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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC444 it is the complementary color #643BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BC444 shade: #A0C43F, #B1D652, #C2E865, #D3FA78 and #E4FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BC444 shade: #9BC444, #8AB231, #79A01E, #688E0B and #577C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BC444 shade: #9BC444, #BDC444, #C4A844, #C48644 and #C46344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BC444 shade: #9BC444, #79C444, #56C444, #44C455 and #44C477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BC444 shade matches the following richer shades: #9BC444, #A2D831 and #A9EB1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BC444 shade: #9BC444, #94B058, #8D9C6C, #868880 and #7F7594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BC444 shade: #C4A844, #BDC444, #9BC444, #79C444 and #58C444

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BC444 shade: #6C8A2B, #84AA35, #9BC444, #ACCE64 and #BDD883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BC444 shade: #9BC444, #44C486 and #B944C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BC444 shade: #9BC444, #449BC4 and #C4449B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BC444 shade: #9BC444, #44C486, #6D44C4 and #C44482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BC444 shade: #9BC444, #44C4AC, #6D44C4 and #C4445C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

Complementary color

CMYK 47 / 68 / 0 / 27

HEX #643BBB

RGB 100 59 187

HSL 259.22, 0.52%, 0.48%

LAB 36.79, 47.31, -61.2

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 17 / 0 / 62 / 16

HEX #B1D652

RGB 177 214 82

HSL 76.82, 0.62%, 0.58%

LAB 80.77, -31.18, 59.39

 

CMYK 16 / 0 / 56 / 9

HEX #C2E865

RGB 194 232 101

HSL 77.4, 0.74%, 0.65%

LAB 87.06, -31.5, 58.52

 

CMYK 16 / 0 / 52 / 2

HEX #D3FA78

RGB 211 250 120

HSL 78, 0.93%, 0.73%

LAB 93.27, -31.73, 57.52

 

CMYK 11 / 0 / 45 / 0

HEX #E4FF8B

RGB 228 255 139

HSL 73.97, 1%, 0.77%

LAB 95.95, -25.86, 52.25

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 22 / 0 / 72 / 30

HEX #8AB231

RGB 138 178 49

HSL 78.6, 0.57%, 0.45%

LAB 67.63, -31.95, 57.98

 

CMYK 24 / 0 / 81 / 37

HEX #79A01E

RGB 121 160 30

HSL 78, 0.68%, 0.37%

LAB 61.05, -31.32, 57.61

 

CMYK 27 / 0 / 92 / 44

HEX #688E0B

RGB 104 142 11

HSL 77.4, 0.86%, 0.3%

LAB 54.36, -30.43, 55.89

 

CMYK 30 / 0 / 100 / 51

HEX #577C00

RGB 87 124 0

HSL 77.9, 1%, 0.24%

LAB 47.55, -29.24, 52.07

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 4 / 0 / 65 / 23

HEX #BDC444

RGB 189 196 68

HSL 63.28, 0.52%, 0.52%

LAB 76.51, -18.6, 60.87

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 0 / 32 / 65 / 23

HEX #C48644

RGB 196 134 68

HSL 30.94, 0.52%, 0.52%

LAB 60.96, 17.31, 44.29

 

CMYK 0 / 49 / 65 / 23

HEX #C46344

RGB 196 99 68

HSL 14.53, 0.52%, 0.52%

LAB 53.03, 36.2, 35.09

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 38 / 0 / 65 / 23

HEX #79C444

RGB 121 196 68

HSL 95.16, 0.52%, 0.52%

LAB 72.2, -44.87, 55.02

 

CMYK 56 / 0 / 65 / 23

HEX #56C444

RGB 86 196 68

HSL 111.56, 0.52%, 0.52%

LAB 70.79, -55.34, 53.07

 

CMYK 65 / 0 / 57 / 23

HEX #44C455

RGB 68 196 85

HSL 127.97, 0.52%, 0.52%

LAB 70.43, -57.56, 44.98

 

CMYK 65 / 0 / 39 / 23

HEX #44C477

RGB 68 196 119

HSL 143.91, 0.52%, 0.52%

LAB 70.9, -52.28, 28.63

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 25 / 0 / 77 / 15

HEX #A2D831

RGB 162 216 49

HSL 79.4, 0.68%, 0.52%

LAB 80.19, -39.88, 70.48

 

