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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D92F3 it is the complementary color #626D0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D92F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D92F3 shade: #A292EE, #B3A4FF, #C4B6FF, #D5C8FF and #E6DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D92F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D92F3 shade: #9D92F3, #8C80E0, #7B6ECD, #6A5CBA and #594AA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D92F3 shade: #9B90F2, #B690F2, #D090F2, #EB90F2 and #F290DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D92F3 shade: #9B90F2 and #9090F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D92F3 shade matches the following richer shades: #9B90F2 and #9486FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D92F3 shade: #9B90F2, #A39AE8, #ABA4DE, #B2AED5 and #BAB8CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D92F3 shade: #90BBF2, #90A1F2, #9A90F2, #B490F2 and #CE90F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D92F3 shade: #5946EA, #7A6BEE, #9B90F2, #BDB5F6 and #DEDBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D92F3 shade: #9D92F3, #F290D5 and #AEF290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D92F3 shade: #9D92F3, #F29A90 and #90F29A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D92F3 shade: #9D92F3, #F290D5, #E8F290 and #90F2AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D92F3 shade: #9D92F3, #F290B8, #E8F290 and #90F2CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 40 / 0 / 5

HEX #9D92F3

RGB 157 146 243

HSL 246.8, 0.8%, 0.76%

LAB 65.12, 26.17, -47.33

 

Complementary color

CMYK 10 / 0 / 89 / 57

HEX #626D0C

RGB 98 109 12

HSL 66.8, 0.8%, 0.24%

LAB 43.6, -16.42, 46.61

 

CMYK 32 / 39 / 0 / 7

HEX #A292EE

RGB 162 146 238

HSL 250.43, 0.73%, 0.75%

LAB 65.29, 26.21, -44.28

 

CMYK 30 / 36 / 0 / 0

HEX #B3A4FF

RGB 179 164 255

HSL 249.89, 1%, 0.82%

LAB 71.8, 24.97, -43.26

 

CMYK 23 / 29 / 0 / 0

HEX #C4B6FF

RGB 196 182 255

HSL 251.51, 1%, 0.86%

LAB 77.53, 19.85, -34.24

 

CMYK 16 / 22 / 0 / 0

HEX #D5C8FF

RGB 213 200 255

HSL 254.18, 1%, 0.89%

LAB 83.27, 15.2, -25.31

 

CMYK 10 / 15 / 0 / 0

HEX #E6DAFF

RGB 230 218 255

HSL 259.46, 1%, 0.93%

LAB 89.01, 10.95, -16.5

 

CMYK 35 / 40 / 0 / 5

HEX #9D92F3

RGB 157 146 243

HSL 246.8, 0.8%, 0.76%

LAB 65.12, 26.17, -47.33

 

CMYK 38 / 43 / 0 / 12

HEX #8C80E0

RGB 140 128 224

HSL 247.5, 0.61%, 0.69%

LAB 58.41, 27.06, -47.49

 

CMYK 40 / 46 / 0 / 20

HEX #7B6ECD

RGB 123 110 205

HSL 248.21, 0.49%, 0.62%

LAB 51.58, 28.07, -47.7

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

CMYK 47 / 56 / 0 / 35

HEX #594AA7

RGB 89 74 167

HSL 249.68, 0.39%, 0.47%

LAB 37.5, 30.55, -48.24

 

CMYK 36 / 40 / 0 / 5

HEX #9B90F2

RGB 155 144 242

HSL 246.73, 0.79%, 0.76%

LAB 64.42, 26.53, -47.88

 

CMYK 25 / 40 / 0 / 5

HEX #B690F2

RGB 182 144 242

HSL 263.27, 0.79%, 0.76%

LAB 66.75, 33.86, -44.06

 

CMYK 14 / 40 / 0 / 5

HEX #D090F2

RGB 208 144 242

HSL 279.18, 0.79%, 0.76%

LAB 69.3, 41.28, -39.88

 

CMYK 3 / 40 / 0 / 5

HEX #EB90F2

RGB 235 144 242

HSL 295.71, 0.79%, 0.76%

LAB 72.24, 49.19, -35.09

 

CMYK 0 / 40 / 8 / 5

HEX #F290DF

RGB 242 144 223

HSL 311.63, 0.79%, 0.76%

LAB 72.33, 47.97, -24.48

 

CMYK 36 / 40 / 0 / 5

HEX #9B90F2

RGB 155 144 242

HSL 246.73, 0.79%, 0.76%

LAB 64.42, 26.53, -47.88

 

CMYK 40 / 40 / 0 / 5

HEX #9090F2

RGB 144 144 242

HSL 240, 0.79%, 0.76%

LAB 63.58, 23.71, -49.27

 

CMYK 36 / 40 / 0 / 5

HEX #9B90F2

RGB 155 144 242

HSL 246.73, 0.79%, 0.76%

LAB 64.42, 26.53, -47.88

 

CMYK 41 / 47 / 0 / 1

HEX #9486FC

RGB 148 134 252

HSL 247.12, 0.95%, 0.76%

LAB 61.98, 33.23, -57.3

 

CMYK 36 / 40 / 0 / 5

HEX #9B90F2

RGB 155 144 242

HSL 246.73, 0.79%, 0.76%

LAB 64.42, 26.53, -47.88

 

CMYK 30 / 34 / 0 / 9

HEX #A39AE8

RGB 163 154 232

HSL 246.92, 0.63%, 0.76%

LAB 67.07, 20.42, -38.19

 

