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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9920FC it is the complementary color #66DF03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9920FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9920FC shade: #9E20F7, #AF32FF, #C044FF, #D156FF and #E268FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9920FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9920FC shade: #9920FC, #880EE9, #7700D6, #6600C3 and #5500B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9920FC shade: #9921FB, #D421FB, #FB21E8, #FB21AD and #FB2172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9920FC shade: #9921FB, #5E21FB, #2421FB and #2121FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9920FC shade matches the following richer shades: #9921FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9920FC shade: #9921FB, #9734E9, #9646D7, #9458C5 and #926AB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9920FC shade: #2521FB, #5F21FB, #9921FB, #D321FB and #FB21E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9920FC shade: #6F03C8, #8603F0, #9921FB, #AC4AFC and #BE73FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9920FC shade: #9920FC, #FB2158 and #21FB42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9920FC shade: #9920FC, #FB9921 and #21FB99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9920FC shade: #9920FC, #FB2158, #83FB21 and #21FBC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9920FC shade: #9920FC, #FB2C21, #83FB21 and #21F0FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 87 / 0 / 1

HEX #9920FC

RGB 153 32 252

HSL 273, 0.97%, 0.56%

LAB 45.41, 80.32, -84.1

 

Complementary color

CMYK 54 / 0 / 99 / 13

HEX #66DF03

RGB 102 223 3

HSL 93, 0.97%, 0.44%

LAB 79.39, -63.75, 76.9

 

CMYK 36 / 87 / 0 / 3

HEX #9E20F7

RGB 158 32 247

HSL 275.16, 0.93%, 0.55%

LAB 45.66, 79.9, -80.86

 

CMYK 31 / 80 / 0 / 0

HEX #AF32FF

RGB 175 50 255

HSL 276.59, 1%, 0.6%

LAB 50.23, 79.16, -77.75

 

CMYK 25 / 73 / 0 / 0

HEX #C044FF

RGB 192 68 255

HSL 279.79, 1%, 0.63%

LAB 54.62, 76.02, -70.53

 

CMYK 18 / 66 / 0 / 0

HEX #D156FF

RGB 209 86 255

HSL 283.67, 1%, 0.67%

LAB 59.37, 72.39, -62.75

 

CMYK 11 / 59 / 0 / 0

HEX #E268FF

RGB 226 104 255

HSL 288.48, 1%, 0.7%

LAB 64.39, 68.52, -54.6

 

CMYK 39 / 87 / 0 / 1

HEX #9920FC

RGB 153 32 252

HSL 273, 0.97%, 0.56%

LAB 45.41, 80.32, -84.1

 

CMYK 42 / 94 / 0 / 9

HEX #880EE9

RGB 136 14 233

HSL 273.42, 0.89%, 0.48%

LAB 40.3, 77.77, -81.87

 

CMYK 44 / 100 / 0 / 16

HEX #7700D6

RGB 119 0 214

HSL 273.36, 1%, 0.42%

LAB 35.55, 73.92, -78.89

 

CMYK 48 / 100 / 0 / 24

HEX #6600C3

RGB 102 0 195

HSL 271.38, 1%, 0.38%

LAB 31.27, 68.44, -74.97

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 39 / 87 / 0 / 2

HEX #9921FB

RGB 153 33 251

HSL 273.03, 0.96%, 0.56%

LAB 45.39, 79.89, -83.56

 

CMYK 16 / 87 / 0 / 2

HEX #D421FB

RGB 212 33 251

HSL 289.27, 0.96%, 0.56%

LAB 54.08, 87.94, -69.03

 

CMYK 0 / 87 / 8 / 2

HEX #FB21E8

RGB 251 33 232

HSL 305.23, 0.96%, 0.56%

LAB 59.36, 91.54, -49.58

 

CMYK 0 / 87 / 31 / 2

HEX #FB21AD

RGB 251 33 173

HSL 321.47, 0.96%, 0.56%

LAB 56.7, 84.46, -19.97

 

CMYK 0 / 87 / 55 / 2

HEX #FB2172

RGB 251 33 114

HSL 337.71, 0.96%, 0.56%

LAB 54.88, 79.41, 12.36

 

CMYK 39 / 87 / 0 / 2

HEX #9921FB

RGB 153 33 251

HSL 273.03, 0.96%, 0.56%

LAB 45.39, 79.89, -83.56

 

CMYK 63 / 87 / 0 / 2

HEX #5E21FB

RGB 94 33 251

HSL 256.79, 0.96%, 0.56%

LAB 38.61, 74.26, -94.99

 

CMYK 86 / 87 / 0 / 2

HEX #2421FB

RGB 36 33 251

HSL 240.83, 0.96%, 0.56%

LAB 34.86, 71.51, -101.33

 

CMYK 87 / 87 / 0 / 2

HEX #2121FB

RGB 33 33 251

HSL 240, 0.96%, 0.56%

LAB 34.75, 71.43, -101.5

 

CMYK 39 / 87 / 0 / 2

HEX #9921FB

RGB 153 33 251

HSL 273.03, 0.96%, 0.56%

LAB 45.39, 79.89, -83.56

 

CMYK 39 / 87 / 0 / 2

HEX #9921FB

RGB 153 33 251

HSL 273.03, 0.96%, 0.56%

LAB 45.39, 79.89, -83.56

 

