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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAE41 it is the complementary color #6251BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAE41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAE41 shade: #A2AE3C, #B3C04F, #C4D262, #D5E475 and #E6F688

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAE41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAE41 shade: #9DAE41, #8C9C2E, #7B8A1B, #6A7808 and #596600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAE41 shade: #9DAE40, #AEA240, #AE8440, #AE6640 and #AE4940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAE41 shade: #9DAE40, #80AE40, #62AE40, #44AE40 and #40AE5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAE41 shade matches the following richer shades: #9DAE40, #ABC22D, #B8D519 and #C5E906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAE41 shade: #9DAE40, #909B54, #838867, #75747A and #68618E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAE41 shade: #AE8440, #AEA240, #9EAE40, #81AE40 and #63AE40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAE41 shade: #67722A, #829035, #9DAE40, #B0C157 and #BECC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAE41 shade: #9DAE41, #40AE67 and #9340AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAE41 shade: #9DAE41, #409EAE and #AE409E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAE41 shade: #9DAE41, #40AE67, #5140AE and #AE4088

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAE41 shade: #9DAE41, #40AE88, #5140AE and #AE4067

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 63 / 32

HEX #9DAE41

RGB 157 174 65

HSL 69.36, 0.46%, 0.47%

LAB 67.89, -21.18, 52.28

 

Complementary color

CMYK 48 / 57 / 0 / 25

HEX #6251BE

RGB 98 81 190

HSL 249.36, 0.46%, 0.53%

LAB 41.53, 35.24, -55.27

 

CMYK 7 / 0 / 66 / 32

HEX #A2AE3C

RGB 162 174 60

HSL 66.32, 0.49%, 0.46%

LAB 68.23, -19.42, 54.87

 

CMYK 7 / 0 / 59 / 25

HEX #B3C04F

RGB 179 192 79

HSL 66.9, 0.47%, 0.53%

LAB 74.73, -20, 54.1

 

CMYK 7 / 0 / 53 / 18

HEX #C4D262

RGB 196 210 98

HSL 67.5, 0.55%, 0.6%

LAB 81.13, -20.46, 53.11

 

CMYK 7 / 0 / 49 / 11

HEX #D5E475

RGB 213 228 117

HSL 68.11, 0.67%, 0.68%

LAB 87.44, -20.82, 52.02

 

CMYK 7 / 0 / 45 / 4

HEX #E6F688

RGB 230 246 136

HSL 68.73, 0.86%, 0.75%

LAB 93.67, -21.12, 50.9

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE41

RGB 157 174 65

HSL 69.36, 0.46%, 0.47%

LAB 67.89, -21.18, 52.28

 

CMYK 10 / 0 / 71 / 39

HEX #8C9C2E

RGB 140 156 46

HSL 68.73, 0.54%, 0.4%

LAB 61.26, -20.57, 52.84

 

CMYK 11 / 0 / 80 / 46

HEX #7B8A1B

RGB 123 138 27

HSL 68.11, 0.67%, 0.32%

LAB 54.52, -19.76, 52.68

 

CMYK 12 / 0 / 93 / 53

HEX #6A7808

RGB 106 120 8

HSL 67.5, 0.88%, 0.25%

LAB 47.64, -18.68, 51.06

 

CMYK 13 / 0 / 100 / 60

HEX #596600

RGB 89 102 0

HSL 67.65, 1%, 0.2%

LAB 40.62, -17.23, 46.89

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE40

RGB 157 174 64

HSL 69.27, 0.46%, 0.47%

LAB 67.88, -21.25, 52.71

 

CMYK 0 / 7 / 63 / 32

HEX #AEA240

RGB 174 162 64

HSL 53.45, 0.46%, 0.47%

LAB 65.91, -7.78, 51

 

CMYK 0 / 24 / 63 / 32

HEX #AE8440

RGB 174 132 64

HSL 37.09, 0.46%, 0.47%

LAB 57.91, 8.59, 42.16

 

CMYK 0 / 41 / 63 / 32

HEX #AE6640

RGB 174 102 64

HSL 20.73, 0.46%, 0.47%

LAB 50.54, 25.38, 33.57

 

CMYK 0 / 58 / 63 / 32

HEX #AE4940

RGB 174 73 64

HSL 4.91, 0.46%, 0.47%

LAB 44.42, 40.68, 26.08

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE40

RGB 157 174 64

HSL 69.27, 0.46%, 0.47%

LAB 67.88, -21.25, 52.71

 

CMYK 26 / 0 / 63 / 32

HEX #80AE40

RGB 128 174 64

HSL 85.09, 0.46%, 0.47%

LAB 65.93, -32.94, 50.02

 

CMYK 44 / 0 / 63 / 32

HEX #62AE40

RGB 98 174 64

HSL 101.45, 0.46%, 0.47%

LAB 64.35, -43.61, 47.84

 

CMYK 61 / 0 / 63 / 32

HEX #44AE40

RGB 68 174 64

HSL 117.82, 0.46%, 0.47%

LAB 63.24, -52.06, 46.29

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE40

RGB 157 174 64

HSL 69.27, 0.46%, 0.47%

LAB 67.88, -21.25, 52.71

 

CMYK 12 / 0 / 77 / 24

HEX #ABC22D

RGB 171 194 45

HSL 69.26, 0.62%, 0.47%

LAB 74.46, -26.3, 66.62

 

CMYK 14 / 0 / 88 / 16

HEX #B8D519

RGB 184 213 25

HSL 69.26, 0.79%, 0.47%

LAB 80.65, -30.6, 77.08

 

