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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99D4C8 it is the complementary color #662B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99D4C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99D4C8 shade: #9ED4C3, #AFE6D6, #C0F8E9, #D1FFFC and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99D4C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99D4C8 shade: #99D4C8, #88C2B5, #77B0A2, #669E8F and #558C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99D4C8 shade: #9AD4C8, #9AD4B9, #9AD4A9, #9BD49A and #AAD49A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99D4C8 shade: #9AD4C8, #9AD0D4, #9AC1D4, #9AB1D4 and #9AA1D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99D4C8 shade matches the following richer shades: #9AD4C8, #8EE0CF, #83EBD6 and #77F7DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99D4C8 shade: #9AD4C8, #A5C9C2, #B1BDBB, #BCB2B4 and #C8A6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99D4C8 shade: #9AD4A8, #9AD4B8, #9AD4C8, #9AD1D4 and #9AC2D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99D4C8 shade: #60BCA9, #7DC8B9, #9AD4C8, #B7E1D8 and #D4EDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99D4C8 shade: #99D4C8, #9A9BD4 and #D4B09A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99D4C8 shade: #99D4C8, #C89AD4 and #D4C89A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99D4C8 shade: #99D4C8, #9A9BD4, #D49AA7 and #D4D39A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99D4C8 shade: #99D4C8, #AA9AD4, #D49AA7 and #C4D49A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

Complementary color

CMYK 0 / 58 / 46 / 60

HEX #662B37

RGB 102 43 55

HSL 347.8, 0.41%, 0.28%

LAB 26.24, 27.84, 5.38

 

CMYK 25 / 0 / 8 / 17

HEX #9ED4C3

RGB 158 212 195

HSL 161.11, 0.39%, 0.73%

LAB 80.9, -20.92, 2.76

 

CMYK 24 / 0 / 7 / 10

HEX #AFE6D6

RGB 175 230 214

HSL 162.55, 0.52%, 0.79%

LAB 87.27, -20.76, 2.08

 

CMYK 23 / 0 / 6 / 3

HEX #C0F8E9

RGB 192 248 233

HSL 163.93, 0.8%, 0.86%

LAB 93.55, -20.63, 1.42

 

CMYK 18 / 0 / 1 / 0

HEX #D1FFFC

RGB 209 255 252

HSL 176.09, 1%, 0.91%

LAB 96.86, -15.13, -3.43

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

CMYK 30 / 0 / 7 / 24

HEX #88C2B5

RGB 136 194 181

HSL 166.55, 0.32%, 0.65%

LAB 74.29, -21.52, 0.52

 

CMYK 32 / 0 / 8 / 31

HEX #77B0A2

RGB 119 176 162

HSL 165.26, 0.27%, 0.58%

LAB 67.71, -21.7, 1.24

 

CMYK 35 / 0 / 9 / 38

HEX #669E8F

RGB 102 158 143

HSL 163.93, 0.22%, 0.51%

LAB 61.01, -21.89, 2

 

CMYK 39 / 0 / 11 / 45

HEX #558C7C

RGB 85 140 124

HSL 162.55, 0.24%, 0.44%

LAB 54.18, -22.1, 2.83

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 27 / 0 / 13 / 17

HEX #9AD4B9

RGB 154 212 185

HSL 152.07, 0.4%, 0.72%

LAB 80.44, -24.18, 7.39

 

CMYK 27 / 0 / 20 / 17

HEX #9AD4A9

RGB 154 212 169

HSL 135.52, 0.4%, 0.72%

LAB 80.08, -27.25, 15.38

 

CMYK 27 / 0 / 27 / 17

HEX #9BD49A

RGB 155 212 154

HSL 118.97, 0.4%, 0.72%

LAB 79.83, -29.56, 22.96

 

CMYK 20 / 0 / 27 / 17

HEX #AAD49A

RGB 170 212 154

HSL 103.45, 0.4%, 0.72%

LAB 80.72, -24.46, 24.31

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 27 / 2 / 0 / 17

HEX #9AD0D4

RGB 154 208 212

HSL 184.14, 0.4%, 0.72%

LAB 80.03, -16.4, -7.63

 

CMYK 27 / 9 / 0 / 17

HEX #9AC1D4

RGB 154 193 212

HSL 199.66, 0.4%, 0.72%

LAB 75.92, -8.61, -13.76

 

CMYK 27 / 17 / 0 / 17

HEX #9AB1D4

RGB 154 177 212

HSL 216.21, 0.4%, 0.72%

LAB 71.6, -0.01, -20.29

 

CMYK 27 / 24 / 0 / 17

HEX #9AA1D4

RGB 154 161 212

HSL 232.76, 0.4%, 0.72%

LAB 67.36, 8.88, -26.76

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 37 / 0 / 8 / 12

HEX #8EE0CF

RGB 142 224 207

HSL 167.56, 0.57%, 0.72%

LAB 83.74, -28.79, 0.41

 

