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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4EDE8 it is the complementary color #2B1217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4EDE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4EDE8 shade: #D9EDE3, #EAFFF6 and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4EDE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4EDE8 shade: #D4EDE8, #C3DBD5, #B2C9C2, #A1B7AF and #90A59C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4EDE8 shade: #D3ECE7, #D3ECE1, #D3ECDA, #D4ECD3 and #DAECD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4EDE8 shade: #D3ECE7, #D3EBEC, #D3E4EC, #D3DDEC and #D3D6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4EDE8 shade matches the following richer shades: #D3ECE7, #CEF1EA, #C9F6ED and #C5FBF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4EDE8 shade: #D3ECE7, #D8E7E4, #DDE3E1, #E2DEDF and #E7D9DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4EDE8 shade: #D3ECDA, #D3ECE1, #D3ECE7, #D3EBEC and #D3E4EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4EDE8 shade: #99D4C8, #B6E0D8, #D3ECE7 and #F0F9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4EDE8 shade: #D4EDE8, #D3D3EC and #ECDDD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4EDE8 shade: #D4EDE8, #E7D3EC and #ECE7D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4EDE8 shade: #D4EDE8, #D3D3EC, #ECD3D8 and #ECECD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4EDE8 shade: #D4EDE8, #DBD3EC, #ECD3D8 and #E5ECD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

Complementary color

CMYK 0 / 58 / 47 / 83

HEX #2B1217

RGB 43 18 23

HSL 348, 0.41%, 0.12%

LAB 9.06, 13.59, 2.27

 

CMYK 8 / 0 / 4 / 7

HEX #D9EDE3

RGB 217 237 227

HSL 150, 0.36%, 0.89%

LAB 92.07, -8.43, 2.58

 

CMYK 8 / 0 / 4 / 0

HEX #EAFFF6

RGB 234 255 246

HSL 154.29, 1%, 0.96%

LAB 98.3, -8.46, 1.95

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 11 / 0 / 3 / 14

HEX #C3DBD5

RGB 195 219 213

HSL 165, 0.25%, 0.81%

LAB 85.54, -9.11, 0.23

 

CMYK 11 / 0 / 3 / 21

HEX #B2C9C2

RGB 178 201 194

HSL 161.74, 0.18%, 0.74%

LAB 79.12, -9.12, 0.85

 

CMYK 12 / 0 / 4 / 28

HEX #A1B7AF

RGB 161 183 175

HSL 158.18, 0.13%, 0.67%

LAB 72.59, -9.13, 1.5

 

CMYK 13 / 0 / 5 / 35

HEX #90A59C

RGB 144 165 156

HSL 154.29, 0.1%, 0.61%

LAB 65.93, -9.15, 2.18

 

CMYK 11 / 0 / 2 / 7

HEX #D3ECE7

RGB 211 236 231

HSL 168, 0.4%, 0.88%

LAB 91.51, -9.13, -0.38

 

CMYK 11 / 0 / 5 / 7

HEX #D3ECE1

RGB 211 236 225

HSL 153.6, 0.4%, 0.88%

LAB 91.36, -10.26, 2.53

 

CMYK 11 / 0 / 8 / 7

HEX #D3ECDA

RGB 211 236 218

HSL 136.8, 0.4%, 0.88%

LAB 91.19, -11.54, 5.94

 

CMYK 10 / 0 / 11 / 7

HEX #D4ECD3

RGB 212 236 211

HSL 117.6, 0.4%, 0.88%

LAB 91.09, -12.45, 9.45

 

CMYK 8 / 0 / 11 / 7

HEX #DAECD3

RGB 218 236 211

HSL 103.2, 0.4%, 0.88%

LAB 91.5, -10.42, 10.09

 

CMYK 11 / 0 / 2 / 7

HEX #D3ECE7

RGB 211 236 231

HSL 168, 0.4%, 0.88%

LAB 91.51, -9.13, -0.38

 

CMYK 11 / 0 / 0 / 7

HEX #D3EBEC

RGB 211 235 236

HSL 182.4, 0.4%, 0.88%

LAB 91.38, -7.66, -3.17

 

CMYK 11 / 3 / 0 / 7

HEX #D3E4EC

RGB 211 228 236

HSL 199.2, 0.4%, 0.88%

LAB 89.58, -4.08, -5.83

 

CMYK 11 / 6 / 0 / 7

HEX #D3DDEC

RGB 211 221 236

HSL 216, 0.4%, 0.88%

LAB 87.78, -0.46, -8.48

 

CMYK 11 / 9 / 0 / 7

HEX #D3D6EC

RGB 211 214 236

HSL 232.8, 0.4%, 0.88%

LAB 86.01, 3.2, -11.13

 

CMYK 11 / 0 / 2 / 7

HEX #D3ECE7

RGB 211 236 231

HSL 168, 0.4%, 0.88%

LAB 91.51, -9.13, -0.38

 

CMYK 15 / 0 / 3 / 5

HEX #CEF1EA

RGB 206 241 234

HSL 168, 0.56%, 0.88%

LAB 92.56, -12.66, -0.44

 