CMYK 35 / 78 / 0 / 9

HEX #9734E9

RGB 151 52 233

HSL 272.82, 0.8%, 0.56%

LAB 45.52, 70.25, -73.23

 

CMYK 30 / 67 / 0 / 16

HEX #9646D7

RGB 150 70 215

HSL 273.1, 0.64%, 0.56%

LAB 46.67, 58.68, -61.13

 

CMYK 25 / 55 / 0 / 23

HEX #9458C5

RGB 148 88 197

HSL 273.03, 0.48%, 0.56%

LAB 48.64, 45.02, -47.64

 

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

CMYK 85 / 87 / 0 / 2

HEX #2521FB

RGB 37 33 251

HSL 241.1, 0.96%, 0.56%

LAB 34.9, 71.53, -101.27

 

CMYK 62 / 87 / 0 / 2

HEX #5F21FB

RGB 95 33 251

HSL 257.06, 0.96%, 0.56%

LAB 38.7, 74.33, -94.83

 

CMYK 39 / 87 / 0 / 2

HEX #9921FB

RGB 153 33 251

HSL 273.03, 0.96%, 0.56%

LAB 45.39, 79.89, -83.56

 

CMYK 16 / 87 / 0 / 2

HEX #D321FB

RGB 211 33 251

HSL 288.99, 0.96%, 0.56%

LAB 53.92, 87.79, -69.29

 

CMYK 0 / 87 / 7 / 2

HEX #FB21E9

RGB 251 33 233

HSL 304.95, 0.96%, 0.56%

LAB 59.42, 91.68, -50.06

 

CMYK 45 / 99 / 0 / 22

HEX #6F03C8

RGB 111 3 200

HSL 272.89, 0.97%, 0.4%

LAB 33.17, 69.86, -74.72

 

CMYK 44 / 99 / 0 / 6

HEX #8603F0

RGB 134 3 240

HSL 273.16, 0.98%, 0.48%

LAB 40.29, 80.25, -85.87

 

CMYK 39 / 87 / 0 / 2

HEX #9921FB

RGB 153 33 251

HSL 273.03, 0.96%, 0.56%

LAB 45.39, 79.89, -83.56

 

CMYK 32 / 71 / 0 / 1

HEX #AC4AFC

RGB 172 74 252

HSL 273.03, 0.97%, 0.64%

LAB 52.62, 69.43, -72.23

 

CMYK 25 / 54 / 0 / 1

HEX #BE73FC

RGB 190 115 252

HSL 272.85, 0.96%, 0.72%

LAB 61.86, 53.92, -57.25

 

CMYK 39 / 87 / 0 / 1

HEX #9920FC

RGB 153 32 252

HSL 273, 0.97%, 0.56%

LAB 45.41, 80.32, -84.1

 

CMYK 0 / 87 / 65 / 2

HEX #FB2158

RGB 251 33 88

HSL 344.86, 0.96%, 0.56%

LAB 54.35, 77.89, 27.25

 

CMYK 87 / 0 / 74 / 2

HEX #21FB42

RGB 33 251 66

HSL 129.08, 0.96%, 0.56%

LAB 86.85, -81.22, 70.26

 

CMYK 39 / 87 / 0 / 1

HEX #9920FC

RGB 153 32 252

HSL 273, 0.97%, 0.56%

LAB 45.41, 80.32, -84.1

 

CMYK 0 / 39 / 87 / 2

HEX #FB9921

RGB 251 153 33

HSL 33.03, 0.96%, 0.56%

LAB 71.83, 28.93, 70.91

 

CMYK 87 / 0 / 39 / 2

HEX #21FB99

RGB 33 251 153

HSL 153.03, 0.96%, 0.56%

LAB 87.78, -69.94, 33.57

 

CMYK 39 / 87 / 0 / 1

HEX #9920FC

RGB 153 32 252

HSL 273, 0.97%, 0.56%

LAB 45.41, 80.32, -84.1

 

CMYK 0 / 87 / 65 / 2

HEX #FB2158

RGB 251 33 88

HSL 344.86, 0.96%, 0.56%

LAB 54.35, 77.89, 27.25

 

CMYK 48 / 0 / 87 / 2

HEX #83FB21

RGB 131 251 33

HSL 93.03, 0.96%, 0.56%

LAB 88.89, -64.93, 81.4

 

CMYK 87 / 0 / 22 / 2

HEX #21FBC5

RGB 33 251 197

HSL 165.14, 0.96%, 0.56%

LAB 88.61, -60.64, 12.31

 

CMYK 39 / 87 / 0 / 1

HEX #9920FC

RGB 153 32 252

HSL 273, 0.97%, 0.56%

LAB 45.41, 80.32, -84.1

 

CMYK 0 / 82 / 87 / 2

HEX #FB2C21

RGB 251 44 33

HSL 3.03, 0.96%, 0.56%

LAB 54.47, 73.91, 57.26

 

CMYK 48 / 0 / 87 / 2

HEX #83FB21

RGB 131 251 33

HSL 93.03, 0.96%, 0.56%

LAB 88.89, -64.93, 81.4

 

CMYK 87 / 4 / 0 / 2

HEX #21F0FB

RGB 33 240 251

HSL 183.03, 0.96%, 0.56%

LAB 86.8, -41.66, -18.51

 

Description

Color code: HEX #9920FC | qconv.com Color code: HEX #9920FC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 32 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 32 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 87 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 87% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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