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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A5D54 it is the complementary color #65A2AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A5D54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A5D54 shade: #9F5D4F, #B06F62, #C18175, #D29388 and #E3A59B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A5D54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A5D54 shade: #9A5D54, #894B41, #78392E, #67271B and #561508

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A5D54 shade: #9A5E55 and #9A5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A5D54 shade: #9A5E55, #9A7055, #9A8355, #9A9655 and #8C9A55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A5D54 shade matches the following richer shades: #9A5E55, #AD4F41, #C1412E, #D4321A and #E82407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A5D54 shade: #9A5E55, #876C68, #737A7B, #60898F and #4D97A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A5D54 shade: #9A5572, #9A555F, #9A5D55, #9A6F55 and #9A8255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A5D54 shade: #653D37, #7F4D46, #9A5E55, #AD736B and #BC8C85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A5D54 shade: #9A5D54, #849A55 and #55689A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A5D54 shade: #9A5D54, #559A5D and #5D559A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A5D54 shade: #9A5D54, #849A55, #55929A and #6B559A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A5D54 shade: #9A5D54, #6F9A55, #55929A and #7F559A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 45 / 40

HEX #9A5D54

RGB 154 93 84

HSL 7.71, 0.29%, 0.47%

LAB 46.09, 23.89, 15.77

 

Complementary color

CMYK 41 / 5 / 0 / 33

HEX #65A2AB

RGB 101 162 171

HSL 187.71, 0.29%, 0.53%

LAB 62.97, -17.32, -10.89

 

CMYK 0 / 42 / 50 / 38

HEX #9F5D4F

RGB 159 93 79

HSL 10.5, 0.34%, 0.47%

LAB 46.66, 25.42, 19.63

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 33 / 39 / 24

HEX #C18175

RGB 193 129 117

HSL 9.47, 0.38%, 0.61%

LAB 60.18, 23.25, 16.61

 

CMYK 0 / 30 / 35 / 18

HEX #D29388

RGB 210 147 136

HSL 8.92, 0.45%, 0.68%

LAB 66.78, 22.36, 15.36

 

CMYK 0 / 27 / 32 / 11

HEX #E3A59B

RGB 227 165 155

HSL 8.33, 0.56%, 0.75%

LAB 73.29, 21.56, 14.23

 

CMYK 0 / 40 / 45 / 40

HEX #9A5D54

RGB 154 93 84

HSL 7.71, 0.29%, 0.47%

LAB 46.09, 23.89, 15.77

 

CMYK 0 / 45 / 53 / 46

HEX #894B41

RGB 137 75 65

HSL 8.33, 0.36%, 0.4%

LAB 39.13, 25.1, 17.5

 

CMYK 0 / 53 / 62 / 53

HEX #78392E

RGB 120 57 46

HSL 8.92, 0.45%, 0.33%

LAB 32.07, 26.47, 19.61

 

CMYK 0 / 62 / 74 / 60

HEX #67271B

RGB 103 39 27

HSL 9.47, 0.58%, 0.25%

LAB 24.99, 27.95, 22.26

 

CMYK 0 / 76 / 91 / 66

HEX #561508

RGB 86 21 8

HSL 10, 0.83%, 0.18%

LAB 18.06, 29.23, 24

 

CMYK 0 / 39 / 45 / 40

HEX #9A5E55

RGB 154 94 85

HSL 7.83, 0.29%, 0.47%

LAB 46.35, 23.43, 15.52

 

CMYK 0 / 45 / 45 / 40

HEX #9A5555

RGB 154 85 85

HSL 0, 0.29%, 0.47%

LAB 44.27, 28.5, 12.66

 

CMYK 0 / 39 / 45 / 40

HEX #9A5E55

RGB 154 94 85

HSL 7.83, 0.29%, 0.47%

LAB 46.35, 23.43, 15.52

 

CMYK 0 / 27 / 45 / 40

HEX #9A7055

RGB 154 112 85

HSL 23.48, 0.29%, 0.47%

LAB 50.82, 13.1, 21.53

 

CMYK 0 / 15 / 45 / 40

HEX #9A8355

RGB 154 131 85

HSL 40, 0.29%, 0.47%

LAB 55.85, 2.27, 28.08

 

CMYK 0 / 3 / 45 / 40

HEX #9A9655

RGB 154 150 85

HSL 56.52, 0.29%, 0.47%

LAB 61.08, -8.19, 34.68

 

CMYK 9 / 0 / 45 / 40

HEX #8C9A55

RGB 140 154 85

HSL 72.17, 0.29%, 0.47%

LAB 61.08, -16.18, 34.44

 

CMYK 0 / 39 / 45 / 40

HEX #9A5E55

RGB 154 94 85

HSL 7.83, 0.29%, 0.47%

LAB 46.35, 23.43, 15.52

 

CMYK 0 / 54 / 62 / 32

HEX #AD4F41

RGB 173 79 65

HSL 7.78, 0.45%, 0.47%

LAB 45.44, 37.37, 26.72

 

CMYK 0 / 66 / 76 / 24

HEX #C1412E

RGB 193 65 46

HSL 7.76, 0.62%, 0.47%

LAB 46.06, 50.16, 39.13

 

CMYK 0 / 76 / 88 / 17

HEX #D4321A

RGB 212 50 26

HSL 7.74, 0.78%, 0.47%

LAB 47.43, 61.15, 51.54

 

CMYK 0 / 84 / 97 / 9

HEX #E82407

RGB 232 36 7

HSL 7.73, 0.94%, 0.47%

LAB 50.02, 70.2, 61.32

 

CMYK 0 / 39 / 45 / 40

HEX #9A5E55

RGB 154 94 85

HSL 7.83, 0.29%, 0.47%

LAB 46.35, 23.43, 15.52

 

