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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F5A1 it is the complementary color #660A5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F5A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F5A1 shade: #9EF59C, #AFFFAF, #C0FFC2, #D1FFD5 and #E2FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F5A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F5A1 shade: #99F5A1, #88E38E, #77D17B, #66BF68 and #55AD55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F5A1 shade: #98F4A0, #A9F498, #C2F498, #DBF498 and #F4F498

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F5A1 shade: #98F4A0, #98F4B9, #98F4D2, #98F4EB and #98E5F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F5A1 shade matches the following richer shades: #98F4A0 and #8FFD99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F5A1 shade: #98F4A0, #A1EBA8, #ABE2AF, #B4D9B7 and #BDD0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F5A1 shade: #C2F498, #A9F498, #98F4A0, #98F4B9 and #98F4D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F5A1 shade: #4DED5B, #73F17E, #98F4A0, #BEF8C3 and #E3FCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F5A1 shade: #99F5A1, #98DAF4 and #F498B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F5A1 shade: #99F5A1, #A098F4 and #F4A098

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F5A1 shade: #99F5A1, #98DAF4, #F498ED and #F4B298

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F5A1 shade: #99F5A1, #98BFF4, #F498ED and #F4CE98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

Complementary color

CMYK 0 / 90 / 8 / 60

HEX #660A5E

RGB 102 10 94

HSL 305.22, 0.82%, 0.22%

LAB 23.17, 46.65, -25.42

 

CMYK 36 / 0 / 36 / 4

HEX #9EF59C

RGB 158 245 156

HSL 118.65, 0.82%, 0.79%

LAB 89.38, -43.32, 34.79

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFAF

RGB 175 255 175

HSL 120, 1%, 0.84%

LAB 93.33, -39.56, 30.69

 

CMYK 25 / 0 / 24 / 0

HEX #C0FFC2

RGB 192 255 194

HSL 121.9, 1%, 0.88%

LAB 94.58, -31.12, 22.93

 

CMYK 18 / 0 / 16 / 0

HEX #D1FFD5

RGB 209 255 213

HSL 125.22, 1%, 0.91%

LAB 95.95, -22.42, 15.29

 

CMYK 11 / 0 / 9 / 0

HEX #E2FFE8

RGB 226 255 232

HSL 132.41, 1%, 0.94%

LAB 97.44, -13.56, 7.82

 

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

CMYK 40 / 0 / 37 / 11

HEX #88E38E

RGB 136 227 142

HSL 123.96, 0.62%, 0.71%

LAB 82.98, -44.28, 33.21

 

CMYK 43 / 0 / 41 / 18

HEX #77D17B

RGB 119 209 123

HSL 122.67, 0.49%, 0.64%

LAB 76.65, -44.48, 34.43

 

CMYK 47 / 0 / 46 / 25

HEX #66BF68

RGB 102 191 104

HSL 121.35, 0.41%, 0.57%

LAB 70.24, -44.62, 35.71

 

CMYK 51 / 0 / 51 / 32

HEX #55AD55

RGB 85 173 85

HSL 120, 0.35%, 0.51%

LAB 63.73, -44.66, 37.03

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 31 / 0 / 38 / 4

HEX #A9F498

RGB 169 244 152

HSL 108.91, 0.81%, 0.78%

LAB 89.58, -40.01, 37.15

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 10 / 0 / 38 / 4

HEX #DBF498

RGB 219 244 152

HSL 76.3, 0.81%, 0.78%

LAB 92.59, -22.55, 41.64

 

CMYK 0 / 0 / 38 / 4

HEX #F4F498

RGB 244 244 152

HSL 60, 0.81%, 0.78%

LAB 94.4, -13.15, 44.32

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 38 / 0 / 24 / 4

HEX #98F4B9

RGB 152 244 185

HSL 141.52, 0.81%, 0.78%

LAB 89.34, -39.78, 19.95

 

CMYK 38 / 0 / 14 / 4

HEX #98F4D2

RGB 152 244 210

HSL 157.83, 0.81%, 0.78%

LAB 89.87, -34.87, 7.78

 

CMYK 38 / 0 / 4 / 4

HEX #98F4EB

RGB 152 244 235

HSL 174.13, 0.81%, 0.78%

LAB 90.49, -29.41, -4.33

 

