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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994F13 it is the complementary color #66B0EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994F13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994F13 shade: #9E4F0E, #AF6121, #C07334, #D18547 and #E2975A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994F13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994F13 shade: #994F13, #883D00, #772B00, #661900 and #550700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994F13 shade: #9A4F13, #9A2B13 and #9A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994F13 shade: #9A4F13, #9A7413, #9A9813, #779A13 and #539A13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994F13 shade matches the following richer shades: #9A4F13 and #A84E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994F13 shade: #9A4F13, #8C5121, #7E522F, #70543D and #62554B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994F13 shade: #9A1320, #9A2913, #9A4D13, #9A7113 and #9A9513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994F13 shade: #502909, #753C0E, #9A4F13, #BF6217 and #E3751C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994F13 shade: #994F13, #449A13 and #17139A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994F13 shade: #994F13, #139A4D and #4D139A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994F13 shade: #994F13, #449A13, #135F9A and #68139A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994F13 shade: #994F13, #1C9A13, #135F9A and #91139A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 88 / 40

HEX #994F13

RGB 153 79 19

HSL 26.87, 0.78%, 0.34%

LAB 41.86, 26.96, 45.57

 

Complementary color

CMYK 57 / 25 / 0 / 7

HEX #66B0EC

RGB 102 176 236

HSL 206.87, 0.78%, 0.66%

LAB 69.42, -5.94, -36.99

 

CMYK 0 / 50 / 91 / 38

HEX #9E4F0E

RGB 158 79 14

HSL 27.08, 0.84%, 0.34%

LAB 42.6, 28.99, 48.19

 

CMYK 0 / 45 / 81 / 31

HEX #AF6121

RGB 175 97 33

HSL 27.04, 0.68%, 0.41%

LAB 49.22, 26.93, 47.68

 

CMYK 0 / 40 / 73 / 25

HEX #C07334

RGB 192 115 52

HSL 27, 0.57%, 0.48%

LAB 55.8, 25.13, 46.34

 

CMYK 0 / 36 / 66 / 18

HEX #D18547

RGB 209 133 71

HSL 26.96, 0.6%, 0.55%

LAB 62.33, 23.55, 44.76

 

CMYK 0 / 33 / 60 / 11

HEX #E2975A

RGB 226 151 90

HSL 26.91, 0.7%, 0.62%

LAB 68.78, 22.16, 43.17

 

CMYK 0 / 48 / 88 / 40

HEX #994F13

RGB 153 79 19

HSL 26.87, 0.78%, 0.34%

LAB 41.86, 26.96, 45.57

 

CMYK 0 / 55 / 100 / 47

HEX #883D00

RGB 136 61 0

HSL 26.91, 1%, 0.27%

LAB 35.15, 29.13, 45.87

 

CMYK 0 / 64 / 100 / 53

HEX #772B00

RGB 119 43 0

HSL 21.68, 1%, 0.23%

LAB 28.51, 31.49, 39.95

 

CMYK 0 / 75 / 100 / 60

HEX #661900

RGB 102 25 0

HSL 14.71, 1%, 0.2%

LAB 22.02, 33.29, 32.63

 

CMYK 0 / 92 / 100 / 67

HEX #550700

RGB 85 7 0

HSL 4.94, 1%, 0.17%

LAB 15.92, 33.72, 24.58

 

CMYK 0 / 49 / 88 / 40

HEX #9A4F13

RGB 154 79 19

HSL 26.67, 0.78%, 0.34%

LAB 42.01, 27.39, 45.76

 

CMYK 0 / 72 / 88 / 40

HEX #9A2B13

RGB 154 43 19

HSL 10.67, 0.78%, 0.34%

LAB 35.29, 44.9, 40.16

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 49 / 88 / 40

HEX #9A4F13

RGB 154 79 19

HSL 26.67, 0.78%, 0.34%

LAB 42.01, 27.39, 45.76

 

CMYK 0 / 25 / 88 / 40

HEX #9A7413

RGB 154 116 19

HSL 43.11, 0.78%, 0.34%

LAB 51.16, 6.36, 53.28

 

CMYK 0 / 1 / 88 / 40

HEX #9A9813

RGB 154 152 19

HSL 59.11, 0.78%, 0.34%

LAB 61.11, -13.42, 61.4

 

CMYK 23 / 0 / 88 / 40

HEX #779A13

RGB 119 154 19

HSL 75.56, 0.78%, 0.34%

LAB 59.05, -29.7, 58.61

 

CMYK 46 / 0 / 88 / 40

HEX #539A13

RGB 83 154 19

HSL 91.56, 0.78%, 0.34%

LAB 57.07, -43.33, 56.14

 

CMYK 0 / 49 / 88 / 40

HEX #9A4F13

RGB 154 79 19

HSL 26.67, 0.78%, 0.34%

LAB 42.01, 27.39, 45.76

 

CMYK 0 / 54 / 97 / 34

HEX #A84E05

RGB 168 78 5

HSL 26.87, 0.94%, 0.34%

LAB 43.92, 33.55, 52.29

 

CMYK 0 / 49 / 88 / 40

HEX #9A4F13

RGB 154 79 19

HSL 26.67, 0.78%, 0.34%

LAB 42.01, 27.39, 45.76

 