CMYK 23 / 26 / 0 / 13

HEX #ABA4DE

RGB 171 164 222

HSL 247.24, 0.47%, 0.76%

LAB 69.81, 14.71, -28.4

 

CMYK 16 / 18 / 0 / 16

HEX #B2AED5

RGB 178 174 213

HSL 246.15, 0.32%, 0.76%

LAB 72.59, 9.31, -19.17

 

CMYK 8 / 9 / 0 / 20

HEX #BAB8CB

RGB 186 184 203

HSL 246.32, 0.15%, 0.76%

LAB 75.47, 4.37, -9.32

 

CMYK 40 / 23 / 0 / 5

HEX #90BBF2

RGB 144 187 242

HSL 213.67, 0.79%, 0.76%

LAB 74.75, -0.6, -31.83

 

CMYK 40 / 33 / 0 / 5

HEX #90A1F2

RGB 144 161 242

HSL 229.59, 0.79%, 0.76%

LAB 67.9, 13.93, -42.48

 

CMYK 36 / 40 / 0 / 5

HEX #9A90F2

RGB 154 144 242

HSL 246.12, 0.79%, 0.76%

LAB 64.34, 26.27, -48.01

 

CMYK 26 / 40 / 0 / 5

HEX #B490F2

RGB 180 144 242

HSL 262.04, 0.79%, 0.76%

LAB 66.57, 33.3, -44.36

 

CMYK 15 / 40 / 0 / 5

HEX #CE90F2

RGB 206 144 242

HSL 277.96, 0.79%, 0.76%

LAB 69.1, 40.71, -40.22

 

CMYK 62 / 70 / 0 / 8

HEX #5946EA

RGB 89 70 234

HSL 246.95, 0.8%, 0.6%

LAB 41.91, 53.41, -79.96

 

CMYK 49 / 55 / 0 / 7

HEX #7A6BEE

RGB 122 107 238

HSL 246.87, 0.79%, 0.68%

LAB 52.76, 39.13, -64.44

 

CMYK 36 / 40 / 0 / 5

HEX #9B90F2

RGB 155 144 242

HSL 246.73, 0.79%, 0.76%

LAB 64.42, 26.53, -47.88

 

CMYK 23 / 26 / 0 / 4

HEX #BDB5F6

RGB 189 181 246

HSL 247.38, 0.78%, 0.84%

LAB 76.39, 16.26, -31.21

 

CMYK 12 / 13 / 0 / 2

HEX #DEDBFB

RGB 222 219 251

HSL 245.63, 0.8%, 0.92%

LAB 88.52, 7.09, -15.19

 

CMYK 35 / 40 / 0 / 5

HEX #9D92F3

RGB 157 146 243

HSL 246.8, 0.8%, 0.76%

LAB 65.12, 26.17, -47.33

 

CMYK 0 / 40 / 12 / 5

HEX #F290D5

RGB 242 144 213

HSL 317.76, 0.79%, 0.76%

LAB 71.98, 46.34, -19.5

 

CMYK 28 / 0 / 40 / 5

HEX #AEF290

RGB 174 242 144

HSL 101.63, 0.79%, 0.76%

LAB 89.17, -38.57, 40.62

 

CMYK 35 / 40 / 0 / 5

HEX #9D92F3

RGB 157 146 243

HSL 246.8, 0.8%, 0.76%

LAB 65.12, 26.17, -47.33

 

CMYK 0 / 36 / 40 / 5

HEX #F29A90

RGB 242 154 144

HSL 6.12, 0.79%, 0.76%

LAB 72.23, 31.78, 19.05

 

CMYK 40 / 0 / 36 / 5

HEX #90F29A

RGB 144 242 154

HSL 126.12, 0.79%, 0.76%

LAB 87.86, -46.5, 33.66

 

CMYK 35 / 40 / 0 / 5

HEX #9D92F3

RGB 157 146 243

HSL 246.8, 0.8%, 0.76%

LAB 65.12, 26.17, -47.33

 

CMYK 0 / 40 / 12 / 5

HEX #F290D5

RGB 242 144 213

HSL 317.76, 0.79%, 0.76%

LAB 71.98, 46.34, -19.5

 

CMYK 4 / 0 / 40 / 5

HEX #E8F290

RGB 232 242 144

HSL 66.12, 0.79%, 0.76%

LAB 92.87, -17.6, 46.1

 

CMYK 40 / 0 / 28 / 5

HEX #90F2AE

RGB 144 242 174

HSL 138.37, 0.79%, 0.76%

LAB 88.2, -43.14, 23.98

 

CMYK 35 / 40 / 0 / 5

HEX #9D92F3

RGB 157 146 243

HSL 246.8, 0.8%, 0.76%

LAB 65.12, 26.17, -47.33

 

CMYK 0 / 40 / 24 / 5

HEX #F290B8

RGB 242 144 184

HSL 335.51, 0.79%, 0.76%

LAB 71.07, 41.98, -4.8

 

CMYK 4 / 0 / 40 / 5

HEX #E8F290

RGB 232 242 144

HSL 66.12, 0.79%, 0.76%

LAB 92.87, -17.6, 46.1

 

CMYK 40 / 0 / 16 / 5

HEX #90F2CB

RGB 144 242 203

HSL 156.12, 0.79%, 0.76%

LAB 88.8, -37.53, 9.83

 

Description

Color code: HEX #9D92F3 | qconv.com Color code: HEX #9D92F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 146 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 146 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 40 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 40% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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