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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BD59A it is the complementary color #642A65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BD59A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BD59A shade: #A0D595, #B1E7A8, #C2F9BB, #D3FFCE and #E4FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BD59A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BD59A shade: #9BD59A, #8AC387, #79B174, #689F61 and #578D4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BD59A shade: #9BD49A, #ABD49A, #BAD49A, #CAD49A and #D4CF9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BD59A shade: #9BD49A, #9AD4A9, #9AD4B8, #9AD4C8 and #9AD1D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BD59A shade matches the following richer shades: #9BD49A, #90E08E, #85EB83 and #79F777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BD59A shade: #9BD49A, #A6C9A5, #B1BDB1, #BCB2BC and #C7A6C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BD59A shade: #BBD49A, #ABD49A, #9CD49A, #9AD4A7 and #9AD4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BD59A shade: #61BC60, #7EC87D, #9BD49A, #B8E1B7 and #D4EDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BD59A shade: #9BD59A, #9ACBD4 and #D49AB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BD59A shade: #9BD59A, #9A9CD4 and #D49A9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BD59A shade: #9BD59A, #9ACBD4, #D29AD4 and #D4A49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BD59A shade: #9BD59A, #9AB9D4, #D29AD4 and #D4B59A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 28 / 16

HEX #9BD59A

RGB 155 213 154

HSL 118.98, 0.41%, 0.72%

LAB 80.12, -30.03, 23.35

 

Complementary color

CMYK 1 / 58 / 0 / 60

HEX #642A65

RGB 100 42 101

HSL 298.98, 0.41%, 0.28%

LAB 27.59, 35.13, -23.06

 

CMYK 25 / 0 / 30 / 16

HEX #A0D595

RGB 160 213 149

HSL 109.69, 0.43%, 0.71%

LAB 80.31, -29.17, 26.26

 

CMYK 23 / 0 / 27 / 9

HEX #B1E7A8

RGB 177 231 168

HSL 111.43, 0.57%, 0.78%

LAB 86.67, -28.98, 25.23

 

CMYK 22 / 0 / 25 / 2

HEX #C2F9BB

RGB 194 249 187

HSL 113.23, 0.84%, 0.85%

LAB 92.93, -28.8, 24.24

 

CMYK 17 / 0 / 19 / 0

HEX #D3FFCE

RGB 211 255 206

HSL 113.88, 1%, 0.9%

LAB 95.92, -22.94, 18.86

 

CMYK 11 / 0 / 12 / 0

HEX #E4FFE1

RGB 228 255 225

HSL 114, 1%, 0.94%

LAB 97.41, -14.12, 11.39

 

CMYK 27 / 0 / 28 / 16

HEX #9BD59A

RGB 155 213 154

HSL 118.98, 0.41%, 0.72%

LAB 80.12, -30.03, 23.35

 

CMYK 29 / 0 / 31 / 24

HEX #8AC387

RGB 138 195 135

HSL 117, 0.33%, 0.65%

LAB 73.66, -30.27, 24.42

 

CMYK 32 / 0 / 34 / 31

HEX #79B174

RGB 121 177 116

HSL 115.08, 0.28%, 0.57%

LAB 67.1, -30.5, 25.55

 

CMYK 35 / 0 / 39 / 38

HEX #689F61

RGB 104 159 97

HSL 113.23, 0.24%, 0.5%

LAB 60.43, -30.73, 26.76

 

CMYK 38 / 0 / 45 / 45

HEX #578D4E

RGB 87 141 78

HSL 111.43, 0.29%, 0.43%

LAB 53.63, -30.94, 28.04

 

CMYK 27 / 0 / 27 / 17

HEX #9BD49A

RGB 155 212 154

HSL 118.97, 0.4%, 0.72%

LAB 79.83, -29.56, 22.96

 

CMYK 19 / 0 / 27 / 17

HEX #ABD49A

RGB 171 212 154

HSL 102.41, 0.4%, 0.72%

LAB 80.78, -24.12, 24.41

 