CMYK 28 / 0 / 88 / 8

HEX #A9EB1D

RGB 169 235 29

HSL 79.22, 0.84%, 0.52%

LAB 85.98, -46.16, 80.37

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 16 / 0 / 50 / 31

HEX #94B058

RGB 148 176 88

HSL 79.09, 0.36%, 0.52%

LAB 68.06, -23.79, 41.58

 

CMYK 10 / 0 / 31 / 39

HEX #8D9C6C

RGB 141 156 108

HSL 78.75, 0.2%, 0.52%

LAB 62.1, -13.83, 23.43

 

CMYK 1 / 0 / 6 / 47

HEX #868880

RGB 134 136 128

HSL 75, 0.03%, 0.52%

LAB 56.32, -2.29, 4.03

 

CMYK 14 / 21 / 0 / 42

HEX #7F7594

RGB 127 117 148

HSL 259.35, 0.13%, 0.52%

LAB 51.12, 10.34, -15.39

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 4 / 0 / 65 / 23

HEX #BDC444

RGB 189 196 68

HSL 63.28, 0.52%, 0.52%

LAB 76.51, -18.6, 60.87

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 38 / 0 / 65 / 23

HEX #79C444

RGB 121 196 68

HSL 95.16, 0.52%, 0.52%

LAB 72.2, -44.87, 55.02

 

CMYK 55 / 0 / 65 / 23

HEX #58C444

RGB 88 196 68

HSL 110.63, 0.52%, 0.52%

LAB 70.85, -54.82, 53.16

 

CMYK 22 / 0 / 69 / 46

HEX #6C8A2B

RGB 108 138 43

HSL 78.95, 0.52%, 0.35%

LAB 53.53, -25.33, 45.44

 

CMYK 22 / 0 / 69 / 33

HEX #84AA35

RGB 132 170 53

HSL 79.49, 0.52%, 0.44%

LAB 64.89, -30.32, 53.59

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 17 / 0 / 51 / 19

HEX #ACCE64

RGB 172 206 100

HSL 79.25, 0.52%, 0.6%

LAB 78.36, -27.77, 48.51

 

CMYK 13 / 0 / 39 / 15

HEX #BDD883

RGB 189 216 131

HSL 79.06, 0.52%, 0.68%

LAB 82.68, -22.71, 38.94

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 65 / 0 / 32 / 23

HEX #44C486

RGB 68 196 134

HSL 150.94, 0.52%, 0.52%

LAB 71.17, -49.38, 21.09

 

CMYK 6 / 65 / 0 / 23

HEX #B944C4

RGB 185 68 196

HSL 294.84, 0.52%, 0.52%

LAB 50.02, 63.41, -44.58

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 65 / 21 / 0 / 23

HEX #449BC4

RGB 68 155 196

HSL 199.22, 0.52%, 0.52%

LAB 60.48, -13.31, -28.85

 

CMYK 0 / 65 / 21 / 23

HEX #C4449B

RGB 196 68 155

HSL 319.22, 0.52%, 0.52%

LAB 49.78, 59.7, -20.8

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 65 / 0 / 32 / 23

HEX #44C486

RGB 68 196 134

HSL 150.94, 0.52%, 0.52%

LAB 71.17, -49.38, 21.09

 

CMYK 44 / 65 / 0 / 23

HEX #6D44C4

RGB 109 68 196

HSL 259.22, 0.52%, 0.52%

LAB 40.2, 46.68, -60.88

 

CMYK 0 / 65 / 34 / 23

HEX #C44482

RGB 196 68 130

HSL 330.94, 0.52%, 0.52%

LAB 48.86, 56.49, -7.23

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 65 / 0 / 12 / 23

HEX #44C4AC

RGB 68 196 172

HSL 168.75, 0.52%, 0.52%

LAB 72.02, -40.59, 1.79

 

CMYK 44 / 65 / 0 / 23

HEX #6D44C4

RGB 109 68 196

HSL 259.22, 0.52%, 0.52%

LAB 40.2, 46.68, -60.88

 

CMYK 0 / 65 / 53 / 23

HEX #C4445C

RGB 196 68 92

HSL 348.75, 0.52%, 0.52%

LAB 47.81, 52.69, 14.32

 

Description

Color code: HEX #9BC444 | qconv.com Color code: HEX #9BC444 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 196 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 196 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 65% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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