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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA596 it is the complementary color #625A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA596 shade: #A2A591, #B3B7A4, #C4C9B7, #D5DBCA and #E6EDDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA596 shade: #9DA596, #8C9383, #7B8170, #6A6F5D and #595D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA596 shade: #9DA596, #A1A596, #A5A596, #A5A196 and #A59D96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA596 shade: #9DA596, #99A596, #96A597, #96A59B and #96A59F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA596 shade matches the following richer shades: #9DA596, #9CB586, #9BC576, #9AD467 and #99E457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA596 shade: #9DA596, #9E96A6, #9F86B5, #A076C5 and #A167D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA596 shade: #A5A596, #A1A596, #9DA596, #99A596 and #96A597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA596 shade: #747E6B, #889280, #9DA596, #B2B8AC and #C7CBC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA596 shade: #9DA596, #96A5A1 and #A596A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA596 shade: #9DA596, #969DA5 and #A5969D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA596 shade: #9DA596, #96A5A1, #9E96A5 and #A5969A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA596 shade: #9DA596, #96A5A5, #9E96A5 and #A59696

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

Complementary color

CMYK 7 / 14 / 0 / 59

HEX #625A69

RGB 98 90 105

HSL 272, 0.08%, 0.38%

LAB 39.46, 6.39, -7.4

 

CMYK 2 / 0 / 12 / 35

HEX #A2A591

RGB 162 165 145

HSL 69, 0.1%, 0.61%

LAB 67, -4.7, 10

 

CMYK 2 / 0 / 10 / 28

HEX #B3B7A4

RGB 179 183 164

HSL 72.63, 0.12%, 0.68%

LAB 73.63, -4.82, 9.18

 

CMYK 2 / 0 / 9 / 21

HEX #C4C9B7

RGB 196 201 183

HSL 76.67, 0.14%, 0.75%

LAB 80.14, -4.93, 8.39

 

CMYK 3 / 0 / 8 / 14

HEX #D5DBCA

RGB 213 219 202

HSL 81.18, 0.19%, 0.83%

LAB 86.54, -5.04, 7.65

 

CMYK 3 / 0 / 7 / 7

HEX #E6EDDD

RGB 230 237 221

HSL 86.25, 0.31%, 0.9%

LAB 92.84, -5.14, 6.93

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 5 / 0 / 11 / 42

HEX #8C9383

RGB 140 147 131

HSL 86.25, 0.07%, 0.55%

LAB 59.96, -5.6, 7.6

 

CMYK 5 / 0 / 13 / 49

HEX #7B8170

RGB 123 129 112

HSL 81.18, 0.07%, 0.47%

LAB 53.04, -5.52, 8.46

 

CMYK 5 / 0 / 16 / 56

HEX #6A6F5D

RGB 106 111 93

HSL 76.67, 0.09%, 0.4%

LAB 45.94, -5.43, 9.39

 

CMYK 4 / 0 / 20 / 64

HEX #595D4A

RGB 89 93 74

HSL 72.63, 0.11%, 0.33%

LAB 38.63, -5.33, 10.41

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 2 / 0 / 9 / 35

HEX #A1A596

RGB 161 165 150

HSL 76, 0.08%, 0.62%

LAB 67.04, -4.2, 7.28

 

CMYK 0 / 0 / 9 / 35

HEX #A5A596

RGB 165 165 150

HSL 60, 0.08%, 0.62%

LAB 67.36, -2.72, 7.77

 

CMYK 0 / 2 / 9 / 35

HEX #A5A196

RGB 165 161 150

HSL 44, 0.08%, 0.62%

LAB 66.28, -0.55, 6.23

 

CMYK 0 / 5 / 9 / 35

HEX #A59D96

RGB 165 157 150

HSL 28, 0.08%, 0.62%

LAB 65.21, 1.65, 4.69

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 7 / 0 / 9 / 35

HEX #99A596

RGB 153 165 150

HSL 108, 0.08%, 0.62%

LAB 66.43, -7.12, 6.32

 

CMYK 9 / 0 / 8 / 35

HEX #96A597

RGB 150 165 151

HSL 124, 0.08%, 0.62%

LAB 66.24, -8.01, 5.45

 

CMYK 9 / 0 / 6 / 35

HEX #96A59B

RGB 150 165 155

HSL 140, 0.08%, 0.62%

LAB 66.34, -7.25, 3.37

 

CMYK 9 / 0 / 4 / 35

HEX #96A59F

RGB 150 165 159

HSL 156, 0.08%, 0.62%

LAB 66.44, -6.47, 1.29

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 14 / 0 / 26 / 29

HEX #9CB586

RGB 156 181 134

HSL 91.91, 0.24%, 0.62%

LAB 70.76, -17.16, 21.19

 