CMYK 12 / 0 / 27 / 17

HEX #BAD49A

RGB 186 212 154

HSL 86.9, 0.4%, 0.72%

LAB 81.76, -18.77, 25.9

 

CMYK 5 / 0 / 27 / 17

HEX #CAD49A

RGB 202 212 154

HSL 70.34, 0.4%, 0.72%

LAB 82.9, -12.86, 27.64

 

CMYK 0 / 2 / 27 / 17

HEX #D4CF9A

RGB 212 207 154

HSL 54.83, 0.4%, 0.72%

LAB 82.35, -6.54, 27.03

 

CMYK 27 / 0 / 27 / 17

HEX #9BD49A

RGB 155 212 154

HSL 118.97, 0.4%, 0.72%

LAB 79.83, -29.56, 22.96

 

CMYK 27 / 0 / 20 / 17

HEX #9AD4A9

RGB 154 212 169

HSL 135.52, 0.4%, 0.72%

LAB 80.08, -27.25, 15.38

 

CMYK 27 / 0 / 13 / 17

HEX #9AD4B8

RGB 154 212 184

HSL 151.03, 0.4%, 0.72%

LAB 80.41, -24.38, 7.89

 

CMYK 27 / 0 / 6 / 17

HEX #9AD4C8

RGB 154 212 200

HSL 167.59, 0.4%, 0.72%

LAB 80.81, -21.07, -0.07

 

CMYK 27 / 1 / 0 / 17

HEX #9AD1D4

RGB 154 209 212

HSL 183.1, 0.4%, 0.72%

LAB 80.31, -16.91, -7.23

 

CMYK 27 / 0 / 27 / 17

HEX #9BD49A

RGB 155 212 154

HSL 118.97, 0.4%, 0.72%

LAB 79.83, -29.56, 22.96

 

CMYK 36 / 0 / 37 / 12

HEX #90E08E

RGB 144 224 142

HSL 118.54, 0.57%, 0.72%

LAB 82.48, -40.54, 32.62

 

CMYK 43 / 0 / 44 / 8

HEX #85EB83

RGB 133 235 131

HSL 118.85, 0.72%, 0.72%

LAB 85.02, -50.17, 41.3

 

CMYK 51 / 0 / 52 / 3

HEX #79F777

RGB 121 247 119

HSL 119.06, 0.89%, 0.72%

LAB 87.93, -59.79, 50.52

 

CMYK 27 / 0 / 27 / 17

HEX #9BD49A

RGB 155 212 154

HSL 118.97, 0.4%, 0.72%

LAB 79.83, -29.56, 22.96

 

CMYK 17 / 0 / 18 / 21

HEX #A6C9A5

RGB 166 201 165

HSL 118.33, 0.25%, 0.72%

LAB 77.64, -18.57, 14.18

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 0 / 5 / 0 / 26

HEX #BCB2BC

RGB 188 178 188

HSL 300, 0.07%, 0.72%

LAB 73.65, 5.39, -3.81

 

CMYK 0 / 17 / 0 / 22

HEX #C7A6C8

RGB 199 166 200

HSL 298.24, 0.24%, 0.72%

LAB 71.95, 18.01, -12.83

 

CMYK 12 / 0 / 27 / 17

HEX #BBD49A

RGB 187 212 154

HSL 85.86, 0.4%, 0.72%

LAB 81.83, -18.4, 26.01

 

CMYK 19 / 0 / 27 / 17

HEX #ABD49A

RGB 171 212 154

HSL 102.41, 0.4%, 0.72%

LAB 80.78, -24.12, 24.41

 

CMYK 26 / 0 / 27 / 17

HEX #9CD49A

RGB 156 212 154

HSL 117.93, 0.4%, 0.72%

LAB 79.89, -29.23, 23.05

 

CMYK 27 / 0 / 21 / 17

HEX #9AD4A7

RGB 154 212 167

HSL 133.45, 0.4%, 0.72%

LAB 80.04, -27.62, 16.38

 

