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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A4BFA it is the complementary color #65B405. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A4BFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A4BFA shade: #9F4BF5, #B05DFF, #C16FFF, #D281FF and #E393FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A4BFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A4BFA shade: #9A4BFA, #8939E7, #7827D4, #6715C1 and #5603AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A4BFA shade: #9A4BFA, #C94BFA, #F84BFA, #FA4BCC and #FA4B9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A4BFA shade: #9A4BFA, #6B4BFA and #4B4BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A4BFA shade matches the following richer shades: #9A4BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A4BFA shade: #9A4BFA, #9C5AEB, #9D69DC, #9F78CD and #A087BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A4BFA shade: #4B5AFA, #6B4BFA, #9A4BFA, #C84BFA and #F74BFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A4BFA shade: #6E06ED, #8423F9, #9A4BFA, #B174FB and #C79CFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A4BFA shade: #9A4BFA, #FA4B89 and #4BFA54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A4BFA shade: #9A4BFA, #FA9A4B and #4BFA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A4BFA shade: #9A4BFA, #FA4B89, #ABFA4B and #4BFABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A4BFA shade: #9A4BFA, #FA4B54, #ABFA4B and #4BFAF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

Complementary color

CMYK 44 / 0 / 97 / 29

HEX #65B405

RGB 101 180 5

HSL 87.09, 0.95%, 0.36%

LAB 66.07, -48.1, 66.1

 

CMYK 35 / 69 / 0 / 4

HEX #9F4BF5

RGB 159 75 245

HSL 269.65, 0.89%, 0.63%

LAB 50.68, 65.04, -71.54

 

CMYK 31 / 64 / 0 / 0

HEX #B05DFF

RGB 176 93 255

HSL 270.74, 1%, 0.68%

LAB 56.37, 62.36, -67.8

 

CMYK 24 / 56 / 0 / 0

HEX #C16FFF

RGB 193 111 255

HSL 274.17, 1%, 0.72%

LAB 61.59, 57.34, -59.31

 

CMYK 18 / 49 / 0 / 0

HEX #D281FF

RGB 210 129 255

HSL 278.57, 1%, 0.75%

LAB 66.99, 52.46, -50.61

 

CMYK 11 / 42 / 0 / 0

HEX #E393FF

RGB 227 147 255

HSL 284.44, 1%, 0.79%

LAB 72.51, 47.81, -41.81

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 41 / 75 / 0 / 9

HEX #8939E7

RGB 137 57 231

HSL 267.59, 0.78%, 0.56%

LAB 44.25, 65.71, -74.24

 

CMYK 43 / 82 / 0 / 17

HEX #7827D4

RGB 120 39 212

HSL 268.09, 0.69%, 0.49%

LAB 38.19, 65.55, -73.38

 

CMYK 47 / 89 / 0 / 24

HEX #6715C1

RGB 103 21 193

HSL 268.6, 0.8%, 0.42%

LAB 32.41, 64.41, -71.89

 

CMYK 51 / 98 / 0 / 32

HEX #5603AE

RGB 86 3 174

HSL 269.12, 0.97%, 0.35%

LAB 27.02, 61.96, -69.58

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 20 / 70 / 0 / 2

HEX #C94BFA

RGB 201 75 250

HSL 283.2, 0.95%, 0.64%

LAB 56.44, 74.14, -64.75

 

CMYK 1 / 70 / 0 / 2

HEX #F84BFA

RGB 248 75 250

HSL 299.31, 0.95%, 0.64%

LAB 63.25, 83.67, -53.47

 

CMYK 0 / 70 / 18 / 2

HEX #FA4BCC

RGB 250 75 204

HSL 315.77, 0.95%, 0.64%

LAB 61.41, 77.47, -30.58

 

CMYK 0 / 70 / 37 / 2

HEX #FA4B9D

RGB 250 75 157

HSL 331.89, 0.95%, 0.64%

LAB 59.7, 71.96, -6.14

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 57 / 70 / 0 / 2

HEX #6B4BFA

RGB 107 75 250

HSL 250.97, 0.95%, 0.64%

LAB 45.72, 57.87, -82.66

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFA

RGB 75 75 250

HSL 240, 0.95%, 0.64%

LAB 43.4, 54.04, -86.55

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 34 / 62 / 0 / 8

HEX #9C5AEB

RGB 156 90 235

HSL 267.31, 0.78%, 0.64%

LAB 52.26, 54.91, -63.4

 