CMYK 15 / 0 / 97 / 9

HEX #C5E906

RGB 197 233 6

HSL 69.52, 0.95%, 0.47%

LAB 87.08, -34.84, 84.67

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE40

RGB 157 174 64

HSL 69.27, 0.46%, 0.47%

LAB 67.88, -21.25, 52.71

 

CMYK 7 / 0 / 46 / 39

HEX #909B54

RGB 144 155 84

HSL 69.3, 0.3%, 0.47%

LAB 61.66, -15.16, 35.75

 

CMYK 4 / 0 / 24 / 47

HEX #838867

RGB 131 136 103

HSL 69.09, 0.14%, 0.47%

LAB 55.5, -7.77, 17.15

 

CMYK 4 / 5 / 0 / 52

HEX #75747A

RGB 117 116 122

HSL 250, 0.03%, 0.47%

LAB 49.1, 1.62, -3.17

 

CMYK 27 / 32 / 0 / 44

HEX #68618E

RGB 104 97 142

HSL 249.33, 0.19%, 0.47%

LAB 43.43, 13.24, -23.81

 

CMYK 0 / 24 / 63 / 32

HEX #AE8440

RGB 174 132 64

HSL 37.09, 0.46%, 0.47%

LAB 57.91, 8.59, 42.16

 

CMYK 0 / 7 / 63 / 32

HEX #AEA240

RGB 174 162 64

HSL 53.45, 0.46%, 0.47%

LAB 65.91, -7.78, 51

 

CMYK 9 / 0 / 63 / 32

HEX #9EAE40

RGB 158 174 64

HSL 68.73, 0.46%, 0.47%

LAB 67.96, -20.83, 52.81

 

CMYK 26 / 0 / 63 / 32

HEX #81AE40

RGB 129 174 64

HSL 84.55, 0.46%, 0.47%

LAB 65.99, -32.55, 50.11

 

CMYK 43 / 0 / 63 / 32

HEX #63AE40

RGB 99 174 64

HSL 100.91, 0.46%, 0.47%

LAB 64.4, -43.29, 47.91

 

CMYK 10 / 0 / 63 / 55

HEX #67722A

RGB 103 114 42

HSL 69.17, 0.46%, 0.31%

LAB 45.75, -15.13, 37.48

 

CMYK 10 / 0 / 63 / 44

HEX #829035

RGB 130 144 53

HSL 69.23, 0.46%, 0.39%

LAB 57.03, -18.26, 45.26

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE40

RGB 157 174 64

HSL 69.27, 0.46%, 0.47%

LAB 67.88, -21.25, 52.71

 

CMYK 9 / 0 / 55 / 24

HEX #B0C157

RGB 176 193 87

HSL 69.62, 0.46%, 0.55%

LAB 74.86, -21.07, 50.56

 

CMYK 7 / 0 / 43 / 20

HEX #BECC75

RGB 190 204 117

HSL 69.66, 0.46%, 0.63%

LAB 79.28, -18.02, 41.65

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE41

RGB 157 174 65

HSL 69.36, 0.46%, 0.47%

LAB 67.89, -21.18, 52.28

 

CMYK 63 / 0 / 41 / 32

HEX #40AE67

RGB 64 174 103

HSL 141.27, 0.46%, 0.47%

LAB 63.62, -47.31, 27.44

 

CMYK 16 / 63 / 0 / 32

HEX #9340AE

RGB 147 64 174

HSL 285.27, 0.46%, 0.47%

LAB 42.65, 51.87, -43.78

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE41

RGB 157 174 65

HSL 69.36, 0.46%, 0.47%

LAB 67.89, -21.18, 52.28

 

CMYK 63 / 9 / 0 / 32

HEX #409EAE

RGB 64 158 174

HSL 188.73, 0.46%, 0.47%

LAB 60.43, -22.52, -16.55

 

CMYK 0 / 63 / 9 / 32

HEX #AE409E

RGB 174 64 158

HSL 308.73, 0.46%, 0.47%

LAB 45.82, 55.86, -29.01

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE41

RGB 157 174 65

HSL 69.36, 0.46%, 0.47%

LAB 67.89, -21.18, 52.28

 

CMYK 63 / 0 / 41 / 32

HEX #40AE67

RGB 64 174 103

HSL 141.27, 0.46%, 0.47%

LAB 63.62, -47.31, 27.44

 

CMYK 53 / 63 / 0 / 32

HEX #5140AE

RGB 81 64 174

HSL 249.27, 0.46%, 0.47%

LAB 34.95, 37.13, -56.58

 

CMYK 0 / 63 / 22 / 32

HEX #AE4088

RGB 174 64 136

HSL 320.73, 0.46%, 0.47%

LAB 44.86, 52.52, -17.26

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE41

RGB 157 174 65

HSL 69.36, 0.46%, 0.47%

LAB 67.89, -21.18, 52.28

 

CMYK 63 / 0 / 22 / 32

HEX #40AE88

RGB 64 174 136

HSL 159.27, 0.46%, 0.47%

LAB 64.27, -40.44, 10.4

 

CMYK 53 / 63 / 0 / 32

HEX #5140AE

RGB 81 64 174

HSL 249.27, 0.46%, 0.47%

LAB 34.95, 37.13, -56.58

 

CMYK 0 / 63 / 41 / 32

HEX #AE4067

RGB 174 64 103

HSL 338.73, 0.46%, 0.47%

LAB 43.72, 48.36, 1.26

 

Description

Color code: HEX #9DAE41 | qconv.com Color code: HEX #9DAE41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 174 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 174 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 63 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 63% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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