CMYK 18 / 0 / 4 / 4

HEX #C9F6ED

RGB 201 246 237

HSL 168, 0.71%, 0.88%

LAB 93.64, -16.11, -0.45

 

CMYK 22 / 0 / 4 / 2

HEX #C5FBF0

RGB 197 251 240

HSL 167.78, 0.87%, 0.88%

LAB 94.8, -19.19, -0.34

 

CMYK 11 / 0 / 2 / 7

HEX #D3ECE7

RGB 211 236 231

HSL 168, 0.4%, 0.88%

LAB 91.51, -9.13, -0.38

 

CMYK 6 / 0 / 1 / 9

HEX #D8E7E4

RGB 216 231 228

HSL 168, 0.24%, 0.88%

LAB 90.48, -5.52, -0.27

 

CMYK 3 / 0 / 1 / 11

HEX #DDE3E1

RGB 221 227 225

HSL 160, 0.1%, 0.88%

LAB 89.74, -2.37, 0.26

 

CMYK 0 / 2 / 1 / 11

HEX #E2DEDF

RGB 226 222 223

HSL 345, 0.06%, 0.88%

LAB 88.8, 1.54, -0.02

 

CMYK 0 / 6 / 5 / 9

HEX #E7D9DC

RGB 231 217 220

HSL 347.14, 0.23%, 0.88%

LAB 87.86, 5.32, 0.24

 

CMYK 11 / 0 / 8 / 7

HEX #D3ECDA

RGB 211 236 218

HSL 136.8, 0.4%, 0.88%

LAB 91.19, -11.54, 5.94

 

CMYK 11 / 0 / 5 / 7

HEX #D3ECE1

RGB 211 236 225

HSL 153.6, 0.4%, 0.88%

LAB 91.36, -10.26, 2.53

 

CMYK 11 / 0 / 2 / 7

HEX #D3ECE7

RGB 211 236 231

HSL 168, 0.4%, 0.88%

LAB 91.51, -9.13, -0.38

 

CMYK 11 / 0 / 0 / 7

HEX #D3EBEC

RGB 211 235 236

HSL 182.4, 0.4%, 0.88%

LAB 91.38, -7.66, -3.17

 

CMYK 11 / 3 / 0 / 7

HEX #D3E4EC

RGB 211 228 236

HSL 199.2, 0.4%, 0.88%

LAB 89.58, -4.08, -5.83

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C8

RGB 153 212 200

HSL 167.8, 0.41%, 0.72%

LAB 80.76, -21.36, -0.16

 

CMYK 19 / 0 / 4 / 12

HEX #B6E0D8

RGB 182 224 216

HSL 168.57, 0.4%, 0.8%

LAB 86.11, -15.21, -0.62

 

CMYK 11 / 0 / 2 / 7

HEX #D3ECE7

RGB 211 236 231

HSL 168, 0.4%, 0.88%

LAB 91.51, -9.13, -0.38

 

CMYK 4 / 0 / 1 / 2

HEX #F0F9F7

RGB 240 249 247

HSL 166.67, 0.43%, 0.96%

LAB 97.22, -3.31, -0.08

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 11 / 11 / 0 / 7

HEX #D3D3EC

RGB 211 211 236

HSL 240, 0.4%, 0.88%

LAB 85.25, 4.78, -12.26

 

CMYK 0 / 6 / 11 / 7

HEX #ECDDD3

RGB 236 221 211

HSL 24, 0.4%, 0.88%

LAB 89.04, 3.47, 6.74

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 2 / 11 / 0 / 7

HEX #E7D3EC

RGB 231 211 236

HSL 288, 0.4%, 0.88%

LAB 86.82, 11.33, -9.75

 

CMYK 0 / 2 / 11 / 7

HEX #ECE7D3

RGB 236 231 211

HSL 48, 0.4%, 0.88%

LAB 91.54, -1.67, 10.33

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 11 / 11 / 0 / 7

HEX #D3D3EC

RGB 211 211 236

HSL 240, 0.4%, 0.88%

LAB 85.25, 4.78, -12.26

 

CMYK 0 / 11 / 8 / 7

HEX #ECD3D8

RGB 236 211 216

HSL 348, 0.4%, 0.88%

LAB 86.69, 9.5, 0.7

 

CMYK 0 / 0 / 11 / 7

HEX #ECECD3

RGB 236 236 211

HSL 60, 0.4%, 0.88%

LAB 92.81, -4.21, 12.13

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 7 / 11 / 0 / 7

HEX #DBD3EC

RGB 219 211 236

HSL 259.2, 0.4%, 0.88%

LAB 85.86, 7.37, -11.28

 

CMYK 0 / 11 / 8 / 7

HEX #ECD3D8

RGB 236 211 216

HSL 348, 0.4%, 0.88%

LAB 86.69, 9.5, 0.7

 

CMYK 3 / 0 / 11 / 7

HEX #E5ECD3

RGB 229 236 211

HSL 76.8, 0.4%, 0.88%

LAB 92.29, -6.65, 11.32

 

Description

Color code: HEX #D4EDE8 | qconv.com Color code: HEX #D4EDE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 237 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 237 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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