2, 51.94, 20.16

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 54 / 12 / 0 / 2

HEX #74DBFA

RGB 116 219 250

HSL 193.88, 0.93%, 0.72%

LAB 82.53, -21.63, -24.3

 

CMYK 14 / 54 / 0 / 2

HEX #D674FA

RGB 214 116 250

HSL 283.88, 0.93%, 0.72%

LAB 64.71, 59.01, -51.44

 

CMYK 0 / 41 / 54 / 2

HEX #FA9374

RGB 250 147 116

HSL 13.88, 0.93%, 0.72%

LAB 71.18, 35.79, 33.09

 

Description

Color code: HEX #98FB74 | qconv.com Color code: HEX #98FB74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 251 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 251 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 54 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 54% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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