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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C93A6 it is the complementary color #636C59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C93A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C93A6 shade: #A193A1, #B2A5B4, #C3B7C7, #D4C9DA and #E5DBED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C93A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C93A6 shade: #9C93A6, #8B8193, #7A6F80, #695D6D and #584B5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C93A6 shade: #9B91A5, #A091A5, #A591A5, #A5919F and #A5919A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C93A6 shade: #9B91A5, #9591A5 and #9191A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C93A6 shade matches the following richer shades: #9B91A5, #9A81B5, #9971C5, #9861D5 and #9751E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C93A6 shade: #9B91A5, #9BA195, #9CB185, #9DC175 and #9ED165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C93A6 shade: #9192A5, #9591A5, #9A91A5, #A091A5 and #A591A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C93A6 shade: #71667D, #867A92, #9B91A5, #AFA8B8 and #C4BECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C93A6 shade: #9C93A6, #A59198 and #91A592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C93A6 shade: #9C93A6, #A59A91 and #91A59A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C93A6 shade: #9C93A6, #A59198, #9CA591 and #91A59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C93A6 shade: #9C93A6, #A59192, #9CA591 and #91A5A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 11 / 0 / 35

HEX #9C93A6

RGB 156 147 166

HSL 268.42, 0.1%, 0.61%

LAB 62.24, 7.02, -8.77

 

Complementary color

CMYK 8 / 0 / 18 / 58

HEX #636C59

RGB 99 108 89

HSL 88.42, 0.1%, 0.39%

LAB 44.37, -7.25, 9.49

 

CMYK 0 / 9 / 0 / 37

HEX #A193A1

RGB 161 147 161

HSL 300, 0.07%, 0.6%

LAB 62.52, 7.79, -5.48

 

CMYK 1 / 8 / 0 / 29

HEX #B2A5B4

RGB 178 165 180

HSL 292, 0.09%, 0.68%

LAB 69.23, 7.47, -6.02

 

CMYK 2 / 8 / 0 / 22

HEX #C3B7C7

RGB 195 183 199

HSL 285, 0.13%, 0.75%

LAB 75.82, 7.18, -6.55

 

CMYK 3 / 8 / 0 / 15

HEX #D4C9DA

RGB 212 201 218

HSL 278.82, 0.19%, 0.82%

LAB 82.29, 6.91, -7.07

 

CMYK 3 / 8 / 0 / 7

HEX #E5DBED

RGB 229 219 237

HSL 273.33, 0.33%, 0.89%

LAB 88.65, 6.65, -7.57

 

CMYK 6 / 11 / 0 / 35

HEX #9C93A6

RGB 156 147 166

HSL 268.42, 0.1%, 0.61%

LAB 62.24, 7.02, -8.77

 

CMYK 5 / 12 / 0 / 42

HEX #8B8193

RGB 139 129 147

HSL 273.33, 0.08%, 0.54%

LAB 55.38, 7.34, -8.29

 

CMYK 5 / 13 / 0 / 50

HEX #7A6F80

RGB 122 111 128

HSL 278.82, 0.07%, 0.47%

LAB 48.34, 7.69, -7.81

 

CMYK 4 / 15 / 0 / 57

HEX #695D6D

RGB 105 93 109

HSL 285, 0.08%, 0.4%

LAB 41.11, 8.09, -7.31

 

CMYK 2 / 17 / 0 / 65

HEX #584B5A

RGB 88 75 90

HSL 292, 0.09%, 0.32%

LAB 33.66, 8.55, -6.81

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 3 / 12 / 0 / 35

HEX #A091A5

RGB 160 145 165

HSL 285, 0.1%, 0.61%

LAB 62.03, 9.35, -8.48

 

CMYK 0 / 12 / 0 / 35

HEX #A591A5

RGB 165 145 165

HSL 300, 0.1%, 0.61%

LAB 62.48, 11.13, -7.77

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 12 / 7 / 35

HEX #A5919A

RGB 165 145 154

HSL 333, 0.1%, 0.61%

LAB 62.15, 9.05, -2.01

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 10 / 12 / 0 / 35

HEX #9591A5

RGB 149 145 165

HSL 252, 0.1%, 0.61%

LAB 61.1, 5.5, -9.98

 

CMYK 12 / 12 / 0 / 35

HEX #9191A5

RGB 145 145 165

HSL 240, 0.1%, 0.61%

LAB 60.77, 4.12, -10.5

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 15 / 29 / 0 / 29

HEX #9A81B5

RGB 154 129 181

HSL 268.85, 0.26%, 0.61%

LAB 57.95, 19.85, -23.83

 

CMYK 22 / 43 / 0 / 23

HEX #9971C5

RGB 153 113 197

HSL 268.57, 0.42%, 0.61%

LAB 54.67, 32.45, -38.06

 

CMYK 29 / 54 / 0 / 16

HEX #9861D5

RGB 152 97 213

HSL 268.45, 0.58%, 0.61%

LAB 51.87, 44.97, -51.62

 

CMYK 34 / 65 / 0 / 10

HEX #9751E5

RGB 151 81 229

HSL 268.38, 0.74%, 0.61%

LAB 49.64, 56.91, -64.28

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 4 / 0 / 7 / 37

HEX #9BA195

RGB 155 161 149

HSL 90, 0.06%, 0.61%

LAB 65.46, -4.41, 5.5

 

