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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DC340 it is the complementary color #623CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DC340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DC340 shade: #A2C33B, #B3D54E, #C4E761, #D5F974 and #E6FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DC340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DC340 shade: #9DC340, #8CB12D, #7B9F1A, #6A8D07 and #597B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DC340 shade: #9DC341, #C0C341, #C3A241, #C37F41 and #C35C41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DC340 shade: #9DC341, #7AC341, #57C341, #41C34D and #41C370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DC340 shade matches the following richer shades: #9DC341, #A5D72C and #AEEB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DC340 shade: #9DC341, #94AE55, #8C9A69, #83867D and #7B7291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DC340 shade: #C3A241, #C0C341, #9EC341, #7BC341 and #58C341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DC340 shade: #6C862A, #85A634, #9DC341, #ADCC60 and #BDD67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DC340 shade: #9DC340, #41C37F and #B341C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DC340 shade: #9DC340, #419EC3 and #C3419E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DC340 shade: #9DC340, #41C37F, #6541C3 and #C34184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DC340 shade: #9DC340, #41C3A6, #6541C3 and #C3415D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 67 / 24

HEX #9DC340

RGB 157 195 64

HSL 77.4, 0.52%, 0.51%

LAB 73.91, -31.42, 59.06

 

Complementary color

CMYK 49 / 69 / 0 / 25

HEX #623CBF

RGB 98 60 191

HSL 257.4, 0.52%, 0.49%

LAB 37.1, 47.54, -63.06

 

CMYK 17 / 0 / 70 / 24

HEX #A2C33B

RGB 162 195 59

HSL 74.56, 0.54%, 0.5%

LAB 74.21, -29.74, 61.38

 

CMYK 16 / 0 / 63 / 16

HEX #B3D54E

RGB 179 213 78

HSL 75.11, 0.62%, 0.57%

LAB 80.58, -30.23, 60.89

 

CMYK 15 / 0 / 58 / 9

HEX #C4E761

RGB 196 231 97

HSL 75.67, 0.74%, 0.64%

LAB 86.87, -30.59, 60.09

 

CMYK 14 / 0 / 53 / 2

HEX #D5F974

RGB 213 249 116

HSL 76.24, 0.92%, 0.72%

LAB 93.08, -30.88, 59.14

 

CMYK 10 / 0 / 47 / 0

HEX #E6FF87

RGB 230 255 135

HSL 72.5, 1%, 0.76%

LAB 96.04, -25.5, 54.26

 

CMYK 19 / 0 / 67 / 24

HEX #9DC340

RGB 157 195 64

HSL 77.4, 0.52%, 0.51%

LAB 73.91, -31.42, 59.06

 

CMYK 21 / 0 / 75 / 31

HEX #8CB12D

RGB 140 177 45

HSL 76.82, 0.59%, 0.44%

LAB 67.43, -30.9, 59.25

 

CMYK 23 / 0 / 84 / 38

HEX #7B9F1A

RGB 123 159 26

HSL 76.24, 0.72%, 0.36%

LAB 60.85, -30.18, 58.59

 

CMYK 25 / 0 / 95 / 45

HEX #6A8D07

RGB 106 141 7

HSL 75.67, 0.91%, 0.29%

LAB 54.16, -29.22, 56.46

 

CMYK 28 / 0 / 100 / 52

HEX #597B00

RGB 89 123 0

HSL 76.59, 1%, 0.24%

LAB 47.35, -27.92, 51.98

 

CMYK 19 / 0 / 67 / 24

HEX #9DC341

RGB 157 195 65

HSL 77.54, 0.52%, 0.51%

LAB 73.92, -31.36, 58.67

 

CMYK 2 / 0 / 67 / 24

HEX #C0C341

RGB 192 195 65

HSL 61.38, 0.52%, 0.51%

LAB 76.45, -17.02, 62.07

 

CMYK 0 / 17 / 67 / 24

HEX #C3A241

RGB 195 162 65

HSL 44.77, 0.52%, 0.51%

LAB 67.89, 1.43, 53.26

 

CMYK 0 / 35 / 67 / 24

HEX #C37F41

RGB 195 127 65

HSL 28.62, 0.52%, 0.51%

LAB 59.12, 20.54, 43.69

 

CMYK 0 / 53 / 67 / 24

HEX #C35C41

RGB 195 92 65

HSL 12.46, 0.52%, 0.51%

LAB 51.43, 39.22, 34.8

 

CMYK 19 / 0 / 67 / 24

HEX #9DC341

RGB 157 195 65

HSL 77.54, 0.52%, 0.51%

LAB 73.92, -31.36, 58.67

 

CMYK 37 / 0 / 67 / 24

HEX #7AC341

RGB 122 195 65

HSL 93.69, 0.52%, 0.51%

LAB 71.93, -44.35, 55.96

 

CMYK 55 / 0 / 67 / 24

HEX #57C341

RGB 87 195 65

HSL 109.85, 0.52%, 0.51%

LAB 70.48, -54.99, 53.99

 

CMYK 67 / 0 / 61 / 24

HEX #41C34D

RGB 65 195 77

HSL 125.54, 0.52%, 0.51%

LAB 69.96, -58.77, 48.08

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 19 / 0 / 67 / 24

HEX #9DC341

RGB 157 195 65

HSL 77.54, 0.52%, 0.51%

LAB 73.92, -31.36, 58.67

 

CMYK 23 / 0 / 80 / 16

HEX #A5D72C

RGB 165 215 44

HSL 77.54, 0.68%, 0.51%

LAB 80.06, -38.5, 71.85

 

CMYK 26 / 0 / 90 / 8

HEX #AEEB18

RGB 174 235 24

HSL 77.35, 0.84%, 0.51%

LAB 86.25, -44.41, 81.51

 

