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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992A13 it is the complementary color #66D5EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992A13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992A13 shade: #9E2A0E, #AF3C21, #C04E34, #D16047 and #E2725A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992A13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992A13 shade: #992A13, #881800, #770600, #660000 and #550000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992A13 shade: #9A2A13 and #9A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992A13 shade: #9A2A13, #9A4E13, #9A7313, #9A9713 and #789A13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992A13 shade matches the following richer shades: #9A2A13 and #A82105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992A13 shade: #9A2A13, #8C3321, #7E3C2F, #70453D and #624F4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992A13 shade: #9A1344, #9A1320, #9A2913, #9A4D13 and #9A7113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992A13 shade: #501609, #75200E, #9A2A13, #BF3417 and #E33E1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992A13 shade: #992A13, #689A13 and #13329A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992A13 shade: #992A13, #139A29 and #29139A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992A13 shade: #992A13, #689A13, #13839A and #44139A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992A13 shade: #992A13, #409A13, #13839A and #6D139A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 88 / 40

HEX #992A13

RGB 153 42 19

HSL 10.3, 0.78%, 0.34%

LAB 34.95, 44.95, 39.8

 

Complementary color

CMYK 57 / 10 / 0 / 7

HEX #66D5EC

RGB 102 213 236

HSL 190.3, 0.78%, 0.66%

LAB 79.88, -25.28, -20.93

 

CMYK 0 / 73 / 91 / 38

HEX #9E2A0E

RGB 158 42 14

HSL 11.67, 0.84%, 0.34%

LAB 35.9, 46.54, 43.16

 

CMYK 0 / 66 / 81 / 31

HEX #AF3C21

RGB 175 60 33

HSL 11.41, 0.68%, 0.41%

LAB 41.93, 45.54, 40.77

 

CMYK 0 / 59 / 73 / 25

HEX #C04E34

RGB 192 78 52

HSL 11.14, 0.57%, 0.48%

LAB 48.14, 44.25, 38.07

 

CMYK 0 / 54 / 66 / 18

HEX #D16047

RGB 209 96 71

HSL 10.87, 0.6%, 0.55%

LAB 54.42, 42.88, 35.56

 

CMYK 0 / 50 / 60 / 11

HEX #E2725A

RGB 226 114 90

HSL 10.59, 0.7%, 0.62%

LAB 60.73, 41.53, 33.33

 

CMYK 0 / 73 / 88 / 40

HEX #992A13

RGB 153 42 19

HSL 10.3, 0.78%, 0.34%

LAB 34.95, 44.95, 39.8

 

CMYK 0 / 82 / 100 / 47

HEX #881800

RGB 136 24 0

HSL 10.59, 1%, 0.27%

LAB 29.13, 45.25, 41.86

 

CMYK 0 / 95 / 100 / 53

HEX #770600

RGB 119 6 0

HSL 3.03, 1%, 0.23%

LAB 23.84, 44.36, 35.71

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 73 / 88 / 40

HEX #9A2A13

RGB 154 42 19

HSL 10.22, 0.78%, 0.34%

LAB 35.15, 45.29, 40.05

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 73 / 88 / 40

HEX #9A2A13

RGB 154 42 19

HSL 10.22, 0.78%, 0.34%

LAB 35.15, 45.29, 40.05

 

CMYK 0 / 49 / 88 / 40

HEX #9A4E13

RGB 154 78 19

HSL 26.22, 0.78%, 0.34%

LAB 41.79, 27.94, 45.58

 

CMYK 0 / 25 / 88 / 40

HEX #9A7313

RGB 154 115 19

HSL 42.67, 0.78%, 0.34%

LAB 50.9, 6.93, 53.07

 

CMYK 0 / 2 / 88 / 40

HEX #9A9713

RGB 154 151 19

HSL 58.67, 0.78%, 0.34%

LAB 60.83, -12.89, 61.17

 

CMYK 22 / 0 / 88 / 40

HEX #789A13

RGB 120 154 19

HSL 75.11, 0.78%, 0.34%

LAB 59.11, -29.28, 58.69

 

CMYK 0 / 73 / 88 / 40

HEX #9A2A13

RGB 154 42 19

HSL 10.22, 0.78%, 0.34%

LAB 35.15, 45.29, 40.05

 

CMYK 0 / 80 / 97 / 34

HEX #A82105

RGB 168 33 5

HSL 10.31, 0.94%, 0.34%

LAB 36.79, 52.62, 48.02

 

CMYK 0 / 73 / 88 / 40

HEX #9A2A13

RGB 154 42 19

HSL 10.22, 0.78%, 0.34%

LAB 35.15, 45.29, 40.05

 

CMYK 0 / 64 / 76 / 45

HEX #8C3321

RGB 140 51 33

HSL 10.09, 0.62%, 0.34%

LAB 34.09, 36.81, 30.71

 