CMYK 29 / 52 / 0 / 14

HEX #9D69DC

RGB 157 105 220

HSL 267.13, 0.62%, 0.64%

LAB 54.49, 43.55, -51.38

 

CMYK 22 / 41 / 0 / 20

HEX #9F78CD

RGB 159 120 205

HSL 267.53, 0.46%, 0.64%

LAB 57.28, 32.09, -38.47

 

CMYK 16 / 29 / 0 / 25

HEX #A087BE

RGB 160 135 190

HSL 267.27, 0.3%, 0.64%

LAB 60.35, 20.36, -25.19

 

CMYK 70 / 64 / 0 / 2

HEX #4B5AFA

RGB 75 90 250

HSL 234.86, 0.95%, 0.64%

LAB 46.59, 45.41, -81.31

 

CMYK 57 / 70 / 0 / 2

HEX #6B4BFA

RGB 107 75 250

HSL 250.97, 0.95%, 0.64%

LAB 45.72, 57.87, -82.66

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 20 / 70 / 0 / 2

HEX #C84BFA

RGB 200 75 250

HSL 282.86, 0.95%, 0.64%

LAB 56.3, 73.94, -64.98

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 54 / 97 / 0 / 7

HEX #6E06ED

RGB 110 6 237

HSL 267.01, 0.95%, 0.48%

LAB 37.04, 77.35, -89.63

 

CMYK 47 / 86 / 0 / 2

HEX #8423F9

RGB 132 35 249

HSL 267.2, 0.95%, 0.56%

LAB 42.68, 76.61, -87

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 29 / 54 / 0 / 2

HEX #B174FB

RGB 177 116 251

HSL 267.11, 0.94%, 0.72%

LAB 60.61, 50, -58.78

 

CMYK 21 / 38 / 0 / 1

HEX #C79CFC

RGB 199 156 252

HSL 266.88, 0.94%, 0.8%

LAB 71.52, 34.34, -41.94

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 0 / 70 / 45 / 2

HEX #FA4B89

RGB 250 75 137

HSL 338.74, 0.95%, 0.64%

LAB 59.12, 70.04, 4.72

 

CMYK 70 / 0 / 66 / 2

HEX #4BFA54

RGB 75 250 84

HSL 123.09, 0.95%, 0.64%

LAB 87.25, -74.47, 64.4

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 0 / 38 / 70 / 2

HEX #FA9A4B

RGB 250 154 75

HSL 27.09, 0.95%, 0.64%

LAB 72.19, 29.46, 55.15

 

CMYK 70 / 0 / 38 / 2

HEX #4BFA9A

RGB 75 250 154

HSL 147.09, 0.95%, 0.64%

LAB 88.06, -64.96, 33.55

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 0 / 70 / 45 / 2

HEX #FA4B89

RGB 250 75 137

HSL 338.74, 0.95%, 0.64%

LAB 59.12, 70.04, 4.72

 

CMYK 32 / 0 / 70 / 2

HEX #ABFA4B

RGB 171 250 75

HSL 87.09, 0.95%, 0.64%

LAB 90.57, -49.75, 72.23

 

CMYK 70 / 0 / 24 / 2

HEX #4BFABD

RGB 75 250 189

HSL 159.09, 0.95%, 0.64%

LAB 88.71, -57.98, 16.65

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 0 / 70 / 66 / 2

HEX #FA4B54

RGB 250 75 84

HSL 356.91, 0.95%, 0.64%

LAB 58.03, 66.33, 34.19

 

CMYK 32 / 0 / 70 / 2

HEX #ABFA4B

RGB 171 250 75

HSL 87.09, 0.95%, 0.64%

LAB 90.57, -49.75, 72.23

 

CMYK 70 / 0 / 4 / 2

HEX #4BFAF1

RGB 75 250 241

HSL 176.91, 0.95%, 0.64%

LAB 89.96, -45.27, -8.51

 

Description

Color code: HEX #9A4BFA | qconv.com Color code: HEX #9A4BFA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 75 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 75 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 70 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 70% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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