CMYK 21 / 0 / 40 / 23

HEX #9BC576

RGB 155 197 118

HSL 91.9, 0.41%, 0.62%

LAB 74.96, -27.78, 35.16

 

CMYK 27 / 0 / 51 / 17

HEX #9AD467

RGB 154 212 103

HSL 91.93, 0.56%, 0.62%

LAB 79, -36.95, 47.58

 

CMYK 33 / 0 / 62 / 11

HEX #99E457

RGB 153 228 87

HSL 91.91, 0.72%, 0.62%

LAB 83.41, -45.87, 59.8

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 5 / 10 / 0 / 35

HEX #9E96A6

RGB 158 150 166

HSL 270, 0.08%, 0.62%

LAB 63.21, 6.03, -7.32

 

CMYK 12 / 26 / 0 / 29

HEX #9F86B5

RGB 159 134 181

HSL 271.91, 0.24%, 0.62%

LAB 59.67, 18.62, -21.15

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 24 / 52 / 0 / 16

HEX #A167D5

RGB 161 103 213

HSL 271.64, 0.57%, 0.62%

LAB 54.11, 44.01, -47.99

 

CMYK 0 / 0 / 9 / 35

HEX #A5A596

RGB 165 165 150

HSL 60, 0.08%, 0.62%

LAB 67.36, -2.72, 7.77

 

CMYK 2 / 0 / 9 / 35

HEX #A1A596

RGB 161 165 150

HSL 76, 0.08%, 0.62%

LAB 67.04, -4.2, 7.28

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 7 / 0 / 9 / 35

HEX #99A596

RGB 153 165 150

HSL 108, 0.08%, 0.62%

LAB 66.43, -7.12, 6.32

 

CMYK 9 / 0 / 8 / 35

HEX #96A597

RGB 150 165 151

HSL 124, 0.08%, 0.62%

LAB 66.24, -8.01, 5.45

 

CMYK 8 / 0 / 15 / 51

HEX #747E6B

RGB 116 126 107

HSL 91.58, 0.08%, 0.46%

LAB 51.49, -7.46, 9.1

 

CMYK 7 / 0 / 12 / 43

HEX #889280

RGB 136 146 128

HSL 93.33, 0.08%, 0.54%

LAB 59.3, -7.09, 8.31

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 3 / 0 / 7 / 28

HEX #B2B8AC

RGB 178 184 172

HSL 90, 0.08%, 0.7%

LAB 74.01, -4.31, 5.36

 

CMYK 2 / 0 / 4 / 20

HEX #C7CBC2

RGB 199 203 194

HSL 86.67, 0.08%, 0.78%

LAB 81.15, -3, 4

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 9 / 0 / 2 / 35

HEX #96A5A1

RGB 150 165 161

HSL 164, 0.08%, 0.62%

LAB 66.5, -6.07, 0.26

 

CMYK 0 / 9 / 1 / 35

HEX #A596A3

RGB 165 150 163

HSL 308, 0.08%, 0.62%

LAB 63.72, 7.93, -4.8

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 9 / 5 / 0 / 35

HEX #969DA5

RGB 150 157 165

HSL 212, 0.08%, 0.62%

LAB 64.41, -0.87, -5.04

 

CMYK 0 / 9 / 5 / 35

HEX #A5969D

RGB 165 150 157

HSL 332, 0.08%, 0.62%

LAB 63.55, 6.8, -1.67

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 9 / 0 / 2 / 35

HEX #96A5A1

RGB 150 165 161

HSL 164, 0.08%, 0.62%

LAB 66.5, -6.07, 0.26

 

CMYK 4 / 9 / 0 / 35

HEX #9E96A5

RGB 158 150 165

HSL 272, 0.08%, 0.62%

LAB 63.18, 5.83, -6.8

 

CMYK 0 / 9 / 7 / 35

HEX #A5969A

RGB 165 150 154

HSL 344, 0.08%, 0.62%

LAB 63.46, 6.25, -0.1

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 9 / 0 / 0 / 35

HEX #96A5A5

RGB 150 165 165

HSL 180, 0.08%, 0.62%

LAB 66.6, -5.26, -1.81

 

CMYK 4 / 9 / 0 / 35

HEX #9E96A5

RGB 158 150 165

HSL 272, 0.08%, 0.62%

LAB 63.18, 5.83, -6.8

 

CMYK 0 / 9 / 9 / 35

HEX #A59696

RGB 165 150 150

HSL 0, 0.08%, 0.62%

LAB 63.35, 5.53, 2

 

Description

Color code: HEX #9DA596 | qconv.com Color code: HEX #9DA596 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 165 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 165 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 9 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 9% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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