CMYK 44 / 0 / 9 / 8

HEX #83EBD6

RGB 131 235 214

HSL 167.88, 0.72%, 0.72%

LAB 86.55, -35.19, 0.77

 

CMYK 52 / 0 / 11 / 3

HEX #77F7DD

RGB 119 247 221

HSL 167.81, 0.89%, 0.72%

LAB 89.7, -41.71, 1.65

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 18 / 0 / 3 / 21

HEX #A5C9C2

RGB 165 201 194

HSL 168.33, 0.25%, 0.72%

LAB 78.27, -13.36, -0.49

 

CMYK 6 / 0 / 1 / 26

HEX #B1BDBB

RGB 177 189 187

HSL 170, 0.08%, 0.72%

LAB 75.66, -4.51, -0.43

 

CMYK 0 / 5 / 4 / 26

HEX #BCB2B4

RGB 188 178 180

HSL 348, 0.07%, 0.72%

LAB 73.43, 3.91, 0.25

 

CMYK 0 / 17 / 14 / 22

HEX #C8A6AD

RGB 200 166 173

HSL 347.65, 0.24%, 0.72%

LAB 71.26, 13.57, 1.06

 

CMYK 27 / 0 / 21 / 17

HEX #9AD4A8

RGB 154 212 168

HSL 134.48, 0.4%, 0.72%

LAB 80.06, -27.44, 15.88

 

CMYK 27 / 0 / 13 / 17

HEX #9AD4B8

RGB 154 212 184

HSL 151.03, 0.4%, 0.72%

LAB 80.41, -24.38, 7.89

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 27 / 1 / 0 / 17

HEX #9AD1D4

RGB 154 209 212

HSL 183.1, 0.4%, 0.72%

LAB 80.31, -16.91, -7.23

 

CMYK 27 / 8 / 0 / 17

HEX #9AC2D4

RGB 154 194 212

HSL 198.62, 0.4%, 0.72%

LAB 76.2, -9.14, -13.35

 

CMYK 49 / 0 / 10 / 26

HEX #60BCA9

RGB 96 188 169

HSL 167.61, 0.41%, 0.56%

LAB 70.4, -32.09, 1.18

 

CMYK 38 / 0 / 8 / 22

HEX #7DC8B9

RGB 125 200 185

HSL 168, 0.41%, 0.64%

LAB 75.56, -26.73, 0.14

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D8

RGB 183 225 216

HSL 167.14, 0.41%, 0.8%

LAB 86.44, -15.41, -0.13

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

CMYK 27 / 27 / 0 / 17

HEX #9A9BD4

RGB 154 155 212

HSL 238.97, 0.4%, 0.72%

LAB 65.8, 12.27, -29.17

 

CMYK 0 / 17 / 27 / 17

HEX #D4B09A

RGB 212 176 154

HSL 22.76, 0.4%, 0.72%

LAB 74.43, 9.78, 16.15

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

CMYK 6 / 27 / 0 / 17

HEX #C89AD4

RGB 200 154 212

HSL 287.59, 0.4%, 0.72%

LAB 69.57, 27.27, -23.03

 

CMYK 0 / 6 / 27 / 17

HEX #D4C89A

RGB 212 200 154

HSL 47.59, 0.4%, 0.72%

LAB 80.54, -2.92, 24.57

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

CMYK 27 / 27 / 0 / 17

HEX #9A9BD4

RGB 154 155 212

HSL 238.97, 0.4%, 0.72%

LAB 65.8, 12.27, -29.17

 

CMYK 0 / 27 / 21 / 17

HEX #D49AA7

RGB 212 154 167

HSL 346.55, 0.4%, 0.72%

LAB 69.4, 23.57, 1.82

 

CMYK 0 / 0 / 27 / 17

HEX #D4D39A

RGB 212 211 154

HSL 58.97, 0.4%, 0.72%

LAB 83.4, -8.59, 28.44

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

CMYK 20 / 27 / 0 / 17

HEX #AA9AD4

RGB 170 154 212

HSL 256.55, 0.4%, 0.72%

LAB 66.83, 17.71, -27.47

 

CMYK 0 / 27 / 21 / 17

HEX #D49AA7

RGB 212 154 167

HSL 346.55, 0.4%, 0.72%

LAB 69.4, 23.57, 1.82

 

CMYK 8 / 0 / 27 / 17

HEX #C4D49A

RGB 196 212 154

HSL 76.55, 0.4%, 0.72%

LAB 82.46, -15.1, 26.97

 

Description

Color code: HEX #99D4C8 | qconv.com Color code: HEX #99D4C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 212 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 212 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 6 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 6% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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