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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C85C5 it is the complementary color #637A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C85C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C85C5 shade: #A185C0, #B297D3, #C3A9E6, #D4BBF9 and #E5CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C85C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C85C5 shade: #9C85C5, #8B73B2, #7A619F, #694F8C and #583D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C85C5 shade: #9C85C5, #AE85C5, #BF85C5, #C585BB and #C585A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C85C5 shade: #9C85C5, #8B85C5 and #8585C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C85C5 shade matches the following richer shades: #9C85C5, #9877D4, #9468E2 and #905AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C85C5 shade: #9C85C5, #A094B7, #A4A2A8, #A8B09A and #ACBF8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C85C5 shade: #8591C5, #8A85C5, #9C85C5, #AD85C5 and #BE85C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C85C5 shade: #6F4FA9, #8569B8, #9C85C5, #B3A1D3 and #CABDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C85C5 shade: #9C85C5, #C585A2 and #88C585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C85C5 shade: #9C85C5, #C59C85 and #85C59C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C85C5 shade: #9C85C5, #C585A2, #AFC585 and #85C5A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C85C5 shade: #9C85C5, #C5858F, #AFC585 and #85C5BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

Complementary color

CMYK 19 / 0 / 52 / 52

HEX #637A3A

RGB 99 122 58

HSL 81.56, 0.36%, 0.35%

LAB 48.1, -19.57, 32.03

 

CMYK 16 / 31 / 0 / 25

HEX #A185C0

RGB 161 133 192

HSL 268.47, 0.32%, 0.64%

LAB 60.03, 22.28, -26.82

 

CMYK 16 / 28 / 0 / 17

HEX #B297D3

RGB 178 151 211

HSL 267, 0.41%, 0.71%

LAB 66.75, 21.68, -26.99

 

CMYK 15 / 27 / 0 / 10

HEX #C3A9E6

RGB 195 169 230

HSL 265.57, 0.55%, 0.78%

LAB 73.34, 21.13, -27.17

 

CMYK 15 / 25 / 0 / 2

HEX #D4BBF9

RGB 212 187 249

HSL 264.19, 0.84%, 0.85%

LAB 79.83, 20.63, -27.38

 

CMYK 10 / 20 / 0 / 0

HEX #E5CDFF

RGB 229 205 255

HSL 268.8, 1%, 0.9%

LAB 85.78, 17.51, -21.39

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 22 / 35 / 0 / 30

HEX #8B73B2

RGB 139 115 178

HSL 262.86, 0.29%, 0.57%

LAB 52.91, 22.53, -30.01

 

CMYK 23 / 39 / 0 / 38

HEX #7A619F

RGB 122 97 159

HSL 264.19, 0.24%, 0.5%

LAB 45.89, 23.29, -29.97

 

CMYK 25 / 44 / 0 / 45

HEX #694F8C

RGB 105 79 140

HSL 265.57, 0.28%, 0.43%

LAB 38.71, 24.14, -29.97

 

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 12 / 32 / 0 / 23

HEX #AE85C5

RGB 174 133 197

HSL 278.44, 0.36%, 0.65%

LAB 61.49, 27.51, -27.29

 

CMYK 3 / 32 / 0 / 23

HEX #BF85C5

RGB 191 133 197

HSL 294.38, 0.36%, 0.65%

LAB 63.25, 32.97, -24.44

 

CMYK 0 / 32 / 5 / 23

HEX #C585BB

RGB 197 133 187

HSL 309.38, 0.36%, 0.65%

LAB 63.54, 33.06, -18.3

 

CMYK 0 / 32 / 14 / 23

HEX #C585A9

RGB 197 133 169

HSL 326.25, 0.36%, 0.65%

LAB 62.94, 29.95, -9.01

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 29 / 32 / 0 / 23

HEX #8B85C5

RGB 139 133 197

HSL 245.63, 0.36%, 0.65%

LAB 58.32, 16.72, -32.46

 

CMYK 32 / 32 / 0 / 23

HEX #8585C5

RGB 133 133 197

HSL 240, 0.36%, 0.65%

LAB 57.84, 14.96, -33.23

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 28 / 44 / 0 / 17

HEX #9877D4

RGB 152 119 212

HSL 261.29, 0.52%, 0.65%

LAB 56.71, 32.37, -43.38

 

CMYK 35 / 54 / 0 / 11

HEX #9468E2

RGB 148 104 226

HSL 261.64, 0.68%, 0.65%

LAB 53.69, 43.36, -56.08

 