CMYK 0 / 42 / 76 / 45

HEX #8C5121

RGB 140 81 33

HSL 26.92, 0.62%, 0.34%

LAB 40.52, 20.62, 37.51

 

CMYK 0 / 35 / 63 / 51

HEX #7E522F

RGB 126 82 47

HSL 26.58, 0.46%, 0.34%

LAB 39.03, 14.58, 27.78

 

CMYK 0 / 25 / 46 / 56

HEX #70543D

RGB 112 84 61

HSL 27.06, 0.29%, 0.34%

LAB 38.06, 8.37, 17.93

 

CMYK 0 / 13 / 23 / 62

HEX #62554B

RGB 98 85 75

HSL 26.09, 0.13%, 0.34%

LAB 37.12, 3.54, 7.79

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 73 / 88 / 40

HEX #9A2913

RGB 154 41 19

HSL 9.78, 0.78%, 0.34%

LAB 35.01, 45.67, 39.93

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 27 / 88 / 40

HEX #9A7113

RGB 154 113 19

HSL 41.78, 0.78%, 0.34%

LAB 50.37, 8.07, 52.63

 

CMYK 0 / 3 / 88 / 40

HEX #9A9513

RGB 154 149 19

HSL 57.78, 0.78%, 0.34%

LAB 60.26, -11.84, 60.71

 

CMYK 0 / 49 / 89 / 69

HEX #502909

RGB 80 41 9

HSL 27.04, 0.8%, 0.17%

LAB 21.25, 15.52, 26.93

 

CMYK 0 / 49 / 88 / 54

HEX #753C0E

RGB 117 60 14

HSL 26.8, 0.79%, 0.26%

LAB 31.91, 21.65, 36.9

 

CMYK 0 / 49 / 88 / 40

HEX #9A4F13

RGB 154 79 19

HSL 26.67, 0.78%, 0.34%

LAB 42.01, 27.39, 45.76

 

CMYK 0 / 49 / 88 / 25

HEX #BF6217

RGB 191 98 23

HSL 26.79, 0.79%, 0.42%

LAB 51.69, 32.82, 54.51

 

CMYK 0 / 48 / 88 / 11

HEX #E3751C

RGB 227 117 28

HSL 26.83, 0.78%, 0.5%

LAB 60.9, 37.67, 62.4

 

CMYK 0 / 48 / 88 / 40

HEX #994F13

RGB 153 79 19

HSL 26.87, 0.78%, 0.34%

LAB 41.86, 26.96, 45.57

 

CMYK 56 / 0 / 88 / 40

HEX #449A13

RGB 68 154 19

HSL 98.22, 0.78%, 0.34%

LAB 56.47, -47.97, 55.39

 

CMYK 85 / 88 / 0 / 40

HEX #17139A

RGB 23 19 154

HSL 241.78, 0.78%, 0.34%

LAB 19.97, 48.58, -69.29

 

CMYK 0 / 48 / 88 / 40

HEX #994F13

RGB 153 79 19

HSL 26.87, 0.78%, 0.34%

LAB 41.86, 26.96, 45.57

 

CMYK 88 / 0 / 50 / 40

HEX #139A4D

RGB 19 154 77

HSL 145.78, 0.78%, 0.34%

LAB 55.87, -51.1, 31

 

CMYK 50 / 88 / 0 / 40

HEX #4D139A

RGB 77 19 154

HSL 265.78, 0.78%, 0.34%

LAB 24.88, 52.75, -61

 

CMYK 0 / 48 / 88 / 40

HEX #994F13

RGB 153 79 19

HSL 26.87, 0.78%, 0.34%

LAB 41.86, 26.96, 45.57

 

CMYK 56 / 0 / 88 / 40

HEX #449A13

RGB 68 154 19

HSL 98.22, 0.78%, 0.34%

LAB 56.47, -47.97, 55.39

 

CMYK 88 / 38 / 0 / 40

HEX #135F9A

RGB 19 95 154

HSL 206.22, 0.78%, 0.34%

LAB 38.99, 0.51, -38.28

 

CMYK 32 / 88 / 0 / 40

HEX #68139A

RGB 104 19 154

HSL 277.78, 0.78%, 0.34%

LAB 28.75, 56.36, -54.5

 

CMYK 0 / 48 / 88 / 40

HEX #994F13

RGB 153 79 19

HSL 26.87, 0.78%, 0.34%

LAB 41.86, 26.96, 45.57

 

CMYK 82 / 0 / 88 / 40

HEX #1C9A13

RGB 28 154 19

HSL 116, 0.78%, 0.34%

LAB 55.49, -56.25, 54.14

 

CMYK 88 / 38 / 0 / 40

HEX #135F9A

RGB 19 95 154

HSL 206.22, 0.78%, 0.34%

LAB 38.99, 0.51, -38.28

 

CMYK 6 / 88 / 0 / 40

HEX #91139A

RGB 145 19 154

HSL 296, 0.78%, 0.34%

LAB 35.63, 63.2, -43.03

 

Description

Color code: HEX #994F13 | qconv.com Color code: HEX #994F13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 79 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 79 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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