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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A076C5 it is the complementary color #5F893A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A076C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A076C5 shade: #A576C0, #B688D3, #C79AE6, #D8ACF9 and #E9BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A076C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A076C5 shade: #A076C5, #8F64B2, #7E529F, #6D408C and #5C2E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A076C5 shade: #A076C5, #B676C5, #C576C0, #C576AA and #C57695

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A076C5 shade: #A076C5, #8B76C5 and #7676C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A076C5 shade matches the following richer shades: #A076C5, #A166D5, #A257E5 and #A347F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A076C5 shade: #A076C5, #9F86B6, #9E95A6, #9DA596 and #9CB587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A076C5 shade: #7677C5, #8A76C5, #9F76C5, #B476C5 and #C576C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A076C5 shade: #7744A4, #8C59B9, #A076C5, #B493D2 and #C8B0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A076C5 shade: #A076C5, #C5768C and #76C57F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A076C5 shade: #A076C5, #C59F76 and #76C59F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A076C5 shade: #A076C5, #C5768C, #9CC576 and #76C5AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A076C5 shade: #A076C5, #C57776, #9CC576 and #76C4C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

Complementary color

CMYK 31 / 0 / 58 / 46

HEX #5F893A

RGB 95 137 58

HSL 91.9, 0.41%, 0.38%

LAB 52.54, -28.71, 37.21

 

CMYK 14 / 39 / 0 / 25

HEX #A576C0

RGB 165 118 192

HSL 278.11, 0.37%, 0.61%

LAB 56.84, 32.07, -31.72

 

CMYK 14 / 36 / 0 / 17

HEX #B688D3

RGB 182 136 211

HSL 276.8, 0.46%, 0.68%

LAB 63.55, 31.33, -31.89

 

CMYK 13 / 33 / 0 / 10

HEX #C79AE6

RGB 199 154 230

HSL 275.53, 0.6%, 0.75%

LAB 70.15, 30.64, -32.06

 

CMYK 13 / 31 / 0 / 2

HEX #D8ACF9

RGB 216 172 249

HSL 274.29, 0.87%, 0.83%

LAB 76.64, 29.99, -32.24

 

CMYK 9 / 25 / 0 / 0

HEX #E9BEFF

RGB 233 190 255

HSL 279.69, 1%, 0.87%

LAB 82.58, 26.78, -26.22

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 20 / 44 / 0 / 30

HEX #8F64B2

RGB 143 100 178

HSL 273.08, 0.34%, 0.55%

LAB 49.7, 32.49, -35

 

CMYK 21 / 48 / 0 / 38

HEX #7E529F

RGB 126 82 159

HSL 274.29, 0.32%, 0.47%

LAB 42.72, 33.37, -34.92

 

CMYK 22 / 54 / 0 / 45

HEX #6D408C

RGB 109 64 140

HSL 275.53, 0.37%, 0.4%

LAB 35.62, 34.28, -34.82

 

CMYK 24 / 62 / 0 / 53

HEX #5C2E79

RGB 92 46 121

HSL 276.8, 0.45%, 0.33%

LAB 28.41, 35.15, -34.62

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 40 / 3 / 23

HEX #C576C0

RGB 197 118 192

HSL 303.8, 0.41%, 0.62%

LAB 60.46, 42.05, -25.84

 

CMYK 0 / 40 / 14 / 23

HEX #C576AA

RGB 197 118 170

HSL 320.51, 0.41%, 0.62%

LAB 59.64, 38.24, -14.52

 

CMYK 0 / 40 / 24 / 23

HEX #C57695

RGB 197 118 149

HSL 336.46, 0.41%, 0.62%

LAB 58.97, 34.99, -3.44

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 29 / 40 / 0 / 23

HEX #8B76C5

RGB 139 118 197

HSL 255.95, 0.41%, 0.62%

LAB 54.53, 25.5, -38.38

 

CMYK 40 / 40 / 0 / 23

HEX #7676C5

RGB 118 118 197

HSL 240, 0.41%, 0.62%

LAB 52.77, 19.71, -41.26

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 24 / 52 / 0 / 16

HEX #A166D5

RGB 161 102 213

HSL 271.89, 0.57%, 0.62%

LAB 53.9, 44.56, -48.32

 

CMYK 29 / 62 / 0 / 10

HEX #A257E5

RGB 162 87 229

HSL 271.69, 0.73%, 0.62%

LAB 52.01, 56.31, -60.39

 

CMYK 33 / 71 / 0 / 4

HEX #A347F4

RGB 163 71 244

HSL 271.91, 0.89%, 0.62%

LAB 50.48, 67.28, -71.28

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 13 / 26 / 0 / 29

HEX #9F86B6

RGB 159 134 182

HSL 271.25, 0.25%, 0.62%

LAB 59.71, 18.84, -21.66

 