CMYK 0 / 20 / 23 / 47

HEX #876C68

RGB 135 108 104

HSL 7.74, 0.13%, 0.47%

LAB 48.1, 10.04, 6.29

 

CMYK 7 / 1 / 0 / 52

HEX #737A7B

RGB 115 122 123

HSL 187.5, 0.03%, 0.47%

LAB 50.68, -2.4, -1.46

 

CMYK 33 / 4 / 0 / 44

HEX #60898F

RGB 96 137 143

HSL 187.66, 0.2%, 0.47%

LAB 54.41, -12.53, -7.75

 

CMYK 52 / 7 / 0 / 36

HEX #4D97A2

RGB 77 151 162

HSL 187.76, 0.36%, 0.47%

LAB 58.34, -19.85, -12.86

 

CMYK 0 / 45 / 26 / 40

HEX #9A5572

RGB 154 85 114

HSL 334.78, 0.29%, 0.47%

LAB 45.06, 32.29, -3.88

 

CMYK 0 / 45 / 38 / 40

HEX #9A555F

RGB 154 85 95

HSL 351.3, 0.29%, 0.47%

LAB 44.51, 29.68, 6.91

 

CMYK 0 / 40 / 45 / 40

HEX #9A5D55

RGB 154 93 85

HSL 6.96, 0.29%, 0.47%

LAB 46.12, 24, 15.2

 

CMYK 0 / 28 / 45 / 40

HEX #9A6F55

RGB 154 111 85

HSL 22.61, 0.29%, 0.47%

LAB 50.56, 13.67, 21.19

 

CMYK 0 / 16 / 45 / 40

HEX #9A8255

RGB 154 130 85

HSL 39.13, 0.29%, 0.47%

LAB 55.57, 2.83, 27.73

 

CMYK 0 / 40 / 46 / 60

HEX #653D37

RGB 101 61 55

HSL 7.83, 0.29%, 0.31%

LAB 30.35, 16.79, 11.08

 

CMYK 0 / 39 / 45 / 50

HEX #7F4D46

RGB 127 77 70

HSL 7.37, 0.29%, 0.39%

LAB 38.31, 20.26, 13.08

 

CMYK 0 / 39 / 45 / 40

HEX #9A5E55

RGB 154 94 85

HSL 7.83, 0.29%, 0.47%

LAB 46.35, 23.43, 15.52

 

CMYK 0 / 34 / 38 / 32

HEX #AD736B

RGB 173 115 107

HSL 7.27, 0.29%, 0.55%

LAB 54.25, 21.87, 13.79

 

CMYK 0 / 26 / 29 / 26

HEX #BC8C85

RGB 188 140 133

HSL 7.64, 0.29%, 0.63%

LAB 62.63, 17.25, 10.86

 

CMYK 0 / 40 / 45 / 40

HEX #9A5D54

RGB 154 93 84

HSL 7.71, 0.29%, 0.47%

LAB 46.09, 23.89, 15.77

 

CMYK 14 / 0 / 45 / 40

HEX #849A55

RGB 132 154 85

HSL 79.13, 0.29%, 0.47%

LAB 60.49, -19.44, 33.57

 

CMYK 45 / 32 / 0 / 40

HEX #55689A

RGB 85 104 154

HSL 223.48, 0.29%, 0.47%

LAB 44.47, 6.7, -29.46

 

CMYK 0 / 40 / 45 / 40

HEX #9A5D54

RGB 154 93 84

HSL 7.71, 0.29%, 0.47%

LAB 46.09, 23.89, 15.77

 

CMYK 45 / 0 / 40 / 40

HEX #559A5D

RGB 85 154 93

HSL 126.96, 0.29%, 0.47%

LAB 57.88, -35.2, 25.4

 

CMYK 40 / 45 / 0 / 40

HEX #5D559A

RGB 93 85 154

HSL 246.96, 0.29%, 0.47%

LAB 39.84, 20.78, -36.7

 

CMYK 0 / 40 / 45 / 40

HEX #9A5D54

RGB 154 93 84

HSL 7.71, 0.29%, 0.47%

LAB 46.09, 23.89, 15.77

 

CMYK 14 / 0 / 45 / 40

HEX #849A55

RGB 132 154 85

HSL 79.13, 0.29%, 0.47%

LAB 60.49, -19.44, 33.57

 

CMYK 45 / 5 / 0 / 40

HEX #55929A

RGB 85 146 154

HSL 186.96, 0.29%, 0.47%

LAB 56.9, -17.54, -10.41

 

CMYK 31 / 45 / 0 / 40

HEX #6B559A

RGB 107 85 154

HSL 259.13, 0.29%, 0.47%

LAB 41.15, 24.75, -34.56

 

CMYK 0 / 40 / 45 / 40

HEX #9A5D54

RGB 154 93 84

HSL 7.71, 0.29%, 0.47%

LAB 46.09, 23.89, 15.77

 

CMYK 28 / 0 / 45 / 40

HEX #6F9A55

RGB 111 154 85

HSL 97.39, 0.29%, 0.47%

LAB 59.11, -27.59, 31.54

 

CMYK 45 / 5 / 0 / 40

HEX #55929A

RGB 85 146 154

HSL 186.96, 0.29%, 0.47%

LAB 56.9, -17.54, -10.41

 

CMYK 18 / 45 / 0 / 40

HEX #7F559A

RGB 127 85 154

HSL 276.52, 0.29%, 0.47%

LAB 43.27, 30.75, -31.06

 

Description

Color code: HEX #9A5D54 | qconv.com Color code: HEX #9A5D54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 93 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 93 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 45 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 45% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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