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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D5C67 it is the complementary color #62A398. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D5C67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D5C67 shade: #A25C62, #B36E75, #C48088, #D5929B and #E6A4AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D5C67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D5C67 shade: #9D5C67, #8C4A54, #7B3841, #6A262E and #59141B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D5C67 shade: #9D5C67 and #9D5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D5C67 shade: #9D5C67, #9D5C78, #9D5C8A, #9D5C9C and #8D5C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D5C67 shade matches the following richer shades: #9D5C67, #B1485A, #C5344C, #DA1F3F and #EE0B31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D5C67 shade: #9D5C67, #897074, #758482, #60998F and #4CAD9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D5C67 shade: #9D5C8B, #9D5C79, #9D5C68, #9D615C and #9D735C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D5C67 shade: #693D45, #834D56, #9D5C67, #AE757E and #BD8F96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D5C67 shade: #9D5C67, #9C9D5C and #5C829D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D5C67 shade: #9D5C67, #689D5C and #5C689D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D5C67 shade: #9D5C67, #9C9D5C, #5C9D91 and #5D5C9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D5C67 shade: #9D5C67, #889D5C, #5C9D91 and #715C9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

Complementary color

CMYK 40 / 0 / 7 / 36

HEX #62A398

RGB 98 163 152

HSL 169.85, 0.26%, 0.51%

LAB 62.56, -23.45, -0.83

 

CMYK 0 / 43 / 40 / 36

HEX #A25C62

RGB 162 92 98

HSL 354.86, 0.28%, 0.5%

LAB 47.26, 29.28, 9.14

 

CMYK 0 / 39 / 35 / 30

HEX #B36E75

RGB 179 110 117

HSL 353.91, 0.31%, 0.57%

LAB 54.05, 28.28, 7.78

 

CMYK 0 / 35 / 31 / 23

HEX #C48088

RGB 196 128 136

HSL 352.94, 0.37%, 0.64%

LAB 60.74, 27.37, 6.6

 

CMYK 0 / 31 / 27 / 16

HEX #D5929B

RGB 213 146 155

HSL 351.94, 0.44%, 0.7%

LAB 67.33, 26.54, 5.55

 

CMYK 0 / 29 / 24 / 10

HEX #E6A4AE

RGB 230 164 174

HSL 350.91, 0.57%, 0.77%

LAB 73.82, 25.79, 4.6

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 0 / 47 / 40 / 45

HEX #8C4A54

RGB 140 74 84

HSL 350.91, 0.31%, 0.42%

LAB 39.77, 28.99, 6.68

 

CMYK 0 / 54 / 47 / 52

HEX #7B3841

RGB 123 56 65

HSL 351.94, 0.37%, 0.35%

LAB 32.75, 30.08, 8.46

 

CMYK 0 / 64 / 57 / 58

HEX #6A262E

RGB 106 38 46

HSL 352.94, 0.47%, 0.28%

LAB 25.71, 31.1, 10.8

 

CMYK 0 / 78 / 70 / 65

HEX #59141B

RGB 89 20 27

HSL 353.91, 0.63%, 0.21%

LAB 18.81, 31.72, 14.1

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 0 / 41 / 41 / 38

HEX #9D5C5C

RGB 157 92 92

HSL 0, 0.26%, 0.49%

LAB 46.44, 26.59, 11.5

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 0 / 41 / 24 / 38

HEX #9D5C78

RGB 157 92 120

HSL 334.15, 0.26%, 0.49%

LAB 47.21, 30.41, -4.29

 

CMYK 0 / 41 / 12 / 38

HEX #9D5C8A

RGB 157 92 138

HSL 317.54, 0.26%, 0.49%

LAB 47.83, 33.36, -14.17

 

CMYK 0 / 41 / 1 / 38

HEX #9D5C9C

RGB 157 92 156

HSL 300.92, 0.26%, 0.49%

LAB 48.54, 36.66, -23.78

 

CMYK 10 / 41 / 0 / 38

HEX #8D5C9D

RGB 141 92 157

HSL 285.23, 0.26%, 0.49%

LAB 46.65, 31.75, -27.46

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 0 / 59 / 49 / 31

HEX #B1485A

RGB 177 72 90

HSL 349.71, 0.42%, 0.49%

LAB 45.25, 44.36, 11.5

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 86 / 71 / 15

HEX #DA1F3F

RGB 218 31 63

HSL 349.73, 0.75%, 0.49%

LAB 47.29, 68.75, 32.01

 

CMYK 0 / 95 / 79 / 7

HEX #EE0B31

RGB 238 11 49

HSL 349.96, 0.91%, 0.49%

LAB 50.26, 75.93, 44.54

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 0 / 18 / 15 / 46

HEX #897074

RGB 137 112 116

HSL 350.4, 0.1%, 0.49%

LAB 49.7, 10.51, 1.48

 