CMYK 5 / 10 / 0 / 35

HEX #9E95A6

RGB 158 149 166

HSL 271.76, 0.09%, 0.62%

LAB 62.94, 6.59, -7.71

 

CMYK 5 / 0 / 9 / 35

HEX #9DA596

RGB 157 165 150

HSL 92, 0.08%, 0.62%

LAB 66.73, -5.67, 6.79

 

CMYK 14 / 0 / 25 / 29

HEX #9CB587

RGB 156 181 135

HSL 92.61, 0.24%, 0.62%

LAB 70.78, -17, 20.67

 

CMYK 40 / 40 / 0 / 23

HEX #7677C5

RGB 118 119 197

HSL 239.24, 0.41%, 0.62%

LAB 53.03, 19.11, -40.85

 

CMYK 30 / 40 / 0 / 23

HEX #8A76C5

RGB 138 118 197

HSL 255.19, 0.41%, 0.62%

LAB 54.44, 25.22, -38.53

 

CMYK 19 / 40 / 0 / 23

HEX #9F76C5

RGB 159 118 197

HSL 271.14, 0.41%, 0.62%

LAB 56.45, 31.37, -35.24

 

CMYK 9 / 40 / 0 / 23

HEX #B476C5

RGB 180 118 197

HSL 287.09, 0.41%, 0.62%

LAB 58.69, 37.74, -31.57

 

CMYK 0 / 40 / 2 / 23

HEX #C576C1

RGB 197 118 193

HSL 303.04, 0.41%, 0.62%

LAB 60.5, 42.23, -26.35

 

CMYK 27 / 59 / 0 / 36

HEX #7744A4

RGB 119 68 164

HSL 271.88, 0.41%, 0.45%

LAB 39.13, 40.58, -43.66

 

CMYK 24 / 52 / 0 / 27

HEX #8C59B9

RGB 140 89 185

HSL 271.88, 0.41%, 0.54%

LAB 47.27, 39.53, -42.94

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 14 / 30 / 0 / 18

HEX #B493D2

RGB 180 147 210

HSL 271.43, 0.41%, 0.7%

LAB 65.92, 24.34, -27.69

 

CMYK 10 / 21 / 0 / 13

HEX #C8B0DE

RGB 200 176 222

HSL 271.3, 0.41%, 0.78%

LAB 75.2, 17.2, -19.94

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 0 / 40 / 29 / 23

HEX #C5768C

RGB 197 118 140

HSL 343.29, 0.41%, 0.62%

LAB 58.71, 33.72, 1.39

 

CMYK 40 / 0 / 36 / 23

HEX #76C57F

RGB 118 197 127

HSL 126.84, 0.41%, 0.62%

LAB 73.1, -38.89, 27.69

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 0 / 19 / 40 / 23

HEX #C59F76

RGB 197 159 118

HSL 31.14, 0.41%, 0.62%

LAB 68, 8.49, 26.71

HEX #C59F76

CMYK 40 / 0 / 19 / 23

HEX #76C59F

RGB 118 197 159

HSL 151.14, 0.41%, 0.62%

LAB 73.73, -32.9, 11.52

HEX #76C59F

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 0 / 40 / 29 / 23

HEX #C5768C

RGB 197 118 140

HSL 343.29, 0.41%, 0.62%

LAB 58.71, 33.72, 1.39

 

CMYK 21 / 0 / 40 / 23

HEX #9CC576

RGB 156 197 118

HSL 91.14, 0.41%, 0.62%

LAB 75.02, -27.42, 35.26

 

CMYK 40 / 0 / 11 / 23

HEX #76C5AF

RGB 118 197 175

HSL 163.29, 0.41%, 0.62%

LAB 74.11, -29.44, 3.41

 

CMYK 19 / 40 / 0 / 23

HEX #A076C5

RGB 160 118 197

HSL 271.9, 0.41%, 0.62%

LAB 56.55, 31.67, -35.07

 

CMYK 0 / 40 / 40 / 23

HEX #C57776

RGB 197 119 118

HSL 0.76, 0.41%, 0.62%

LAB 58.39, 30.4, 13.63

 

CMYK 21 / 0 / 40 / 23

HEX #9CC576

RGB 156 197 118

HSL 91.14, 0.41%, 0.62%

LAB 75.02, -27.42, 35.26

 

CMYK 40 / 1 / 0 / 23

HEX #76C4C5

RGB 118 196 197

HSL 180.76, 0.41%, 0.62%

LAB 74.42, -23.71, -8.07

 

Description

Color code: HEX #A076C5 | qconv.com Color code: HEX #A076C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 118 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 118 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 40 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 40% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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