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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE845 it is the complementary color #6417BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE845 shade: #A0E840, #B1FA53, #C2FF66, #D3FF79 and #E4FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE845 shade: #9BE845, #8AD632, #79C41F, #68B20C and #57A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE845 shade: #9AE744, #C6E744, #E7DD44, #E7B144 and #E78544

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE845 shade: #9AE744, #6EE744, #44E746, #44E772 and #44E79E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE845 shade matches the following richer shades: #9AE744 and #9BF833

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE845 shade: #9AE744, #9AD755, #99C666, #98B577 and #97A488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE845 shade: #E7DD44, #C7E744, #9BE744, #70E744 and #44E744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE845 shade: #71C218, #87E320, #9AE744, #AEEC69 and #C2F18E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE845 shade: #9BE845, #44E7B1 and #E744DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE845 shade: #9BE845, #449BE7 and #E7449B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE845 shade: #9BE845, #44E7B1, #9144E7 and #E7447B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE845 shade: #9BE845, #44E7E2, #9144E7 and #E7444A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

Complementary color

CMYK 46 / 88 / 0 / 27

HEX #6417BA

RGB 100 23 186

HSL 268.34, 0.78%, 0.41%

LAB 31.5, 61.95, -69.27

 

CMYK 31 / 0 / 72 / 9

HEX #A0E840

RGB 160 232 64

HSL 85.71, 0.79%, 0.58%

LAB 84.77, -46.75, 70.06

 

CMYK 29 / 0 / 67 / 2

HEX #B1FA53

RGB 177 250 83

HSL 86.23, 0.94%, 0.65%

LAB 90.94, -47.13, 69.81

 

CMYK 24 / 0 / 60 / 0

HEX #C2FF66

RGB 194 255 102

HSL 83.92, 1%, 0.7%

LAB 93.43, -41.79, 65.24

 

CMYK 17 / 0 / 53 / 0

HEX #D3FF79

RGB 211 255 121

HSL 79.7, 1%, 0.74%

LAB 94.63, -33.93, 58.68

 

CMYK 11 / 0 / 45 / 0

HEX #E4FF8C

RGB 228 255 140

HSL 74.09, 1%, 0.77%

LAB 95.96, -25.76, 51.8

 

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

CMYK 36 / 0 / 77 / 16

HEX #8AD632

RGB 138 214 50

HSL 87.8, 0.67%, 0.52%

LAB 78.3, -47.74, 67.95

 

CMYK 38 / 0 / 84 / 23

HEX #79C41F

RGB 121 196 31

HSL 87.27, 0.73%, 0.45%

LAB 71.99, -47.08, 67.07

 

CMYK 42 / 0 / 93 / 30

HEX #68B20C

RGB 104 178 12

HSL 86.75, 0.87%, 0.37%

LAB 65.6, -46.15, 64.91

 

CMYK 46 / 0 / 100 / 37

HEX #57A000

RGB 87 160 0

HSL 87.38, 1%, 0.31%

LAB 59.13, -44.9, 61.04

 

CMYK 33 / 0 / 71 / 9

HEX #9AE744

RGB 154 231 68

HSL 88.34, 0.77%, 0.59%

LAB 84.19, -48.2, 68

 

CMYK 14 / 0 / 71 / 9

HEX #C6E744

RGB 198 231 68

HSL 72.15, 0.77%, 0.59%

LAB 86.79, -31.75, 71.44

 

CMYK 0 / 4 / 71 / 9

HEX #E7DD44

RGB 231 221 68

HSL 56.32, 0.77%, 0.59%

LAB 86.56, -13.51, 72.06

 

CMYK 0 / 23 / 71 / 9

HEX #E7B144

RGB 231 177 68

HSL 40.12, 0.77%, 0.59%

LAB 75.36, 9.09, 60.89

 

CMYK 0 / 42 / 71 / 9

HEX #E78544

RGB 231 133 68

HSL 23.93, 0.77%, 0.59%

LAB 65.11, 32.4, 50.11

 

CMYK 33 / 0 / 71 / 9

HEX #9AE744

RGB 154 231 68

HSL 88.34, 0.77%, 0.59%

LAB 84.19, -48.2, 68

 

CMYK 52 / 0 / 71 / 9

HEX #6EE744

RGB 110 231 68

HSL 104.54, 0.77%, 0.59%

LAB 82.32, -61.85, 65.49

 

CMYK 71 / 0 / 70 / 9

HEX #44E746

RGB 68 231 70

HSL 120.74, 0.77%, 0.59%

LAB 81.19, -70.87, 63.24

 

CMYK 71 / 0 / 51 / 9

HEX #44E772

RGB 68 231 114

HSL 136.93, 0.77%, 0.59%

LAB 81.62, -65.84, 44.82

 

CMYK 71 / 0 / 32 / 9

HEX #44E79E

RGB 68 231 158

HSL 153.13, 0.77%, 0.59%

LAB 82.3, -58.18, 23.73

 

CMYK 33 / 0 / 71 / 9

HEX #9AE744

RGB 154 231 68

HSL 88.34, 0.77%, 0.59%

LAB 84.19, -48.2, 68

 