CMYK 11 / 0 / 2 / 48

HEX #758482

RGB 117 132 130

HSL 172, 0.06%, 0.49%

LAB 53.92, -5.88, -0.79

 

CMYK 37 / 0 / 7 / 40

HEX #60998F

RGB 96 153 143

HSL 169.47, 0.23%, 0.49%

LAB 59.21, -21.07, -0.66

 

CMYK 56 / 0 / 10 / 32

HEX #4CAD9C

RGB 76 173 156

HSL 169.48, 0.39%, 0.49%

LAB 64.82, -32.67, 0.14

 

CMYK 0 / 41 / 11 / 38

HEX #9D5C8B

RGB 157 92 139

HSL 316.62, 0.26%, 0.49%

LAB 47.86, 33.54, -14.71

 

CMYK 0 / 41 / 23 / 38

HEX #9D5C79

RGB 157 92 121

HSL 333.23, 0.26%, 0.49%

LAB 47.24, 30.56, -4.85

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C68

RGB 157 92 104

HSL 348.92, 0.26%, 0.49%

LAB 46.74, 28.1, 4.69

 

CMYK 0 / 38 / 41 / 38

HEX #9D615C

RGB 157 97 92

HSL 4.62, 0.26%, 0.49%

LAB 47.61, 23.76, 13.13

 

CMYK 0 / 27 / 41 / 38

HEX #9D735C

RGB 157 115 92

HSL 21.23, 0.26%, 0.49%

LAB 52.07, 13.46, 19.21

 

CMYK 0 / 42 / 34 / 59

HEX #693D45

RGB 105 61 69

HSL 349.09, 0.27%, 0.33%

LAB 31.28, 20.41, 3.41

 

CMYK 0 / 41 / 34 / 49

HEX #834D56

RGB 131 77 86

HSL 350, 0.26%, 0.41%

LAB 39.25, 23.97, 4.52

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 0 / 33 / 28 / 32

HEX #AE757E

RGB 174 117 126

HSL 350.53, 0.26%, 0.57%

LAB 55.31, 23.68, 4.23

 

CMYK 0 / 24 / 21 / 26

HEX #BD8F96

RGB 189 143 150

HSL 350.87, 0.26%, 0.65%

LAB 63.89, 18.46, 3.07

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 1 / 0 / 41 / 38

HEX #9C9D5C

RGB 156 157 92

HSL 60.92, 0.26%, 0.49%

LAB 63.31, -10.34, 33.82

 

CMYK 41 / 17 / 0 / 38

HEX #5C829D

RGB 92 130 157

HSL 204.92, 0.26%, 0.49%

LAB 52.59, -5.98, -18.63

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 34 / 0 / 41 / 38

HEX #689D5C

RGB 104 157 92

HSL 108.92, 0.26%, 0.49%

LAB 59.73, -30.55, 28.54

 

CMYK 41 / 34 / 0 / 38

HEX #5C689D

RGB 92 104 157

HSL 228.92, 0.26%, 0.49%

LAB 45.1, 9.53, -30.22

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 1 / 0 / 41 / 38

HEX #9C9D5C

RGB 156 157 92

HSL 60.92, 0.26%, 0.49%

LAB 63.31, -10.34, 33.82

 

CMYK 41 / 0 / 8 / 38

HEX #5C9D91

RGB 92 157 145

HSL 168.92, 0.26%, 0.49%

LAB 60.28, -23.75, -0.25

 

CMYK 41 / 41 / 0 / 38

HEX #5D5C9D

RGB 93 92 157

HSL 240.92, 0.26%, 0.49%

LAB 41.87, 17.28, -35.29

 

CMYK 0 / 41 / 34 / 38

HEX #9D5C67

RGB 157 92 103

HSL 349.85, 0.26%, 0.49%

LAB 46.71, 27.97, 5.25

 

CMYK 13 / 0 / 41 / 38

HEX #889D5C

RGB 136 157 92

HSL 79.38, 0.26%, 0.49%

LAB 61.76, -18.51, 31.54

 

CMYK 41 / 0 / 8 / 38

HEX #5C9D91

RGB 92 157 145

HSL 168.92, 0.26%, 0.49%

LAB 60.28, -23.75, -0.25

 

CMYK 28 / 41 / 0 / 38

HEX #715C9D

RGB 113 92 157

HSL 259.38, 0.26%, 0.49%

LAB 43.65, 23.05, -32.36

 

Description

Color code: HEX #9D5C67 | qconv.com Color code: HEX #9D5C67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 92 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 92 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 34 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 34% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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