CMYK 19 / 0 / 67 / 24

HEX #9DC341

RGB 157 195 65

HSL 77.54, 0.52%, 0.51%

LAB 73.92, -31.36, 58.67

 

CMYK 15 / 0 / 51 / 32

HEX #94AE55

RGB 148 174 85

HSL 77.53, 0.35%, 0.51%

LAB 67.44, -23.11, 42.32

 

CMYK 9 / 0 / 32 / 40

HEX #8C9A69

RGB 140 154 105

HSL 77.14, 0.2%, 0.51%

LAB 61.4, -13.6, 24.12

 

CMYK 2 / 0 / 7 / 47

HEX #83867D

RGB 131 134 125

HSL 80, 0.04%, 0.51%

LAB 55.44, -2.86, 4.45

 

CMYK 15 / 21 / 0 / 43

HEX #7B7291

RGB 123 114 145

HSL 257.42, 0.12%, 0.51%

LAB 49.85, 10.05, -15.6

 

CMYK 0 / 17 / 67 / 24

HEX #C3A241

RGB 195 162 65

HSL 44.77, 0.52%, 0.51%

LAB 67.89, 1.43, 53.26

 

CMYK 2 / 0 / 67 / 24

HEX #C0C341

RGB 192 195 65

HSL 61.38, 0.52%, 0.51%

LAB 76.45, -17.02, 62.07

 

CMYK 19 / 0 / 67 / 24

HEX #9EC341

RGB 158 195 65

HSL 77.08, 0.52%, 0.51%

LAB 73.99, -30.96, 58.76

 

CMYK 37 / 0 / 67 / 24

HEX #7BC341

RGB 123 195 65

HSL 93.23, 0.52%, 0.51%

LAB 71.98, -44.01, 56.03

 

CMYK 55 / 0 / 67 / 24

HEX #58C341

RGB 88 195 65

HSL 109.38, 0.52%, 0.51%

LAB 70.52, -54.73, 54.03

 

CMYK 19 / 0 / 69 / 47

HEX #6C862A

RGB 108 134 42

HSL 76.96, 0.52%, 0.35%

LAB 52.29, -23.4, 44.58

 

CMYK 20 / 0 / 69 / 35

HEX #85A634

RGB 133 166 52

HSL 77.37, 0.52%, 0.43%

LAB 63.76, -28.07, 52.84

 

CMYK 19 / 0 / 67 / 24

HEX #9DC341

RGB 157 195 65

HSL 77.54, 0.52%, 0.51%

LAB 73.92, -31.36, 58.67

 

CMYK 15 / 0 / 53 / 20

HEX #ADCC60

RGB 173 204 96

HSL 77.22, 0.51%, 0.59%

LAB 77.82, -26.82, 49.77

 

CMYK 12 / 0 / 41 / 16

HEX #BDD67F

RGB 189 214 127

HSL 77.24, 0.51%, 0.67%

LAB 82.08, -22.21, 40.17

 

CMYK 19 / 0 / 67 / 24

HEX #9DC340

RGB 157 195 64

HSL 77.4, 0.52%, 0.51%

LAB 73.91, -31.42, 59.06

 

CMYK 67 / 0 / 35 / 24

HEX #41C37F

RGB 65 195 127

HSL 148.62, 0.52%, 0.51%

LAB 70.65, -50.92, 24.1

 

CMYK 8 / 67 / 0 / 24

HEX #B341C3

RGB 179 65 195

HSL 292.62, 0.52%, 0.51%

LAB 48.64, 63.05, -46.24

 

CMYK 19 / 0 / 67 / 24

HEX #9DC340

RGB 157 195 64

HSL 77.4, 0.52%, 0.51%

LAB 73.91, -31.42, 59.06

 

CMYK 67 / 19 / 0 / 24

HEX #419EC3

RGB 65 158 195

HSL 197.08, 0.52%, 0.51%

LAB 61.24, -15.76, -27.12

 

CMYK 0 / 67 / 19 / 24

HEX #C3419E

RGB 195 65 158

HSL 317.08, 0.52%, 0.51%

LAB 49.32, 61.03, -23.32

 

CMYK 19 / 0 / 67 / 24

HEX #9DC340

RGB 157 195 64

HSL 77.4, 0.52%, 0.51%

LAB 73.91, -31.42, 59.06

 

CMYK 67 / 0 / 35 / 24

HEX #41C37F

RGB 65 195 127

HSL 148.62, 0.52%, 0.51%

LAB 70.65, -50.92, 24.1

 

CMYK 48 / 67 / 0 / 24

HEX #6541C3

RGB 101 65 195

HSL 256.62, 0.52%, 0.51%

LAB 38.7, 46.51, -62.76

 

CMYK 0 / 67 / 32 / 24

HEX #C34184

RGB 195 65 132

HSL 329.08, 0.52%, 0.51%

LAB 48.32, 57.65, -9.27

 

CMYK 19 / 0 / 67 / 24

HEX #9DC340

RGB 157 195 64

HSL 77.4, 0.52%, 0.51%

LAB 73.91, -31.42, 59.06

 

CMYK 67 / 0 / 15 / 24

HEX #41C3A6

RGB 65 195 166

HSL 166.62, 0.52%, 0.51%

LAB 71.49, -42.15, 4.28

 

CMYK 48 / 67 / 0 / 24

HEX #6541C3

RGB 101 65 195

HSL 256.62, 0.52%, 0.51%

LAB 38.7, 46.51, -62.76

 

CMYK 0 / 67 / 52 / 24

HEX #C3415D

RGB 195 65 93

HSL 347.08, 0.52%, 0.51%

LAB 47.2, 53.7, 12.84

 

Description

Color code: HEX #9DC340 | qconv.com Color code: HEX #9DC340 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 195 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 195 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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