CMYK 27 / 0 / 14 / 17

HEX #9AD4B7

RGB 154 212 183

HSL 150, 0.4%, 0.72%

LAB 80.39, -24.58, 8.39

 

CMYK 48 / 0 / 49 / 26

HEX #61BC60

RGB 97 188 96

HSL 119.35, 0.41%, 0.56%

LAB 69.01, -45.94, 38.15

 

CMYK 37 / 0 / 38 / 22

HEX #7EC87D

RGB 126 200 125

HSL 119.2, 0.41%, 0.64%

LAB 74.33, -38.09, 30.44

 

CMYK 27 / 0 / 27 / 17

HEX #9BD49A

RGB 155 212 154

HSL 118.97, 0.4%, 0.72%

LAB 79.83, -29.56, 22.96

 

CMYK 18 / 0 / 19 / 12

HEX #B8E1B7

RGB 184 225 183

HSL 118.57, 0.41%, 0.8%

LAB 85.74, -21.25, 16.21

 

CMYK 11 / 0 / 11 / 7

HEX #D4EDD4

RGB 212 237 212

HSL 120, 0.41%, 0.88%

LAB 91.38, -12.77, 9.34

 

CMYK 27 / 0 / 28 / 16

HEX #9BD59A

RGB 155 213 154

HSL 118.98, 0.41%, 0.72%

LAB 80.12, -30.03, 23.35

 

CMYK 27 / 4 / 0 / 17

HEX #9ACBD4

RGB 154 203 212

HSL 189.31, 0.4%, 0.72%

LAB 78.66, -13.84, -9.68

 

CMYK 0 / 27 / 16 / 17

HEX #D49AB3

RGB 212 154 179

HSL 334.14, 0.4%, 0.72%

LAB 69.73, 25.43, -4.38

 

CMYK 27 / 0 / 28 / 16

HEX #9BD59A

RGB 155 213 154

HSL 118.98, 0.41%, 0.72%

LAB 80.12, -30.03, 23.35

 

CMYK 27 / 26 / 0 / 17

HEX #9A9CD4

RGB 154 156 212

HSL 237.93, 0.4%, 0.72%

LAB 66.06, 11.7, -28.77

 

CMYK 0 / 27 / 26 / 17

HEX #D49A9C

RGB 212 154 156

HSL 357.93, 0.4%, 0.72%

LAB 69.12, 21.96, 7.54

 

CMYK 27 / 0 / 28 / 16

HEX #9BD59A

RGB 155 213 154

HSL 118.98, 0.41%, 0.72%

LAB 80.12, -30.03, 23.35

 

CMYK 27 / 4 / 0 / 17

HEX #9ACBD4

RGB 154 203 212

HSL 189.31, 0.4%, 0.72%

LAB 78.66, -13.84, -9.68

 

CMYK 1 / 27 / 0 / 17

HEX #D29AD4

RGB 210 154 212

HSL 297.93, 0.4%, 0.72%

LAB 70.57, 30.52, -21.42

 

CMYK 0 / 23 / 27 / 17

HEX #D4A49A

RGB 212 164 154

HSL 10.34, 0.4%, 0.72%

LAB 71.47, 16.26, 12

 

CMYK 27 / 0 / 28 / 16

HEX #9BD59A

RGB 155 213 154

HSL 118.98, 0.41%, 0.72%

LAB 80.12, -30.03, 23.35

 

CMYK 27 / 13 / 0 / 17

HEX #9AB9D4

RGB 154 185 212

HSL 207.93, 0.4%, 0.72%

LAB 73.75, -4.35, -17.03

 

CMYK 1 / 27 / 0 / 17

HEX #D29AD4

RGB 210 154 212

HSL 297.93, 0.4%, 0.72%

LAB 70.57, 30.52, -21.42

 

CMYK 0 / 15 / 27 / 17

HEX #D4B59A

RGB 212 181 154

HSL 27.93, 0.4%, 0.72%

LAB 75.69, 7.1, 17.9

 

Description

Color code: HEX #9BD59A | qconv.com Color code: HEX #9BD59A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 213 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 213 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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