CMYK 12 / 0 / 25 / 31

HEX #9CB185

RGB 156 177 133

HSL 88.64, 0.22%, 0.61%

LAB 69.62, -15.26, 20.16

 

CMYK 19 / 0 / 39 / 24

HEX #9DC175

RGB 157 193 117

HSL 88.42, 0.38%, 0.61%

LAB 73.93, -25.24, 34.38

 

CMYK 24 / 0 / 52 / 18

HEX #9ED165

RGB 158 209 101

HSL 88.33, 0.54%, 0.61%

LAB 78.35, -34.35, 47.8

 

CMYK 12 / 12 / 0 / 35

HEX #9192A5

RGB 145 146 165

HSL 237, 0.1%, 0.61%

LAB 61.04, 3.56, -10.1

 

CMYK 10 / 12 / 0 / 35

HEX #9591A5

RGB 149 145 165

HSL 252, 0.1%, 0.61%

LAB 61.1, 5.5, -9.98

 

CMYK 7 / 12 / 0 / 35

HEX #9A91A5

RGB 154 145 165

HSL 267, 0.1%, 0.61%

LAB 61.51, 7.24, -9.31

 

CMYK 3 / 12 / 0 / 35

HEX #A091A5

RGB 160 145 165

HSL 285, 0.1%, 0.61%

LAB 62.03, 9.35, -8.48

 

CMYK 0 / 12 / 0 / 35

HEX #A591A5

RGB 165 145 165

HSL 300, 0.1%, 0.61%

LAB 62.48, 11.13, -7.77

 

CMYK 10 / 18 / 0 / 51

HEX #71667D

RGB 113 102 125

HSL 268.7, 0.1%, 0.45%

LAB 44.93, 9.13, -11.22

 

CMYK 8 / 16 / 0 / 43

HEX #867A92

RGB 134 122 146

HSL 270, 0.1%, 0.53%

LAB 53.02, 9.41, -11.29

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 5 / 9 / 0 / 28

HEX #AFA8B8

RGB 175 168 184

HSL 266.25, 0.1%, 0.69%

LAB 69.88, 5.56, -7.31

 

CMYK 3 / 6 / 0 / 21

HEX #C4BECA

RGB 196 190 202

HSL 270, 0.1%, 0.77%

LAB 77.77, 4.32, -5.28

 

CMYK 6 / 11 / 0 / 35

HEX #9C93A6

RGB 156 147 166

HSL 268.42, 0.1%, 0.61%

LAB 62.24, 7.02, -8.77

 

CMYK 0 / 12 / 8 / 35

HEX #A59198

RGB 165 145 152

HSL 339, 0.1%, 0.61%

LAB 62.1, 8.69, -0.96

 

CMYK 12 / 0 / 12 / 35

HEX #91A592

RGB 145 165 146

HSL 123, 0.1%, 0.61%

LAB 65.75, -10.74, 7.49

 

CMYK 6 / 11 / 0 / 35

HEX #9C93A6

RGB 156 147 166

HSL 268.42, 0.1%, 0.61%

LAB 62.24, 7.02, -8.77

 

CMYK 0 / 7 / 12 / 35

HEX #A59A91

RGB 165 154 145

HSL 27, 0.1%, 0.61%

LAB 64.29, 2.44, 6.16

 

CMYK 12 / 0 / 7 / 35

HEX #91A59A

RGB 145 165 154

HSL 147, 0.1%, 0.61%

LAB 65.95, -9.2, 3.33

 

CMYK 6 / 11 / 0 / 35

HEX #9C93A6

RGB 156 147 166

HSL 268.42, 0.1%, 0.61%

LAB 62.24, 7.02, -8.77

 

CMYK 0 / 12 / 8 / 35

HEX #A59198

RGB 165 145 152

HSL 339, 0.1%, 0.61%

LAB 62.1, 8.69, -0.96

 

CMYK 5 / 0 / 12 / 35

HEX #9CA591

RGB 156 165 145

HSL 87, 0.1%, 0.61%

LAB 66.54, -6.93, 9.28

 

CMYK 12 / 0 / 4 / 35

HEX #91A59E

RGB 145 165 158

HSL 159, 0.1%, 0.61%

LAB 66.06, -8.4, 1.25

 

CMYK 6 / 11 / 0 / 35

HEX #9C93A6

RGB 156 147 166

HSL 268.42, 0.1%, 0.61%

LAB 62.24, 7.02, -8.77

 

CMYK 0 / 12 / 12 / 35

HEX #A59192

RGB 165 145 146

HSL 357, 0.1%, 0.61%

LAB 61.93, 7.62, 2.2

 

CMYK 5 / 0 / 12 / 35

HEX #9CA591

RGB 156 165 145

HSL 87, 0.1%, 0.61%

LAB 66.54, -6.93, 9.28

 

CMYK 12 / 0 / 1 / 35

HEX #91A5A4

RGB 145 165 164

HSL 177, 0.1%, 0.61%

LAB 66.22, -7.17, -1.86

 

Description

Color code: HEX #9C93A6 | qconv.com Color code: HEX #9C93A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 147 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 147 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 11 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 11% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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