CMYK 38 / 6 / 0 / 4

HEX #98E5F4

RGB 152 229 244

HSL 189.78, 0.81%, 0.78%

LAB 86.63, -19.97, -14.79

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 43 / 0 / 40 / 1

HEX #8FFD99

RGB 143 253 153

HSL 125.45, 0.96%, 0.78%

LAB 90.96, -51.55, 38.23

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 31 / 0 / 29 / 8

HEX #A1EBA8

RGB 161 235 168

HSL 125.68, 0.65%, 0.78%

LAB 86.91, -36.02, 25.42

 

CMYK 24 / 0 / 23 / 11

HEX #ABE2AF

RGB 171 226 175

HSL 124.36, 0.49%, 0.78%

LAB 85.07, -27.42, 19.35

 

CMYK 17 / 0 / 16 / 15

HEX #B4D9B7

RGB 180 217 183

HSL 124.86, 0.33%, 0.78%

LAB 83.31, -18.64, 12.76

 

CMYK 9 / 0 / 9 / 18

HEX #BDD0BE

RGB 189 208 190

HSL 123.16, 0.17%, 0.78%

LAB 81.65, -9.77, 6.75

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 31 / 0 / 38 / 4

HEX #A9F498

RGB 169 244 152

HSL 108.91, 0.81%, 0.78%

LAB 89.58, -40.01, 37.15

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 38 / 0 / 24 / 4

HEX #98F4B9

RGB 152 244 185

HSL 141.52, 0.81%, 0.78%

LAB 89.34, -39.78, 19.95

 

CMYK 38 / 0 / 14 / 4

HEX #98F4D1

RGB 152 244 209

HSL 157.17, 0.81%, 0.78%

LAB 89.85, -35.08, 8.26

 

CMYK 68 / 0 / 62 / 7

HEX #4DED5B

RGB 77 237 91

HSL 125.25, 0.82%, 0.62%

LAB 83.39, -69.23, 57.33

 

CMYK 52 / 0 / 48 / 5

HEX #73F17E

RGB 115 241 126

HSL 125.24, 0.82%, 0.7%

LAB 86.04, -58.1, 44.86

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 23 / 0 / 21 / 3

HEX #BEF8C3

RGB 190 248 195

HSL 125.17, 0.81%, 0.86%

LAB 92.58, -28.31, 19.63

 

CMYK 10 / 0 / 9 / 1

HEX #E3FCE6

RGB 227 252 230

HSL 127.2, 0.81%, 0.94%

LAB 96.68, -12.1, 7.77

 

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

CMYK 38 / 11 / 0 / 4

HEX #98DAF4

RGB 152 218 244

HSL 196.96, 0.81%, 0.78%

LAB 83.63, -14.42, -19.31

 

CMYK 0 / 38 / 25 / 4

HEX #F498B6

RGB 244 152 182

HSL 340.43, 0.81%, 0.78%

LAB 72.94, 38.25, -0.91

 

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

CMYK 34 / 38 / 0 / 4

HEX #A098F4

RGB 160 152 244

HSL 245.22, 0.81%, 0.78%

LAB 66.87, 23.8, -45.1

 

CMYK 0 / 34 / 38 / 4

HEX #F4A098

RGB 244 160 152

HSL 5.22, 0.81%, 0.78%

LAB 73.96, 30.27, 17.09

 

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

CMYK 38 / 11 / 0 / 4

HEX #98DAF4

RGB 152 218 244

HSL 196.96, 0.81%, 0.78%

LAB 83.63, -14.42, -19.31

 

CMYK 0 / 38 / 3 / 4

HEX #F498ED

RGB 244 152 237

HSL 304.57, 0.81%, 0.78%

LAB 74.7, 46.89, -28.48

 

CMYK 0 / 27 / 38 / 4

HEX #F4B298

RGB 244 178 152

HSL 16.96, 0.81%, 0.78%

LAB 78.08, 20.77, 22.76

 

CMYK 38 / 0 / 34 / 4

HEX #99F5A1

RGB 153 245 161

HSL 125.22, 0.82%, 0.78%

LAB 89.23, -44.05, 32.04

 

CMYK 38 / 22 / 0 / 4

HEX #98BFF4

RGB 152 191 244

HSL 214.57, 0.81%, 0.78%

LAB 76.36, -0.17, -30.39

 

CMYK 0 / 38 / 3 / 4

HEX #F498ED

RGB 244 152 237

HSL 304.57, 0.81%, 0.78%

LAB 74.7, 46.89, -28.48

 

CMYK 0 / 16 / 38 / 4

HEX #F4CE98

RGB 244 206 152

HSL 35.22, 0.81%, 0.78%

LAB 84.81, 6.08, 31.84

 

Description

Color code: HEX #99F5A1 | qconv.com Color code: HEX #99F5A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 245 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 245 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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