CMYK 38 / 0 / 79 / 3

HEX #9BF833

RGB 155 248 51

HSL 88.32, 0.93%, 0.59%

LAB 89.08, -55.66, 77.96

 

CMYK 33 / 0 / 71 / 9

HEX #9AE744

RGB 154 231 68

HSL 88.34, 0.77%, 0.59%

LAB 84.19, -48.2, 68

 

CMYK 28 / 0 / 60 / 16

HEX #9AD755

RGB 154 215 85

HSL 88.15, 0.62%, 0.59%

LAB 79.69, -40.05, 56.53

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 16 / 0 / 34 / 29

HEX #98B577

RGB 152 181 119

HSL 88.06, 0.3%, 0.59%

LAB 70.21, -20.89, 28.43

 

CMYK 8 / 0 / 17 / 36

HEX #97A488

RGB 151 164 136

HSL 87.86, 0.13%, 0.59%

LAB 65.68, -9.81, 13

 

CMYK 0 / 4 / 71 / 9

HEX #E7DD44

RGB 231 221 68

HSL 56.32, 0.77%, 0.59%

LAB 86.56, -13.51, 72.06

 

CMYK 14 / 0 / 71 / 9

HEX #C7E744

RGB 199 231 68

HSL 71.78, 0.77%, 0.59%

LAB 86.86, -31.35, 71.53

 

CMYK 33 / 0 / 71 / 9

HEX #9BE744

RGB 155 231 68

HSL 87.98, 0.77%, 0.59%

LAB 84.24, -47.85, 68.07

 

CMYK 52 / 0 / 71 / 9

HEX #70E744

RGB 112 231 68

HSL 103.8, 0.77%, 0.59%

LAB 82.39, -61.31, 65.58

 

CMYK 71 / 0 / 71 / 9

HEX #44E744

RGB 68 231 68

HSL 120, 0.77%, 0.59%

LAB 81.18, -71.03, 63.96

 

CMYK 42 / 0 / 88 / 24

HEX #71C218

RGB 113 194 24

HSL 88.59, 0.78%, 0.43%

LAB 70.98, -49.24, 67.56

 

CMYK 41 / 0 / 86 / 11

HEX #87E320

RGB 135 227 32

HSL 88.31, 0.78%, 0.51%

LAB 81.94, -54.73, 75.73

 

CMYK 33 / 0 / 71 / 9

HEX #9AE744

RGB 154 231 68

HSL 88.34, 0.77%, 0.59%

LAB 84.19, -48.2, 68

 

CMYK 26 / 0 / 56 / 7

HEX #AEEC69

RGB 174 236 105

HSL 88.4, 0.78%, 0.67%

LAB 87, -40.34, 56.37

 

CMYK 20 / 0 / 41 / 5

HEX #C2F18E

RGB 194 241 142

HSL 88.48, 0.78%, 0.75%

LAB 90.01, -31.43, 42.92

 

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

CMYK 71 / 0 / 23 / 9

HEX #44E7B1

RGB 68 231 177

HSL 160.12, 0.77%, 0.59%

LAB 82.68, -54.11, 14.38

 

CMYK 0 / 71 / 4 / 9

HEX #E744DD

RGB 231 68 221

HSL 303.68, 0.77%, 0.59%

LAB 58.36, 77.85, -45.19

 

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

CMYK 71 / 33 / 0 / 9

HEX #449BE7

RGB 68 155 231

HSL 207.98, 0.77%, 0.59%

LAB 62.03, -1.57, -45.91

 

CMYK 0 / 71 / 33 / 9

HEX #E7449B

RGB 231 68 155

HSL 327.98, 0.77%, 0.59%

LAB 55.57, 69.1, -11.46

 

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

CMYK 71 / 0 / 23 / 9

HEX #44E7B1

RGB 68 231 177

HSL 160.12, 0.77%, 0.59%

LAB 82.68, -54.11, 14.38

 

CMYK 37 / 71 / 0 / 9

HEX #9144E7

RGB 145 68 231

HSL 268.34, 0.77%, 0.59%

LAB 46.87, 62.35, -69.93

 

CMYK 0 / 71 / 47 / 9

HEX #E7447B

RGB 231 68 123

HSL 339.75, 0.77%, 0.59%

LAB 54.61, 65.91, 6.08

 

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

CMYK 71 / 0 / 2 / 9

HEX #44E7E2

RGB 68 231 226

HSL 178.16, 0.77%, 0.59%

LAB 83.9, -41.81, -9.67

 

CMYK 37 / 71 / 0 / 9

HEX #9144E7

RGB 145 68 231

HSL 268.34, 0.77%, 0.59%

LAB 46.87, 62.35, -69.93

 

CMYK 0 / 71 / 68 / 9

HEX #E7444A

RGB 231 68 74

HSL 357.79, 0.77%, 0.59%

LAB 53.62, 62.54, 33.76

 

Description

Color code: HEX #9BE845 | qconv.com Color code: HEX #9BE845 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 232 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 232 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 70 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 70% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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