CMYK 0 / 52 / 63 / 51

HEX #7E3C2F

RGB 126 60 47

HSL 9.87, 0.46%, 0.34%

LAB 33.72, 27.38, 21.27

 

CMYK 0 / 38 / 46 / 56

HEX #70453D

RGB 112 69 61

HSL 9.41, 0.29%, 0.34%

LAB 34.06, 17.49, 12.57

 

CMYK 0 / 19 / 23 / 62

HEX #624F4B

RGB 98 79 75

HSL 10.43, 0.13%, 0.34%

LAB 35.39, 7.24, 5.35

 

CMYK 0 / 88 / 56 / 40

HEX #9A1344

RGB 154 19 68

HSL 338.22, 0.78%, 0.34%

LAB 33.46, 54.59, 8.36

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 73 / 88 / 40

HEX #9A2913

RGB 154 41 19

HSL 9.78, 0.78%, 0.34%

LAB 35.01, 45.67, 39.93

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 27 / 88 / 40

HEX #9A7113

RGB 154 113 19

HSL 41.78, 0.78%, 0.34%

LAB 50.37, 8.07, 52.63

 

CMYK 0 / 73 / 89 / 69

HEX #501609

RGB 80 22 9

HSL 10.99, 0.8%, 0.17%

LAB 16.98, 26.43, 21.99

 

CMYK 0 / 73 / 88 / 54

HEX #75200E

RGB 117 32 14

HSL 10.49, 0.79%, 0.26%

LAB 26.29, 36.2, 31.99

 

CMYK 0 / 73 / 88 / 40

HEX #9A2A13

RGB 154 42 19

HSL 10.22, 0.78%, 0.34%

LAB 35.15, 45.29, 40.05

 

CMYK 0 / 73 / 88 / 25

HEX #BF3417

RGB 191 52 23

HSL 10.36, 0.79%, 0.42%

LAB 43.65, 53.89, 48.12

 

CMYK 0 / 73 / 88 / 11

HEX #E33E1C

RGB 227 62 28

HSL 10.25, 0.78%, 0.5%

LAB 51.68, 61.86, 55.22

 

CMYK 0 / 73 / 88 / 40

HEX #992A13

RGB 153 42 19

HSL 10.3, 0.78%, 0.34%

LAB 34.95, 44.95, 39.8

 

CMYK 32 / 0 / 88 / 40

HEX #689A13

RGB 104 154 19

HSL 82.22, 0.78%, 0.34%

LAB 58.13, -35.73, 57.47

 

CMYK 88 / 68 / 0 / 40

HEX #13329A

RGB 19 50 154

HSL 226.22, 0.78%, 0.34%

LAB 26.02, 30.86, -59.28

 

CMYK 0 / 73 / 88 / 40

HEX #992A13

RGB 153 42 19

HSL 10.3, 0.78%, 0.34%

LAB 34.95, 44.95, 39.8

 

CMYK 88 / 0 / 73 / 40

HEX #139A29

RGB 19 154 41

HSL 129.78, 0.78%, 0.34%

LAB 55.49, -55.77, 47.27

 

CMYK 73 / 88 / 0 / 40

HEX #29139A

RGB 41 19 154

HSL 249.78, 0.78%, 0.34%

LAB 21.1, 49.49, -67.38

 

CMYK 0 / 73 / 88 / 40

HEX #992A13

RGB 153 42 19

HSL 10.3, 0.78%, 0.34%

LAB 34.95, 44.95, 39.8

 

CMYK 32 / 0 / 88 / 40

HEX #689A13

RGB 104 154 19

HSL 82.22, 0.78%, 0.34%

LAB 58.13, -35.73, 57.47

 

CMYK 88 / 15 / 0 / 40

HEX #13839A

RGB 19 131 154

HSL 190.22, 0.78%, 0.34%

LAB 50.34, -20.53, -20.55

 

CMYK 56 / 88 / 0 / 40

HEX #44139A

RGB 68 19 154

HSL 261.78, 0.78%, 0.34%

LAB 23.76, 51.76, -62.88

 

CMYK 0 / 73 / 88 / 40

HEX #992A13

RGB 153 42 19

HSL 10.3, 0.78%, 0.34%

LAB 34.95, 44.95, 39.8

 

CMYK 58 / 0 / 88 / 40

HEX #409A13

RGB 64 154 19

HSL 100, 0.78%, 0.34%

LAB 56.34, -49.08, 55.21

 

CMYK 88 / 15 / 0 / 40

HEX #13839A

RGB 19 131 154

HSL 190.22, 0.78%, 0.34%

LAB 50.34, -20.53, -20.55

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

Description

Color code: HEX #992A13 | qconv.com Color code: HEX #992A13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 42 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 42 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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