CMYK 40 / 63 / 0 / 5

HEX #905AF1

RGB 144 90 241

HSL 261.46, 0.84%, 0.65%

LAB 51.37, 53.9, -68.26

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 13 / 19 / 0 / 28

HEX #A094B7

RGB 160 148 183

HSL 260.57, 0.2%, 0.65%

LAB 63.4, 11.41, -16.59

 

CMYK 2 / 4 / 0 / 34

HEX #A4A2A8

RGB 164 162 168

HSL 260, 0.03%, 0.65%

LAB 66.95, 1.87, -2.86

 

CMYK 5 / 0 / 13 / 31

HEX #A8B09A

RGB 168 176 154

HSL 81.82, 0.12%, 0.65%

LAB 70.67, -6.83, 10.31

 

CMYK 10 / 0 / 27 / 25

HEX #ACBF8C

RGB 172 191 140

HSL 82.35, 0.28%, 0.65%

LAB 74.78, -15.41, 23.63

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 30 / 32 / 0 / 23

HEX #8A85C5

RGB 138 133 197

HSL 244.69, 0.36%, 0.65%

LAB 58.24, 16.42, -32.59

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 12 / 32 / 0 / 23

HEX #AD85C5

RGB 173 133 197

HSL 277.5, 0.36%, 0.65%

LAB 61.39, 27.19, -27.46

 

CMYK 4 / 32 / 0 / 23

HEX #BE85C5

RGB 190 133 197

HSL 293.44, 0.36%, 0.65%

LAB 63.14, 32.64, -24.61

 

CMYK 34 / 53 / 0 / 34

HEX #6F4FA9

RGB 111 79 169

HSL 261.33, 0.36%, 0.49%

LAB 40.95, 33.5, -43.78

 

CMYK 28 / 43 / 0 / 28

HEX #8569B8

RGB 133 105 184

HSL 261.27, 0.36%, 0.57%

LAB 50.16, 28.11, -37.83

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 15 / 24 / 0 / 17

HEX #B3A1D3

RGB 179 161 211

HSL 261.6, 0.36%, 0.73%

LAB 69.31, 16.4, -23.05

 

CMYK 10 / 16 / 0 / 12

HEX #CABDE0

RGB 202 189 224

HSL 262.29, 0.36%, 0.81%

LAB 78.66, 11.19, -15.8

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 0 / 32 / 18 / 23

HEX #C585A2

RGB 197 133 162

HSL 332.81, 0.36%, 0.65%

LAB 62.72, 28.82, -5.35

 

CMYK 31 / 0 / 32 / 23

HEX #88C585

RGB 136 197 133

HSL 117.19, 0.36%, 0.65%

LAB 74.1, -32.2, 26.04

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 0 / 21 / 32 / 23

HEX #C59C85

RGB 197 156 133

HSL 21.56, 0.36%, 0.65%

LAB 67.53, 11.96, 17.85

 

CMYK 32 / 0 / 21 / 23

HEX #85C59C

RGB 133 197 156

HSL 141.56, 0.36%, 0.65%

LAB 74.39, -29.07, 14.17

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 0 / 32 / 18 / 23

HEX #C585A2

RGB 197 133 162

HSL 332.81, 0.36%, 0.65%

LAB 62.72, 28.82, -5.35

 

CMYK 11 / 0 / 32 / 23

HEX #AFC585

RGB 175 197 133

HSL 80.63, 0.36%, 0.65%

LAB 76.52, -18.33, 29.7

 

CMYK 32 / 0 / 15 / 23

HEX #85C5A8

RGB 133 197 168

HSL 152.81, 0.36%, 0.65%

LAB 74.66, -26.68, 8.09

 

CMYK 21 / 32 / 0 / 23

HEX #9C85C5

RGB 156 133 197

HSL 261.56, 0.36%, 0.65%

LAB 59.77, 21.86, -30.08

 

CMYK 0 / 32 / 27 / 23

HEX #C5858F

RGB 197 133 143

HSL 350.63, 0.36%, 0.65%

LAB 62.19, 25.97, 4.7

 

CMYK 11 / 0 / 32 / 23

HEX #AFC585

RGB 175 197 133

HSL 80.63, 0.36%, 0.65%

LAB 76.52, -18.33, 29.7

 

CMYK 32 / 0 / 5 / 23

HEX #85C5BC

RGB 133 197 188

HSL 171.56, 0.36%, 0.65%

LAB 75.17, -22.33, -2

 

Description

Color code: HEX #9C85C5 | qconv.com Color code: HEX #9C85C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 133 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 133 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 32 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 32% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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